Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Introduction
- 204 English-Speaking Audiences: Sixteenth and Seventeenth Centuries
- 205 English-Speaking Audiences: Restoration and Eighteenth Century
- 206 English-Speaking Audiences: Nineteenth Century
- 207 English-Speaking Audiences: Twentieth Century
- 208 Shakespeare for Soldiers and Seniors
- 209 Shakespearean Players in Early Modern Europe
- 210 Diversely Abled Audiences
- 211 Audiences at the Old Globe and the New
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
209 - Shakespearean Players in Early Modern Europe
from Part XXI - Audiences
Published online by Cambridge University Press: 17 August 2019
Edited by
Edited in association with
Book contents
- The Cambridge Guide to the Worlds of Shakespeare
- Frontispiece
- Frontispiece
- The Cambridge Guide to the Worlds of Shakespeare
- Worlds of Shakespeare
- Copyright page
- Contents
- Illustrations
- Contributors
- Preface
- Acknowledgments
- Abbreviations
- Part I Mapping Shakespeare’s World
- Part II Theater
- Part III Language
- Part IV Science and Technology
- Part V Printing, Publishing, Textuality
- Part VI Visual Arts
- Part VII Popular Culture
- Part VIII High Culture
- Part IX England, 1560–1650
- Part X Religion
- Part XI Medicine
- Part XII The Historical William Shakespeare
- Part XIII Shakespeare’s Fellows
- Part XIV Shakespeare’s Early Reception (to 1660)
- Part XV International Encounters
- Part XVI Making the Scene
- Part XVII Shakespeare as Cultural Icon
- Part XVIII Shakespeare and Popular Culture
- Part XIX Translation
- Part XX Changing Technologies of Stage Performance
- Part XXI Audiences
- Introduction
- 204 English-Speaking Audiences: Sixteenth and Seventeenth Centuries
- 205 English-Speaking Audiences: Restoration and Eighteenth Century
- 206 English-Speaking Audiences: Nineteenth Century
- 207 English-Speaking Audiences: Twentieth Century
- 208 Shakespeare for Soldiers and Seniors
- 209 Shakespearean Players in Early Modern Europe
- 210 Diversely Abled Audiences
- 211 Audiences at the Old Globe and the New
- Part XXII Production History
- Part XXIII Printing and Reception History
- Part XXIV Shakespeare and the Book
- Part XXV Shakespeare and the Critics
- Part XXVI Shakespeare and the Performing Arts
- Part XXVII Shakespeare and the Visual Arts
- Part XXVIII Shakespeare and Media History
- Index
- References
Summary
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Keywords
The Bird in a CageBrowne, RobertBryan, GeorgeDekker, ThomasDresdenEarl of LeicesterElsinoreEngelische Comedien und TragedienEnglish playersFortunatusFriar Bacon and Friar BungayGettner, Johann GeorgGrazGreen, JohnGreene, RobertGryphius, AndreasHamletDuke Heinrich Julius of Braunschweig-LüneburgHeywood, ThomasHoghton, Alexander and ThomasJames I of England (James VI of Scotland)Jesuit dramaJohannes Doktor FaustKemp, WilliamKing Henry VKing’s MenKrumlov, ČeskýLeipzigLeo Armenius (1648)Leo Armenius (1650)Liebeskampff, oder Ander Theil Der Engelischen Comoedien und TragoedienLondonLord Admiral’s MenMarlowe, ChristopherMassinger, PhilipThe Merchant of VeniceMiddleton, ThomasMinstrelsMucedorusmusiciansmystery playsNyköpingThe Old Law or A New Way to Please YouPickelheringPloughman king legendsPope, ThomasPrague defenestrationpuppetryQueen’s MenRecords of Early English Drama (REED)Reynolds, RobertA Rod for Run-awaysRomeo and JulietRowley, WilliamThe Run-Away’s AnswerSachs, HansSaint DorotheaSaints’ playsSchilling, JohannShirley, JamesThe Shoemakers’ HolidaySimons, Joseph (or Simeons)Thirty Years’ WarTitus AndronicusThe Two Gentlemen of Veronavagrantsvagrancy lawsThe Virgin MartyrThe Winter’s TaleWolfenbüttel
- Type
- Chapter
- Information
- The Cambridge Guide to the Worlds of Shakespeare , pp. 1527 - 1533Publisher: Cambridge University PressPrint publication year: 2016
References
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