Skip to main content Accessibility help
×
Hostname: page-component-84b7d79bbc-dwq4g Total loading time: 0 Render date: 2024-07-29T12:13:49.406Z Has data issue: false hasContentIssue false

References

Published online by Cambridge University Press:  05 June 2015

Thomas E. Jenkins
Affiliation:
Trinity University, Texas
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Antiquity Now
The Classical World in the Contemporary American Imagination
, pp. 229 - 240
Publisher: Cambridge University Press
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Alfaro, Luis (2006) “Electricidad: A Chicano Take on the Tragedy of ‘Electra.’American Theatre 23: 6385.Google Scholar
Alfaro, Luis (2011). Oedipus El Rey. Washington, DC: Woolly Mammoth Theater Company.Google Scholar
Alfaro, Luis (2013) Bruja. Unpublished.Google Scholar
Allan, William (2002) Euripides: Medea. London: Duckworth.Google Scholar
Allan, William (2008) Euripides: Helen. Cambridge. Cambridge University Press.Google Scholar
Alvarez, R. (2009) The Wire: Truth Be Told. New York: Grove Press.Google Scholar
Anderson, Elijah (1999). Code of the Street: Decency, Violence, and the Moral Life of the Inner City. New York: W. W. NortonGoogle Scholar
Armstrong, David (1989) Horace. New Haven, CT: Yale University Press.Google Scholar
Armstrong, R. H. (2005) A Compulsion for Antiquity: Freud and the Ancient World. Ithaca, NY: Cornell University Press.Google Scholar
Bakhtin, M. M. (1968) Rabelais and his World. Cambridge, MA: MIT Press.Google Scholar
Barrett, W. S. (1964) Hippolytus. Oxford: Clarendon Press.Google Scholar
Barrow, Rosemary (2000) “‘Mad about the boy’: Mythological models and Victorian painting.” Dialogus. Hellenic Studies Review 7: 124–42.Google Scholar
Bartel, Heike and Simon, Anne (2010) Unbinding Medea: Interdisciplinary Approaches to a Classical Myth from Antiquity to the 21st Century. Oxford: Legenda.Google Scholar
Baswell, Christopher (1995) Virgil in Medieval England: Figuring the Aeneid from the Twelfth Century to Chaucer. Cambridge: Cambridge University Press.Google Scholar
Behlman, Lee (2003) “From ancient to Victorian cultural studies: Assessing Foucault.” Victorian Poetry 41: 453–63.CrossRefGoogle Scholar
Berkoff, S. (1983). Decadence; and, Greek. London: J. Calder.Google Scholar
Berlioz, Hector (1966). Memoirs. Trans. Rachel, and Holmes, Eleanor, revised Newman, Ernest. New York: Dover.Google Scholar
Bernal, M. (1987) Black Athena: The Afroasiatic Roots of Classical Civilization. New Brunswick, NJ: Rutgers University Press.Google Scholar
Bloom, Allan (1987) The Closing of the American Mind. New York: Simon & Schuster.Google Scholar
Bowersock, G. W. (1994) Fiction as History: Nero to Julian. Berkeley, CA: University of California Press.Google Scholar
Braund, Susanna (2012) “‘We're here too, the ones without names.’ A study of female voices as imagined by Margaret Atwood, Carol Ann Duffy, and Marguerite Yourcenar.” Classical Receptions Journal 4 (2): 190208.CrossRefGoogle Scholar
Bravmann, Scott (1997) Queer Fictions of the Past: History, Culture and Difference. Cambridge: Cambridge University Press.Google Scholar
Broadhead, H. D. (1960) The Persae of Aeschylus. Cambridge: Cambridge University Press.Google Scholar
Cahill, Thomas (2003) Sailing the Wine-dark Sea: Why the Greeks Matter. New York: Doubleday.Google Scholar
Cairns, Francis (1989) Virgil's Augustan Epic. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
Caldwell, Tanya M. (2008). Virgil Made English: The Decline of Classical Authority. New York: Palgrave.CrossRefGoogle Scholar
Calimach, Andrew (2002) Lovers’ Legends: The Gay Greek Myths. New Rochelle, NY: Haiduk Press.Google Scholar
Chantraine, Pierre (1968–1980) Dictionnaire étymologique de la langue grecque. Paris: Klincksieck.Google Scholar
Chapman, John Jay (1931) Lucian, Plato, and Greek Morals. Boston, MA: Houghton Mifflin.Google Scholar
Conte, Gian Biago (1994) Latin Literature. A History. Trans. Solodow, Joseph B., revised by Fowler, Don and Most, Glenn W.. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Cook, Erwin (2009) “Active and passive heroics in the Odyssey.” In Oxford Readings in the ‘Odyssey,’ ed. Doherty, L.. Oxford: Oxford University Press. Pp. 111–34.Google Scholar
Cyrino, M. S. (2005) Big Screen Rome. Malden, MA: Blackwell.Google Scholar
Dale, A. M. (1967) Helen. Oxford: Clarendon Press.Google Scholar
Davidson, James (2007) The Greeks and Greek Love: A Radical Reappraisal of Homosexuality in Ancient Greece. London: Weidenfeld & Nicolson.Google Scholar
D'Emelio, John (1983) Sexual Politics, Sexual Communities: The Making of a Homosexual Minority in the United States, 1940–1970. Chicago, IL: University of Chicago Press.Google Scholar
Demetriou, Kyriacos N. (2001) “Historians on Macedonian imperialism and Alexander the Great.” Journal of Modern Greek Studies 19: 2360.CrossRefGoogle Scholar
DeNicola, D. (1999) Orpheus & Company: Contemporary Poems on Greek Mythology. Hanover, NH: University Press of New England.Google Scholar
Denton, Martin (2006) Playing with Canons: Explosive New Works from Great Literature by America's Indie Playwrights. New York: The New York Theatre Experience, Inc.Google Scholar
Derrida, Jacques (1985) Margins of Philosophy. Trans. Bass, Alan. Chicago, IL: University of Chicago Press.Google Scholar
Devereux, George (1967) “Greek pseudo-homosexuality and the ‘Greek Miracle.’Symbolae Osloenses 42: 6992.CrossRefGoogle Scholar
Devereux, George (1970) “The nature of Sappho's seizure in Fr. 31 LP as evidence of her inversion.” The Classical Quarterly NS 20, No. (1): 1731.CrossRefGoogle ScholarPubMed
Devereux, George (1985) The Character of the Euripidean Hippolytus: An Ethno-psychoanalytical Study. Chico, CA: Scholars Press.Google Scholar
DiLullo, Tara (2007) 300: The Art of the Film. Milwaukie, OR: Dark Horse Comics.Google Scholar
Dodds, E. R. (1960) Euripides. Bacchae, 2nd edn. Oxford: Oxford University Press.Google Scholar
Dodds, E. R. (1966) “On misunderstanding the ‘Oedipus Rex’.” Greece & Rome Second Series 13(1): 3749.CrossRefGoogle Scholar
Drake, Robert (1998) The Gay Canon: Great Books Every Gay Man Should Read. New York: Anchor Books.Google Scholar
Driver, Susan (2007) Queer Girls and Popular Culture: Reading, Resisting, and Creating Media. New York: Peter Lang.Google Scholar
Duckworth, George Eckel (1994) The Nature of Roman Comedy: A Study in Popular Entertainment, 2nd edn. Norman, OK: University of Oklahoma Press.Google Scholar
Dué, Casey (2006) The Captive Woman's Lament in Greek Tragedy. Austin, TX: University of Texas Press.Google Scholar
Dutch, Dorota (2010) “From hip hop to Homer: Practicing translation in central Los Angeles.” Classical World 103(2): 246–50.Google Scholar
Dyson, Julia T. (1999) “Lilies and violence: Lavinia's blush in the Song of Orpheus,” Classical Philology 94(3): 281–8.CrossRefGoogle Scholar
Eagleton, T. (2011). Why Marx Was Right. New Haven, CT: Yale University Press.Google Scholar
Ebbott, Mary (2000) “The List of the War Dead in Aeschylus’ Persians.” Harvard Studies in Classical Philology 100: 8396.CrossRefGoogle Scholar
Eco, Umberto (1986) Travels in Hyperreality. San Diego, CA: Harvest Books.Google Scholar
Eisner, Robert (1987) The Road to Daulis: Psychoanalysis, Psychology, and Classical Mythology. Syracuse, NY: Syracuse University Press.Google Scholar
Eliot, T. S. (1975, orig. 1944) “What Is a Classic?” Selected Prose of T.S. Eliot. Diego, San, CA: Harvest Books. Pp. 115–31.Google Scholar
Fagles, Robert (2006) The Aeneid. New York: Viking.Google Scholar
Fairey, Emily (2011) “Persians in Frank Miller's 300 and Greek vase painting.” In Classics and Comics, eds. Kovacs, George and Marshall, C. W.. Oxford: Oxford University Press. Pp. 158–72.Google Scholar
Fantham, Elaine (1979) “Ovid's Ceyx and Alcyone: The metamorphosis of a myth.” Phoenix 33(4): 330–45.CrossRefGoogle Scholar
Faraone, Christopher A. (1999) Ancient Greek Love Magic. Cambridge, MA: Harvard University Press.CrossRefGoogle Scholar
Farrell, Joseph (2002) “‘Metamorphoses’: A play by Mary Zimmerman.” American Journal of Philology 123(4): 623–7.CrossRefGoogle Scholar
Feldman, Allen (2001) “Philoktetes revisited: White public space and the political geography of public safety.” Social Text 68 19(3): 5789.CrossRefGoogle Scholar
Fentress, James and Fentress, Elizabeth (2001) “'The hole in the doughnut,’ a review of The Corrupting Sea: A Study of Mediterranean History by Peregrine Horden and Nicholas Purcell.” Past and Present 173: 203–19.Google Scholar
Fleischman, Paul, Frankfeldt, Gwen, and Morrow, Glenn (2006) Dateline: Troy, 2nd edn. Cambridge, MA: Candlewick..Google Scholar
Foley, Helene (1994) The Homeric Hymn to Demeter: Translation, Commentary, and Interpretative Essays. Princeton, NJ: Princeton University Press.CrossRefGoogle Scholar
Foley, Helene (2012) Re-imagining Greek Tragedy on the American Stage. Berkeley, CA: University of California Press.Google Scholar
Fordyce, C. J. (1961) Catullus. A Commentary. Oxford: Oxford University Press.Google Scholar
Formicula, Crescenzo (2006) “Dark visibility: Lavinia in the Aeneid.” Vergilius 52: 7695.Google Scholar
Foucault, Michel (1979) Discipline and Punish: The Birth of the Prison. Trans. Sheridan, Alan. New York: Vintage.Google Scholar
Foucault, M. (1980) The History of Sexuality, vol. 1, An Introduction. Trans. Hurley, Robert. New York: Vintage.Google Scholar
Fowler, D. P. (1992) “Postscript: Images of Horace in twentieth-century scholarship.” In Horace Made New, eds. Hopkins, David and Martindale, Charles. Cambridge: Cambridge University Press. Pp. 268–76.Google Scholar
Frank, Richard I. (1975) “Augustus’ legislation on marriage and children.” California Studies in Classical Antiquity.8: 4152.CrossRefGoogle Scholar
Frank, Thomas (2005) What's the Matter with Kansas? Dumfries, NC: Holt McDougal.Google Scholar
Freud, Sigmund (1967) The Interpretation of Dreams. Trans. Strachey, James. New York: Basic Books.Google Scholar
Fulkerson, Laurel (2002) “Epic ways of killing a woman: Gender and transgression in Odyssey 22.465–72.” The Classical Journal 97(4): 335–50.Google Scholar
Gagarin, M. (1976). Æschylean Drama. Berkeley, CA: University of California Press.CrossRefGoogle Scholar
Galinsky, Karl (1996) Augustan Culture: An Interpretive Introduction. Princeton, NJ: Princeton University Press.Google Scholar
Gantz, Timothy (1993) Early Greek Myth: A Guide to Literary and Artistic Sources. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Garwood, Deborah (2003) “Myth as public dream: The metamorphosis of Mary Zimmerman's Metamorphoses.” PAJ: A Journal of Performance and Art 25(1): 6978.Google Scholar
Gide, André (1925, 1983) Corydon. Trans. Howard, Richard. New York: Farrar, Straus, & Giroux.Google Scholar
Gildenhard, Ingo (2007) Paideia Romana: Cicero's Tusculan Disputations. Cambridge: Cambridge Philological Society.Google Scholar
Goldhill, S. (2002). Who Needs Greek? Contests in the Cultural History of Hellenism. Cambridge: Cambridge University Press.Google Scholar
Goldhill, S. (2006) “The touch of Sappho.” In Classics and the Uses of Reception, eds. Martindale, Charles and Thomas, Richard F.. Oxford: Blackwell. Pp. 250–73.Google Scholar
Golding, William (1961) The Hot Gates and other Occasional Pieces. New York:Harcourt, Brace.Google Scholar
Graf, Fritz (1997) Magic in the Ancient World. Trans. Philip, F.. Cambridge, MA: Harvard University Press.Google Scholar
Gratwick, A. S. (1993). Menaechmi. Cambridge: Cambridge University Press.Google Scholar
Gresseth, Gerald K. (1964) “The myth of Alcyone.” Transactions and Proceedings of the American Philological Association 95: 8898.CrossRefGoogle Scholar
Griffith, M. (1977). The Authenticity of “Prometheus Bound.” Cambridge: Cambridge University Press.Google Scholar
Gruen, Erich S. (2011) Rethinking the Other in Antiquity. Princeton, NJ: Princeton University Press.Google Scholar
Hall, Edith (1989) Inventing the Barbarian. Oxford: Oxford University Press.Google Scholar
Hall, Edith (2002) “Tony Harrison's ‘Prometheus’: A view from the left.” Arion 10: 129–40.Google Scholar
Halleran, M. R. (1995). Hippolytus. Warminster, UK: Aris & Phillips.Google Scholar
Halperin, David (1995) Saint Foucault: Towards a Gay Hagiography. Oxford: Oxford University Press.CrossRefGoogle Scholar
Halperin, David (2002) How to Do the History of Homosexuality. Chicago, IL: University of Chicago Press.Google Scholar
Hanson, Victor Davis (2002) An Autumn of War: What America Learned from September 11 and the War on Terrorism. New York: Anchor.Google Scholar
Hardwick, Lorna (1999) “Placing Prometheus.” In Tony Harrison's Poetry, Drama and Film: The Classical Dimension, ed. Hardwick, L.. Milton Keynes, UK: The Open University, and atwww2.open.ac.uk/ClassicalStudies/GreekPlays/Colq99/colq99.htmGoogle Scholar
Hardwick, Lorna (2003) Reception Studies. Greece and Rome New Surveys in the Classics No. 33. Oxford: Oxford University Press.Google Scholar
Hardwick, Lorna (2006) “Murmurs in the Cathedral: The impact of translations from Greek poetry and drama on modern work in English by Michael Longley and Seamus Heaney.” Yearbook of English Studies 36(1): 204–15.CrossRefGoogle Scholar
Harris, Stephen L. and Platzner, Gloria (2004) Classical Mythology: Images and Insights, 4th edn. New York: McGraw Hill.Google Scholar
Harrison, Thomas (2000) The Emptiness of Asia: Aeschylus’ Persians and the History of the Fifth Century. London: Duckworth.Google Scholar
Hawkins, Harriet (1990) Classics and Trash: Traditions and Taboos in High Literature and Popular Modern Genres. Toronto: University of Toronto Press.Google Scholar
Heaney, Seamus, and Sophocles, (2004a) The Burial at Thebes: A Version of Sophocles’ Antigone. New York: Farrar, Straus, & Giroux.Google Scholar
Heaney, Seamus, and Sophocles, (2004b) “Title deeds: Translating a classic.” Proceedings of the American Philosophical Society 148(4): 411–26.Google Scholar
Heitman, Richard (2005) Taking Her Seriously: Penelope and the Plot of Homer's Odyssey. Ann Arbor, MI: University of Michigan Press.CrossRefGoogle Scholar
Herrick, Marvin T. (1966) “Hyrcanian tigers in Renaissance tragedy.” In The Classical Tradition: Literary and Historical Studies in Honor of Harry Caplan, ed. Wallach, L.. Ithaca, NY: Cornell University Press. Pp. 559–71.Google Scholar
Highet, Gilbert (1949) The Classical Tradition: Greek and Roman Influences on the Western Literature. Oxford: Oxford University Press.Google Scholar
Hillman, A. L., and Cullen, Charles (1928) Lucian: Mimes of the Courtesans. New York: Press of Classic Lore.Google Scholar
Hobsbawm, Eric (2013) Fractured Times: Culture and Society in the Twentieth Century. Boston, MA: Little, Brown.Google Scholar
Hofmann, M., and Lasdun, J. (1995). After Ovid: New Metamorphoses. New York: Farrar, Straus, & Giroux.Google Scholar
Holoka, James P. (ed.) (2003) Simone Weil's The Iliad or the Poem of Force: A Critical Edition. New York: Peter Lang.Google Scholar
Hopkins, David, and Kurzanski, Tom (2006) Antigone. Arlington, TX: Silent Devil.Google Scholar
Horden, Peregrine, and Purcell, Nicholas (2000) The Corrupting Sea: A Study of Mediterranean History. Oxford: Oxford University Press.Google Scholar
Housman, A. E. (1972). The Classical Papers of A. E. Housman. Edited by Diggle, J. and Goodyear, F. R. D.. Cambridge: Cambridge University Press.Google Scholar
Hubbard, Thomas (2003) “The architecture of Sophocles’ (Ajax.)” Hermes 131(2): 158–71.Google Scholar
Hubbard, Thomas (2009) H-Net Book Review of Davidson. February 2009. Main URL: h-net.msu.eduGoogle Scholar
Hubert, Susan J. (1999) “What's wrong with this picture? The politics of Ellen's coming out party.” Journal of Popular Culture 33: 31–6.CrossRefGoogle Scholar
Hunter, Richard (2004) Plato's Symposium. Oxford: Oxford University Press.CrossRefGoogle Scholar
Hutchinson, G. O. (2002) “The publication and individuality of Horace's Odes Book 1–3.” Classical Quarterly 52: 517–37.CrossRefGoogle Scholar
Isaac, Dan (1970) “Review of Performance Group 1970.” Educational Theatre Journal 22(4): 432–6.Google Scholar
Jauss, Hans Robert (1982) Toward an Aesthetic of Reception. Trans. Bahti, Timothy. Minneapolis, MN: University of Minnesota Press.Google Scholar
Jenkins, Thomas E. (2005) “An American ‘Classic’: Hillman and Cullen's Mimes of the Courtesans.” Arethusa 38: 387414.CrossRefGoogle Scholar
Jenkins, Thomas E. (2010) “X-rated Sophocles: Alice Tuan's Ajax (por nobody).” Helios 38: 181–91.Google Scholar
Jenkyns, Richard (2002) “Slaying Buffy.” Prospect Magazine Online Issue 71, Feb. 2002.Google Scholar
Jowett, Lorna (2005) Sex and the Slayer: A Gender Studies Primer for the “Buffy” Fan. Middletown, CT: Wesleyan University Press.Google Scholar
Kallendorf, Craig (2007) The Other Virgil: “Pessimistic” Readings of the Aeneid in Early Modern Culture. Oxford: Oxford University Press.CrossRefGoogle Scholar
Kane, Sarah (2001) Complete Plays. London: Methuen.Google Scholar
Karras, R. M. (2000) “Active/passive: Greek and Roman sexualities.” American Historical Review, Oct. 2000: 1250–65.CrossRefGoogle Scholar
Katz, M. A. (1991) Penelope's Renown: Meaning and Indeterminacy in the Odyssey. Princeton, NJ: Princeton University Press.CrossRefGoogle Scholar
Kauffmann, Stanley (1966) “Homosexual drama and its disguises.” New York Times, Jan. 23, 1966, sec. 2, p. 1CrossRefGoogle Scholar
Kiefer, Otto (1934) Sexual Life in Ancient Rome. Trans. Gilbert, and Highet, Helen. London: George Routledge & Sons.Google Scholar
Kirk, G. S. (1990) The Iliad: A Commentary, vol. 2, Books 5–8. Oxford: Oxford University Press.CrossRefGoogle Scholar
Kirkwood, Gordon M. (1952) “Thucydides’ words for ‘cause.’ American Journal of Philology 73(1): 3761.CrossRefGoogle Scholar
Knox, Bernard (1957) Oedipus at Thebes. New Haven, CT: Yale University Press.Google Scholar
Knox, Bernard (1961) “The Ajax of Sophocles.” Harvard Studies in Classical Philology 65: 137.CrossRefGoogle Scholar
Knox, Bernard (1993) The Oldest Dead White European Males and other Reflections on the Classics. New York: W. W. Norton.Google Scholar
Knox, Peter E. (1995) Ovid: Select Epistles. Cambridge: Cambridge University Press.Google Scholar
Koestenbaum, Wayne (1993) The Queen's Throat: Opera, Homosexuality, and the Mystery of Desire. New York: Poseidon Press.Google Scholar
Kostelanetz, Richard (1989) “The discovery of alternative theater: Notes on art performances in New York City in the 1960s and 1970s.” Perspectives of New Music 27(1): 128–72.CrossRefGoogle Scholar
LaBute, Neil (2007). Wrecks and Other Plays. New York: Faber & Faber.Google Scholar
Lane Fox, Robin (2004) The Making of “Alexander.” Oxford: R&L.Google Scholar
Larson, Jennifer (2001) Greek Nymphs: Myth, Cult, Lore. Oxford: Oxford University Press.CrossRefGoogle Scholar
Latacz, Joachim (1996) Homer: His Art and His World. Trans. Holoka, James P.. Ann Arbor, MI: University of Michigan Press.Google Scholar
Lawrence, John Shelton (2010) “Star Trek as American monomyth.” In Star Trek as Myth: Essays on Symbol and Archetype at the Final Frontier, ed. Kapell, Matthew Wilhelm. Jefferson, NC: McFarland & Co. Pp. 93–111.Google Scholar
Lefkowitz, M. R. (1996). Not out of Africa: How Afrocentrism Became an Excuse to Teach Myth as History. New York: Basic Books.Google Scholar
Le Guin, Ursula (2008) Lavinia. Orlando, FL: Harcourt.Google Scholar
Leinieks, Valdis (1996) The City of Dionysos. A Study of Euripides’ Bakchai. Stuttgart: Teubner.CrossRefGoogle Scholar
Leonard, Miriam (2005) Athens in Paris: Ancient Greece and the Political in Post-War French Thought. Oxford: Oxford University Press.CrossRefGoogle Scholar
Lesher, James (2006) “Some notable afterimages of Plato's Symposium.” In Plato's Symposium: Issues in Interpretation and Reception, eds. Lesher, J. H., Nails, D., and Sheffield, F. C. C.. Cambridge, MA: Harvard University Press. Pp. 313–40.Google Scholar
Levine, Elana (2007) “Buffy and the ‘New Girl Order’: Defining feminism and femininity.” In Undead TV : Essays on Buffy the Vampire Slayer, eds. Levine, E. and Parks, L. A.. Durham, NC: Duke University Press. Pp. 168–89.Google Scholar
Loraux, N. (1987) Tragic Ways of Killing a Woman. Trans. Forster, Anthony. Cambridge, MA: Harvard University Press.Google Scholar
Lucas, C. (2005) Small Tragedy. New York: Samuel French.Google Scholar
Lyne, R. O. A. M. (1983) “Lavinia's Blush: Vergil, ‘Aeneid’ 12.64–70.” Greece & Rome Second Series 30(1): 5564.CrossRefGoogle Scholar
MacLeish, Archibald (1967) A Continuing Journey. Boston, MA: Houghton Mifflin.Google Scholar
Marshall, C. W. (2003) “Aeneas the Vampire Slayer: A Roman model for why Giles kills Ben.” Slayage 3.1. http://www.slayage.tv/essays/slayage9/Marshall.htmGoogle Scholar
Martindale, Charles (1993) Redeeming the Text: Latin Poetry and the Hermeneutics of Reception. Cambridge: Cambridge University Press.Google Scholar
Martindale, Charles (2006) “Thinking through Reception.” In Classics and the Uses of Reception, eds. Martindale, C. and Thomas, R. F.. Malden, MA: Blackwell. Pp. 113.Google Scholar
McCarthy, K. (2000) Slaves, Masters, and the Art of Authority in Plautine Comedy. Princeton, NJ: Princeton University Press.CrossRefGoogle Scholar
McClatchy, J. D. (2001) Love Speaks Its Name: Gay and Lesbian Love Poems. London: Everyman's Library.Google Scholar
McDermott, Emily (1989) Euripides’ Medea: The Incarnation of Disorder. University Park, PA: Penn State University Press.Google Scholar
McDonald, Marianne (2001) “Eye of the camera, eye of the victim: Iphigenia in Euripides and Cacoyannis.” In Winkler 2001. Pp. 90–101.CrossRefGoogle Scholar
McLaughlin, Ellen (2005) The Greek Plays. New York: Theatre Communications Group.Google Scholar
Meineck, Peter (2008) “Talking the talk at Tusculum.” Arion 16: 177–86.Google Scholar
Mendlesohn, Farah (2002) “Surpassing the love of vampires: Or, why (and how) a queer reading of the Buffy/Willow relationship is denied.” In Fighting the Forces: What's at Stake in Buffy the Vampire Slayer, eds. Wilcox, R. V. and Lavery, D.. Lanham, MD: Rowman & Littlefield. Pp. 4560.Google Scholar
Merlis, Mark (1999) An Arrow's Flight. New York: Stonewall Inn Editions.Google Scholar
Mezey, Robert (2000) Collected Poems 1952–1999. Fayetteville, AR: University of Arkansas Press.Google Scholar
Michelakis, Pantelis (2006) Euripides: Iphigenia at Aulis. London: Duckworth.Google Scholar
Michelini, Ann N. (1982) Tradition and Dramatic Form in the Persians of Aeschylus. Leiden: Brill.CrossRefGoogle Scholar
Miller, Henry (1941) The Colossus of Maroussi. New York: New Directions.Google Scholar
Moddelmog, Debra A. (1993) Readers and Mythic Signs: The Oedipus Myth in Twentieth-Century Fiction. Carbondale, IL: Southern Illinois University Press.Google Scholar
Monod, J. (1971) Chance and Necessity: An Essay on the Natural Philosophy of Modern Biology. New York: Knopf.Google Scholar
Morris, Gay. (1996) “‘Styles of the flesh’: Gender in the dances of Mark Morris.” In Moving Words: Re-Writing Dance, ed. G. Morris. London: Routledge. Pp. 124–38.Google Scholar
Morrison, Conall (2009) “The future of Greek tragedy.” In The Dreaming Body: Contemporary Irish Theatre, eds. Sihra, Melissa and Murphy, Paul. Gerrards Cross, UK: Colin Smythe. Pp. 151–2.Google Scholar
Nelson, E. S. (2003) Contemporary Gay American Poets and Playwrights: An A-to-Z Guide. Westport, CT: Greenwood Press.Google Scholar
Nisbet, Gideon (2006) Ancient Greece in Film and Popular Culture. Exeter, UK: Bristol Phoenix Press.Google Scholar
Nisbet, R. G. M., and Rudd, Niall (2004) A Commentary on Horace: Odes Book III. Oxford: Oxford University Press.Google Scholar
Nussbaum, Martha (1990) “Therapeutic arguments and structures of desire.” In Sexuality in Greek and Roman Society. eds. Konstan, D. and Nussbaum, M.. Providence, RI: Brown University Press. Pp. 4666.Google Scholar
Olson, S. Douglas (1990) “The stories of Agamemnon in Homer's Odyssey.” Transactions of the American Philological Association 120: 5771.Google Scholar
Orwell, George (1949) Nineteen Eighty-Four. London: Secker & Warburg.Google Scholar
Otis, Brooks (1970) Ovid as an Epic Poet, 2nd edn. London: Cambridge University Press.Google Scholar
Parker, Holt (1993) “Sappho Schoolmistress.” Transactions of the American Philological Association 123: 309–51.Google Scholar
Parker, Holt (1997) “The teratogenic grid.” In Roman Sexualities, eds. Hallett, Judith P. and Skinner, Marilyn. Princeton, NJ: Princeton University Press. Pp. 4766.Google Scholar
Paulin, Tom (1990) Seize the Fire. London: Faber & Faber.Google Scholar
Pearson, Lionel (1952) “Prophasis and Aitia.” Transactions of the American Philological Association 83: 205–23. = Selected Papers (1983, eds. D. Lateiner and S.A. Stephens) pp. 91–109.Google Scholar
Peraino, Judith (2005) Listening to the Sirens: Musical Technologies of Queer Identity from Homer to Hedwig. Berkeley, CA: University of California Press.CrossRefGoogle Scholar
Performance Group (1970) Dionysus in 69. Edited by Schechner, Richard. Photos by Eberstadt, Frederick. New York: Farrar, Straus, & Giroux.Google Scholar
Podlecki, Anthony J. (1966) “The political significance of the Athenian ‘tyrannicide’-cult.” Historia: Zeitschrift für Alte Geschichte 15(2) 129–41.Google Scholar
Pollitt, J. J. (1972) Art and Experience in Classical Greece. Cambridge: Cambridge University Press.Google Scholar
Powell, Neil (1997) Gay Love Poetry. New York: Carroll & Graf.Google Scholar
Powers, Melinda (2009) “Unveiling Euripides.” Journal of Dramatic Theory and Criticism Spring 2009: 5–20.CrossRefGoogle Scholar
Powers, Melinda (2011) “Syncretic sites in Luis Alfaro's Electricidad.” Helios 38: 193206.CrossRefGoogle Scholar
Prins, Yopie (1999) Victorian Sappho. Princeton, NJ: Princeton University Press.CrossRefGoogle Scholar
Pucci, Pietro (1980) The Violence of Pity in Euripides’ Medea. Ithaca, NY: Cornell University Press.Google Scholar
Pucci, Pietro (1992) Oedipus and the Fabrication of the Father: Oedipus Tyrannus in Modern Criticism and Philosophy. Baltimore, MD: Johns Hopkins University Press.Google Scholar
Rabinowitz, Nancy Sorkin (1993) Anxiety Veiled: Euripides and the Traffic in Women. Ithaca, NY: Cornell University Press.CrossRefGoogle Scholar
Rankin, A. Vannan (1962) “Penelope's dreams in Books XIX and XX of the Odyssey.” Helikon 2: 617–24.Google Scholar
Rea, J. (2010) “Pietas and post-colonialism in Ursula K. Le Guin's Lavinia.” Classical Outlook 87(4): 2631.Google Scholar
Rees, B. R. (1972) “‘Pathos’ in the ‘Poetics’ of Aristotle.” Greece & Rome Second Series 19(1): 111.CrossRefGoogle Scholar
Rees, Roger (2004) Romane Memento: Vergil in the Fourth Century. London: Duckworth.Google Scholar
Richlin, Amy (1991) “Zeus and Metis: Foucault, feminism, classics.” Helios 18(2): 160–80.Google Scholar
Richlin, Amy (1992) “Reading Ovid's rapes. In Pornography and Representation in Greece and Rome, ed. Richlin, A. Oxford: Oxford University Press. Pp. 158–79.Google Scholar
Richlin, Amy (1993) “Not before homosexuality: The materiality of the Cinaedus and the Roman law against love between men.” Journal of the History of Sexuality 3: 523–73.Google Scholar
Richlin, Amy (2005) “Eros underground: Greece and Rome in gay print culture, 1953–65.” Journal of Homosexuality 49(3–4): 421–61. Special issue on Classics, eds. Beert C. Verstraete and Vernon Provencal.CrossRefGoogle ScholarPubMed
Robinson, Mary (1796) Sappho and Phaon in a Series of Legitimate Sonnets, with Thoughts on Poetical Subjects and Anecdotes of the Grecian Poetess. London: S. Gosnell.Google Scholar
Roisman, Hanna M. (2001) “The ever-present Odysseus: Eavesdropping and disguise in Sophocles’ Philoctetes.” Eranos 99: 3853.Google Scholar
Roisman, Hanna M. (2005) Sophocles: Philoctetes. London: Duckworth.Google Scholar
Rosen, Stanley (1968) Plato's Symposium. New Haven, CT: Yale University Press.Google Scholar
Rozokoki, Alexandra (2001) “Penelope's dream in book 19 of the Odyssey.” The Classical Quarterly NS 51(1): 16.CrossRefGoogle Scholar
Rudd, Niall (2006) “Reception: Some caveats (with special reference to the Aeneid.)Arion 14(2): 120.Google Scholar
Ruden, Sarah (2008) The Aeneid. New Haven, CT: Yale University Press.Google Scholar
Russo, J. (1992) A Commentary on Homer's Odyssey. Oxford: Clarendon Press.Google Scholar
Said, Edward W. (1978) Orientalism. New York: Pantheon.Google Scholar
Schechner, Richard (1988) Performance Theory, 2nd edn. London: Routledge.Google Scholar
Schenker, David J. (1993) “Poetic voices in Horace's Roman odes.” The Classical Journal 88(2): 147–66.Google Scholar
Schleiner, Winfried (1975) “Aeneas’ flight from Troy.” Comparative Literature 27(2): 97112.CrossRefGoogle Scholar
Scodel, R. (1980) The Trojan Trilogy of Euripides. Göttingen: Vandenhoeck und Ruprecht.CrossRefGoogle Scholar
Scully, J., and Herington, C. J. (1975). Prometheus Bound. Oxford: Oxford University Press.Google Scholar
Seaford, Richard (1996) Euripides: Bacchae. Warminster, UK: Aris & Phillips.Google Scholar
Segal, C. P. (1969) Landscape in Ovid's Metamorphoses: A Study in the Transformations of a Literary Symbol. Weisbaden: Franz Steiner.Google Scholar
Segal, C. P. (1971) “The two worlds of Euripides’ Helen.” Transactions of the American Philological Association 102: 553614.CrossRefGoogle Scholar
Segal, C. P. (1974) “Eros and incantation: Sappho and oral poetry.” Arethusa 7: 139–60.Google Scholar
Segal, C. P. (1981) Tragedy and Civilization: An Interpretation of Sophocles. Cambridge, MA: Published for Oberlin College by Harvard University Press.Google Scholar
Segal, C. P. (1993) Oedipus Tyrannus: Tragic Heroism and the Limits of Knowledge. New York: Twayne.Google Scholar
Segal, C. P. (1997) Dionysiac Poetics and Euripides’ Bacchae, expanded edn. Princeton, NJ: Princeton University Press.Google Scholar
Segal, Erich (1983) “Euripides: Poet of paradox.” In Oxford Readings in Greek Tragedy, ed. Segal, E. Oxford: Oxford University Press. Pp. 244–53.Google Scholar
Shanley, John Patrick (2005) Doubt. New York: Theatre Communications Group.Google Scholar
Shanower, Eric (2002) Age of Bronze, vol. 1, Behind the Scenes. Orange, CA: Image Comics.Google Scholar
Shanower, Eric (2005) Age of Bronze, vol. 2, Sacrifice. Orange, CA: Image Comics.Google Scholar
Shein, Seth L. (2013) Philoctetes. Cambridge: Cambridge University Press.Google Scholar
Shogan, Colleen J. (2007) “Anti-intellectualism in the modern presidency: A Republican populism.” Perspectives on Politics 5(2): 295303.CrossRefGoogle Scholar
Skoie, Mathilde,and Velázquez, Sonia Bjørnstad (2006) Pastoral and the Humanities: Arcadia Re-inscribed. Exeter, UK: Bristol Phoenix Press.Google Scholar
Stanford, W. B. (1963) Ajax. London: Macmillan.Google Scholar
Starr, Chester (1960) “The history of the Roman Empire 1911–1960.” Journal of Roman Studies 50(1–2): 149–60.CrossRefGoogle Scholar
Steuter, Erin, and Wills, Deborah (2008) At War with Metaphor: Media, Propaganda, and Racism in the War on Terror. Lanham, MD: Lexington Books.Google Scholar
Stevenson, Jonathan (1995) Losing Mogadishu: Testing U.S. Policy in Somalia. Annapolis, MD: Naval Institute Press.Google Scholar
Storrs, Ronald (1959) Ad Pyrrham: A Polyglot Collection of Translations of Horace's Ode to Pyrrha (Book 1, Ode 5). Oxford: Oxford University Press.Google Scholar
Suzuki, M. (2007) “Rewriting the Odyssey in the twenty-first century: Mary Zimmerman's Odyssey and Margaret Atwood's Penelopiad.” College Literature 34(2): 263–78.CrossRefGoogle Scholar
Swarns, R. L. (2012) American Tapestry: The Story of the Black, White, and Multiracial Ancestors of Michelle Obama. New York: Amistad.Google Scholar
Sypniewski, Holly (2008) “The pursuit of Eros in Plato's Symposium and ‘Hedwig and the Angry Inch,’International Journal of the Classical Tradition 15(4): 558–86.CrossRefGoogle Scholar
Taylor, Don (1990) The War Plays: Iphigenia at Aulis, The Women of Troy, Helen. London: Methuen.Google Scholar
Thomas, Richard (1988a) “Tree violation and ambivalence in Virgil.” Transactions of the American Philological Association 118: 261–73.Google Scholar
Thomas, Richard; (1988b) Virgil, Georgics. Cambridge: Cambridge University Press.Google Scholar
Thomas, Richard; (2001) Virgil and the Augustan Reception. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
Thorp, John (1992) “The social construction of homosexuality.” Phoenix 46: 5465.CrossRefGoogle Scholar
Tomasso, Vincent (2011) “Hard-boiled hot gates: Making the classical past other in Frank Miller's Sin City.” In Classics and Comics, eds. Kovacs, George and Marshall, C. W.. Oxford: Oxford University Press. Pp. 145–58.Google Scholar
Treggiari, Susan (1991) Roman Marriage: Iusti Coniuges from the Time of Cicero to the Time of Ulpian. Oxford: Clarendon Press.CrossRefGoogle Scholar
Tuan, Alice (2004) Ajax (por nobody). In Play: A Journal of Plays 2: 3586.Google Scholar
Unsworth, Barry (2002) The Songs of the Kings. London: Hamish Hamilton.Google Scholar
Walton, J. Michael (2009) Euripides Our Contemporary. Berkeley, CA: University of California Press.CrossRefGoogle Scholar
Weber, Wilhelm (1936) “Commodus.” In The Cambridge Ancient History, vol. XI. Cambridge: Cambridge University Press. Pp. 325–91.Google Scholar
Wells, Colin (1995) The Roman Empire, 2nd edn. Cambridge, MA: Harvard University Press.Google Scholar
West, David (2002) Horace Odes III: Dulce Periculum. Oxford: Oxford University Press.Google Scholar
West, M. L. (1979) “The Prometheus Trilogy.” Journal of Hellenic Studies 99: 130–48.CrossRefGoogle Scholar
Wiles, David (2005) “Sophoclean diptychs: Modern translations of dramatic poetry.” Arion: A Journal of Humanities and the Classics Third Series 13(1): 926.Google Scholar
Wilkinson, L. P. (1978) Classical Attitudes to Modern Issues. London: William Kimber.Google Scholar
Williamson, David (2004) Flatfoot: Incorporating the Comedy The Swaggering Soldier by Titus Maccius Plautus. Sydney: Currency Press.Google Scholar
Wills, Garry (1984) Cincinnatus: George Washington and the Enlightenment. Garden City, NY: Doubleday.Google Scholar
Wiltshire, Susan Ford (1992) Greece, Rome, and the Bill of Rights. Norman, OK: University of Oklahoma Press.Google Scholar
Winkler, Martin M. (2001) Classical Myth & Culture in the Cinema. Oxford: Oxford University Press.CrossRefGoogle Scholar
Witke, Charles (1983) Horace's Roman Odes. Mnemosyne Supplement vol. 77. Leiden: Brill.CrossRefGoogle Scholar
Wood, Elizabeth (1994) “Sapphonics.” in Queering the Pitch: The New Gay and Lesbian Musicology, eds. Brett, Philip, Wood, Elizabeth, and Thomas, Gary C.. Routledge: New York. Pp. 2766.Google Scholar
Wyke, Maria (1978) “Written women: Propertius’ Scripta Puella.” Journal of Roman Studies 77: 4761.CrossRefGoogle Scholar
Yatromanolakis, Dimitrios (2007) Sappho in the Making: The Early Reception. Cambridge, MA: Harvard University Press.Google Scholar
Zeitlin, F. (1978) “The dynamics of misogyny: Myth and mythmaking in the Oresteia.” Arethusa 11: 149–81.Google Scholar
Zeitlin, F. (1996) Playing the Other: Gender and Society in Classical Greek Literature. Chicago, IL: University of Chicago Press.Google Scholar
Ziolkowski, Jan (2007) “Middle Ages.” In A Companion to the Classical Tradition, ed. Kallendorf, Craig W.. Oxford: Blackwell. Pp. 1729.Google Scholar
Ziolkowski, Theodore (2005) “Uses and abuses of Horace: His reception since 1935 in Germany and Anglo-America.” International Journal of the Classical Tradition 12(2): 183215.CrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • References
  • Thomas E. Jenkins, Trinity University, Texas
  • Book: Antiquity Now
  • Online publication: 05 June 2015
  • Chapter DOI: https://doi.org/10.1017/CBO9781139022637.008
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • References
  • Thomas E. Jenkins, Trinity University, Texas
  • Book: Antiquity Now
  • Online publication: 05 June 2015
  • Chapter DOI: https://doi.org/10.1017/CBO9781139022637.008
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • References
  • Thomas E. Jenkins, Trinity University, Texas
  • Book: Antiquity Now
  • Online publication: 05 June 2015
  • Chapter DOI: https://doi.org/10.1017/CBO9781139022637.008
Available formats
×