Book contents
- South Africa, Greece, Rome
- Frontispiece
- South Africa, Greece, Rome
- Copyright page
- Contents
- Plates
- Illustrations
- Contributors
- Preface
- Part I Prologue
- Part II Conceiving Empire
- Part III Conceiving the Nation
- Part IV Law, Virtue and Truth-Telling
- Part V Cultures of Collecting
- Part VI Boundary Crossers
- Part VII After Apartheid
- 16 Bacchus at Kirstenbosch: Reflections of a Play Director
- 17 The Reception of the Electra Myth in Yaël Farber’s Molora
- 18 Classical Heritage? By Way of an Afterword
- Bibliography
- Index
16 - Bacchus at Kirstenbosch: Reflections of a Play Director
from Part VII - After Apartheid
Published online by Cambridge University Press: 28 September 2017
- South Africa, Greece, Rome
- Frontispiece
- South Africa, Greece, Rome
- Copyright page
- Contents
- Plates
- Illustrations
- Contributors
- Preface
- Part I Prologue
- Part II Conceiving Empire
- Part III Conceiving the Nation
- Part IV Law, Virtue and Truth-Telling
- Part V Cultures of Collecting
- Part VI Boundary Crossers
- Part VII After Apartheid
- 16 Bacchus at Kirstenbosch: Reflections of a Play Director
- 17 The Reception of the Electra Myth in Yaël Farber’s Molora
- 18 Classical Heritage? By Way of an Afterword
- Bibliography
- Index
Summary
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- Chapter
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- South Africa, Greece, RomeClassical Confrontations, pp. 443 - 444Publisher: Cambridge University PressPrint publication year: 2017