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CAMBRIDGE STUDIES IN NINETEENTH-CENTURY LITERATURE AND CULTURE

Published online by Cambridge University Press:  28 October 2021

Richard Fallon
Affiliation:
University of Birmingham
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Reimagining Dinosaurs in Late Victorian and Edwardian Literature
How the ‘Terrible Lizard' Became a Transatlantic Cultural Icon
, pp. 284 - 292
Publisher: Cambridge University Press
Print publication year: 2021

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References

Titles published

The Sickroom in Victorian FictionGoogle Scholar
The Art of Ill, BeingGoogle Scholar
Bailin, Miriam, Washington UniversityGoogle Scholar
Muscular ChristianityGoogle Scholar
Embodying the Age, VictorianGoogle Scholar
edited by Donald, E., California State University, NorthridgeGoogle Scholar
Victorian MasculinitiesGoogle Scholar
Manhood and Masculine Poetics in Early Literature, Victorian and ArtGoogle Scholar
Sussman, Herbert, Northeastern University, BostonGoogle Scholar
Byron and the VictoriansGoogle Scholar
Elfenbein, Andrew, University of MinnesotaGoogle Scholar
Literature in the MarketplaceGoogle Scholar
Nineteenth-Century British Publishing and the Circulation of BooksGoogle Scholar
edited by John, O., University of California, Santa CruzGoogle Scholar
and Robert, L., Rice University, HoustonGoogle Scholar
Victorian Photography, Painting and PoetryGoogle Scholar
Smith, Lindsay, University of SussexGoogle Scholar
Charlotte Brontë and Victorian PsychologyGoogle Scholar
Shuttleworth, Sally, University of SheffieldGoogle Scholar
The Gothic BodyGoogle Scholar
Sexuality, Materialism and Degeneration at the Fin de SiècleGoogle Scholar
Hurley, Kelly, University of Colorado at BoulderGoogle Scholar
Rereading Walter PaterGoogle Scholar
Shuter, William F., Eastern Michigan UniversityGoogle Scholar
Remaking Queen VictoriaGoogle Scholar
edited by Homans, Margaret, Yale UniversityGoogle Scholar
and Munich, Adrienne, State University of New York, Stony BrookGoogle Scholar
Disease, Desire, and the Body in Victorian Women’s Popular NovelsGoogle Scholar
Gilbert, Pamela K., University of FloridaGoogle Scholar
Realism, Representation, and the Arts in Nineteenth-Century LiteratureGoogle Scholar
Byerly, Alison, Middlebury College, VermontGoogle Scholar
Literary Culture and the PacificGoogle Scholar
Smith, Vanessa, University of SydneyGoogle Scholar
Professional Domesticity in the Victorian NovelGoogle Scholar
Women, Work and HomeGoogle Scholar
Cohen, Monica F.Google Scholar
Victorian Renovations of the NovelGoogle Scholar
Annexes, Narrative and the Boundaries of RepresentationGoogle Scholar
Keen, Suzanne, Washington and Lee University, VirginiaGoogle Scholar
Actresses on the Victorian StageGoogle Scholar
Performance, Feminine and the Myth, GalateaGoogle Scholar
Marshall, Gail, University of LeedsGoogle Scholar
Death and the Mother from Dickens to FreudGoogle Scholar
Fiction, Victorian and the Anxiety of OriginGoogle Scholar
Dever, Carolyn, Vanderbilt University, TennesseeGoogle Scholar
Ancestry and Narrative in Nineteenth-Century British LiteratureGoogle Scholar
Blood Relations from Edgeworth to HardyGoogle Scholar
Gilmartin, Sophie, Royal Holloway, University of LondonGoogle Scholar
Dickens, Novel Reading, and the Victorian Popular TheatreGoogle Scholar
Vlock, DeborahGoogle Scholar
After DickensGoogle Scholar
Reading, Adaptation and PerformanceGoogle Scholar
Glavin, John, Georgetown University, Washington D CGoogle Scholar
Victorian Women Writers and the Woman QuestionGoogle Scholar
edited by Thompson, Nicola Diane, Kingston University, LondonGoogle Scholar
Rhythm and Will in Victorian PoetryGoogle Scholar
Campbell, Matthew, University of SheffieldGoogle Scholar
Gender, Race, and the Writing of EmpireGoogle Scholar
Discourse, Public and the War, BoerGoogle Scholar
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Ruskin’s GodGoogle Scholar
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Dickens and the Daughter of the HouseGoogle Scholar
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Detective Fiction and the Rise of Forensic ScienceGoogle Scholar
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Testimony and Advocacy in Victorian Law, Literature, and TheologyGoogle Scholar
Schramm, Jan-Melissa, Trinity Hall, CambridgeGoogle Scholar
Victorian Writing about RiskGoogle Scholar
Imagining a Safe England in a World, DangerousGoogle Scholar
Freedgood, Elaine, University of PennsylvaniaGoogle Scholar
Physiognomy and the Meaning of Expression in Nineteenth-Century CultureGoogle Scholar
Hartley, Lucy, University of SouthamptonGoogle Scholar
The Victorian ParlourGoogle Scholar
Study, A CulturalGoogle Scholar
Logan, Thad, Rice University, HoustonGoogle Scholar
Aestheticism and Sexual Parody 1840–1940Google Scholar
Denisoff, Dennis, Ryerson University, TorontoGoogle Scholar
Literature, Technology and Magical Thinking, 1880–1920Google Scholar
Thurschwell, Pamela, University College LondonGoogle Scholar
Fairies in Nineteenth-Century Art and LiteratureGoogle Scholar
Bown, Nicola, Birkbeck, University of LondonGoogle Scholar
George Eliot and the British EmpireGoogle Scholar
Henry, Nancy The State University of New York, BinghamtonGoogle Scholar
Women’s Poetry and Religion in Victorian EnglandGoogle Scholar
Identity, Jewish and Culture, ChristianGoogle Scholar
Scheinberg, Cynthia, Mills College, CaliforniaGoogle Scholar
Victorian Literature and the Anorexic BodyGoogle Scholar
Silver, Anna Krugovoy, Mercer University, GeorgiaGoogle Scholar
Eavesdropping in the Novel from Austen to ProustGoogle Scholar
Gaylin, Ann, Yale UniversityGoogle Scholar
Missionary Writing and Empire, 1800–1860Google Scholar
Johnston, Anna, University of TasmaniaGoogle Scholar
London and the Culture of Homosexuality, 1885–1914Google Scholar
Cook, Matt, Keele UniversityGoogle Scholar
Fiction, Famine, and the Rise of Economics in Victorian Britain and IrelandGoogle Scholar
Bigelow, Gordon, Rhodes College, TennesseeGoogle Scholar
Gender and the Victorian PeriodicalGoogle Scholar
Fraser, Hilary, Birkbeck, University of LondonGoogle Scholar
Johnston, Judith and Stephanie Green, University of Western AustraliaGoogle Scholar
The Victorian SupernaturalGoogle Scholar
edited by Bown, Nicola, Birkbeck College, LondonGoogle Scholar
Burdett, Carolyn, London Metropolitan UniversityGoogle Scholar
and Thurschwell, Pamela, University College LondonGoogle Scholar
The Indian Mutiny and the British ImaginationGoogle Scholar
Chakravarty, Gautam, University of DelhiGoogle Scholar
The Revolution in Popular LiteratureGoogle Scholar
Print, Politics and the PeopleGoogle Scholar
Haywood, Ian, Roehampton University of SurreyGoogle Scholar
Science in the Nineteenth-Century PeriodicalGoogle Scholar
Reading the Magazine of NatureGoogle Scholar
Cantor, Geoffrey, University of LeedsGoogle Scholar
Dawson, Gowan, University of LeicesterGoogle Scholar
Gooday, Graeme, University of LeedsGoogle Scholar
Noakes, Richard, University of CambridgeGoogle Scholar
Shuttleworth, Sally, University of SheffieldGoogle Scholar
and Jonathan, R., University of LeedsGoogle Scholar
Literature and Medicine in Nineteenth-Century BritainGoogle Scholar
from Shelley, Mary to Caldwell, George Eliot Janis McLarren, Wake Forest UniversityGoogle Scholar
The Child Writer from Austen to WoolfGoogle Scholar
edited by Alexander, Christine, University of New South Wales and Juliet McMaster, University of AlbertaGoogle Scholar
From Dickens to DraculaGoogle Scholar
Gothic, Economics, and Fiction, VictorianGoogle Scholar
Houston, Gail Turley, University of New MexicoGoogle Scholar
Voice and the Victorian StorytellerGoogle Scholar
Kreilkamp, Ivan, University of IndianaGoogle Scholar
Charles Darwin and Victorian Visual CultureGoogle Scholar
Smith, Jonathan, University of Michigan-DearbornGoogle Scholar
Catholicism, Sexual Deviance, and Victorian Gothic CultureGoogle Scholar
Patrick, R., Georgetown UniversityGoogle Scholar
Epic and Empire in Nineteenth-Century BritainGoogle Scholar
Dentith, Simon, University of GloucestershireGoogle Scholar
Victorian HoneymoonsGoogle Scholar
Journeys to the ConjugalGoogle Scholar
Michie, Helena, Rice UniversityGoogle Scholar
The Jewess in Nineteenth-Century British Literary CultureGoogle Scholar
Valman, Nadia, University of SouthamptonGoogle Scholar
Ireland, India and Nationalism in Nineteenth-Century LiteratureGoogle Scholar
Julia Wright, Dalhousie UniversityGoogle Scholar
Dickens and the Popular Radical ImaginationGoogle Scholar
Ledger, Sally, Birkbeck, University of LondonGoogle Scholar
Darwin, Literature and Victorian RespectabilityGoogle Scholar
Dawson, Gowan, University of LeicesterGoogle Scholar
‘Michael Field’Google Scholar
Poetry, Aestheticism and the de Siècle, FinGoogle Scholar
Thain, Marion, University of BirminghamGoogle Scholar
Colonies, Cults and EvolutionGoogle Scholar
Literature, Science and Culture in Writing, Nineteenth-CenturyGoogle Scholar
Amigoni, David, Keele UniversityGoogle Scholar
Realism, Photography and Nineteenth-Century FictionGoogle Scholar
Novak, Daniel A., Lousiana State UniversityGoogle Scholar
Caribbean Culture and British Fiction in the Atlantic World, 1780–1870Google Scholar
Watson, Tim, University of MiamiGoogle Scholar
The Poetry of ChartismGoogle Scholar
Aesthetics, Politics, HistoryGoogle Scholar
Sanders, Michael, University of ManchesterGoogle Scholar
Literature and Dance in Nineteenth-Century Britain Jane Austen to the New WomanGoogle Scholar
Wilson, Cheryl, Indiana UniversityGoogle Scholar
Shakespeare and Victorian WomenGoogle Scholar
Marshall, Gail, Oxford Brookes UniversityGoogle Scholar
The Tragi-Comedy of Victorian FatherhoodGoogle Scholar
Sanders, Valerie, University of HullGoogle Scholar
Darwin and the Memory of the HumanGoogle Scholar
Evolution, Savages, and America, SouthGoogle Scholar
Schmitt, Cannon, University of TorontoGoogle Scholar
From Sketch to NovelGoogle Scholar
The Development of Fiction, VictorianGoogle Scholar
Garcha, Amanpal, Ohio State UniversityGoogle Scholar
The Crimean War and the British ImaginationGoogle Scholar
Markovits, Stefanie, Yale UniversityGoogle Scholar
Shock, Memory and the Unconscious in Victorian FictionGoogle Scholar
Matus, Jill L., University of TorontoGoogle Scholar
Sensation and Modernity in the 1860sGoogle Scholar
Daly, Nicholas, University College DublinGoogle Scholar
Ghost-Seers, Detectives, and SpiritualistsGoogle Scholar
Theories of Vision in Literature, Victorian and ScienceGoogle Scholar
Smajić, Srdjan, Furman UniversityGoogle Scholar
Satire in an Age of RealismGoogle Scholar
Matz, Aaron, Scripps College, CaliforniaGoogle Scholar
Thinking About Other People in Nineteenth-Century British WritingGoogle Scholar
Pinch, Adela, University of MichiganGoogle Scholar
Tuberculosis and the Victorian Literary ImaginationGoogle Scholar
Byrne, Katherine, University of Ulster, ColeraineGoogle Scholar
Urban Realism and the Cosmopolitan Imagination in the Nineteenth CenturyGoogle Scholar
City, Visible, World, InvisibleGoogle Scholar
Agathocleous, Tanya, Hunter College, City University of New YorkGoogle Scholar
Women, Literature, and the Domesticated LandscapeGoogle Scholar
England’s Disciples of Flora, 1780–1870Google Scholar
Page, Judith W., University of FloridaGoogle Scholar
and Elise, L., Millsaps College, MississippiGoogle Scholar
Time and the Moment in Victorian Literature and SocietyGoogle Scholar
Zemka, Sue, University of ColoradoGoogle Scholar
Popular Fiction and Brain Science in the Late Nineteenth CenturyGoogle Scholar
Stiles, Anne, Washington State UniversityGoogle Scholar
Picturing Reform in Victorian BritainGoogle Scholar
Carlisle, Janice, Yale UniversityGoogle Scholar
Atonement and Self-Sacrifice in Nineteenth-Century NarrativeGoogle Scholar
Schramm, Jan-Melissa, University of CambridgeGoogle Scholar
The Silver Fork NovelGoogle Scholar
Fashionable Fiction in the Age of ReformGoogle Scholar
Copeland, Edward, Pomona College, CaliforniaGoogle Scholar
Oscar Wilde and Ancient GreeceGoogle Scholar
Ross, Iain, Colchester Royal Grammar SchoolGoogle Scholar
The Poetry of Victorian ScientistsGoogle Scholar
Style, Science and Brown, Nonsense Daniel, University of SouthamptonGoogle Scholar
Moral Authority, Men of Science, and the Victorian NovelGoogle Scholar
DeWitt, Anne, Princeton Writing ProgramGoogle Scholar
China and the Victorian ImaginationGoogle Scholar
Entwined, EmpiresGoogle Scholar
Forman, Ross G., University of WarwickGoogle Scholar
Dickens’s StyleGoogle Scholar
edited by Tyler, Daniel, University of OxfordGoogle Scholar
The Formation of the Victorian Literary ProfessionGoogle Scholar
Salmon, Richard, University of LeedsGoogle Scholar
Before George EliotGoogle Scholar
Evans, Marian and the Press, PeriodicalGoogle Scholar
Fionnuala Dillane, University College DublinGoogle Scholar
The Victorian Novel and the Space of ArtGoogle Scholar
Fictional Form on DisplayGoogle Scholar
Gilmore, Dehn, California Institute of TechnologyGoogle Scholar
George Eliot and MoneyGoogle Scholar
Economics, Ethics and LiteratureGoogle Scholar
Dermot Coleman, Independent ScholarGoogle Scholar
Masculinity and the New ImperialismGoogle Scholar
Rewriting Manhood in British Literature, Popular, 1870–1914Google Scholar
Deane, Bradley, University of MinnesotaGoogle Scholar
Evolution and Victorian CultureGoogle Scholar
edited by Lightman, Bernard, York University, Toronto and Bennett Zon, University of DurhamGoogle Scholar
Victorian Literature, Energy, and the Ecological ImaginationGoogle Scholar
MacDuffie, Allen, University of Texas, AustinGoogle Scholar
Popular Literature, Authorship and the Occult in Late Victorian BritainGoogle Scholar
McCann, Andrew, Dartmouth College, New HampshireGoogle Scholar
Women Writing Art History in the Nineteenth CenturyGoogle Scholar
Looking Like a WomanGoogle Scholar
Fraser, Hilary Birkbeck, University of LondonGoogle Scholar
Relics of Death in Victorian Literature and CultureGoogle Scholar
Lutz, Deborah, Long Island University, C. W. Post CampusGoogle Scholar
The Demographic Imagination and the Nineteenth-Century CityGoogle Scholar
Paris, London, York, NewGoogle Scholar
Nicholas Daly, University College DublinGoogle Scholar
Dickens and the Business of DeathGoogle Scholar
Wood, Claire, University of YorkGoogle Scholar
Translation as Transformation in Victorian PoetryGoogle Scholar
Drury, Annmarie, Queens College, City University of New YorkGoogle Scholar
The Bigamy PlotGoogle Scholar
Sensation and Convention in the Novel, VictorianGoogle Scholar
McAleavey, Maia, Boston College, MassachusettsGoogle Scholar
English Fiction and the Evolution of Language, 1850–1914Google Scholar
Abberley, Will, University of OxfordGoogle Scholar
The Racial Hand in the Victorian ImaginationGoogle Scholar
Briefel, Aviva, Bowdoin College, MaineGoogle Scholar
Evolution and Imagination in Victorian Children’s LiteratureGoogle Scholar
Straley, Jessica, University of UtahGoogle Scholar
Writing Arctic DisasterGoogle Scholar
Authorship and ExplorationGoogle Scholar
Craciun, Adriana, University of California, RiversideGoogle Scholar
Science, Fiction, and the Fin-de-Siècle Periodical PressGoogle Scholar
Tattersdill, Will, University of BirminghamGoogle Scholar
Democratising Beauty in Nineteenth-Century BritainGoogle Scholar
Art and the Politics of Life, PublicGoogle Scholar
Lucy Hartley, University of MichiganGoogle Scholar
Everyday Words and the Character of Prose in Nineteenth-Century BritainGoogle Scholar
Farina, Jonathan, Seton Hall University, New JerseyGoogle Scholar
Gerard Manley Hopkins and the Poetry of Religious ExperienceGoogle Scholar
Dubois, Martin, Newcastle UniversityGoogle Scholar
Blindness and WritingGoogle Scholar
From Wordsworth to GissingGoogle Scholar
Tilley, Heather, Birkbeck College, University of LondonGoogle Scholar
An Underground History of Early Victorian FictionGoogle Scholar
Chartism, Culture, Radical Print, and the Social Novel, ProblemGoogle Scholar
Vargo, Gregory, New York UniversityGoogle Scholar
Automatism and Creative Acts in the Age of New PsychologyGoogle Scholar
Austin, Linda M., Oklahoma State UniversityGoogle Scholar
Idleness and Aesthetic Consciousness, 1815–1900Google Scholar
Adelman, Richard, University of SussexGoogle Scholar
Poetry, Media, and the Material BodyGoogle Scholar
Autopoetics in Britain, Nineteenth-CenturyGoogle Scholar
Miller, Ashley, Albion College, MichiganGoogle Scholar
Malaria and Victorian Fictions of EmpireGoogle Scholar
Howell, Jessica, Texas A&M UniversityGoogle Scholar
The Brontës and the Idea of the HumanGoogle Scholar
Science, Ethics, and the Imagination, VictorianGoogle Scholar
edited by Alexandra Lewis, University of AberdeenGoogle Scholar
The Political Lives of Victorian AnimalsGoogle Scholar
Liberal Creatures in Literature and CultureGoogle Scholar
Feuerstein, Anna, University of Hawai’i-ManoaGoogle Scholar
The Divine in the CommonplaceGoogle Scholar
Histories, Recent Natural and the Novel in BritainGoogle Scholar
King, Amy, St John’s University, New YorkGoogle Scholar
Plagiarizing the Victorian NovelGoogle Scholar
Imitation, Parody, AftertextGoogle Scholar
Abraham, Adam, Virginia Commonwealth UniversityGoogle Scholar
Literature, Print Culture, and Media Technologies, 1880–1900Google Scholar
Inventions, ManyGoogle Scholar
Menke, Richard, University of GeorgiaGoogle Scholar
Aging, Duration, and the English NovelGoogle Scholar
Growing Old from Dickens to WoolfGoogle Scholar
Jewusiak, Jacob, Newcastle UniversityGoogle Scholar
Autobiography, Sensation, and the Commodification of Identity in Victorian NarrativeGoogle Scholar
Life upon the ExchangeGoogle Scholar
Grass, Sean, Rochester Institute of TechnologyGoogle Scholar
Settler Colonialism in Victorian LiteratureGoogle Scholar
Economics and Political Identity in the Networks of EmpireGoogle Scholar
Steer, Phillip, Massey University, AucklandGoogle Scholar
Mimicry and Display in Victorian Literary CultureGoogle Scholar
Nature, Science and the Imagination, Nineteenth-CenturyGoogle Scholar
Abberley, Will, University of SussexGoogle Scholar
Victorian Women and Wayward ReadingGoogle Scholar
Crises of IdentificationGoogle Scholar
Knox, Marisa Palacios, University of Texas Rio Grande ValleyGoogle Scholar
The Victorian Cult of ShakespeareGoogle Scholar
Bardology in the Century, NineteenthGoogle Scholar
LaPorte, Charles, University of WashingtonGoogle Scholar
Children’s Literature and the Rise of ‘Mind Cure’Google Scholar
Thinking, Positive and Pseudo-Science at the de Siècle, FinGoogle Scholar
Stiles, Anne, Saint Louis University, MissouriGoogle Scholar
Virtual Play and the Victorian NovelGoogle Scholar
Ethics, The and Aesthetics of Experience, FictionalGoogle Scholar
Gao, Timothy, Nanyang Technological UniversityGoogle Scholar
Colonial Law in India and the Victorian ImaginationGoogle Scholar
Neti, Leila, Occidental College, Los AngelesGoogle Scholar
Convalescence in the Nineteenth-Century NovelGoogle Scholar
The Afterlife of Illness, VictorianGoogle Scholar
Krienke, Hosanna, University of WyomingGoogle Scholar
Stylistic Virtue and Victorian FictionGoogle Scholar
Form, Ethics and the NovelGoogle Scholar
Sussman, Matthew, University of SydneyGoogle Scholar
Scottish Women’s Writing in the Long Nineteenth Century The Romance of Life, EverydayGoogle Scholar
Shields, Juliet, University of WashingtonGoogle Scholar
Reimagining Dinosaurs in Late Victorian and Edwardian LiteratureGoogle Scholar
How the ‘Terrible Lizard’ Became a Transatlantic Icon, CulturalGoogle Scholar
Fallon, Richard, University of BirminghamGoogle Scholar

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