Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-76fb5796d-25wd4 Total loading time: 0 Render date: 2024-04-27T15:30:33.723Z Has data issue: false hasContentIssue false

Music since 1900

Published online by Cambridge University Press:  25 October 2019

Martin Iddon
Martin Iddon
Affiliation:
University of Leeds
Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
John Cage and Peter Yates
Correspondence on Music Criticism and Aesthetics
 , pp. ii - iv
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Titles in the series

Cross, Jonathan The Stravinsky LegacyGoogle Scholar
Nyman, Michael Experimental Music: Cage and BeyondGoogle Scholar
Doctor, Jennifer The BBC and Ultra-Modern Music, 1922–1936Google Scholar
Adlington, Robert The Music of Harrison BirtwistleGoogle Scholar
Potter, Keith Four Musical Minimalists: La Monte Young, Terry Riley, Steve Reich, Philip GlassGoogle Scholar
Caballero, Carlo Fauré and French Musical AestheticsGoogle Scholar
Burt, Peter The Music of Toru TakemitsuCrossRefGoogle Scholar
Clarke, David The Music and Thought of Michael Tippett: Modern Times and MetaphysicsCrossRefGoogle Scholar
Grant, M. J. Serial Music, Serial Aesthetics: Compositional Theory in Post-War EuropeGoogle Scholar
Rupprecht, Philip Britten’s Musical LanguageCrossRefGoogle Scholar
Carroll, Mark Music and Ideology in Cold War EuropeGoogle Scholar
Thomas, Adrian Polish Music since SzymanowskiCrossRefGoogle Scholar
Harper-Scott, J. P. E. Edward Elgar, ModernistGoogle Scholar
Everett, Yayoi Uno The Music of Louis AndriessenGoogle Scholar
Haimo, Ethan Schoenberg’s Transformation of Musical LanguageGoogle Scholar
Willson, Rachel Beckles Ligeti, Kurtág, and Hungarian Music during the Cold WarGoogle Scholar
Cherlin, Michael Schoenberg’s Musical ImaginationCrossRefGoogle Scholar
Straus, Joseph N. Twelve-Tone Music in AmericaGoogle Scholar
Metzer, David Musical Modernism at the Turn of the Twenty-First CenturyGoogle Scholar
Campbell, Edward Boulez, Music and PhilosophyGoogle Scholar
Goldman, Jonathan The Musical Language of Pierre Boulez: Writings and CompositionsGoogle Scholar
den Toorn, Pieter C. van and McGinness, John Stravinsky and the Russian Period: Sound and Legacy of a Musical IdiomGoogle Scholar
Beard, David Harrison Birtwistle’s Operas and Music TheatreCrossRefGoogle Scholar
Wiebe, Heather Britten’s Unquiet Pasts: Sound and Memory in Postwar ReconstructionGoogle Scholar
Kutschke, Beate and Norton, Barley Music and Protest in 1968Google Scholar
Griffiths, Graham Stravinsky’s Piano: Genesis of a Musical LanguageCrossRefGoogle Scholar
Iddon, Martin John Cage and David Tudor: Correspondence on Interpretation and PerformanceCrossRefGoogle Scholar
Iddon, Martin New Music at Darmstadt: Nono, Stockhausen, Cage, and BoulezCrossRefGoogle Scholar
Williams, Alastair Music in Germany Since 1968Google Scholar
Luigi, Ben Earle Dallapiccola and Musical Modernism in Fascist ItalyGoogle Scholar
Schuttenhelm, Thomas The Orchestral Music of Michael Tippett: Creative Development and the Compositional ProcessCrossRefGoogle Scholar
Nonken, Marilyn The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital AgeCrossRefGoogle Scholar
Boss, Jack Schoenberg’s Twelve-Tone Music: Symmetry and the Musical IdeaGoogle Scholar
Mawer, Deborah French Music and Jazz in Conversation: From Debussy to BrubeckCrossRefGoogle Scholar
Rupprecht, Philip British Musical Modernism: The Manchester Group and their ContemporariesGoogle Scholar
Wlodarski, Amy Lynn Musical Witness and Holocaust RepresentationGoogle Scholar
Nielinger-Vakil, Carola Luigi Nono: A Composer in ContextGoogle Scholar
Guldbrandsen, Erling E. and Johnson, Julian Transformations of Musical ModernismGoogle Scholar
Cline, David The Graph Music of Morton FeldmanCrossRefGoogle Scholar
Hartenberger, Russell Performance and Practice in the Music of Steve ReichCrossRefGoogle Scholar
Bullivant, Joanna Modern Music, Alan Bush, and the Cold War: The Cultural Left in Britain and the Communist BlocCrossRefGoogle Scholar
Jones, Nicholas Peter Maxwell Davies, Selected WritingsGoogle Scholar
Harper-Scott, J. P. E. Ideology in Britten’s OperasGoogle Scholar
Boss, Jack Schoenberg’s Atonal Music: Musical Idea, Basic Image, and Specters of Tonal FunctionCrossRefGoogle Scholar
Collins, Sarah Lateness and Modernism: Untimely Ideas about Music, Literature and Politics in Interwar BritainGoogle Scholar
Seinen, Nathan Prokofiev’s Soviet OperasCrossRefGoogle Scholar
Wright, David C. H. The Royal College of Music and its Contexts: An Artistic and Social HistoryGoogle Scholar
Iddon, Martin John Cage and Peter Yates: Correspondence on Music Criticism and AestheticsCrossRefGoogle Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×