Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-8kt4b Total loading time: 0 Render date: 2024-07-02T14:42:23.415Z Has data issue: false hasContentIssue false

Further Reading

Published online by Cambridge University Press:  aN Invalid Date NaN

Ann Vickery
Affiliation:
Deakin University, Victoria
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2024

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Further Reading

Ackland, Michael. That Shining Band: A Study of Australian Colonial Verse Tradition. University of Queensland Press, 1994.Google Scholar
Ackland, Michael. “Poetry from the 1890s to 1970.” The Cambridge Companion to Australian Literature, edited by Webby, Elizabeth. Cambridge University Press, 2000, pp. 74104.CrossRefGoogle Scholar
Adelaide, Debra. Australian Women Writers: A Bibliographic Guide. Pandora Press, 1988.Google Scholar
Adelaide, Debra. ed. A Bright and Fiery Troop: Australian Women Writers of the Nineteenth Century. Penguin, 1989.Google Scholar
Aitken, Adam. “A Poetics of (Un)Becoming Hybridity.” Southerly vol.73 no.1, 2013, pp. 123–37.Google Scholar
Alizadeh, Ali. “Sufis of the Antipodes: The Ghazal in Contemporary Australian Poetry.” La Trobe Journal no.91, 2013, pp. 140–48.Google Scholar
Anderson, Hugh. Poet Militant: Bernard O’Dowd. Hill of Content, 1968.Google Scholar
Anderson, Hugh and Blake, L. J.. John Shaw Neilson. Rigby, 1972.Google Scholar
Araluen, Evelyn. “Resisting the Institution.” Overland no.227, 2017. https://overland.org.au/previous-issues/issue-227/feature-evelyn-araluen/.Google Scholar
Arnott, Georgina. The Unknown Judith Wright. UWA Publishing, 2016.Google Scholar
Atherton, Cassandra. Flashing Eyes and Floating Hair: A Reading of Gwen Harwood’s Pseudonymous Poetry. Australian Scholarly Publishing, 2006.Google Scholar
Atherton, Cassandra. ed. Travelling without Gods: A Chris Wallace-Crabbe Companion. Melbourne University Press, 2014.Google Scholar
Attfield, Sarah. “The Invisible Force: Working Class Voices in Contemporary Australian Poetry.” Overland no.165, 2001, pp. 2128.Google Scholar
Barnes, Katherine. The Higher Self in Christopher Brennan’s Poems: Esotericism, Romanticism, Symbolism. Brill, 2006.CrossRefGoogle Scholar
Bartlett, Alison. Jamming the Machinery: Contemporary Australian Women’s Writing. National Library of Australia, 1998.Google Scholar
Bennett, Bruce. Spirit in Exile: Peter Porter and His Poetry. Oxford University Press, 1991.Google Scholar
Bennett, Bruce. Dorothy Hewett: Selected Critical Essays. Fremantle Arts Centre Press, 1995.Google Scholar
Bennett, Bruce and Pender, Anne, From a Distant Shore: Australian Writers in Britain 1820–2012. Monash University Publishing, 2013.Google Scholar
Berryman, Jim and Stone, Caitlin. “Australian National Anthologies: A Study of Poems and Poets.” Journal of Australian Studies vol.41 no.1, 2017, pp. 4764.CrossRefGoogle Scholar
Biddle, Jennifer Loureide. Remote Avant-Garde Art under Occupation. Duke University Press, 2016.Google Scholar
Birns, Nicholas. Contemporary Australian Literature: A World Not Yet Dead. Sydney University Press, 2015.Google Scholar
Birns, Nicholas and McNeer, Rebecca, eds. A Companion to Australian Literature since 1900. Camden House, 2007.CrossRefGoogle Scholar
Birns, Nicholas, Moore, Nicole, and Schieff, Sarah, eds. Teaching Australian and New Zealand Literature. Modern Language Association, 2017.Google Scholar
Birns, Nicholas and Klee, Louis, eds. The Cambridge Companion to the Australian Novel. Cambridge University Press, 2023.CrossRefGoogle Scholar
Bourke, Lawrence. A Vivid Steady State: Les Murray and Australian Poetry. University of New South Wales Press, 1992.Google Scholar
Brewster, Anne. Giving This Country a Memory: Contemporary Aboriginal Voices of Australia. Cambria Press, 2015.Google Scholar
Brooks, David. The Sons of Clovis: Ern Malley, Adoré Floupette and a Secret History of Australian Poetry. University of Queensland Press, 2011.Google Scholar
Brooks, David and Walker, Brenda, eds. Poetry and Gender: Statements and Essays on Australian Women’s Poetry and Poetics. University of Queensland Press, 1989.Google Scholar
Buckley, Vincent. Essays In Poetry: Mainly Australian. Melbourne University Press, 1957.Google Scholar
Cahill, Michelle. “The Poetics of Subalternity.” Mascara Literary Review, 23 May 2012.Google Scholar
Calder, Bill. Pink Ink: The Golden Era for Gay and Lesbian Magazines. Cambridge Scholars, 2016.Google Scholar
Carruthers, A. J.Who’s Afraid of Poetic Invention? Anthologising Australian Poetry in the Twenty-First Century.” JASAL vol.17 no.2, 2018, pp. 123.Google Scholar
Carruthers, A. J., Incognita, Lia, Watson, Samuel Wagan, and Gomez, Elena. “Four Perspectives on Race and Racism in Australian Poetry.” Overland no.222, 2016, pp. 8391.Google Scholar
Carter, David. Always Almost Modern: Australian Print Cultures and Modernity. Australian Scholarly Publishing, 2013.Google Scholar
Carter, David and Osborne, Roger. Australian Books and Authors in the American Marketplace 1840s–1940s. Sydney University Press, 2018.CrossRefGoogle Scholar
Carter, Paul. The Road to Botany Bay: An Exploration of Landscape and History. University of Minneapolis Press, 2010.CrossRefGoogle Scholar
Casey, Brendan. “Essential Gossip: Allen Ginsberg, Robert Duncan and U.S.-Australian Poetics.” Cordite Poetry Review, 15 February 2023. http://cordite.org.au/essays/essential-gossip/.Google Scholar
Cassidy, Bonny. “Reading and Writing to Learn: The Problem of Poetry.” Teaching Australian Literature: From Classroom to National Imaginings, edited by Doecke, Brenton, McLean Davies, Larissa, and Mead, Philip. Wakefield Press; Australian Association for the Teaching of English, 2011, pp. 293306.Google Scholar
Castles, Belinda, ed. Reading Like an Australian Writer. NewSouth Publishing, 2021.Google Scholar
Chander, Manu Samriti. Brown Romantics: Poetry and Nationalism in the Global Nineteenth Century. Bucknell University Press, 2017.Google Scholar
Clarke, Patricia. Pen Portraits: Women Writers and Journalists in Nineteenth-Century Australia. Angus & Robertson, 1988.Google Scholar
Coleman, Deidre and Otto, Peter, eds. Imagining Romanticism: Essays on English and Australian Romanticisms. Locust Hill, 1992.Google Scholar
Coleman, Peter. The Heart of James McAuley: Life and Works of the Australian Poet. Wildcat, 1980.Google Scholar
Cooke, Stuart. Speaking the Earth’s Languages: A Theory for Australian-Chilean Postcolonial Poetics. Rodopi, 2013.CrossRefGoogle Scholar
Cooke, Stuart. “Tracing a Trajectory from Songpoetry to Contemporary Aboriginal Poetry.” A Companion to Australian Aboriginal Literature, edited by Wheeler, Belinda. Camden House, 2013, pp. 89106.CrossRefGoogle Scholar
Corr, Evelyn Araluen. “Silence and Resistance: Aboriginal Women Working within and against the Archive.” Continuum vol.32 no.4, 2018, pp. 487502.CrossRefGoogle Scholar
Dale, Leigh. The English Men: Professing Literature in Australian Universities. Association for the Study of Australian Literature, 1997.Google Scholar
Dalziell, Tanya and Genoni, Paul, eds. Telling Stories: Australian Life and Literature 1935–2012. Monash University Press, 2013.Google Scholar
Davidson, Toby. Christian Mysticism and Australian Poetry. Cambria Press, 2013.Google Scholar
Davidson, Toby. Good for the Soul: John Curtin’s Life with Poetry. UWA Publishing, 2021.Google Scholar
Digby, Jenny. A Woman’s Voice: Conversations with Australian Poets. University of Queensland Press, 1996.Google Scholar
Disney, Dan and Hall, Matthew, eds. New Directions in Contemporary Australian Poetry. Palgrave Macmillan, 2021.CrossRefGoogle Scholar
Dixon, Robert and Kelly, Veronica. The Impact of the Modern: Vernacular Modernities in Australia 1870s–1960s. University of Sydney Press, 2008.CrossRefGoogle Scholar
Dobrez, Livio. Parnassus Mad Ward: Michael Dransfield and the New Australian Poetry. University of Queensland Press, 1990.Google Scholar
Dobrez, Patricia. Michael Dransfield’s Lives: A Sixties Biography. Miegunyah Press, 1999.Google Scholar
Docker, John. The Nervous Nineties: Australian Cultural Life in the 1890s. Oxford University Press, 1991.Google Scholar
Dunk, Jonathan. “The Stump: Looking Back on the Republic of Murray.” Overland, 7 June 2019. https://overland.org.au/2019/06/the-stump-looking-back-on-the-republic-of-murray/.Google Scholar
Duwell, Martin. A Possible Contemporary Poetry. Makar Press, 1982.Google Scholar
Eades, Quinn. “Transpoetics: Dialogically Writing the Queer and Trans Body in Fragments.” Axon: Creative Explorations vol.7 no.2, 2017. www.axonjournal.com.au/issues/7-2/transpoetics.Google Scholar
Edmonds, Phillip. Tilting at Windmills: The Literary Magazine in Australia, 1968-2012. University of Adelaide Press, 2015.Google Scholar
Etherington, Ben. “Unsettled Poetics: Contemporary Australian and South African Poetry.” Wasafiri vol.31 no.2, 2016, pp. 14.CrossRefGoogle Scholar
Fagan, Kate, ed. “A Matter of Poetry: Why and How Does Poetry Matter?Meanjin vol.60 no.2, 2001, pp. 4864.Google Scholar
Farrell, Michael. Writing Australian Unsettlement: Modes of Poetic Invention 1796–1845. Palgrave Macmillan, 2015.CrossRefGoogle Scholar
Ferney, Liam. “Never Be Alone Again: Hip-Hop Sampling as a Technique in Contemporary Australian Poetry.” Cordite Poetry Review, 2020. http://cordite.org.au/essays/never-be-alone-again/.Google Scholar
Ford, Thomas H. and Clemens, Justin. Barron Field in New South Wales: The Poetics of Terra Nullius. Melbourne University Press, 2023.CrossRefGoogle Scholar
Gay’wu Group of Women. Songspirals: Sharing Women’s Wisdom of Country through Songlines. Allen & Unwin, 2019.Google Scholar
Giles, Paul. Antipodean America: Australasia and the Constitution of U.S. Literature. Oxford University Press, 2013.Google Scholar
Giles, Paul. Backgazing: Reverse Time in Modernist Culture. Oxford University Press, 2019.CrossRefGoogle Scholar
Green, Dorothy. The Music of Love: Critical Essays on Literature and Life. Melbourne University Press, 1984.Google Scholar
Green, H. M. A History of Australian Literature. 2 vols. Angus & Robertson, 1961.Google Scholar
Griffith, Michael. God’s Fool: The Life and Poetry of Francis Webb. Angus & Robertson, 1991.Google Scholar
Griffiths, Michael. The Distribution of Settlement: Appropriation and Refusal in Australian Literature and Culture. UWA Publishing, 2018.Google Scholar
Hansord, Katie. Colonial Australian Women Poets: Political Voice and Feminist Traditions. Anthem Press, 2021.CrossRefGoogle Scholar
Harkin, Natalie. “The Poetics of (Re)Mapping Archives: Memory in the Blood.” JASAL vol.14 no.3, 2014, pp. 114.Google Scholar
Harrison, Martin. Who Wants to Create Australia? Essays on Poetry & Ideas in Contemporary Australia. Halstead Press, 2004.Google Scholar
Hart, Kevin. “Open, Mixed, and Moving: Recent Australian Poetry.” World Literature Today vol.67 no.3, 1993, pp. 282–88.CrossRefGoogle Scholar
Hawke, John. Australian Literature and the Symbolist Movement. University of Woollongong Press, 2009.Google Scholar
Heiss, Anita. Dhuuluu-Yala = To Talk Straight: Publishing Indigenous Literature. Aboriginal Studies Press, 2003.Google Scholar
Hergenhan, Laurie and Ross, Bruce Clunies, eds. The Poetry of Les Murray: Critical Essays. University of Queensland Press, 2002.Google Scholar
Heseltine, Harry, ed. A Tribute to David Campbell: A Collection of Essays. University of New South Wales Press, 1987.Google Scholar
Hetherington, Paul and Atherton, Cassandra. “Prose Poetry in Australia.” Western Humanities Review vol.72 no.1, 2018, pp. 6772.Google Scholar
Hetherington, Paul and Atherton, CassandraProse Poetry: An Introduction. Princeton University Press, 2020.Google Scholar
Heyward, Michael. The Ern Malley Affair. University of Queensland Press, 1993.Google Scholar
Hodge, Bob and Mishra, Vijay. Dark Side of the Dream: Australian Literature and the Postcolonial Mind. Angus & Robertson, 1991.Google Scholar
Holland-Batt, Sarah. Fishing for Lightning: The Spark of Poetry. University of Queensland Press, 2021.Google Scholar
Holland-Batt, Sarah and Jeffery, Ella. “Twenty-First-Century Australian Poetry,” The Routledge Companion to Australian Literature, edited by Gildersleeve, Jessica. Routledge, 2020, pp. 335–43.Google Scholar
Hope, A. D. Native Companions: Essays and Comments on Australian Literature, 1936–1966. Angus & Robertson, 1974.Google Scholar
Hopfer, Sabina. “Reading Lionel Fogarty: An Attempt to Feel into Texts Speaking of Decolonisation.” Southerly vol.62 no.2, 2002, pp. 4564.Google Scholar
Hughes-D’Aeth, Tony. Like Nothing on This Earth: A Literary History of the Wheatbelt. UWA Publishing, 2018.Google Scholar
Hurley, Michael. “Gay and Lesbian Writing and Publishing in Australia, 1961–2010.” Australian Literary Studies vol.25, no.1, 2010, pp. 4270.Google Scholar
Jacklin, Michael. “‘Desde Australia para todo elm undo hispano’: Australia’s Spanish Language Magazines and Latin American/Australian Writing.” Antipodes vol.24 no.2, 2010, pp. 177–86.Google Scholar
Jackson, Andy. “Caesura and the Deforming Poem: Rupture as a Space for the Other.” Australian Literary Studies vol.37 no.1, 2022. www.australianliterarystudies.com.au/articles/caesura-and-the-deforming-poem-rupture-as-a-space-for-the-other.Google Scholar
Johnson, Colin. “Guerilla Poetry: Lionel Fogarty’s Response to Language Genocide.” Westerly vol.31 no.3, 1986, pp. 4755.Google Scholar
Johnson, Judith and Anderson, Monica, eds. Australia Imagined: Views from the British Periodical Press, 1800–1860. UWA Publishing, 2005.Google Scholar
Johnston, Anna and Webby, Elizabeth, eds. Eliza Hamilton Dunlop. Sydney University Press, 2021.Google Scholar
Justice, Daniel Heath. Why Indigenous Literature Matters. Wilfrid Laurier Press, 2018.CrossRefGoogle Scholar
Kane, Paul. Australian Poetry: Romanticism and Negativity. Cambridge University Press, 1996.Google Scholar
Keesing, Nancy. Douglas Stewart. Oxford University Press, 1965.Google Scholar
Kent, Jacqueline. A Certain Style: Beatrice Davis, A Literary Life. Viking, 2001.Google Scholar
Kinsella, John. Spatial Relations, Vol. 1: Essays, Reviews, Commentaries, and Chorography. Rodopi, 2013.Google Scholar
Kinsella, John. Legibility: An Antifascist Poetics. Palgrave Macmillan, 2022.CrossRefGoogle Scholar
Kirkby, Joan, ed. The American Model: Influence and Independence in Australian Poetry. Hale & Iremonger, 1982.Google Scholar
Kirkpatrick, Peter. The Sea Coast of Bohemia: Literary Life in the Roaring Twenties. API Network, 2007.Google Scholar
Kirkpatrick, Peter. “Australian Poetry, 1940s–1960s.” Oxford Research Encyclopedia of Literature, edited by Rabinowitz, Paula, Oxford University Press, 2017, pp. 146.Google Scholar
Kissane, Andy, Musgrave, David, and Rickett, Carolyn, eds. Feeding the Ghost 1: Criticism on Contemporary Australian Poetry. Puncher & Wattmann, 2018.Google Scholar
Klee, Louis. “Reading Lionel Fogarty.” Textual Practice vol.36 no.6, 2022, pp. 928–52.CrossRefGoogle Scholar
Kohinga, Kyle. “‘Soil Is a Toil Needing to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic.” Australian Literary Studies vol.81 no.1, 2023. www.australianliterarystudies.com.au/articles/soil-is-a-toil-needing-all-to-recoil-lionel-fogarty-andrew-forrest-and-the-settler-colonial-georgic.Google Scholar
Lea, Bronwyn. “Trends in Poetry Publishing, 1995–2008.” Five Bells vol.15 no.4, 2009, pp. 6164.Google Scholar
Lea, Bronwyn. “Australian Poetry Now.” Poetry vol.208 no.2, 2016, pp. 185–91.Google Scholar
Leane, Jeanine. “Gathering: The Politics of Memory and Contemporary Aboriginal Women’s Writing.” Antipodes vol.31 no.2, 2019, pp. 242–51.Google Scholar
Leane, Jeanine. “No Longer Malleable Stuff.” Overland no.241, 2020, pp. 1118.Google Scholar
Lee, Christopher. City Bushman: Henry Lawson and the Australian Imagination. Curtin University Books, 2004.Google Scholar
Leer, Martin Hugo. “‘This Country Is My Mind’: Les Murray’s Poetics of Place.” Australian Literary Studies vol.20 no.2, 2001, pp. 1542.Google Scholar
Lever, Susan. “The Social Tradition in Australian Women’s Poetry.” Women’s Writing vol.5 no.2, 1998, pp. 229–39.CrossRefGoogle Scholar
Lilley, Kate. “Between Anthologies: Feminism and Genealogies of Australian Women’s Poetry.” Australian Feminist Studies vol.12 no.26, 1997, pp. 265–73.CrossRefGoogle Scholar
Lorange, Astrid. “Poetry, Law, and the News: Re-reading the Australian Constitution.” Australian Humanities Review no.64, 2019, pp. 4761.Google Scholar
Lucas, Rose and McCredden, Lyn, eds. Bridgings: Readings in Australian Women’s Poetry. Oxford University Press, 1996.Google Scholar
Lucashenko, Melissa. “I Pity the Poor Immigrant.” Journal of the Association for the Study of Australian Literature vol.17 no.1, 2017, pp. 110.Google Scholar
Lucashenko, Melissa. “Writing as a Sovereign Act.” Meanjin Quarterly, Summer 2018. http://meanjin.com.au/essays/writing-as-a-sovereign-act/.Google Scholar
Lyons, Martin and Arnold, John, eds. A History of the Book in Australia: A National Culture in a Colonial Market. University of Queensland Press, 2001.Google Scholar
Magner, Brigid. Locating Australian Literary Memory. Anthem Press, 2019.CrossRefGoogle Scholar
Martin, Sylvia. Passionate Friends: Mary Fullerton, Mabel Singleton, and Miles Franklin. Onlywomen, 2001.Google Scholar
McCooey, David. “The City and the Australian Contemporary Long Poem.” Australian Writing and the City, edited by De Groen, Frances and Stewart, Ken. Association for the Study of Australian Literature, 2000, pp. 122–28.Google Scholar
McCooey, David. “Contemporary Poetry: Across Party Lines.” The Cambridge Companion to Australian Literature, edited by Webby, Elizabeth. Cambridge University Press, 2000, pp. 158–82.Google Scholar
McCooey, David. “Surviving Australian Poetry: The New Lyricism.” Agenda vol.41 no.1, 2005, pp. 2237.Google Scholar
McCooey, David. “Postcolonial Poetry of Australia and Aotearoa/New Zealand.” The Cambridge Companion to Postcolonial Writing, edited by Ramazani, Jahan. Cambridge University Press, 2017, pp. 7184.Google Scholar
McCooey, David. “The Public Life of Contemporary Australian Poetry.” Oxford Research Encyclopedia of Literature, edited by Rabinowitz, Paula, 2018. https://oxfordre.com/literature/view/10.1093/acrefore/9780190201098.001.0001/acrefore-9780190201098-e-296.CrossRefGoogle Scholar
McCredden, Lyn. James McAuley. Oxford University Press, 1992.Google Scholar
McCredden, Lyn. “Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagan Watson.” Australian Literary Studies vol.23 no.2, 2007, pp. 153–68.Google Scholar
McCredden, Lyn. “(Un)Belonging in Australia: Poetry and Nation.” Southerly vol.73 no.1, 2013, pp. 4056.Google Scholar
McMahon, Elizabeth and Olubas, Brigitta, eds. Antigone Kefala: New Australian Modernities. UWA Publishing, 2021.Google Scholar
Mead, Philip, ed. Kenneth Slessor: Critical Readings. University of Queensland Press, 1997.Google Scholar
Mead, Philip, Networked Language: Culture and History in Australian Poetry. Australian Scholarly Publishing, 2008.Google Scholar
Mengham, Rod, ed. The Salt Companion to John Tranter. Salt Publishing, 2010.Google Scholar
Mengham, Rod and Phillips, Glen, eds. Fairly Obsessive: Essays on the Works of John Kinsella. Centre for Studies in Australian Literature, 2000.Google Scholar
Meredith, John and Whalan, Rex. Frank the Poet: The Life and Works of Francis McNamara. Legacy Books, 1979.Google Scholar
Minter, Peter. “Archipelagos of Sense: Thinking about a Decolonised Australian Poetics.” Southerly vol.73 no.1, 2013, pp. 155–69.Google Scholar
Minter, Peter. “Kath Walker (Oodgeroo Noonuccal), Judith Wright and Decolonised Transcultural Ecopoetics in Frank Heimans’ ‘Shadow Sister,’” Sydney Studies in English no.41, 2015, pp. 6174.Google Scholar
Moreton-Robinson, Aileen. Talkin’ Up to the White Woman. University of Queensland Press, 2000.Google Scholar
Moreton-Robinson, Aileen. ed. Sovereign Subjects: Indigenous Sovereignty Matters. Routledge, 2020.CrossRefGoogle Scholar
Morris, Meghan. Ecstasy and Economics: American Essays for John Forbes. EMPress, 1992.Google Scholar
Morton, Peter. Lusting for London: Australian Expatriate Writers and the Hub of Empire 1870–1950. Palgrave Macmillan, 2011.CrossRefGoogle Scholar
Munro, Craig and Sheahan-Bright, Robyn, eds. Paper Empires: A History of the Book in Australia, 1946–2005. University of Queensland Press, 2005.Google Scholar
Murray, Les. “The Boeotian Strain.” Kunapipi vol.2 no.1, 1980, pp. 464.Google Scholar
Musgrave, David. “Genres of Landscape in Australian Poetry.” Five Bells vol.12 no.4, 2005, pp. 1012.Google Scholar
Ommundsen, Wenche, ed. Bastard Moon: Essays on Chinese-Australian Writing. Otherland Literary Journal, 2001.Google Scholar
Ommundsen, Wenche, “Transnational Imaginaries: Reading Asian Australian Writing.” JASAL vol.12 no.2, 2012, pp. 18.Google Scholar
Page, Geoff. “Loaded Canons: Australian Poetry Anthologies.” Critical Survey vol.6 no.1, 1994, pp. 2027.Google Scholar
Page, Geoff. A Reader’s Guide to Contemporary Australian Poetry. University of Queensland Press, 1995.Google Scholar
Paisley, Fiona. The Lone Protester: A.M. Fernando in Australia and Europe. Aboriginal Studies Press, 2012.Google Scholar
Parsons, Elizabeth. Poetry and Silence: “A Sequence of Disappearances.” VDM Verlag Dr. Muller, 2008.Google Scholar
Peterson, Irmtraud and Duwell, Martin, eds. And What Books Do You Read: New Studies in Australian Literature. University of Queensland Press, 1996.Google Scholar
Phillips, Sandra and Archer-Lean, Clare. “Decolonising the Reading of Aboriginal and Torres Strait Islander Writing: Reflections as Transformative Practice.” Higher Education Research & Development vol.38 no.1, 2019, pp. 2437.CrossRefGoogle Scholar
Pierce, Peter, ed. The Cambridge History of Australian Literature. Cambridge University Press, 2011.Google Scholar
Pollnitz, Christopher. “Australian Verse Novels.” Heat no.7, 2004, pp. 229–52.Google Scholar
Pons, Xavier. Out of Eden: Henry Lawson’s Life and Works. Sirius Books, 1984.Google Scholar
Priest, Ann-Marie. My Tongue Is My Own: A Life of Gwen Harwood. Black Inc., 2022.Google Scholar
Reed-Gilbert, Kerry, eds. The Strength of Us as Women: Black Women Speak. Ginninderra, 2000.Google Scholar
Rooney, Brigid. Literary Activists: Writer-Intellectuals and Australian Public Life. University of Queensland Press, 2009.Google Scholar
Rowe, Noel. Ethical Investigations: Essays on Australian Literature and Poetics, edited by Brennan, Bernadette. Vagabond Press, 2008.Google Scholar
Ryan, John Charles. “‘A Touch of Recognition’: Wetlands in Australian Poetry.” ISLE vol.28 no.3, 2021, pp. 890916.CrossRefGoogle Scholar
Ryan, Judith and Wallace-Crabbe, Chris, eds. Imagining Australia: Literature and Culture in the New World. Harvard University Committee on Australian Studies, 2004.Google Scholar
Savige, Jaya. “‘Creation’s Holiday’: On Silence and Monsters in Australian Poetry.” Poetry vol.208 no.2, 2016, pp. 169–84.Google Scholar
Schaffer, Kay. Women and the Bush: Forces of Desire in the Australian Cultural Tradition. Cambridge University Press, 1988.Google Scholar
Sefton-Rowston, Adelle. Politics and Poetics: Race Relations and Reconciliation in Australian Literature. Peter Lang, 2021.CrossRefGoogle Scholar
Semmler, Clement. Douglas Stewart. Twayne, 1974.Google Scholar
Sharkey, Michael, ed. Many Such as She: Victorian Australian Women Poets of World War One. Walleah Press, 2019.Google Scholar
Sheridan, Susan. Along the Faultlines: Sex, Race and Nation in Australian Women’s Writing, 1880s–1930s. Allen & Unwin, 1995.Google Scholar
Sheridan, Susan. “Suburban Sonnets: ‘Mrs Harwood,’ Miriam Stone and Domestic Modernity.” Australian Literary Studies vol.23 no.2, 2007, pp. 140–52.Google Scholar
Sheridan, Susan. Nine Lives: Postwar Women Writers Making Their Mark. University of Queensland Press, 2011.Google Scholar
Shoemaker, Adam. Black Words, White Page: Aboriginal Literature. University of Queensland Press, 1992.Google Scholar
Smith, Ali Jane. “The Mongrel: Australian Prose Poetry.” Australian Poetry Journal vol.4 no.1, 2014, pp. 614.Google Scholar
Smith, Ellen. “Local Moderns: The Jindyworobak Movement and Australian Modernism.” Australian Literary Studies vol.27 no.1, 2012. www.australianliterarystudies.com.au/articles/local-moderns-the-jindyworobak-movement-and-australian-modernism.Google Scholar
Smith, Linda Tuhiwai. Decolonizing Methodologies: Research and Indigenous Peoples. Bloomsbury, 1999.Google Scholar
Smith, Vivian. “Experiment and Renewal: A Missing Link in Modern Australian Poetry.” Southerly vol.47 no.1, 1987, pp. 318.Google Scholar
Standfield, Rachel, ed. Indigenous Mobilities: Across and Beyond the Antipodes. ANU Press, 2018.CrossRefGoogle Scholar
Stephenson, P. R. The Foundations of Culture in Australia: An Essay towards National Self-Respect. W. J. Miles, 1936.Google Scholar
Stewart, Ken, ed. The 1890s: Australian Literature and Literary Culture. University of Queensland Press, 1996.Google Scholar
Strauss, Jennifer. Boundary Conditions: The Poetry of Judith Wright. Oxford University Press, 1995.Google Scholar
Tate, Audrey. Ada Cambridge: Her Life and Work, 1844–1926. Melbourne University Press, 1991.Google Scholar
Taylor, Andrew. Reading Australian Poetry. University of Queensland Press, 1987.Google Scholar
Trigg, Stephanie. Gwen Harwood. Oxford University Press, 1994.Google Scholar
Van Toorn, Penny. Writing Never Arrives Naked: Early Aboriginal Cultures of Writing in Australia. Aboriginal Studies Press, 2006.Google Scholar
Varatharajan, Prithvi. “A Political Radio Poetics: Ouyang Yu’s Poetry and Its Adaptation on ABC Radio National’s ‘poetica.’” Cultural Studies Review vol.23 no.2, 2017, pp. 1834.CrossRefGoogle Scholar
Vickery, Ann. Stressing the Modern: Cultural Politics in Australian Women’s Poetry. Salt Publishing, 2007.Google Scholar
Vickery, Ann. “The Rise of Women’s Poetry in the 1970s: An Initial Survey into New Australian Poetry, the Women’s Movement, and a Matrix of Revolutions.” Australian Feminist Studies vol.22 no.53, 2007, pp. 265–85.CrossRefGoogle Scholar
Vickery, Ann and Fagan, Kate. “‘The Whole Reflected World Shuddering’: Active Aesthetics and Contemporary Australian Poetry.” Active Aesthetics: Contemporary Australian Poetry, edited by Benjamin, Daniel and Stancek, Claire Marie,. Tuumba Press, 2016, pp. 17–-28.Google Scholar
Vickery, Ann and Hawke, John, eds. Poetry and the Trace. Puncher & Wattmann, 2013.Google Scholar
Vincent, Bridget. “Sorry, Above All, That I Can Make Nothing Right’: Public Apology in Judith Wright.” Australian Humanities Review no.61, May 2017, pp. 160–72.Google Scholar
Yu, Timothy. Diasporic Poetics: Asian Writing in the United States, Canada and Australia. Oxford University Press, 2021.CrossRefGoogle Scholar
Walker, David. Dream and Disillusion: A Search for Australian Cultural Identity. Australian National University Press, 1976.Google Scholar
Walker, Kath [Oodgeroo]. Kath Walker in China, translated by Zixin, Gui. Jacaranda Press, and the International Culture Publishing Corporation, 1988.Google Scholar
Walker, Shirley. Flame and Shadow: A Study of Judith Wright’s Poetry. University of Queensland Press, 1991.Google Scholar
Ward, Russel. The Australian Legend. Oxford University Press, 1958.Google Scholar
Webby, Elizabeth. Early Australian Poetry: An Annotated Bibliography of Original Poems Published in Australian Newspapers, Magazines and Almanacks before 1850. Hale & Iremonger, 1982.Google Scholar
White, Richard. Inventing Australia: Images and Identity, 1688–1980. Allen & Unwin, 1981.Google Scholar
Wilkinson, Jessica L.Experiments in Poetic Biography: Feminist Threads in Contemporary Long Form Poetry.” Biography vol.39 no.1, 2016, pp. 122.CrossRefGoogle Scholar
Wilkinson, Jessica L.Writing Lines, Writing Lives: The Art of Poetic Biography.” New and Experimental Approaches to Writing Lives, edited by Parnell, Jo. Red Globe Press, 2019, pp. 170–85.Google Scholar
Williams, Barbara. In Other Words: Interviews with Australian Poets. Rodopi, 1998.Google Scholar
Wright, Alexis. “Politics of Writing.” Southerly vol.62 no.2, 2002, pp. 1920.Google Scholar
Wright, Alexis. “What Happens When You Tell Someone Else’s Story.” Meanjin vol.75 no.4, 2016. https://meanjin.com.au/essays/what-happens-when-you-tell-somebody-elses-story/.Google Scholar
Wright, Judith. Preoccupations in Australian Poetry. Oxford University Press, 1965.Google Scholar
Zwicky, Fay. The Lyre in the Pawnshop: Essays on Literature and Survival, 1974–1984. UWA Publishing, 1986.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Further Reading
  • Edited by Ann Vickery, Deakin University, Victoria
  • Book: The Cambridge Companion to Australian Poetry
  • Chapter DOI: https://doi.org/10.1017/9781009470186.027
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Further Reading
  • Edited by Ann Vickery, Deakin University, Victoria
  • Book: The Cambridge Companion to Australian Poetry
  • Chapter DOI: https://doi.org/10.1017/9781009470186.027
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Further Reading
  • Edited by Ann Vickery, Deakin University, Victoria
  • Book: The Cambridge Companion to Australian Poetry
  • Chapter DOI: https://doi.org/10.1017/9781009470186.027
Available formats
×