Skip to main content Accessibility help
×
Hostname: page-component-77c89778f8-gq7q9 Total loading time: 0 Render date: 2024-07-21T03:34:02.339Z Has data issue: false hasContentIssue false

Works Cited

Published online by Cambridge University Press:  10 August 2020

Daniel Cook
Affiliation:
University of Dundee
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Addison, Joseph, The Campaign: A Poem, to His Grace the Duke of Marlborough (London: Jacob Tonson, 1705).Google Scholar
Addison, Joseph and Steele, Richard, The Tatler, ed. Bond, Donald F., 3 vols. (Oxford: Clarendon Press, 1987).Google Scholar
Ames, Richard, The Female Fire-Ships: A Satyr against Whoring (London: E. Richardson, 1691).Google Scholar
Ames, Richard, The Folly of Love; or, an Essay upon Satyr against Woman (London: E. Hawkins, 1691).Google Scholar
Bacon, Francis, The Essays, ed. John Pitcher, (London: Penguin, 1985).Google Scholar
Barber, Mary, Poems on Several Occasions (London: C. Rivington, 1735).Google Scholar
Boileau, Nicolas, The Art of Poetry, trans. Soames, William, rev. Dryden, John (London: R. Bentley and S. Magnes, 1683).Google Scholar
Burton, Robert, The Anatomy of Melancholy, ed. Holbrook Jackson, (New York: The New York Review of Books, 2001).Google Scholar
Butler, Samuel, Hudibras, ed. Wilders, John (Oxford: Clarendon Press, 1967).Google Scholar
Carpenter, Andrew (ed.), Miscellanies in Verse (Irish Writings from the Age of Swift) (Dublin: Cadenus Press, 1973).Google Scholar
Carpenter, Andrew (ed.), Verses in English from Eighteenth-Century Ireland (Cork: Cork University Press, 1998).Google Scholar
Cavendish, Margaret, Duchess of Newcastle, Poems, and Fancies (London: J. Martin and J. Allestrye, 1653).Google Scholar
Congreve, William, The Old Batchelour, A Comedy (London: Peter Buck, 1693).Google Scholar
Congreve, William, Prologue to the Court, on the Queen’s Birth-Day, 1704 (London: J. Tonson, 1705).Google Scholar
Cotton, Charles, Poems of Charles Cotton, ed. Buxton, John (London: Routledge & Kegan Paul, 1958).Google Scholar
Cowley, Abraham, The Works of Mr Abraham Cowley, 11th ed., 2 vols. (London: J. Tonson, 1710).Google Scholar
Delany, Patrick, The Poems of Patrick Delany, ed. Hogan, Robert (Newark: University of Delaware Press, 2006).Google Scholar
Denham, John, On Mr Abraham Cowley (London: H. Herringman, 1667).Google Scholar
Denham, John, Poems and Translations (London: H. Herringman, 1668).Google Scholar
Donne, John, Poems, by J. D. With Elegies on the Author’s Death (London: John Marriot, 1633).Google Scholar
Drummond of Hawthornden, William, Teares on the Death of Meliades (Edinburgh: Andro Hart, 1613).Google Scholar
Dryden, John (ed.), The Annual Miscellany: For the Year 1694, 2nd ed. (London: Jacob Tonson, 1709).Google Scholar
Dryden, John, Eleonora: A Panegyrical Poem (London: Jacob Tonson, 1692).Google Scholar
Dryden, John (ed.), Poetical Miscellanies: The Fifth Part: Containing a Collection of Original Poems, with Several New Translations (London: Jacob Tonson, 1704).Google Scholar
Dryden, John, The Works of John Dryden, ed. Niles Hooker, Edward, Swedenberg, H. T., et al., 20 vols. (Berkeley: University of California Press, 1956–87).Google Scholar
Dunton, John, The Life and Errors of John Dunton (London: S. Malthus, 1705).Google Scholar
D’Urfey, Thomas, New Poems, Consisting of Satyrs, Elegies, and Odes (London: J. Bullord and A. Roper, 1690).Google Scholar
D’Urfey, Thomas, Wit and Mirth: Or Pills to Purge Melancholy, 6 vols. (London: J. Tonson, 1719–20).Google Scholar
Eusden, Laurence, An Ode for the Birth-Day, As it was Sung before His Majesty (London: Jacob Tonson, 1720).Google Scholar
Evelyn, Mary, Mundus Muliebris: or The Ladies Dressing-Room Unlock’d, and her Toilette Spread (London: R. Bentley, 1690).Google Scholar
Flatman, Thomas, Poems and Songs, 4th ed. (London: Benjamin Tooke, 1686).Google Scholar
Flecknoe, Richard, A Farrago of Several Pieces. Being a Supplement to his Poems, Characters, Heroick Pourtraits, Letters, and other Discourses formerly Published by him (London: Printed for the Author, 1666).Google Scholar
Garth, Samuel, The Dispensary: A Poem (London: John Nutt, 1699).Google Scholar
Gay, John, The Shepherd’s Week: In Six Pastorals (London: Jacob Tonson, 1714).Google Scholar
Gay, John, Trivia: or, The Art of Walking the Streets of London, revised ed. (London: Bernand Lintot, 1730).Google Scholar
Gildon, Charles (ed.), A New Miscellany of Original Poems, On Several Occasions (London: Peter Buck and George Strahan, 1701).Google Scholar
Gould, Robert, The Works of Mr Robert Gould, 2 vols. (London: W. Lewis, 1709).Google Scholar
Hobbes, Thomas, Leviathan, Parts I and II, ed. Martinich, A. P. and Battiste, Brian (New York: Broadview, 2011).Google Scholar
Horace, , Odes and Epodes, trans. Rudd, Niall (Cambridge, MA and London: Harvard University Press, 2012 [2004]).Google Scholar
Horace, , The Odes, Satyrs, and Epistles of Horace: Done into English, trans. Creech, Thomas (London: Jacob Tonson, 1684).Google Scholar
Horace, , Quinti Horatii Flacci Opera, ed. Talbot, James (Cambridge: Jacob Tonson, 1699).Google Scholar
Horace, , Satires, Epistles, and Ars Poetica, trans. Fairclough, H. Rushton (Cambridge, MA and London: Harvard University Press, 1999 [1926]).Google Scholar
Jonson, Ben, The Complete Poems, ed. Parfitt, George (London: Penguin, 1975).Google Scholar
King, Henry, Poems, Elegies, Paradoxes, and Sonets (London: Henry Herringman, 1664).Google Scholar
Leslie, Charles, The Rehearsal, 20 (16 December 1704); 51 (21 July 1705).Google Scholar
L’Estrange, Roger, Fables of Æsop and Other Eminent Mythologists (London: R. Sare, T. Sawbridge, B. Took, et al., 1692).Google Scholar
Lintot, Bernard (ed.), Miscellaneous Poems and Translations (London: Bernard [Lintot], 1712).Google Scholar
Locke, John, Some Thoughts Concerning Education (London: A. and J. Churchill, 1693).Google Scholar
Lonsdale, Roger (ed.), Eighteenth-Century Women Poets (Oxford: Oxford University Press, 1989).Google Scholar
Loves Triumph over Bashfulness: or, The Pleas of Honour and Chastity Over-ruled (London: P. Brooksby, c.1670–96).Google Scholar
Lucretius, , The Epicurean Philosopher, His Six Books ‘De Natura Rerum’ Done into English Verse, trans. Creech, Thomas, 2nd ed. (Oxford: Anthony Stephens, 1683).Google Scholar
Lucretius, , On the Order of Things, trans. Rouse, W. H. D., rev. Smith, Martin F. (Cambridge, MA: Harvard University Press, 1992 [1924]).Google Scholar
Marlowe, Christopher, The Complete Poems and Translations, ed. Orgel, Stephen (London: Penguin, 1971).Google Scholar
Marvell, Andrew, The Complete English Poems, ed. Donno, Elizabeth Story (London: Allen Lane, 1972).Google Scholar
Milton, John, Paradise Lost, ed. Fowler, Alastair, 2nd ed. (London and New York: Routledge, 2013).Google Scholar
Misogynus: or, A Satyr upon Women (London: John Langly, 1682).Google Scholar
Molyneux, William, The Case of Ireland’s Being Bound by Acts of Parliament in England, Stated (Dublin: Joseph Ray, 1698).Google Scholar
Montagu, Lady Mary Wortley, Essays and Poems and Simplicity, a Comedy, ed. Robert Halsband, and Grundy, Isobel (Oxford: Clarendon Press, 1993).Google Scholar
Nichols, John, Illustrations of the Literary History of the Eighteenth Century, 8 vols. (London: J. B. Nichols and Son, 1817–58).Google Scholar
Oldham, John, The Works of Mr John Oldham, Together with His Remains, 7th ed. (London: Dan. Brown, John Nicholson, Benj. Tooke, and George Strahan, 1710).Google Scholar
‘On Reading the Rhapsody on Poetry’, The Gentleman’s Magazine, 4 (1734), 45.Google Scholar
Ovid, , Metamorphoses Books I–VIII, trans. Miller, Frank Justus, rev. Goold, G. P. (Cambridge, MA: Harvard University Press, 1999 [1916]).Google Scholar
Ovid, , Metamorphoses Books IX–XV, trans. Miller, Frank Justus, rev. Goold, G. P. (Cambridge, MA and London: Harvard University Press, 1999 [1916]).Google Scholar
Ovid, , Ovid’s Art of Love: In Three Books. Together with His Remedy of Love. Translated into English Verse, trans. Dryden, John, Congreve, William and Tate, Nahum (London: Jacob Tonson, 1709).Google Scholar
Ovid, , Ovid’s Epistles, Translated by Several Hands, trans. Dryden, John et al. (London: Jacob Tonson, 1680).Google Scholar
Ovid, , Ovid’s Metamorphosis Englished, Mythologized, and Represented in Figures, trans. Sandys, George (London: William Stansby, 1626).Google Scholar
Page, Norman (ed.), Byron: Interviews and Recollections (London: Macmillan, 1985).Google Scholar
Parnell, Thomas, Poems on Several Occasions (London: B. Lintot, 1722).Google Scholar
Partridge, John, Merlinus Liberatus: Being an Almanack for the Year of Our Blessed Saviour’s Incarnation (London, [1706, 1708, and 1709]).Google Scholar
Philips, Ambrose, Pastorals (London: H. Hills, 1710).Google Scholar
Pilkington, Laetitia, Memoirs of Laetitia Pilkington, ed. Elias, A. C. Jr, 2 vols. (Athens: University of Georgia Press, 1997).Google Scholar
Pilkington, Matthew, An Ode, To be performed at the Castle of Dublin, on the 30th of October being the Birth-Day of His most Excellent and Sacred Majesty George II (Dublin: George Ewing, 1728).Google Scholar
Poems to the Memory of That Incomparable Poet Edmond Waller, Esquire, by Several Hands (London: Joseph Knight and Francis Saunders, 1688).Google Scholar
Pope, Alexander, The Poems of Alexander Pope, ed. John Butt, (London: Methuen, 1973 [1963]).Google Scholar
Pope, Alexander, The Poems of Alexander Pope: Volume III, The Dunciad (1728) & The Dunciad Variorum (1729), ed. Rumbold, Valerie (London and New York: Routledge, 2007).Google Scholar
Prior, Matthew, The Literary Works of Matthew Prior, ed. Bunker Wright, H. and Spears, Monroe K., 2nd ed., 2 vols. (Oxford: Clarendon Press, 1971).Google Scholar
Randolph, Thomas, Poems with the Muses Looking-Glasse (London: Francis Bowman, 1638).Google Scholar
Rochester, John Wilmot, Earl of, The Complete Poems of John Wilmot, Earl of Rochester, ed. Vieth, David M. (New Haven: Yale University Press, 2002).Google Scholar
Rochester, John Wilmot, Earl of, Poems on Several Occasions by the Right Honourable, the E of R— (Antwerp, 1680).Google Scholar
Savage, Richard (ed.), Miscellaneous Poems and Translations. By Several Hands (London: Samuel Chapman, 1726).Google Scholar
Shakespeare, William, Julius Caesar, ed. Daniell, David (London: The Arden Shakespeare, 2018).Google Scholar
Sheridan(the Younger), Thomas, The Life of the Rev. Dr Jonathan Swift, Dean of St Patrick’s, Dublin (London: C. Bathurst, W. Strahan, B. Collins, et al., 1784).Google Scholar
Sidney, Philip, The Poems of Sir Philip Sidney, ed. Ringler, William A. Jr (Oxford: Clarendon Press, 1962).Google Scholar
Smedley, Jonathan, Gulliveriana: or, A Fourth Volume of Miscellanies. Being a Sequel of the Three Volumes Published by Pope and Swift (London: J. Roberts, 1728).Google Scholar
Smedley, Jonathan, The Ode-Maker, a Burlesque on the Dean of Kil—n’s Ode to the Right Honourable the Earl of Ca—n (London and Dublin: T. Warner, 1719).Google Scholar
Smedley, Jonathan, Poems on Several Occasions (London: S. Richardson, 1723).Google Scholar
Smith, Edmund, Phædra and Hippolitus, A Tragedy, 3rd ed. (London: S. Rowley, 1719).Google Scholar
Some Memoirs of the Amours and Intrigues of a Certain Irish Dean (London: J. Roberts, 1728).Google Scholar
Spenser, Edmund, The Faerie Queene, ed. Hamilton, A. C., 2nd ed. (London and New York: Longman, 2013).Google Scholar
Sprat, Thomas, The History of the Royal-Society of London, for the Improving of Natural Knowledge (London: J. Martyn, 1667).Google Scholar
Steele, Richard, The Englishman: A Political Journal, ed. Blanchard, Rae (Oxford: Clarendon Press, 1955).Google Scholar
S—t contra Omnes. An Irish Miscellany (Dublin: R. Amy, 1736).Google Scholar
St John’s Student, ‘To Doctor Swift, on reading his Poem call’d the Lady’s Dressing-Room’, The Gentleman’s Magazine, 4 (1734), 447.Google Scholar
Swift, Deane, Essay upon the Life, Writings, and Character of Dr Jonathan Swift (London: Charles Bathurst, 1755).Google Scholar
Swift, Jonathan, The Complete Poems, ed. Rogers, Pat (Harmondsworth: Penguin, 1983).Google Scholar
Swift, Jonathan, English Political Writings, 1711–1714: The Conduct of the Allies and Other Works, ed. Goldgar, Bertrand A. and Gadd, Ian (Cambridge: Cambridge University Press, 2008).Google Scholar
Swift, Jonathan, Journal to Stella: Letters to Esther Johnson and Rebecca Dingley, 1710–1713, ed. Williams, Abigail (Cambridge: Cambridge University Press, 2013).Google Scholar
Swift, Jonathan, Miscellaneous Pieces, in Prose and Verse (London: C. Dilly, 1789).Google Scholar
Swift, Jonathan, Parodies, Hoaxes, Mock Treatises: Polite Conversation, Directions to Servants and Other Works, ed. Rumbold, Valerie (Cambridge: Cambridge University Press, 2013).Google Scholar
Swift, Jonathan, The Poems of Jonathan Swift, ed. Williams, Harold, 2nd ed., 3 vols. (Oxford: Clarendon Press, 1958).Google Scholar
Swift, Jonathan, Predictions for the Year 1708 (London: John Morphew, 1708).Google Scholar
Swift, Jonathan, The Prose Works of Jonathan Swift, ed. Davis, Herbert et al., 16 vols. (Oxford: Blackwell, 1939-74).Google Scholar
Swift, Jonathan, Swift: Poems Selected by Derek Mahon (London: Faber, 2001).Google Scholar
Swift, Jonathan, Swift vs. Mainwaring: ‘The Examiner’ and ‘The Medley’, ed. Ellis, Frank H. (Oxford: Clarendon Press, 1985).Google Scholar
Swift, Jonathan, A Tale of a Tub and Other Works, ed. Walsh, Marcus (Cambridge: Cambridge University Press, 2010).Google Scholar
Swift, Jonathan, Verses on the Death of Dr S—, D.S.P.D. (Dublin: George Faulkner, 1739).Google Scholar
Swift, Jonathan, The Works of Jonathan Swift, D.D., D.S.P.D., 8 vols. (Dublin: Faulkner, 1746).Google Scholar
Swift, Jonathan and Sheridan, Thomas, The Intelligencer, ed. Woolley, James (Oxford: Clarendon Press, 1992).Google Scholar
Temple, William, Miscellanea: The Second Part. In Four Essays (London: Ri. and Ra. Simpson, 1690).Google Scholar
Waller, Edmund, Poems, &c. Written upon Several Occasions, and to Several Persons, 10th ed. (London: Jacob Tonson, 1722).Google Scholar
Walsh, William, Letters and Poems, Amorous and Gallant (London: Jacob Tonson, 1692).Google Scholar
Welsted, Leonard and Smythe, James Moore, One Epistle to Mr A. Pope, Occasion’d by Two Epistles Lately Published (London: J. Roberts, 1730).Google Scholar
Wither, George, Epithalamia; or Nuptiall Poems (London: Edward Marchant, 1612).Google Scholar
Young, Edward, The Instalment. To the Right Honourable Sir Robert Walpole, Knight of the Most Noble Order of the Garter (London: J. Walthoe, 1726).Google Scholar
Young, Edward, Love of Fame, The Universal Passion. In Seven Characteristical Satires, 2nd ed. (London: J. Tonson, 1725–28).Google Scholar
Young, Edward, Two Epistles to Mr Pope, Concerning the Authors of the Age (London: Lawton Gilliver, 1730).Google Scholar

Secondary Sources

Aden, John M., ‘Corinna and the Sterner Muse of Swift’, English Language Notes, 4 (1966/7): 2331.Google Scholar
Aden, John M., ‘Juvenal, Pope, and Swift’s Birthday Poem to Ford’, PLL, 18 (1982): 8790.Google Scholar
Aden, John M., ‘Parodic Design in Swift’s Elegy on Mr Patrige’, English Language Notes, 22.1 (1984): 2426.Google Scholar
Aden, John M., ‘Those Gaudy Tulips: Swift’s “Unprintables”’, in Champion, Larry S. (ed.), Quick Springs of Sense: Studies in the Eighteenth Century (Athens: University of Georgia Press, 1974), 1532.Google Scholar
Anderson, Phillip B., ‘Transformations of “Swift” and the Development of Swift’s Satiric Vision in Verses on the Death of Dr Swift’, Publications of the Arkansas Philological Association, 6.1 (1980): 1932.Google Scholar
Anspaugh, Kelly, ‘Reading the Intertext in Jonathan Swift’s “A Panegyrick on the Dean”’, Essays in Literature, 22.1 (1995): 1730.Google Scholar
Aske, Katherine, ‘‘Such gaudy tulips raised from dung’: Cosmetics, Disease and Morality in Jonathan Swift’s Dressing-Room Poetry’, Journal for Eighteenth-Century Studies, 40.4 (2017): 513–17.Google Scholar
Baines, Paul and Rogers, Pat, Edmund Curll, Bookseller (Oxford: Clarendon Press, 2007).Google Scholar
Ball, F. Elrington, Swift’s Verse: An Essay (London: John Murray, 1929).Google Scholar
Ballaster, Ros, ‘Jonathan Swift, the “Stella” Poems’, in Gerrard, Christine (ed.), A Companion to Eighteenth-Century Poetry (Oxford: Blackwell, 2014), 170–83.Google Scholar
Baltes, Sabine, ‘Acclaimed by the Imperfect Muse: An Express from Parnassus to the Reverend Dr Jonathan Swift’, in Juhas, Kirsten, Müller, Patrick and Hansen, Mascha (eds.), “The First Wit of the Age”: Essays on Swift and His Contemporaries in Honour of Hermann J. Real (Frankfurt am Main: Peter Lang, 2013), 209–22.Google Scholar
Baltes, Sabine, ‘Anything but Human: Gods, Beasts, and Demons in Swift’s Poems on William Wood’, Reading Swift (#5) [2008], 375–91.Google Scholar
Baltes, Sabine, The Pamphlet Controversy about Wood’s Halfpence (1722–25) and the Tradition of Irish Constitutional Nationalism (Frankfurt am Main: Peter Lang, 2002).Google Scholar
Barnard, Toby, Brought to Book: Print in Ireland, 1680–1784 (Dublin: Four Courts Press, 2017).Google Scholar
Barnard, Toby, ‘Protestantism, Ethnicity and Irish Identities, 1660–1760’, in Claydon, Tony and McBride, Ian (eds.), Protestantism and National Identity: Britain and Ireland, c.1650 – c.1850 (Cambridge: Cambridge University Press, 1998), 206–35.Google Scholar
Barnett, Louise K., Jonathan Swift in the Company of Women (Oxford: Oxford University Press, 2007).Google Scholar
Barnett, Louise K., ‘The Mysterious Narrator: Another Look at “The Lady’s Dressing Room”’, Concerning Poetry, 9.2 (1976): 2932.Google Scholar
Barnett, Louise K., Swift’s Poetic Worlds (Newark: University of Delaware Press, 1981).Google Scholar
Barthes, Roland, Sade, Fourier, Loyola, trans. Miller, Richard (Berkeley and Los Angeles: University of California Press, 1989 [1971]).Google Scholar
Bateson, F. W., English Poetry: A Critical Introduction (London: Longmans, Green and Co., 1950).Google Scholar
Baudot, Laura, ‘What Not to Avoid in Swift’s “The Lady’s Dressing Room”’, SEL, 1500–1900, 49.3 (2009): 637–66.Google Scholar
Bawcutt, N. W., ‘News from Hide-Park and Swift’s A Beautiful Young Nymph Going to Bed’, British Journal for Eighteenth-Century Studies, 23 (2000): 125–34.Google Scholar
Benedict, Barbara M., ‘Self, Stuff, and Surface: The Rhetoric of Things in Swift’s Satire’, in Hudson, Nicholas and Santesso, Aaron (eds.), Swift’s Travels: Eighteenth-Century British Satire and Its Legacy (Cambridge: Cambridge University Press, 2008), 93107.Google Scholar
Blackwell, Mark R., ‘The Two Jonathans: Swift, Smedley and the Outhouse Ethos’, in Douglas, Aileen, Kelly, Patrick and Ross, Ian Campbell (eds.), Locating Swift: Essays from Dublin on the 250th Anniversary of the Death of Jonathan Swift 1667–1745 (Dublin: Four Courts Press, 1998), 129–49.Google Scholar
Bogel, Fredric V., The Difference Satire Makes: Rhetoric and Reading from Jonson to Byron (Ithaca and London: Cornell University Press, 2001).Google Scholar
Bond, Richmond P., ‘Isaac Bickerstaff, Esq’, in CCamden, arroll (ed.), Restoration and Eighteenth-Century Literature: Essays in Honor of Alan Dugald McKillop (Chicago: University of Chicago Press, 1963), 103–24.Google Scholar
Boyle, Frank, Swift as Nemesis: Modernity and Its Satirist (Stanford: Stanford University Press, 2000).Google Scholar
Briggs, Peter M., ‘The Hesitant Modernity of John Dunton’, Eighteenth-Century Life, 40.2 (2016): 119–35.Google Scholar
Brown, Laura, Ends of Empire: Women and Ideology in Early Eighteenth-Century English Literature (Ithaca and London: Cornell University Press, 1993).Google Scholar
Brown, Laura, Fables of Modernity: Literature and Culture in the English Eighteenth Century (Ithaca and London: Cornell University Press, 2001).Google Scholar
Brown, M. Elaine Dolan, ‘The Poet’s Mask: Swift, Horace, and Steele in “The First Ode of the Second Book of Horace Paraphrased”’, Swift Studies, 5 (1990): 310.Google Scholar
Brown, Norman, Life Against Death: The Psychoanalytical Meaning of History (New York: Random House, 1959).Google Scholar
Callander, Julia K., ‘Cannibalism and Communion in Swift’s “Receipt to Restore Stella’s Youth”’, SEL, 1500–1900, 54.3 (2014): 585604.Google Scholar
Carnochan, W. B., ‘Fidus Achates: Swift and Charles Ford’, Reading Swift (#6) [2013], 4556.Google Scholar
Carnochan, W. B., ‘Swift’s Poetic Gods: Jove, Apollo, Janus’, Reading Swift (#1) [1985], 1325.Google Scholar
Carpenter, Andrew and Harrison, Alan, ‘Swift’s “O’Rourke’s Feast” and Sheridan’s “Letter”: Early Transcriptions by Anthony Raymond’, Reading Swift (#1) [1985], 2746.Google Scholar
Castle, Terry, ‘Why the Houyhnhnms Don’t Write: Swift, Satire and the Fear of the Text’, Essays in Literature, 7 (1980): 3144.Google Scholar
Chalker, John, The English Georgic: A Study in the Development of a Form (London: Routledge & Kegan Paul, 1969).Google Scholar
Chalmers, Alan D., Jonathan Swift and the Burden of the Future (Newark: University of Delaware Press, 1995).Google Scholar
Chico, Tita, Designing Women: The Dressing Room in Eighteenth-Century English Literature and Culture (Lewisburg: Bucknell University Press, 2005).Google Scholar
Chico, Tita, ‘The Dressing-Room Unlock’d: Eroticism, Performance, and Privacy from Pepys to the Spectator’, in Rosenthal, Laura J. and Choudhury, Mita (eds.), Monstrous Dreams of Reason: Body, Self, and Other in the Enlightenment (Lewisburg: Bucknell University Press, 2002), 4565.Google Scholar
Child, Paul W., ‘Once More into the Breech: Jonathan Swift and Excremental Medicine’, Swift Studies, 20 (2005): 82101.Google Scholar
Conlon, Michael J., ‘Original Swift: Anonymity, Parody, and the Example of On Poetry: A Rapsody’, Swift Studies, 12 (1997): 6979.Google Scholar
Conlon, Michael J., ‘Singing Beside-Against: Parody and the Example of Swift’s A Description of a City Shower’, Genre, 16 (1983): 219–32.Google Scholar
Connery, Brian A., ‘Self-representation and Memorials in the Late Poetry of Swift’, in Anne M. Wyatt-Brown, and Rossen, Janice (eds.), Aging and Gender in Literature: Studies in Creativity (Charlottesville and London: University of Virginia Press, 1993), 141–63.Google Scholar
Connolly, S. J., ‘Swift and History’, Reading Swift (#5) [2008], 187202.Google Scholar
Connolly, S. J., ‘Swift and Protestant Ireland: Images and Reality’, in Douglas, Aileen, Kelly, Patrick and Ross, Ian Campbell (eds.), Locating Swift: Essays from Dublin on the 250th Anniversary of the Death of Jonathan Swift 1667–1745 (Dublin: Four Courts Press, 1998), 2846.Google Scholar
Cook, Daniel, ‘Reading Swift’s Poetry, 1967–2017’, Literature Compass, 15.5 (2018): 117.Google Scholar
Cook, Elizabeth Heckendorn, ‘The Vocal Stump: The Politics of Tree–Felling in Swift’s “On Cutting Down the Old Thorn at Market Hill”’, in Auricchio, Laura, Cook, Elizabeth Heckendorn and Pacini, Giulia (eds.), Invaluable Trees: Cultures of Nature, 1660–1830 (Oxford: Voltaire Foundation, 2012), 119–33.Google Scholar
Cronin, Edward R., ‘A Panegyrick on the Dean’, Revue des Langues Vivantes, 37 (1971): 524–33.Google Scholar
Cunningham, Bernadette and Gillespie, Raymond, ‘“The Most Adaptable of Saints”: The Cult of St Patrick in the Seventeenth Century’, Archivium Hibernicum, 49 (1995): 82104.Google Scholar
Damrosch, Leo, Jonathan Swift: His Life and His World (New Haven: Yale University Press, 2013).Google Scholar
Davis, Herbert, Jonathan Swift: Essays on His Satire and Other Studies (New York: Oxford University Press, 1964).Google Scholar
Davis, Herbert, ‘A Modest Defence of “The Lady’s Dressing Room”’, in Camden, Carroll (ed.), Restoration and Eighteenth–Century Literature: Essays in Honor of Alan Dugald McKillop (Chicago: University of Chicago Press, 1963), 3948.Google Scholar
Delany, Patrick, Observations upon Lord Orrery’s Remarks on the Life and Writings of Dr Jonathan Swift (London: W. Reeve and A. Linde, 1754).Google Scholar
DePorte, Michael, ‘Riddles, Mysteries, and Lies: Swift and Secrecy’, Reading Swift (#4) [2003], 115–31.Google Scholar
De Quehen, A. H., ‘St Patrick’s Verses by Jonathan Swift’, Swift Studies, 9 (1994): 4250.Google Scholar
Djordjevic, Igor, ‘Cadenus and Vanessa: A Rhetoric of Courtship’, Swift Studies, 18 (2003): 104–18.Google Scholar
Doelman, James, ‘The First Publication of Swift’s “A Satirical Elegy” and “A Portrait from the Life”’, Swift Studies, 29 (2014): 130–32.Google Scholar
Doody, Margaret Anne, The Daring Muse: Augustan Poetry Reconsidered (Cambridge: Cambridge University Press, 1985).Google Scholar
Doody, Margaret Anne, ‘Swift among the Women’, Yearbook of English Studies, 18 (1988): 6892.Google Scholar
Downie, J. A., Jonathan Swift, Political Writer (London: Routledge, 1984).Google Scholar
Downie, J. A., Robert Harley and the Press: Propaganda and Public Opinion in the Age of Swift and Defoe (Cambridge: Cambridge University Press, 1979).Google Scholar
Downie, J. A., ‘Swift and the Oxford Ministry: New Evidence’, Swift Studies, 1 (1986): 28.Google Scholar
Downie, J. A., ‘Swift’s “Corinna” Reconsidered’, Swift Studies, 22 (2007): 161–68.Google Scholar
Eddy, William Alfred, ‘The Wits vs. John Partridge, Astrologer’, Studies in Philology, 29 (1932): 2940.Google Scholar
Ehrenpreis, Irvin, The Personality of Jonathan Swift (London: Methuen, 1958).Google Scholar
Ehrenpreis, Irvin, Swift: The Man, His Works, and the Age, 3 vols. (London: Methuen, 1962–83).Google Scholar
Elias, A. C. Jr, Swift at Moor Park: Problems in Biography and Criticism (Philadelphia: University of Pennsylvania Press, 1982).Google Scholar
Elias, A. C. Jr, Fischer, John Irwin and Woolley, James, ‘The Full Text of Swift’s On Poetry: A Rapsody (1733)’, Swift Studies, 9 (1994): 1732.Google Scholar
Ellens, Jantina, ‘Wishing for the Watch Face in Jonathan Swift’s “The Progress of Beauty”’, ABO: Interactive Journal for Women in the Arts, 1640–1830, 8.1 (2018), article 1: 114.Google Scholar
Ellis, Frank H., ‘Swift’s Phillis, or, The Progress of Self–Deception’, in Fischer, John Irwin, Real, Hermann J. and Woolley, James (eds.), Swift and His Contexts (New York: AMS Press, 1989), 3964.Google Scholar
England, A. B., Energy and Order in the Poetry of Swift (Lewisburg: Bucknell University Press, 1980).Google Scholar
England, A. B., ‘Rhetorical Order and Emotional Turbulence in Cadenus and Vanessa’, in Fischer, John Irwin and Mell, Donald C. Jr (eds.), Contemporary Studies of Swift’s Poetry (Newark: University of Delaware Press, 1981), 6978.Google Scholar
England, A. B., ‘The Subversion of Logic in Some Poems by Swift’, SEL, 1500–1900, 15.3 (1975): 409–18.Google Scholar
England, A. B., ‘Swift’s “An Elegy on Mr Patrige” and Cowley’s “On the Death of Mr Crashaw”’, Notes and Queries, 218 (1973): 412–13.Google Scholar
Erskine-Hill, Howard, ‘Swift’s Knack at Rhyme’, in Clingham, Greg (ed.), Sustaining Literature: Essays on Literature, History, and Culture, 1500–1800 (Lewisburg: Bucknell University Press, 2007), 137–52.Google Scholar
Erskine-Hill, Howard, ‘‘Verses on the Death of Dr Swift’: The Interest of Cuts and Gaps’, in Hudson, Nicholas and Santesso, Aaron (eds.), Swift’s Travels: Eighteenth-Century British Satire and Its Legacy (Cambridge: Cambridge University Press, 2008), 143–59.Google Scholar
Ewald, William B. Jr, The Masks of Jonathan Swift (Oxford: Blackwell, 1954).Google Scholar
Fabricant, Carole, ‘Swift the Irishman’, in Fox, Christopher (ed.), The Cambridge Companion to Jonathan Swift (Cambridge: Cambridge University Press, 2003), 4872.Google Scholar
Fabricant, Carole, Swift’s Landscape (Baltimore and London: Johns Hopkins University Press, 1982).Google Scholar
Feingold, Richard, Moralized Song: The Character of Augustan Lyricism (New Brunswick and London: Rutgers University Press, 1989).Google Scholar
Ferguson, Oliver, ‘The Authorship of “Apollo’s Edict”’, PMLA, 70.3 (1955): 433–40.Google Scholar
Ferguson, Rebecca, ‘Metamorphosis and Mortality: Swift’s “Death and Daphne”’, Swift Studies, 29 (2014): 5275.Google Scholar
Fischer, John Irwin, ‘Apparent Contraries: A Reading of Swift’s “A Description of a City Shower”’, Tennessee Studies in Literature, 19 (1974): 2134.Google Scholar
Fischer, John Irwin, ‘The Dean contra Heathens: Swift’s The Day of Judgement’, Revue des Langues Vivantes, 43 (1977): 592–97.Google Scholar
Fischer, John Irwin, ‘Faith, Hope, and Charity in Swift’s Poems to Stella’, in Fischer, John Irwin and Mell, Donald C. Jr (eds.), Contemporary Studies of Swift’s Poetry (Newark: University of Delaware Press, 1981), 7986.Google Scholar
Fischer, John Irwin, ‘The Government’s Response to Swift’s An Epistle to a Lady’, Philological Quarterly, 65.1 (1986): 3959.Google Scholar
Fischer, John Irwin, “‘Love and Books”: Some Early Texts of Swift’s Cadenus and Vanessa, and a Few Words about Love’, Reading Swift (#4) [2003], 285310.Google Scholar
Fischer, John Irwin, On Swift’s Poetry (Gainesville: University Presses of Florida, 1978).Google Scholar
Fischer, John Irwin, ‘Swift Writing Poetry: The Example of “The Grand Question Debated”’, in Freiburg, Rudolf, Löffler, Arno and Zach, Wolfgang (eds.), Swift: The Enigmatic Dean: Festschrift for Hermann Josef Real (Tübingen: Stauffenburg Verlag, 1998), 4146.Google Scholar
Fischer, John Irwin, ‘Swift’s Early Odes, Dan Jackson’s Nose, and “The Character of Sir Robert Walpole”: Some Documentary Problems’, Reading Swift (#2) [1993], 225–43.Google Scholar
Flynn, Carol Houlihan, The Body in Swift and Defoe (Cambridge: Cambridge University Press, 1990).Google Scholar
Foot, Michael, The Pen and the Sword: Jonathan Swift and the Power of the Press (London: HarperCollins, 1984).Google Scholar
Foster, John Wilson, ‘The Topographical Tradition in Anglo–Irish Poetry’, Irish University Review, 4.2 (1974): 169–87.Google Scholar
Fox, Christopher, ‘Swift and the Rabble Reformation: A Tale of a Tub and the State of the Church in the 1690s’, in Parker, Todd C. (ed.), Swift as Priest and Satirist (Newark: University of Delaware Press, 2009), 102–22.Google Scholar
Fox, Christopher, ‘Swift’s Scotophobia’, Bullán, 6.2 (2002): 4366.Google Scholar
Frank, Bruce, ‘“The Excellent Rehearser”: Charles Leslie and the Tory Party, 1688–1714’, in Browning, J. D. (ed.), Biography in the Eighteenth Century (New York: Garland Publishing, 1980), 4368.Google Scholar
Freedman, William, ‘Dynamic Identity and the Hazards of Satire in Swift’, SEL, 1500–1900, 29 (1989): 473–88.Google Scholar
Freedman, William, ‘“Phillis, or, The Progress of Love” and “The Progress of Beauty”: Art, Artifice and Reality in Swift’s “Anti-Poetry”’, Concerning Poetry, 17 (1984): 7992.Google Scholar
Freedman, William, ‘“Verses on the Death of Dr Swift”, “The Beasts” Confession to the Priest’, and the Curious Double Dean’, Concerning Poetry, 20 (1987): 1939.Google Scholar
Fricke, Donna G., ‘Jonathan Swift’s Early Odes and the Conversion to Satire’, Enlightenment Essays, 5.2 (1974): 317.Google Scholar
Fuchs, Jacob, ‘Ovid and Swift: Cadenus and Vanessa’, Classical and Modern Literature, 17 (1997): 191205.Google Scholar
Gallagher, Noelle, Itch, Clap, Pox: Venereal Disease in the Eighteenth-Century Imagination (New Haven and London: Yale University Press, 2018).Google Scholar
Gallagher, Noelle Dückmann, ‘The Embarrassments of Restoration Panegyric: Reconsidering an Unfashionable Genre’, Eighteenth-Century Life, 39.3 (2015): 3554.Google Scholar
Garrison, James D., Dryden and the Tradition of Panegyric (Berkeley: University of California Press, 1975).Google Scholar
Gee, Sophie, Making Waste: Leftovers and the Eighteenth-Century Imagination (Princeton: Princeton University Press, 2010).Google Scholar
Gee, Sophie, ‘The Sewers: Ordure, Effluence, and Excess in the Eighteenth Century’, in Wall, Cynthia (ed.), A Concise Companion to the Restoration and Eighteenth Century (Oxford: Blackwell, 2005), 101–20.Google Scholar
Gerrard, Christine, The Patriot Opposition to Walpole: Politics, Poetry, and National Myth, 1725–1742 (Oxford: Clarendon Press, 1994).Google Scholar
Gilmore, Thomas B. Jr, ‘The Comedy of Swift’s Scatological Poems’, PMLA, 91.1 (1976): 3343.Google Scholar
Gold, Maxwell B., Swift’s Marriage to Stella Together with Unprinted and Misprinted Letters (Cambridge, MA: Harvard University Press, 1937).Google Scholar
Goldgar, Bertrand A., The Curse of Party: Swift’s Relations with Addison and Steele (Lincoln: University of Nebraska Press, 1961).Google Scholar
Goldgar, Bertrand A., Walpole and the Wits: The Relation of Politics to Literature, 1722–1742 (Lincoln and London: University of Nebraska Press, 1976).Google Scholar
Greene, Donald J., ‘On Swift’s “Scatological” Poems’, Sewanee Review, 75 (1967): 672–89.Google Scholar
Griffin, Dustin, Swift and Pope: Satirists in Dialogue (Cambridge: Cambridge University Press, 2010).Google Scholar
Gubar, Susan, ‘The Female Monster in Augustan Satire’, Signs, 3.2 (1977): 380–94.Google Scholar
Gubar, Susan, ‘Reply to Pollak’, Signs, 3.3 (1978): 732–33.Google Scholar
Gugler, MaryBeth, ‘Mercury and the “Pains of Love” in Jonathan Swift’s “A Beautiful Young Nymph Going to Bed”’, English Language Notes, 29.2 (1991): 3136.Google Scholar
Gulick, Sidney L., ‘Jonathan Swift’s “The Day of Judgement”’, PMLA, 48 (1933): 850–55.Google Scholar
Gulick, Sidney L., ‘No “Spectral Hand” in Swift’s “Day of Judgement”’, PBSA, 71 (1977): 333–36.Google Scholar
Gurr, Jens Martin, ‘“Let me suppose thee for a Ship a–while”: Nautical Metaphors and Contemporary Politics in Eighteenth-Century Translations of Horace’s Ode, I, XIV’, Swift Studies, 20 (2005): 7081.Google Scholar
Hall, F. G., The Bank of Ireland, 1783–1946 (Dublin: Hodges Figgis; Oxford: B. H. Blackwell, 1949).Google Scholar
Halsband, Robert, ‘“The Lady’s Dressing-Room” Explicated by a Contemporary’, in Miller, Henry Knight, Rothstein, Eric and Rousseau, G. S. (eds.), The Augustan Milieu: Essays Presented to Louis A. Landa (Oxford: Clarendon Press, 1970), 225–31.Google Scholar
Hammond, Brean, ‘Corinna’s Dream’, The Eighteenth Century, 36.2 (1995): 99118.Google Scholar
Hammond, Brean, Jonathan Swift (Dublin: Irish Academic Press, 2010).Google Scholar
Hammond, Brean, ‘Swift’s Reading’, in Fox, Christopher (ed.), The Cambridge Companion to Jonathan Swift (Cambridge: Cambridge University Press, 2003), 7386.Google Scholar
Hammond, Paul, Dryden and the Traces of Classical Rome (Oxford: Oxford University Press, 1999).Google Scholar
Harris, Kathryn Montgomery, ‘“Occasions so Few”: Satire as a Strategy of Praise in Swift’s Early Odes’, MLQ, 31 (1970): 2237 .Google Scholar
Harth, Phillip, ‘Friendship and Politics: Swift’s Relations with Pope in the Early 1730s’, Reading Swift (#3) [1998], 239–48.Google Scholar
Herzog, Don, Household Politics: Conflict in Early Modern England (New Haven: Yale University Press, 2013).Google Scholar
Higgins, Ian, ‘An Allusion to Paradise Lost in Swift’s “The Lady’s Dressing Room”’, ANQ, 2 (1989): 4748.Google Scholar
Higgins, Ian, Jonathan Swift (Tavistock: Northcote House, 2004).Google Scholar
Higgins, Ian, ‘Jonathan Swift and the Jacobite Diaspora’, Reading Swift (#4) [2003], 87103.Google Scholar
Higgins, Ian, Swift’s Politics: A Study in Disaffection (Cambridge: Cambridge University Press, 1994).Google Scholar
Hill, Geoffrey, ‘Jonathan Swift: The Poetry of “Reaction”’, in Vickers, Brian (ed.), The World of Jonathan Swift: Essays for the Tercentenary (Oxford: Blackwell, 1968), 195212.Google Scholar
Hogan, Robert, ‘A Selection of Dr Sheridan’s Poems’, Journal of Irish Literature, 16.1 (January 1987): 3360; 16.2 (May 1987): 19–54; 16.3 (September 1987): 25–39.Google Scholar
Horne, William C., Making a Heaven of Hell: The Problem of the Compassionate Ideal in English Marriage Poetry, 1650–1800 (Athens and London: University of Georgia Press, 1993).Google Scholar
Ingram, Allan, ‘Getting Personal: Swift’s Non-Public Poetry’, in Fowler, Joanna and Ingram, Allan (eds.), Voice and Context in Eighteenth-Century Verse: Order in Variety (Basingstoke: Palgrave Macmillan, 2015), 211–29.Google Scholar
Jaffe, Nora Crow, The Poet Swift (Hanover: University Press of New England, 1977).Google Scholar
Jaffe, Nora Crow, ‘Swift and the “agreeable young Lady, but extremely lean”’, in Fischer, John Irwin and Mell, Donald C. Jr (eds.), Contemporary Studies of Swift’s Poetry (Newark: University of Delaware Press, 1981), 149–58.Google Scholar
Jenkins, Eugenia Zuroski, ‘“Nature to Advantage Drest”: Chinoiserie, Aesthetic Form, and the Poetry of Subjectivity in Pope and Swift’, Eighteenth-Century Studies, 43.1 (2009): 7594.Google Scholar
Johnson, Maurice, The Sin of Wit: Jonathan Swift as Poet (Ann Arbor: Gordian Press, 1966).Google Scholar
Jones, Gareth, ‘Swift’s Cadenus and Vanessa: A Question of “Positives”’, Essays in Criticism, 20 (1970): 424–40.Google Scholar
Juhas, Kirsten, ‘Death Frightened to Death: Swift’s Transformation of the Death–and–the–Maiden Motif’, Reading Swift (#6) [2013], 433–58.Google Scholar
Juhas, Kirsten and Real, Hermann Josef, ‘Never-Sleeping Goddesses, Pocky Queens, and Degenerating Flowers: Swift’s The Lady’s Dressing Room, ll. 119–144’, Swift Studies, 32 (2017): 101–16.Google Scholar
Karian, Stephen, Jonathan Swift in Print and Manuscript (Cambridge: Cambridge University Press, 2010).Google Scholar
Karian, Stephen, ‘Swift, Arbuckle, and The Beasts’ Confession to the Priest’, Swift Studies, 21 (2006): 87106.Google Scholar
Karian, Stephen, ‘Swift as a Manuscript Poet’, in Bullard, Paddy and McLaverty, James (eds.), Jonathan Swift and the Eighteenth-Century Book (Cambridge: Cambridge University Press, 2013), 3150.Google Scholar
Karian, Stephen, ‘Swift’s First Poem: “Ode to the Honourable Sir William Temple”’, Huntington Library Quarterly, 71.3 (2008): 489501.Google Scholar
Karian, Stephen, ‘Who Was Swift’s “Corinna”?’, Reading Swift (#6) [2013], 417–31.Google Scholar
Katritzky, Linde, ‘Scatology in Swift’s Poetry and Burton’s Melancholy’, Swift Studies, 24 (2009): 162–65.Google Scholar
Keegan, Timothy, ‘Swift’s Self–Portraits in Verse’, in Patey, Douglas Lane and Keegan, Timothy (eds.), Augustan Subjects: Essays in Honor of Irvin Ehrenpreis (Newark: University of Delaware Press, 1985), 127–43.Google Scholar
Kelly, Ann Cline, ‘Swift’s Unmoralized Ovid: Baucis and Philemon and Book Four of Gulliver’s Travels’, Reading Swift (#5) [2008], 441–51.Google Scholar
Kupersmith, William, ‘Swift and “Harley, the Nation’s Great Support”: Horace, Epistle VII, Book I: Imitated and Addressed to the Earl of Oxford’, Swift Studies, 1 (1986): 3945.Google Scholar
Kupersmith, William, Versions of Roman Satire in the Earlier Eighteenth Century (Newark: University of Delaware Press, 2007).Google Scholar
Kupersmith, William, ‘William Diaper and Two Others Imitate Swift Imitating Horace’, Swift Studies, 10 (1995): 2636.Google Scholar
Landa, Louis A., Swift and the Church of Ireland (Oxford: Clarendon Press, 1954).Google Scholar
Langford, Paul, ‘Swift and Walpole’, in Rawson, Claude (ed.), Politics and Literature in the Age of Swift: English and Irish Perspectives (Cambridge: Cambridge University Press, 2010), 5278.Google Scholar
Le Brocquy, Sybil, Cadenus & Swift’s Most Valuable Friend: Two Books on Jonathan Swift by Sybil le Brocquy, ed. Carpenter, Andrew (Dublin: The Lilliput Press, 2003).Google Scholar
Lee, Jae Num, Swift and Scatological Satire (Albuquerque: University of Mexico Press, 1971).Google Scholar
Lock, F. P., Swift’s Tory Politics (London: Duckworth, 1983).Google Scholar
Löffler, Arno, ‘The Dean and Lady Anne: Humour in Swift’s Market-Hill Poems’, Reading Swift (#2) [1993], 113–24.Google Scholar
Löffler, Arno, ‘The End of a Satirist’s Career: The Legion Club’, Englisch Amerikanische Studien, 10 (1988): 7083.Google Scholar
Löffler, Arno, ‘“Her artificiall Face appears”: Jonathan Swift and the Art of Cosmetics’, in Juhas, Kirsten, Müller, Patrick and Hansen, Mascha (eds.), “The First Wit of the Age”: Essays on Swift and His Contemporaries in Honour of Hermann J. Real (Frankfurt am Main: Peter Lang, 2013), 239–53.Google Scholar
Lowe, N. F., ‘Why Swift Killed Partridge’, Swift Studies, 6 (1991): 7082.Google Scholar
Lowe, N. F. and McCormack, W. J., ‘Swift as “Publisher” of Sir William Temple’s Letters and Miscellanea’, Swift Studies, 8 (1993): 4657.Google Scholar
Lynall, Gregory, ‘Swift’s “Poetical Chymistry”: Alchemy and Allusion in the Verse’, RES, 63 (2011): 588607.Google Scholar
Mackie, Erin, ‘“The anguish, toil, and pain, of gathering up herself again”: The Fabrication of Swift’s Women’, Critical Matrix, 6.1 (1991): 119.Google Scholar
Maddison, Carol, Apollo and the Nine: A History of the Ode (London: Routledge & Kegan Paul, 1960).Google Scholar
Manlove, C. N., ‘Swift’s Structures: “A Description of the Morning” and Some Others’, SEL, 1500–1900, 29.3 (1989): 463–72.Google Scholar
Mannheimer, Katherine, Print, Visuality, and Gender in Eighteenth-Century Satire (London and New York: Routledge, 2011).Google Scholar
Maresca, Thomas E., ‘Men Imagining Women Imagining Men: Swift’s Cadenus and Vanessa’, Studies in Eighteenth–Century Culture, 24 (1995): 243–57.Google Scholar
Marshall, Ashley, Swift and History: Politics and the English Past (Cambridge: Cambridge University Press, 2015).Google Scholar
Marshall, Ashley, ‘Swift on “Swift”: From The Author upon Himself to The Life and Genuine Character’, Huntington Library Quarterly, 75.3 (2012): 327–63.Google Scholar
May, James E., ‘Edward Young’s Responses to Jonathan Swift’, Swift Studies, 18 (2003): 6379.Google Scholar
May, James E., ‘Swift Sent Pensioner Young to the Sawpit, but Relished the Doctor “as he deserves”’, Reading Swift (#4) [2003], 403–18.Google Scholar
Mayhew, George, ‘Swift’s “On the Day of Judgement” and Theophilus Swift’, Philological Quarterly, 54.1 (1975): 213–21.Google Scholar
Mayhew, George P., ‘Rage or Raillery: Swift’s “Epistle to a Lady” and “On Poetry: A Rapsody”’, Huntington Library Quarterly, 23.2 (1960): 159–80.Google Scholar
Mayhew, George P., ‘Swift’s Bickerstaff Hoax as an April Fool’s Joke’, Modern Philology, 61 (1961): 270–80.Google Scholar
McBride, Ian, Eighteenth-Century Ireland: The Isle of Slaves (Dublin: Gill & Macmillan, 2009).Google Scholar
McEwen, Gilbert D., The Oracle of the Coffee House: John Dunton’s ‘Athenian Mercury (San Marino: The Huntington Library, 1972).Google Scholar
McGrath, Charles Ivar, ‘“The Grand Question Debated”: Jonathan Swift, Army Barracks, Parliament and Money’, Eighteenth–Century Ireland, 31 (2016): 119–38.Google Scholar
McLaverty, James, ‘The Failure of the Swift–Pope Miscellanies (1727–32) and The Life and Genuine Character of Doctor Swift (1733)’, Reading Swift (#5) [2008], 131–48.Google Scholar
McLaverty, James, ‘Swift and the Art of Political Publication: Hints and Title Pages, 1711–1714’, in Rawson, Claude (ed.), Politics and Literature in the Age of Swift: English and Irish Perspectives (Cambridge: Cambridge University Press, 2010), 116–37.Google Scholar
McLoughlin, Thomas, Contesting Ireland: Irish Voices against England in the Eighteenth Century (Dublin: Four Courts Press, 1999).Google Scholar
McMinn, Joseph, ‘The Gardener in the Deanery’, in Freiburg, Rudolf, Löffler, Arno and Zach, Wolfgang (eds.), Swift: The Enigmatic Dean: Festschrift for Hermann Josef Real (Tübingen: Stauffenburg Verlag, 1998), 127–35.Google Scholar
McMinn, Joseph, ‘The Humors of Quilca: Swift, Sheridan, and County Cavan’, in Fox, Christopher and Tooley, Brenda (eds.), Walking Naboth’s Vineyard: New Studies of Swift (Notre Dame: University of Notre Dame Press, 1995), 143–53.Google Scholar
McMinn, Joseph, Jonathan Swift: A Literary Life (London: Macmillan, 1991).Google Scholar
McMinn, Joseph, Jonathan Swift and the Arts (Newark: University of Delaware Press, 2010).Google Scholar
McMinn, Joseph, ‘Jonathan’s Travels – Swift’s Sense of Ireland’, Swift Studies, 7 (1992): 3653.Google Scholar
McTague, John, ‘“There Is No Such Man as Isaack Bickerstaff”: Partridge, Pittis, and Jonathan Swift’, Eighteenth-Century Life, 35.1 (2011): 83101.Google Scholar
Means, James A., ‘An Un–Dress Rehearsal for Swift’s “A Beautiful Young Nymph Going to Bed”’, Notes and Queries, 230 (1985), 191–92.Google Scholar
Mell, Donald C. Jr, ‘Elegiac Design and Satiric Intention in “Verses on the Death of Dr Swift”’, Concerning Poetry, 6.2 (1973): 1524.Google Scholar
Mell, Donald C. Jr, ‘Irony, Poetry, and Swift: Entrapment in “On Poetry: A Rapsody”’, PLL, 18 (1982): 310–24.Google Scholar
Moore, Sean, ‘Satiric Norms, Swift’s Financial Satires and the Bank of Ireland Controversy of 1720–1’, Eighteenth-Century Ireland, 17 (2002): 2656.Google Scholar
Moskovit, Leonard A., ‘Pope and the Tradition of the Neoclassical Imitation’, SEL, 1500–1900, 8.3 (1968): 445–62.Google Scholar
Mueller, Judith C., ‘Imperfect Enjoyment at Market Hill: Impotence, Desire, and Reform in Swift’s Poems to Lady Acheson’, ELH, 66.1 (1999): 5170.Google Scholar
Nethercot, Arthur H., ‘The Reputation of Abraham Cowley (1660–1800)’, PMLA, 38.3 (1923): 588641.Google Scholar
Nokes, David, Jonathan Swift, A Hypocrite Reversed; A Critical Biography (Oxford: Oxford University Press, 1985).Google Scholar
Nussbaum, Felicity A., The Brink of All We Hate: English Satires on Women, 1660–1750 (Lexington: The University Press of Kentucky, 1984).Google Scholar
Oakleaf, David, A Political Biography of Jonathan Swift (London: Pickering & Chatto, 2008).Google Scholar
Ohlin, Peter, ‘Cadenus and Vanessa: Reason and Passion’, SEL, 1500–1900, 4 (1964): 485–96.Google Scholar
Oliver, Kathleen M., ‘Swift’s Mrs Harris’s Petition’, The Explicator, 52.4 (1994): 216–19.Google Scholar
Orrery, Lord, Boyle, John, Remarks on the Life and Writings of Dr Jonathan Swift, Dean of St Patrick’s, Dublin (London: A. Millar, 1751).Google Scholar
Overton, Bill, The Eighteenth-Century British Verse Epistle (Basingstoke and New York: Palgrave Macmillan, 2007).Google Scholar
Palumbo, David M., ‘Death Becomes Her: Figuration and Decay in Swift’s “Birthday Poems” to Stella’, The Eighteenth Century, 51.4 (2010): 431–50.Google Scholar
Parker, Todd C., Sexing the Text: The Rhetoric of Sexual Difference in British Literature, 1700–1750 (New York: State University of New York Press, 2000).Google Scholar
Parkin, Rebecca Price, ‘Swift’s Baucis and Philemon: A Sermon in the Burlesque Mode’, Satire Newsletter, 7 (1969–70): 109–14.Google Scholar
Passmann, Dirk F. and Real, Hermann J., ‘“The Humble Petition of Frances Harris”: A Case of Sexual Extortion at Dublin Castle?’, Reading Swift (#6) [2013], 383499.Google Scholar
Passmann, Dirk F. and Real, Hermann J., ‘The Intellectual History of “Self–Love” and Verses on the Death of Dr Swift’, Reading Swift (#5) [2008], 343–62.Google Scholar
Paulson, Ronald, The Fictions of Satire (Baltimore: Johns Hopkins University Press, 1967).Google Scholar
Paulson, Ronald, ‘“Suppose me Dead”: Swift’s Verses on the Death of Dr Swift’, in Palmeri, Frank (ed.), Critical Essays on Jonathan Swift (New York: G. K. Hall, 1993), 240–44.Google Scholar
Paulson, Ronald, ‘Swift, Stella, and Permanence’, ELH, 27 (1960): 298314.Google Scholar
Peake, Charles, ‘Swift’s Birthday Verses to Stella’, Reading Swift (#1) [1985], 175–86.Google Scholar
Peake, Charles, ‘Swift’s “Satirical Elegy on a Late Famous General”’, Review of English Literature, 3 (1962): 8089.Google Scholar
Peterson, Leland D., ‘Problems of Authenticity and Text in Three Early Poems Attributed to Swift’, Harvard Library Bulletin, 33.4 (1985): 404–24.Google Scholar
Peterson, Leland D., ‘Revisions of Swift’s “On the Day of Judgment”’, PBSA, 86.4 (1992): 461–71.Google Scholar
Peterson, Leland D., ‘The Spectral Hand in Swift’s “Day of Judgement”’, PBSA, 70 (1976): 189219.Google Scholar
Phiddian, Robert, ‘A Name to Conjure With: Games of Versification and Identity in the Bickerstaff Controversy’, Reading Swift (#2) [1993], 141–50.Google Scholar
Phiddian, Robert, Swift’s Parody (Cambridge: Cambridge University Press, 1995).Google Scholar
Phiddian, Robert and McBain, Jean, ‘Emotional and Scribal Communities in the Verses on the Death of Dr Swift’, The Eighteenth Century, 58.3 (2017): 353–69.Google Scholar
Pollak, Ellen, ‘Comment on Susan Gubar’s “The Female Monster in Augustan Satire”’, Signs, 3.3 (1978): 728–32.Google Scholar
Pollak, Ellen, The Poetics of Sexual Myth: Gender and Ideology in the Verse of Swift and Pope (Chicago and London: University of Chicago Press, 1985).Google Scholar
Probyn, Clive, ‘Jonathan Swift at the Sign of the Drapier’, Reading Swift (#3) [1998], 225–37.Google Scholar
Probyn, Clive, ‘Swift’s Early Odes: The Unreadable in Search of the Unspeakable’, Reading Swift (#5) [2008], 275–86.Google Scholar
Probyn, Clive, ‘Swift’s Verses on the Death of Dr Swift: The Notes’, Studies in Bibliography, 39 (1986): 4761.Google Scholar
Rabb, Melinda Alliker, ‘Remembering in Swift’s “The Lady’s Dressing Room”’, Texas Studies in Literature and Language, 32.3 (1990): 375–96.Google Scholar
Rawson, Claude, ‘Congreve and Swift’, in Ashley Marshall, (ed.), Representation, Heterodoxy, and Aesthetics: Essays in Honor of Ronald Paulson (Newark: University of Delaware Press, 2014), 1940.Google Scholar
Rawson, Claude, Order from Confusion Sprung: Studies in Eighteenth-Century Literature from Swift to Cowper (New Jersey and London: Humanities Press, 1985).Google Scholar
Rawson, Claude, ‘Rage and Raillery and Swift: The Case of Cadenus and Vanessa’, in Mell, Donald C. Jr (ed.), Pope, Swift, and Women Writers (Newark: University of Delaware Press, 1996), 179–91.Google Scholar
Rawson, Claude, Swift’s Angers (Cambridge: Cambridge University Press, 2014).Google Scholar
Real, Hermann J., ‘“An horrid Vision”: Jonathan Swift’s “(On) the Day of Judgement”’, in Fischer, John Irwin, Real, Hermann J. and Woolley, James (eds.), Swift and His Contexts (New York: AMS Press, 1989), 6596.Google Scholar
Real, Hermann J., ‘Dean Swift on the Great Pox: Or, the Satirist as Physician’, in Ingram, Allan and Wetherall Dickson, Leigh (eds.), Disease and Death in Eighteenth-Century Literature and Culture: Fashioning the Unfashionable (Basingstoke: Palgrave Macmillan, 2016), 77100.Google Scholar
Real, Hermann J., ‘“The Most Fateful Piece Swift Ever Wrote”: The Windsor Prophecy’, Swift Studies, 9 (1994): 7699.Google Scholar
Real, Hermann J., ‘Stella’s Books’, Swift Studies, 11 (1996): 7083.Google Scholar
Real, Hermann J. and Vienken, Heinz J., ‘Disciplining on the Sly: Swift’s “The Lady’s Dressing Room”’, AAA, Bd.13, H.1 (1988): 39–50.Google Scholar
Real, Hermann J. and Vienken, Heinz J., ‘“Those Odious Common Whores of which this Town is Full”: Swift’s “A Beautiful Young Nymph Going to Bed”’, AAA, Bd. 6, H. 2 (1981): 241–59.Google Scholar
Rees, Christine, ‘Gay, Swift, and the Nymphs of Drury-Lane’, Essays in Criticism, 23.1 (1973): 121.Google Scholar
Rees, Christine, ‘The Metamorphosis of Daphne in Sixteenth- and Seventeenth-Century English Poetry’, MLR, 66 (1971): 251–63.Google Scholar
Reichard, Hugo M., ‘The Self-Praise Abounding in Swift’s Verses’, Tulane Studies in English, 18 (1973): 105–12.Google Scholar
Robbins, Christopher, ‘“The Most Universal Villain I Ever Knew”: Jonathan Swift and the Earl of Wharton’, Eighteenth–Century Ireland, 18 (2003): 2438.Google Scholar
Rodino, Richard H., ‘Blasphemy or Blessing? Swift’s “Scatological” Poems’, PLL, 14 (1978): 152–70.Google Scholar
Rodino, Richard Hodge, ‘The Private Sense of Cadenus and Vanessa’, Concerning Poetry, 11.2 (1978): 4147.Google Scholar
Rodino, Richard Hodge, ‘Robert Gould and Swift’s “The Day of Judgement”’, Notes and Queries, 224 (1979): 549.Google Scholar
Rodino, Richard Hodge, ‘“Worse than Swift”: ‘The Beasts’ Confession’, Tradition and Rhetoric’, Swift Studies, 3 (1988): 7990.Google Scholar
Rogers, Pat, ‘Creech’s Horace and Swift’, Notes and Queries, 237 (1992): 469–70.Google Scholar
Rogers, Pat, Grub Street: Studies in a Subculture (London: Methuen, 1972).Google Scholar
Rogers, Pat, ‘The Origins of Swift’s Poem on “Sid Hamet”’, Modern Philology, 79.3 (1982): 304–08.Google Scholar
Rogers, Pat, ‘Plunging in the Southern Waves: Swift’s Poem on the Bubble’, Yearbook of English Studies, 18 (1988): 4150.Google Scholar
Rogers, Pat, ‘Swift the Poet’, in Fox, Christopher (ed.), The Cambridge Companion to Jonathan Swift (Cambridge: Cambridge University Press, 2003), 177201.Google Scholar
Rogers, Pat, ‘Swift and the Poetry of Exile’, in Hudson, Nicholas and Santesso, Aaron (eds.), Swift’s Travels: Eighteenth-Century British Satire and Its Legacy (Cambridge: Cambridge University Press, 2008), 124–42.Google Scholar
Rosenheim, Edward W., ‘Swift’s “Ode to Sancroft”: Another Look’, Modern Philology, 73.4, Part 2 (1976): S24S39.Google Scholar
Ross, Angus, ‘The Anatomy of Melancholy and Swift’, in Fischer, John Irwin, Real, Hermann J. and Woolley, James (eds.), Swift and His Contexts (New York: AMS Press, 1989), 133–58.Google Scholar
Ross, Angus, ‘The Grand Question Debated: Swift on Peace and War’, in Freiburg, Rudolf, Löffler, Arno and Zach, Wolfgang (eds.), Swift: The Enigmatic Dean: Festschrift for Hermann Josef Real (Tübingen: Stauffenburg Verlag, 1998), 247–61.Google Scholar
Rothstein, Eric, ‘Jonathan Swift as Jupiter: Baucis and Philemon’, in Miller, Henry Knight, Rothstein, Eric and Rousseau, G. S. (eds.), The Augustan Milieu: Essays Presented to Louis A. Landa (Oxford: Clarendon Press, 1970), 205–24.Google Scholar
Rudd, Niall, The Common Spring: Essays on Latin and English Poetry (Bristol: Bristol Phoenix Press, 2005).Google Scholar
Rudd, Niall, ‘Swift’s “On Poetry: A Rhapsody”’, Hermathena, 180 (2006): 105–20.Google Scholar
Rudy, Seth, ‘Pope, Swift, and the Poetics of Posterity’, Eighteenth-Century Life, 35.3 (2011): 128.Google Scholar
Rumbold, Valerie, ‘Burying the Fanatic Partridge: Swift’s Holy Week Hoax’, in Rawson, Claude (ed.), Politics and Literature in the Age of Swift: English and Irish Perspectives (Cambridge: Cambridge University Press, 2010), 81115.Google Scholar
Rumbold, Valerie, ‘Merlinus Verax, T. N. Philomath, and the Merlin Tradition: Print Contexts for Swift’s A Famous Prediction of Merlin (1709)’, The Library, 7th series, 12.4 (2011): 392412.Google Scholar
Savage, Roger, ‘Swift’s Fallen City: A Description of the Morning’, in Vieth, David M. (ed.), Essential Articles for the Study of Jonathan Swift’s Poetry (Hamden: Archon Books, 1984), 123–52.Google Scholar
Schakel, Peter J., The Poetry of Jonathan Swift: Allusion and the Development of a Poetic Style (Madison: University of Wisconsin Press, 1978).Google Scholar
Schakel, Peter J., ‘The Politics of Opposition in “Verses on the Death of Dr Swift”’, MLQ, 35 (1974): 246–56.Google Scholar
Schakel, Peter J., ‘Swift’s “Dapper Clerk” and the Matrix of Allusions in Cadenus and Vanessa’, Criticism, 17 (1975): 246–61.Google Scholar
Schakel, Peter J., ‘Swift’s Verses Wrote in a Lady’s Ivory Table-Book’, Explicator (1 May 1970).Google Scholar
Schakel, Peter J., ‘Swift’s Voices: Innovation and Complication in the Poems Written at Market Hill’, in Weinbrot, Howard D., Schakel, Peter J. and Karian, Stephen E. (eds.), Eighteenth-Century Contexts: Historical Inquiries in Honor of Phillip Harth (Madison: University of Wisconsin Press, 2001), 114–32.Google Scholar
Schakel, Peter J., ‘What Success It Met: The Reception of Cadenus and Vanessa’, Reading Swift (#3) [1998], 215–24.Google Scholar
Scouten, Arthur H., ‘Swift’s Progress from Prose to Poetry’, in Scouten, Arthur H. and Elliott, Robert C. (eds.), The Poetry of Jonathan Swift: Papers Read at a Clark Library Seminar, 20 January 1979 (Los Angeles: William Andrews Clark Memorial Library, 1981).Google Scholar
Scouten, Arthur H. and Hume, Robert D., ‘Pope and Swift: Text and Interpretation of Swift’s Verses on His Death’, Philological Quarterly, 52.2 (1973): 205–31.Google Scholar
Sena, John F., ‘Swift as Moral Physician: Scatology and the Tradition of Love Melancholy’, The Journal of English and Germanic Philology, 76.3 (1977): 346–62.Google Scholar
Sheehan, David, ‘Swift on High Pindaric Stilts’, in Fischer, John Irwin and Mell, Donald C. Jr (eds.), Contemporary Studies of Swift’s Poetry (Newark: University of Delaware Press, 1981), 2535.Google Scholar
Sheehan, David, ‘Swift, Voiture, and the Spectrum of Raillery’, PLL, 14 (1978): 171–88.Google Scholar
Shuster, George N., The English Ode from Milton to Keats (Gloucester: Peter Smith, 1964).Google Scholar
Siebert, Donald T., ‘Swift’s Fiat Odor: The Excremental Re-Vision’, Eighteenth-Century Studies, 19.1 (1985): 2138.Google Scholar
Simms, J. G., ‘Dean Swift and County Armagh’, Seanchas Ard Mhacha: Journal of the Armagh Diocesan Historical Society, 6.1 (1971): 131–40.Google Scholar
Slepian, Barry, ‘The Ironic Intention of Swift’s Verses on the Death’, RES, 14.55 (1963): 249–56.Google Scholar
Smith, Peter J., Between Two Stools: Scatology and Its Representations in English Literature, Chaucer to Swift (Manchester: Manchester University Press, 2012).Google Scholar
Solly, Edward, ‘Swift’s Cadenus and Vanessa’, The Antiquarian Magazine and Bibliographer, 7 (1885): 410.Google Scholar
Solomon, Harry S., ‘“Difficult Beauty”: Tom D’Urfey and the Context of Swift’s ‘The Lady’s Dressing Room’’, SEL, 1500–1900, 19.3 (1979): 431–44.Google Scholar
Solomon, Miller, ‘“To Steal a Hint Was Never Known”: The Sodom Apple Motif and Swift’s “A Beautiful Young Nymph Going to Bed”’, Tennessee Studies in Literature, 22 (1977): 105–16.Google Scholar
Sperrin, Dan, ‘Cozening Swift and Dryden’, Essays in Criticism, 68.2 (2018): 167–89.Google Scholar
Steensma, Robert C., ‘Swift’s Apologia: “Verses on the Death of Dr Swift”’, Proceedings of the Utah Academy of Sciences, Arts, and Letters, 42 (1965): 2328.Google Scholar
Teerink, Herman, ‘Swift’s Cadenus and Vanessa’, Harvard Library Bulletin, 2 (1948): 254–57.Google Scholar
Teerink, Herman, ‘Swift’s Cadenus and Vanessa Again’, Harvard Library Bulletin, 3 (1949): 435–36.Google Scholar
Terry, Richard, ‘Swift’s Use of “Personate” to Indicate Parody’, Notes and Queries, 239 (1994): 196–98.Google Scholar
Thomas, Richard, ‘Tree Violation in Virgil’, Transactions of the American Philological Association, 118 (1988): 261–73.Google Scholar
Tissol, Garth, ‘Dryden’s Additions and the Interpretative Reception of Ovid’, Translation and Literature, 13 (2004): 181–93.Google Scholar
Tyne, James L., ‘Swift and Stella: The Love Poems’, Tennessee Studies in Literature, 19 (1974): 3547.Google Scholar
Tyne, James L., ‘Swift’s Mock Panegyrics in “On Poetry: A Rapsody”’, PLL, 10.3 (1974): 279–86.Google Scholar
Tyne, James L., ‘Vanessa and the Houyhnhnms: A Reading of Cadenus and Vanessa’, SEL, 1500–1900, 11 (1971): 517–34.Google Scholar
Uphaus, Robert W., ‘From Panegyric to Satire: Swift’s Early Odes and A Tale of a Tub’, Texas Studies in Literature and Language, 13.1 (1971): 5570.Google Scholar
Uphaus, Robert W., ‘Swift’s Poetry: The Making of Meaning’, Eighteenth-Century Studies, 5.4 (1972): 569–86.Google Scholar
Uphaus, Robert W., ‘Swift’s Stella Poems and Fidelity to Experience’, Éire–Ireland, 5.3 (1970): 4052.Google Scholar
Uphaus, Robert W., ‘Swift’s “Whole Character”: The Delany Poems and “Verses on the Death of Dr Swift”’, MLQ, 34 (1973): 406–16.Google Scholar
Vieth, David M., ‘Metaphors and Metamorphoses: Basic Techniques in the Middle Period of Swift’s Poetry, 1698–1719’, in John Irwin Fischer, and Mell, Donald C. Jr (eds.), Contemporary Studies of Swift’s Poetry (Newark: University of Delaware Press, 1981), 5668.Google Scholar
Vieth, David M., ‘The Mystery of Personal Identity: Swift’s Verses on His Own Death’, in Martz, Louis L. and Williams, Aubrey (eds.), The Author in His Work: Essays on a Problem in Criticism (New Haven: Yale University Press, 1978), 245–62.Google Scholar
Wade, K. Richard, ‘Of “Weighty Arguments” and “Rational Delight”: Swift’s Comical Strategy in Cadenus and Vanessa’, Swift Studies, 9 (1994): 6575.Google Scholar
Waingrow, Marshall, ‘Verses on the Death of Dr Swift’, SEL, 1500–1900, 5.3 (1965): 513–18.Google Scholar
Ward, James, ‘Jonathan Swift’, in Dawe, Gerald (ed.), The Cambridge Companion to Irish Poets (Cambridge: Cambridge University Press, 2018), 2133.Google Scholar
Ward, James, ‘Pastures and Masters: Swift the Pastor and the Politics of Pastoral’, in Parker, Todd C. (ed.), Swift as Priest and Satirist (Newark: University of Delaware Press, 2009), 147–63.Google Scholar
Weedon, Margaret, ‘Bickerstaff Bit, or, Merlinus Fallax’, Swift Studies, 2 (1987): 97106.Google Scholar
Weinbrot, Howard D., Britannia’s Issue: The Rise of British Literature from Dryden to Ossian (Cambridge: Cambridge University Press, 1993).Google Scholar
Weise, Wendy S., ‘Seeing and the Difference it Makes: Ocularity, Gender, and Space in Swift’s and Montagu’s “Dressing Room” Satires’, Women’s Studies, 35 (2006): 707–38.Google Scholar
Williams, Arthur S., ‘Panegyric Decorum in the Reigns of William III and Anne’, Journal of British Studies, 21.1 (1981): 5667.Google Scholar
Williams, Aubrey, ‘Swift and the Poetry of Allusion: “The Journal”’, in Brady, Frank, Palmer, John and Price, Martin (eds.), Literary Theory and Structure: Essays in Honor of William K. Wimsatt (New Haven: Yale University Press, 1973), 227–43.Google Scholar
Winch, Alison, “‘The Nymph Grown Furious, Roar’d”: Lady Mary Wortley Montagu’s Response to Jonathan Swift’s “The Lady’s Dressing Room”’, in Zangen, Britta (ed.), Misogynism in Literature: Any Time, Any Place (Frankfurt am Main: Peter Lang, 2004), 7188.Google Scholar
Woolley, James, ‘Autobiography in Swift’s Verses on His Death’, in Fischer, John Irwin and Mell, Donald C. Jr (eds.), Contemporary Studies of Swift’s Poetry (Newark: University of Delaware Press, 1981), 112–22.Google Scholar
Woolley, James, ‘The Canon of Swift’s Poems: The Case of “An Apology to the Lady Carteret”’, Reading Swift (#2) [1993], 245–64.Google Scholar
Woolley, James, ‘Friends and Enemies in Verses on the Death of Dr Swift’, Studies in Eighteenth-Century Culture, 8 (1979), 205–32.Google Scholar
Woolley, James, ‘Stella’s Manuscript of Swift’s Poems’, in Fischer, John Irwin, Real, Hermann J. and Woolley, James (eds.), Swift and His Contexts (New York: AMS Press, 1989), 115–32.Google Scholar
Woolley, James, ‘Swift’s First Published Poem: Ode. To the King’, Reading Swift (#4) [2003], 265–83.Google Scholar
Woolley, James, Swift’s Later Poems: Studies in Circumstances and Texts (New York and London: Garland Publishing, 1988).Google Scholar
Woolley, James, ‘Swift’s “Skinnibonia”: A New Poem from Lady Acheson’s Manuscript’, Reading Swift (#5) [2008], 309–42.Google Scholar
Woolley, James, ‘Thomas Sheridan and Swift’, Studies in Eighteenth-Century Culture, 9 (1979): 93114.Google Scholar
Wyrick, Deborah Baker, Jonathan Swift and the Vested Word (Chapel Hill: University of North Carolina Press, 1988).Google Scholar
Zimmerman, Everett, ‘Swift’s Scatological Poetry: A Praise of Folly’, MLQ, 48.2 (1987): 124–44.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Works Cited
  • Daniel Cook, University of Dundee
  • Book: Reading Swift's Poetry
  • Online publication: 10 August 2020
  • Chapter DOI: https://doi.org/10.1017/9781108888172.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Works Cited
  • Daniel Cook, University of Dundee
  • Book: Reading Swift's Poetry
  • Online publication: 10 August 2020
  • Chapter DOI: https://doi.org/10.1017/9781108888172.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Works Cited
  • Daniel Cook, University of Dundee
  • Book: Reading Swift's Poetry
  • Online publication: 10 August 2020
  • Chapter DOI: https://doi.org/10.1017/9781108888172.009
Available formats
×