This chapter ruminates on the multiple meanings of home/lakay in the Haitian context, paying close attention to the concept of home in relation to material and physical spaces. Building on the work of scholars who have theorized diaspora as process, condition, and project, it argues that the Haitian Kreyòl term lakay presents fertile ground for extending theories of diaspora. It explores how these dynamics unfold in three works by contemporary Haitian artists: the novel La dot de Sara (2002) by Marie-Célie Agnant, two short stories by Edwidge Danticat from Krik? Krak! (1995), and the song “Fo m Ale” (2000) by Emeline Michel. Taking an approach that is both multilingual (French, English, Kreyòl) and multi-genre (essay, short story, novel, song), the methodology advances a broader argument about approaches to analyzing Haitian literature while calling attention to the importance of how diaspora manifests itself with local specificity.