Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-v5vhk Total loading time: 0 Render date: 2024-06-25T16:07:11.940Z Has data issue: false hasContentIssue false

Select Bibliography

Published online by Cambridge University Press:  07 October 2023

Matthew Sangster
Affiliation:
University of Glasgow
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2023

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Select Bibliography

Addison, Joseph, The Spectator, No. 419 (1 July 1712).CrossRefGoogle Scholar
Adorno, Theodor W. and Horkheimer, Max, Dialectic of Enlightenment, translated by Cumming, John (London: Verso, 1997).Google Scholar
Aldridge, Alfred Owen, Voltaire and the Century of Light (Princeton, NJ: Princeton University Press, 1975).Google Scholar
Alexander, Lloyd, ‘High Fantasy and Heroic Romance’, The Horn Book, 16 December 1971, www.hbook.com/story/high-fantasy-and-heroic-romance.Google Scholar
Arcane, created by Linke, Christian, Yee, Alex et al. (Fortiche/Riot Games, 2021–).Google Scholar
Attebery, Brian, Fantasy: How it Works (Oxford: Oxford University Press, 2022).CrossRefGoogle Scholar
Attebery, Brian, Stories about Stories: Fantasy and the Remaking of Myth (Oxford: Oxford University Press, 2014).Google Scholar
Attebery, Brian, Strategies of Fantasy (Bloomington and Indianapolis: Indiana University Press, 1992).Google Scholar
Austen, Jane, Northanger Abbey, ed. by Benedict, Barbara M. and Faye, Deirdre Le (Cambridge: Cambridge University Press, 2006).CrossRefGoogle Scholar
Avatar: The Last Airbender, created by DiMartino, Michael Dante, Konietzko, Bryan et al. (Nickelodeon Animation Studio, 2005–8).Google Scholar
Baldick, Chris, The Oxford Dictionary of Literary Terms, 4th edition (Oxford: Oxford University Press, 2015).CrossRefGoogle Scholar
Balestrini, Nanni, Tristano, translated by Harakis, Mike (London: Verso, 2014).Google Scholar
Barrie, J. M., Peter and Wendy (London: Hodder & Stoughton, 1911).Google Scholar
Barthes, Roland, ‘The Blue Guide’, translated by Lavers, Annette, in Mythologies (London: Vintage, 2009), pp. 85–8.Google Scholar
Barthes, Roland, ‘The Death of the Author’, in Image Music Text, translated by Heath, Stephen (London: Fontana, 1977), pp. 142–8.Google Scholar
Barthes, Roland, ‘The Reality Effect’, in The Rustle of Language, translated by Howard, Richard (Berkeley: University of California Press, 1986), pp. 141–8.Google Scholar
Beck, Julie, ‘What Fan Fiction Teaches that the Classroom Doesn’t’, The Atlantic, 1 October 2019, https://bit.ly/3A7AgJp.Google Scholar
Bierce, Ambrose, ‘An Inhabitant of Carcosa’, in Tales of Soldiers and Civilians (San Francisco: E. L. G. Steele, 1891), pp. 241–7.Google Scholar
Blake, William, The Marriage of Heaven and Hell ([London]: [William Blake], 1790).Google Scholar
Bloom, Harold, The Anxiety of Influence: A Theory of Poetry, 2nd edition (Oxford: Oxford University Press, 1997).Google Scholar
Bloom, Harold, Introduction to J. R. R. Tolkien’s The Lord of the Rings, Bloom’s Modern Critical Interpretations, new edition (New York: Infobase, 2008), pp. 12.Google Scholar
Bloom, Harold, The Western Canon: The Books and School of the Ages (London: Macmillan, 1995).Google Scholar
Borges, Jorge Luis, ‘Tlön, Uqbar, Orbis Tertius’, translated by Irby, James E., in Labyrinths (London: Penguin, 2000), pp. 2743.Google Scholar
Bottigheimer, Ruth B., ‘East Meets West: Hannā Diyāb and The Thousand and One Nights, Marvels & Tales, 28.2 (2014), 302–24.CrossRefGoogle Scholar
Breton, André, ‘Manifesto of Surrealism’ (1924), in Manifestoes of Surrealism, translated by Seaver, Richard and Lane, Helen R. (Ann Arbor: University of Michigan Press, 1972), pp. 147.Google Scholar
Brooks, Terry, interview by TheOneRing.net, TheOneRing.net, 22 May 2000, https://bit.ly/3opgNS3.Google Scholar
Brooks, Terry, ‘On the Trail of Tolkien’, in Sometimes the Magic Works: Lessons from a Writing Life (London: Earthlight, 2003), pp. 185–94.Google Scholar
Brooks, Terry, The Sword of Shannara (London: Orbit, 2006).Google Scholar
Buffy the Vampire Slayer, created by Whedon, Joss et al. (Mutant Enemy Productions/Sandollar Television/Kuzui Enterprises/20th Century Fox Television, 1997–2003).Google Scholar
Bulgakov, Mikhail, The Master and Margarita, translated by Pevear, Richard and Volokhonsky, Larissa (New York: Penguin, 2016).Google Scholar
Bull, Emma, War for the Oaks (London: Penguin, 2016).Google Scholar
Burrow, Colin, Imitating Authors: Plato to Futurity (Oxford: Oxford University Press, 2019).CrossRefGoogle Scholar
Butler, Octavia E., Kindred (Boston, MA: Beacon, 2004).Google Scholar
Campbell, Joseph, The Hero with a Thousand Faces, Bollingen Series 17, 3rd edition (Novato, CA: New World Library, 2008).Google Scholar
Campbell, Joseph, The Masks of God: Oriental Mythology (New York: Viking Press, 1962).Google Scholar
Carr, Mike, Foreword to Gygax, Gary et al., Advanced Dungeons & Dragons Players Handbook (Lake Geneva, WI: TSR, 1978).Google Scholar
Carroll, Lewis, Alice’s Adventures in Wonderland, in Alice’s Adventures in Wonderland and Through the Looking-Glass, ed. by Hunt, Peter (Oxford: Oxford University Press, 2009), pp. 3111.Google Scholar
Carroll, Lewis, Through the Looking-Glass, and What Alice Found There (London: Macmillan, 1872).Google Scholar
Carter, Angela, ‘The Bloody Chamber’, in The Bloody Chamber and Other Stories (London: Vintage, 2006), pp. 142.Google Scholar
Carter, Angela (ed.), The Virago Book of Fairy Tales (London: Virago, 1990).Google Scholar
Carter, Lin, Imaginary Worlds: The Art of Fantasy (New York: Ballantine Books, 1973).Google Scholar
Carter, Lin, The Year’s Best Fantasy Stories: 4 (New York: DAW Books, 1978).Google Scholar
Cavendish, Margaret, The Description of a New World, Called The Blazing World, in The Blazing World and Other Writings, ed. by Lilley, Kate (London: Penguin, 2004).Google Scholar
Cecire, Maria Sachiko, Re-Enchanted: The Rise of Children’s Fantasy Literature in the Twentieth Century (Minneapolis: University of Minnesota Press, 2019).Google Scholar
Cervantes, Miguel de, Don Quixote, translated by Grossman, Edith (London: Vintage, 2005).Google Scholar
Chesterton, G. K., Introduction to MacDonald, Greville, George MacDonald and his Wife (London: Allen and Unwin, 1924), pp. 915.Google Scholar
Chiang, Ted, ‘Story of Your Life’, in Stories of Your Life and Others (Easthampton, MA: Small Beer Press, 2010), pp. 91145.Google Scholar
Childress, Mark and McNair, Charles, ‘“I’ll Be in Another World”: A Rediscovered Interview with Jorge Luis Borges’, Los Angeles Review of Books, 23 August 2021, https://bit.ly/3L9yXA9.Google Scholar
Cixous, Hélène, ‘The Laugh of the Medusa’, translated by Cohen, Keith and Cohen, Paula, Signs, 1.4 (1976), 875–93.CrossRefGoogle Scholar
Clarke, Arthur C., ‘Hazards of Prophecy: The Failure of Imagination’, in Profiles of the Future: An Enquiry into the Limits of the Possible, 2nd edition (London: Pan Books, 1973), pp. 30–9.Google Scholar
Clarke, Susanna, Jonathan Strange & Mr Norrell (London: Bloomsbury, 2005).Google Scholar
clipping., Afterword to Solomon, Rivers, The Deep (London: Hodder & Stoughton, 2020), pp. 157–63.Google Scholar
Clute, John and Grant, John (eds.), The Encyclopedia of Fantasy (London: Orbit, 1997), https://sf-encyclopedia.com/fe/.Google Scholar
Cole, Adrian, Longbore the Inexhaustible, British Fantasy Society Booklet No. 3 (1978).Google Scholar
Coleridge, Samuel Taylor, Biographia Literaria, 2 vols. (London: Rest Fenner, 1817).Google Scholar
Coleridge, Samuel Taylor, ‘Effusion XXXV’ (later titled ‘The Eolian Harp’), in Poems on Various Subjects (London: Robinsons, 1796), pp. 96100.Google Scholar
Coleridge, Samuel Taylor, ‘Kubla Khan: or A Vision in a Dream’, in Christabel: Kubla Khan, A Vision: The Pains of Sleep (London: John Murray, 1816), pp. 55–8.Google Scholar
Confucius, The Analects, translated by Lau, D. C. (London: Penguin, 1979).Google Scholar
Crawford, Joseph, The Twilight of the Gothic?: Vampire Fiction and the Rise of the Paranormal Romance (Cardiff: University of Wales Press, 2014).Google Scholar
Critical Role, ‘Game Masters of Exandria Roundtable’, YouTube.com, 29 June 2022, www.youtube.com/watch?v=LmZSWKPXhZ4.Google Scholar
Czerneda, Julie E., ‘I Write Fantasy Because of Patricia McKillip’s The Riddlemaster of Hed’, Tor.com, 24 September 2021, https://bit.ly/41Fcosj.Google Scholar
Dahl, Roald, Matilda (London: Puffin, 2022).Google Scholar
Dark Souls (FromSoftware, 2011).Google Scholar
De Kosnik, Abigail, Rogue Archives: Digital Cultural Memory and Media Fandom (Cambridge, MA: MIT Press, 2016).Google Scholar
Deleuze, Gilles and Parnet, Claire, Dialogues II, revised edition, translated by Tomlinson, Hugh and Habberjam, Barbara (New York: Columbia University Press, 2007).Google Scholar
Derrida, Jacques, Of Grammatology, translated by Spivak, Gayatri Chakravorty, corrected edition (Baltimore, MD, and London: Johns Hopkins University Press, 1997).Google Scholar
Díaz, Junot, The Brief Wondrous Life of Oscar Wao (London: Faber and Faber, 2007).Google Scholar
Dickinson, Seth, The Traitor [The Traitor Baru Cormorant in the United States] (London: Tor, 2015).Google Scholar
Donne, John, ‘17. Meditation’, in Devotions Upon Emergent Occasions (London: Thomas Jones, 1624), pp. 410–19.Google Scholar
Driggers, Taylor, Queering Faith in Fantasy Literature: Fantastic Incarnations and the Deconstruction of Theology (London: Bloomsbury Academic, 2022).CrossRefGoogle Scholar
Duncan, Ian, ‘Edinburgh and Lowland Scotland’, in The Cambridge History of English Romantic Literature, ed. by Chandler, James (Cambridge: Cambridge University Press, 2009), pp. 159–81.Google Scholar
Dungeons & Dragons: Dungeon Master’s Guide, 5th edition (Renton, WA: Wizards of the Coast, 2014).Google Scholar
Dungeons & Dragons: Monster Manual, 5th edition (Renton, WA: Wizards of the Coast, 2014).Google Scholar
Dunsany, Lord, The Gods of Pegāna ([London]: Pegana Press, 1911).Google Scholar
Dyson, H. V. D. and Butt, John, Augustans and Romantics, 1689–1830, revised edition (London: Cresset Press, 1961).Google Scholar
Ebert, Roger, ‘How Propeller-Heads, BNFs, Sercon Geeks, Newbies, Recovering GAFIAtors, and Kids in the Basements Invented the World Wide Web, All Except for the Delivery System’, Asimov’s Science Fiction, 29.1 (2005), 1217.Google Scholar
Eddison, E. R., The Worm Ouroboros (London: Millennium, 2000).Google Scholar
Edelstein, Dan, The Enlightenment: A Genealogy (Chicago, IL: University of Chicago Press, 2010).Google Scholar
Ekman, Stefan, Here Be Dragons: Exploring Fantasy Maps and Settings (Middletown, CT: Wesleyan University Press, 2013).Google Scholar
Elden Ring (FromSoftware, 2022).Google Scholar
Ende, Michael, The Neverending Story (London: Puffin, 2014).Google Scholar
Erikson, Steven, The Bonehunters, Malazan Book of the Fallen 6 (London: Bantam, 2007).Google Scholar
Erikson, Steven, Deadhouse Gates, Malazan Book of the Fallen 2 (London: Bantam, 2001).Google Scholar
Erikson, Steven, Memories of Ice, Malazan Book of the Fallen 3 (London: Bantam, 2002).Google Scholar
Fielding, Henry, Tom Jones, ed. by Bender, John and Stern, Simon (Oxford: Oxford University Press, 2008).CrossRefGoogle Scholar
Fimi, Dimitra, Tolkien, Race and Cultural History: From Fairies to Hobbits (Basingstoke: Palgrave Macmillan, 2009).Google Scholar
Final Fantasy VII (Square, 1997).Google Scholar
Fisher, Mark, Capitalist Realism: Is There No Alternative? (Winchester: Zero Books, 2009).Google Scholar
Gaiman, Neil et al., The Sandman, Volume 1: Preludes and Nocturnes (New York: Vertigo/DC Comics, 1995).Google Scholar
Gaiman, Neil et al., The Sandman, Volume 3: Dream Country (New York: Vertigo/DC Comics, 1995).Google Scholar
Gaiman, Neil et al., The Sandman, Volume 7: Brief Lives (New York: Vertigo/DC Comics, 1994).Google Scholar
Gaiman, Neil et al., The Sandman, Volume 9: The Kindly Ones (New York: Vertigo/DC Comics, 1996).Google Scholar
Game of Thrones, created by Benioff, David, Weiss, D. B. et al. (HBO, 2011–19).Google Scholar
George, Ajit A., Wesley Schneider, F. et al., Journeys through the Radiant Citadel (Renton, WA: Wizards of the Coast, 2022).Google Scholar
Gevers, Nick, ‘Driven by a Different Chauffeur: An Interview with Ursula K. Le Guin’, SF Site, November/December 2001, www.sfsite.com/03a/ul123.htm.Google Scholar
Gifford, James, A Modernist Fantasy: Modernism, Anarchism, & the Radical Fantastic (Victoria, BC: ELS Editions, 2018).Google Scholar
Gissing, George, New Grub Street, 2nd edition, 3 vols. (London: Smith, Elder, 1891).Google Scholar
Glyer, Diana Pavlac, The Company They Keep: C. S. Lewis and J. R. R. Tolkien as Writers in Community (Kent: The Ohio State University Press, 2007).Google Scholar
Grahame, Kenneth, ‘The Reluctant Dragon’, in Dream Days (London and New York: John Lane, 1898), pp. 179245.Google Scholar
Gross, Terry, ‘Colson Whitehead’s ‘Underground Railroad’ is a Literal Train to Freedom’, Fresh Air, NPR, 8 August 2016, https://bit.ly/409qDEF.Google Scholar
Guillory, John, Cultural Capital: The Problem of Literary Canon Formation (Chicago, IL: University of Chicago Press, 1993).Google Scholar
Hades (Supergiant, 2020).Google Scholar
Hadestown, created by Mitchell, Anaïs et al. (developed 2006–19).Google Scholar
Halter, , Ed, ‘An Interview with John Crowley’, The Believer, 62 (May 2009), www.thebeliever.net/an-interview-with-john-crowley/.Google Scholar
Harari, Yuval Noah, Sapiens: A Brief History of Humankind (London: Vintage, 2019).Google Scholar
Harman, Graham, Weird Realism: Lovecraft and Philosophy (Winchester: Zero Books, 2012).Google Scholar
Harmon, Amy, ‘In TV’s Dull Summer Days, Plots Take Wing on the Net’, New York Times, 18 August 1997, https://bit.ly/3LbZ0a3.Google Scholar
Headley, Maria Dahvana, Beowulf: A New Translation (London: Scribe, 2021).Google Scholar
Heaney, Seamus, Beowulf (London: Faber & Faber, 1999).Google Scholar
Hills, Matt, Fan Cultures (London and New York: Routledge, 2002).Google Scholar
Hobb, Robin, Blood of Dragons (New York: Harper Voyager, 2013).Google Scholar
Hobb, Robin, Ship of Magic (London: Harper, 2015).Google Scholar
Holdstock, Robert, Mythago Wood (London: Gollancz, 2014).Google Scholar
Hopkinson, Nalo, ‘A Reluctant Ambassador from the Planet of Midnight’, Journal of the Fantastic in the Arts, 21.3 (2010), 339–50.Google Scholar
Horta, Paulo Lemos, Marvellous Thieves: Secret Authors of the Arabian Nights (Cambridge, MA: Harvard University Press, 2019).Google Scholar
Hume, Kathryn, Fantasy and Mimesis: Responses to Reality in Western Literature (New York and London: Methuen, 1984).Google Scholar
Hutcheon, Linda with O’Flynn, Siobhan, A Theory of Adaptation, 2nd edition (London: Routledge, 2013).Google Scholar
Jackson, Rosemary, Fantasy: The Literature of Subversion (New York and London: Methuen, 1981).Google Scholar
Jain, Sid, ‘Seduced by the Ruler’s Gaze: An Indian Perspective on Seth Dickinson’s Masquerade’, Uncanny Magazine, 39 (2021), https://bit.ly/41iaONz.Google Scholar
James, Edward and Mendlesohn, Farah (eds.), The Cambridge Companion to Fantasy Literature (Cambridge: Cambridge University Press, 2012).Google Scholar
Jameson, Fredric, ‘World Reduction in Le Guin: The Emergence of Utopian Narrative’, Science Fiction Studies, 2.3 (1975), 221–30.Google Scholar
[Jeffrey, Francis], ‘Southey’s Thalaba’, Edinburgh Review, 1 (October 1802), 6383.Google Scholar
Jemisin, N. K., ‘But, but, but — WHY Does Magic Have to Make Sense?’, nkjemisin.com, 15 June 2012, https://bit.ly/3LctDfv.Google Scholar
Jemisin, N. K., ‘Character Study: Nahadoth’, nkjemisin.com, 5 April 2010, https://nkjemisin.com/2010/04/character-study-nahadoth/.Google Scholar
Jemisin, N. K., ‘Dreaming Awake’, nkjemisin.com, 9 February 2012, https://nkjemisin.com/2012/02/dreaming-awake/.Google Scholar
Jemisin, N. K., The Fifth Season (London: Orbit, 2016).Google Scholar
Jemisin, N. K., The Hundred Thousand Kingdoms (London: Orbit, 2010).Google Scholar
Jemisin, N. K., ‘Why I Think RaceFail Was The Bestest Thing Evar for SFF’, nkjemisin.com, 18 January 2010, https://bit.ly/3mHvteH.Google Scholar
Jenkins, Henry, Convergence Culture: Where Old and New Media Meet, updated edition (New York: New York University Press, 2008).Google Scholar
Johns, Norma N.’, Bodoman of Sor, British Fantasy Society Booklet No. 1 (1977).Google Scholar
Johnson, Catherine, Telefantasy (London: BFI, 2005).Google Scholar
Jones, Diana Wynne, The Dark Lord of Derkholm (London: HarperCollins, 2013).Google Scholar
Jones, Diana Wynne, The Tough Guide to Fantasyland (New York: DAW Books, 1996).Google Scholar
Joyce, James, Ulysses (Paris: Shakespeare and Company, 1922).Google Scholar
Kant, Immanuel, ‘Answering the Question: What Is Enlightenment?’, in Practical Philosophy, ed. and translated by Gregor, Mary J. (Cambridge: Cambridge University Press, 1996), pp. 1722.Google Scholar
Kay, Guy Gavriel, Tigana (London: Penguin, 1990).Google Scholar
Kenan, Randall, ‘An Interview with Octavia E. Butler’, Callaloo, 14.2 (Spring 1991), 495504.CrossRefGoogle Scholar
Klaeber’s Beowulf, ed. by Fulk, R. D., Bjork, Robert E. and Niles, John D., 4th edition (Toronto, Buffalo, NY, and London: University of Toronto Press, 2008).Google Scholar
Knight, Damon, In Search of Wonder: Essays on Modern Science Fiction (Chicago, IL: Advent, 1956).Google Scholar
Krueger, Roberta L., Introduction to The Cambridge Companion to Medieval Romance, ed. by Krueger, Roberta L. (Cambridge: Cambridge University Press, 2000), pp. 110.CrossRefGoogle Scholar
[Lamb, Charles], ‘Popular Fallacies’, New Monthly Magazine, 16 (January 1826), 519–20.Google Scholar
Lamb, Charles [and Lamb, Mary], ‘The Tempest’, in Tales from Shakespear, 2 vols. (London: Thomas Hodgkins, 1807), 1:121.Google Scholar
Lang, Andrew, The Blue Fairy Book (London and New York: Longmans, Green, and Co, 1889).Google Scholar
LaValle, Victor, The Ballad of Black Tom (New York: Tor, 2016).Google Scholar
Lavender III, Isiah, Afrofuturism Rising: The Literary Prehistory of a Movement (Columbus: Ohio State University Press, 2019).CrossRefGoogle Scholar
Laycock, Joseph P., Dangerous Games: What the Moral Panic over Role-Playing Games Says about Play, Religion, and Imagined Worlds (Oakland: University of California Press, 2015).Google Scholar
Le Guin, Ursula K., The Books of Earthsea (London: Gollancz, 2018).Google Scholar
Le Guin, Ursula K., ‘Earthsea Revisioned’, in The Books of Earthsea (London: Gollancz, 2018), pp. 981–92.Google Scholar
Le Guin, Ursula K., ‘From Elfland to Poughkeepsie’, in The Language of the Night: Essays on Fantasy and Science Fiction, ed. by Wood, Susan (New York: Putnam, 1979), pp. 8396.Google Scholar
Le Guin, Ursula K., The Farthest Shore (London: Puffin, 1974).Google Scholar
Le Guin, Ursula K., ‘It Doesn’t Have to Be the Way It Is’, in No Time to Spare: Thinking about What Matters (Boston and New York: Houghton Mifflin Harcourt, 2017), pp. 80–4.Google Scholar
Le Guin, Ursula K., The Lathe of Heaven (New York: Avon Books, 1971).Google Scholar
Le Guin, Ursula K., Steering the Craft: A Twenty-First Century Guide to Sailing the Sea of Story, revised edition (Boston, MA, and New York: Mariner Books, 2015).Google Scholar
Le Guin, Ursula K., A Wizard of Earthsea (Harmondsworth: Penguin, 1971).Google Scholar
Leckie, Ann, The Raven Tower (London: Orbit, 2019).Google Scholar
Leith, Sam, ‘Watchmen Author Alan Moore: ‘I’m definitely done with comics’’, The Guardian, 7 October 2022, https://bit.ly/40lbVL4.Google Scholar
L’Engle, Madeleine, A Wrinkle in Time (New York: Yearling, 1973).Google Scholar
Letham, Jonathan, ‘The Ecstasy of Influence: A Plagiarism’, Harper’s Magazine (February 2007), https://bit.ly/3mJWyxT.Google Scholar
Lewis, C. S., The Magician’s Nephew (London: Collins, 2009).Google Scholar
Lewis, C. S., ‘Tolkien’s The Lord of the Rings’, in On Stories and Other Essays on Literature (Orlando, FL: Harcourt, 1982), pp. 8391.Google Scholar
Lewis, C. S., The Voyage of the Dawn Treader (London: HarperCollins, 2009).Google Scholar
Link, Kelly, ‘Magic for Beginners’, in Magic for Beginners (Northampton, MA: Small Beer Press, 2005), pp. 189236.Google Scholar
Link, Kelly, ‘Travels with the Snow Queen’, in Stanger Things Happen (Northampton, MA: Small Beer Press, 2001), pp. 99120.Google Scholar
Lovecraft, H. P., ‘The Call of Cthulhu’, in The Call of Cthulhu and Other Weird Stories, ed. by Joshi, S. T. (London: Penguin, 2002), pp. 139–69.Google Scholar
Lovecraft, H. P., ‘The Haunter of the Dark’, in The Call of Cthulhu and Other Weird Stories, ed. by Joshi, S. T. (London: Penguin, 2002), pp. 336–60.Google Scholar
Lovecraft, H. P., ‘Notes on Writing Weird Fiction’, in Miscellaneous Writings, ed. by Joshi, S. T. (Sauk City, WI: Arkham House, 1995), pp. 113–16.Google Scholar
Lovecraft, H. P., ‘Nyarlathotep’, in The Call of Cthulhu and Other Weird Stories, ed. by Joshi, S. T. (London: Penguin, 2002), pp. 31–3.Google Scholar
McCloud, Scott, Understanding Comics: The Invisible Art (Northampton, MA: Kitchen Sink Press, 1993).Google Scholar
McCormack, Una, ‘Finding Ourselves in the (Un)Mapped Lands: Women’s Reparative Readings of The Lord of the Rings’, in Perilous and Fair: Women in the Works and Life of J. R. R. Tolkien, ed. by Croft, Janet Brennan and Donovan, Leslie A. (Altadena, CA: Mythopoeic Press, 2015), pp. 309–26.Google Scholar
MacDonald, George, ‘The Fantastic Imagination’, in A Dish of Orts, enlarged edition (London: Sampson Low Marston & Co., 1893), pp. 313–22.Google Scholar
McKillip, Patricia A., Alphabet of Thorn (New York: Ace Books, 2004).Google Scholar
McKillip, Patricia A., The Bards of Bone Plain (New York: Ace Books, 2004).Google Scholar
McKillip, Patricia A., The Forgotten Beasts of Eld (New York: Atheneum Books, 1974).Google Scholar
McKillip, Patricia A., The Riddle-Master’s Game (London: Millennium, 2001).Google Scholar
McKillip, Patricia A., ‘Women in SF&F’, Fantasy Cafe, 15 April 2013, https://bit.ly/3mPKfQQ.Google Scholar
Machen, Arthur, The Great God Pan, in The Great God Pan and The Inmost Light, 2nd edition (London: John Lane, 1895), pp. 1109.Google Scholar
Maher, Cian, ‘The Story behind the Oblivion Mod Terry Pratchett Worked On’, Eurogamer, 31 January 2019, https://bit.ly/41lQ87j.Google Scholar
Malory, Thomas, The Works of Thomas Malory, ed. by Vinaver, Eugène, revised by Field, P. J. C., 3rd edition, 3 vols. (Oxford: Clarendon Press, 1990).Google Scholar
Manlove, C. N., Modern Fantasy: Five Studies (Cambridge: Cambridge University Press, 1975).Google Scholar
Martin, George R. R., ‘FAQ’, georgerrmartin.com, https://georgerrmartin.com/for-fans/faq/.Google Scholar
Martin, George R. R., A Game of Thrones (London: Harper Voyager, 2011).Google Scholar
Marx, Karl and Engels, Friedrich, The Communist Manifesto, ed. by McLellan, David (Oxford: Oxford University Press, 2008).Google Scholar
Marx, Patricia and Simon, John, ‘An Interview with Jorge Luis Borges: Reality Is Perplexing Enough’, Commonweal Magazine, 25 October 1968, www.commonwealmagazine.org/interview-jorge-luis-borges.Google Scholar
Mendlesohn, Farah, ‘Peake and the Fuzzy Set of Fantasy: Some Informal Thoughts’, in Miracle Enough: Papers on the Works of Mervyn Peake, ed. by Winnington, G. Peter (Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2013), pp. 6174.Google Scholar
Mendlesohn, Farah, Rhetorics of Fantasy (Middletown, CT: Wesleyan University Press, 2008).Google Scholar
Miéville, China, Editorial Introduction to Symposium: Marxism and Fantasy, Historical Materialism, 10.4 (2002), 3949.Google Scholar
Miéville, China, Perdido Street Station (London: Pan, 2011).Google Scholar
Miller, Laura, The Magician’s Book: A Skeptic’s Adventures in Narnia (New York, Boston, MA, and London: Back Bay Books, 2008).Google Scholar
Mirrlees, Hope, Lud-in-the-Mist (London: Gollancz, 2008).Google Scholar
Mitchell, Anaïs, Working on a Song: The Lyrics of Hadestown (New York: Plume 2020).Google Scholar
Mittell, Jason, ‘Narrative Complexity in Contemporary American Television’, The Velvet Light Trap, 58.1 (2006), 2940.Google Scholar
Monléon, José B., A Specter is Haunting Europe: A Sociohistorical Approach to the Fantastic (Princeton, NJ: Princeton University Press, 1990),Google Scholar
Moorcock, Michael, Elric of Melniboné and Other Stories (London: Gollancz, 2013).Google Scholar
Moorcock, Michael, Epic Pooh, British Fantasy Society Booklet No. 4 (February 1978).Google Scholar
Moorcock, Michael, The Warhound and the World’s Pain (New York: Timescape, 1981).Google Scholar
Moore, Alan, Foreword to Moorcock, Michael, Elric of Melniboné and Other Stories (London: Gollancz, 2013), pp. 17.Google Scholar
Moore, Rosalie, ‘Science Fiction and the Main Stream’, in Modern Science Fiction: Its Meaning and its Future, ed. by Bretnor, Reginald (New York: Coward-McCann, 1953), pp. 91118.Google Scholar
Morrison, Toni, ‘The Art of Fiction’, interview by Elissa Schappell and Claudia Brodsky Lacour, in The Paris Review Interviews, Volume 2, ed. by Gourevitch, Philip (Edinburgh: Canongate, 2007), pp. 355–94.Google Scholar
Morrison, Toni, Beloved (London: Chatto & Windus, 1993).Google Scholar
Naimon, David and guests, Crafting with Ursula, 12 episodes, Tin House, 2022, https://tinhouse.com/th_podcast_cat/crafting-with-ursula/.Google Scholar
NeverKnowsBest, ‘An in-depth look at Lovecraftian Video Games’, YouTube.com, 17 November 2019, https://youtu.be/8Ca0vqiSPiw.Google Scholar
Newton, Isaac to Robert Hooke, 5 February 1675 [likely actually 1676], Historical Society of Pennsylvania, Box 12/11, Folder 37, https://discover.hsp.org/Record/dc-9792/.Google Scholar
O’Dette, Katarina, ‘Fantasy Worlds on the Small Screen: Worldbuilding in Original American Fantasy Television’, Extrapolation, 62.1 (2021), 3762.Google Scholar
Okorafor, Nnedi, ‘Africanfuturism Defined’, Nnedi’s Wahala Zone Blog, 19 October 2019, https://bit.ly/3LfaxFB.Google Scholar
Orwell, George, Nineteen Eighty-Four (London: Penguin, 2000).Google Scholar
Palmer-Patel, C., The Shape of Fantasy: Investigating the Structure of American Heroic Epic Fantasy (New York and Abingdon: Routledge, 2019).Google Scholar
Pan’s Labyrinth, directed by del Toro, Guillermo (Estudios Picasso/ Tequila Gang/Esperanto Filmoj, 2006).Google Scholar
Parisien, Dominik, ‘An Interview with Amal El-Mohtar’, Postscript to Darkness, 19 December 2013, https://bit.ly/3GWVQ7q.Google Scholar
Peake, Mervyn, Drawings by Mervyn Peake (London: Gray Walls Press, 1949).Google Scholar
Peake, Mervyn, The Gormenghast Trilogy (London: Vintage, 1999).Google Scholar
Perrault, Charles, ‘Blue Beard’, translated by Tatar, Maria, in The Classic Fairy Tales, ed. by Tatar, Maria, 2nd edition (New York: W. W. Norton, 2017), pp. 188–93.Google Scholar
Philpott, Lily, ‘The Pen Ten: An Interview with Amal El-Mohtar’, PEN America, 19 December 2019, https://pen.org/pen-ten-interview-amal-el-mohtar/.Google Scholar
Picacio, John, ‘Michael Moorcock: Multiverses’ (interview), Locus, 21 December 2014, https://locusmag.com/2014/12/michael-moorcock-multiverses/.Google Scholar
Planescape: Torment (Black Isle Studios, 1999).Google Scholar
Plato, , Republic, translated by Reeve, C. D. C (Indianapolis, IN, and Cambridge: Hackett Publishing, 2004).Google Scholar
Poe, Edgar Allan, ‘The Masque of the Red Death’, in Selected Tales, ed. by Van Leer, David (Oxford: Oxford University Press, 2008), pp. 129–34.CrossRefGoogle Scholar
Pope, Alexander, An Essay on Man, in The Poems of Alexander Pope, ed. by Butt, John (London: Methuen, 1963), pp. 501–47.Google Scholar
Powell, Manushag N., ‘The Legacy of Stage Dragons and the Monstrous Eighteenth Century’, Eighteenth-Century Fiction, 32.3 (2020), 485504.CrossRefGoogle Scholar
Pratchett, Terry, Carpe Jugulum (London: Corgi, 2013).Google Scholar
Pratchett, Terry, Hogfather (London: Victor Gollancz, 1996).Google Scholar
Pratchett, Terry, Moving Pictures (London: Corgi, 1992).Google Scholar
Pratchett, Terry, Sourcery (London: Corgi, 1989).Google Scholar
Pratchett, Terry, Wyrd Sisters (London: Corgi, 1989).Google Scholar
Prickett, Stephen, Victorian Fantasy, revised edition (Waco, TX: Baylor University Press, 2005).Google Scholar
Pringle, David, ‘Exclusive New Interview with Angela Carter by David Pringle’ (conducted 10 August 1979), Angela Carter Online, 7 May 2017, https://bit.ly/3mKVREy.Google Scholar
Propp, Vladimir, The Morphology of the Folktale, 2nd edition, translated by Scott, Laurence, revised by Wagner, Louis A. (Austin: University of Texas Press, 1968).Google Scholar
Rein·Hagen, Mark, Chupp, Sam, Lemke, Ian, Timbrook, Joshua Gabriel and others, Changeling: The Dreaming (Clarkston, CA: White Wolf Publishing, 1995).Google Scholar
Reynolds, Alastair, Okorafor, Nnedi, Leckie, Ann, Chambers, Becky, Robinson, Kim Stanley and John Harrison, M., ‘“If the aliens lay eggs, how does that affect architecture?”: Sci-Fi Writers on How They Build Their Worlds’, The Guardian, 5 January 2021, https://bit.ly/3GWpauE.Google Scholar
Rieder, John, Science Fiction and the Mass Cultural Genre System (Middletown, CT: Wesleyan University Press, 2017).Google Scholar
Robinson, Jeffrey C., Unfettering Poetry: The Fancy in British Romanticism (New York: Palgrave Macmillan, 2006).Google Scholar
Rosewater, Mark, ‘Twenty Years, Twenty Lessons—Part 3’, magic.wizards.com, 16 June 2016, https://bit.ly/3mUU6oe.Google Scholar
Russ, Joanna, ‘The Image of Women in Science Fiction’, in Images of Women in Fiction: Feminist Perspectives, ed. by Cornillon, Susan Koppelman (Bowling Green, OH: Bowling Green University Popular Press, 1972), pp. 7994.Google Scholar
Sanderson, Brandon, ‘Lecture #6: Worldbuilding Part Two: Brandon Sanderson on Writing Science Fiction and Fantasy’, YouTube.com, https://youtu.be/V2KpWOLTXx8.Google Scholar
Sanderson, Brandon, ‘Sanderson’s First Law’, brandonsanderson.com, 20 February 2007, www.brandonsanderson.com/sandersons-first-law/.Google Scholar
Saler, Michael, As If: Modern Enchantment and the Literary Prehistory of Virtual Reality (Oxford: Oxford University Press, 2011).Google Scholar
Samatar, Sofia, ‘Selkie Stories are for Losers’, in Tender (Easthampton, MA: Small Beer Press, 2017), pp. 19.Google Scholar
Samatar, Sofia, The Winged Histories (Easthampton, MA: Small Beer Press, 2016).Google Scholar
Sandner, David, Critical Discourses of the Fantastic, 1712–1831 (Farnham: Ashgate, 2011).Google Scholar
Sandner, David, Fantastic Literature: A Critical Reader (Westport, CT: Praeger, 2004).Google Scholar
Santayana, George, The Life of Reason, or the Phases of Human Progress: Introduction and Reason in Common Sense, ed. by Wokeck, Marianne S. and Coleman, Martin A. (Cambridge, MA: MIT Press, 2011).Google Scholar
Sartre, Jean-Paul, The Imaginary: A Phenomenological Psychology of the Imagination, translated by Webber, Jonathan (London: Routledge, 2004).Google Scholar
Schlobin, Roger C., The Literature of Fantasy: A Comprehensive, Annotated Bibliography of Modern Fantasy Fiction (New York: Garland Publishing, 1979).Google Scholar
Scholes, Robert, Structural Fabulation: An Essay on the Fiction of the Future (Notre Dame, IN, and London: University of Notre Dame Press, 1975).Google Scholar
Scott, James C., Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed (New Haven, CT: Yale University Press, 2000).Google Scholar
[Scott, Walter], ‘On the Supernatural in Fictitious Composition’, Foreign Quarterly Review, 1.1 (1827), 6098.Google Scholar
The Seventh Seal, directed by Bergman, Ingmar (AB Svensk Filmindustri, 1957).Google Scholar
Shakespeare, William, Hamlet, ed. by Hibbard, G. R. (Oxford: Oxford World’s Classics, 2008).Google Scholar
Shakespeare, William, The Tempest, ed. by Vaughan, Virginia Mason and Vaughan, Alden T., revised edition (London: Bloomsbury, 2011).Google Scholar
Shawl, Nisi and Ward, Cynthia, Writing the Other: A Practical Approach (Seattle, WA: Aqueduct Press, 2005).Google Scholar
Shepherd, Lucius, ‘The Man Who Painted the Dragon Griaule’, in The Dragon Griaule (London: Gollancz, 2013), pp. 130.Google Scholar
Shotwell, Alexis, Against Purity: Living Ethically in Compromised Times (Minneapolis and London: University of Minnesota Press, 2016).Google Scholar
Siskin, Clifford, The Work of Writing: Literature and Social Change in Britain 1700–1830 (Baltimore, MD: Johns Hopkins University Press, 1998).Google Scholar
Smith, Adam, An Inquiry into the Nature and Causes of the Wealth of Nations, 2 vols. (London: W. Strahan and T. Cadell, 1776).Google Scholar
Smythe, Rachel, Lore Olympus, webtoons.com, 2018–, www.webtoons.com/en/romance/lore-olympus/list?title_no=1320.Google Scholar
Solomon, Rivers, The Deep (London: Hodder & Stoughton, 2020).Google Scholar
Stein, Gertrude, ‘Sacred Emily’, in Geography and Plays (Boston, MA: Four Seas, 1922), pp. 179–88.Google Scholar
Stevens, Anne H., ‘Circulating Libraries as Institutional Creators of Genres’, in Institutions of Literature, 1700–1900, ed. by Mee, Jon and Sangster, Matthew (Cambridge: Cambridge University Press, 2022), pp. 120–34.Google Scholar
Sutton, David, ‘A History of the BFS: The Early Years: 1970–1984’, in Silver Rhapsody, ed. by Carter, John and Edwards, Jan, British Fantasy Society Booklet No. 23 (1996).Google Scholar
Sutton, David (ed.), William Hope Hodgson: A Centenary Tribute 1877–1977, British Fantasy Society Booklet No. 2 (1977).Google Scholar
Tchaikovsky, Adrian, Elder Race (New York: Tom Doherty Associates, 2021).Google Scholar
Temple, Emily, ‘Ten Famous Writers on Loving Buffy the Vampire Slayer’, LitHub, 10 March 2017, https://bit.ly/41DWq1Y.Google Scholar
Thomas, Ebony Elizabeth, The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games (New York: New York University Press, 2019).Google Scholar
Todorov, Tzvetan, The Fantastic: A Structural Approach to a Literary Genre, translated by Howard, Richard (Ithaca, NY: Cornell University Press 1975).Google Scholar
Tolkien, J. R. R., ‘Beowulf: The Monsters and the Critics’, in The Monsters and the Critics and Other Essays, ed. by Tolkien, Christopher (London: HarperCollins, 2006), pp. 548.Google Scholar
Tolkien, J. R. R., ‘On Fairy-stories’, in On Fairy-stories, ed. by Flieger, Verlyn and Anderson, Douglas A. (London: HarperCollins, 2008), pp. 2584.Google Scholar
Tolkien, J. R. R., The Hobbit (London and Sydney: Unwin Paperbacks, 1981).Google Scholar
Tolkien, J. R. R., The Letters of J. R. R. Tolkien, ed. by Carpenter, Humphrey (London: George Allen and Unwin, 1981).Google Scholar
Tolkien, J. R. R., The Lord of the Rings (London: Grafton, 1992).Google Scholar
Tolkien, J. R. R., The Silmarillion, ed. by Tolkien, Christopher (London: HarperCollins, 1999).Google Scholar
Tolkien, J. R. R., Sir Gawain and the Green Knight, Pearl, and Sir Orfeo (London: George Allen and Unwin, 1975).Google Scholar
Tolkien, J. R. R. and Gordon, E. V. (eds.), Sir Gawain and the Green Knight (Oxford: Clarendon Press, 1925).Google Scholar
Tucker, Herbert, Epic: Britain’s Heroic Muse 1790–1910 (Oxford: Oxford University Press, 2008).Google Scholar
VanderMeer, Jeff, Authority (London: Fourth Estate, 2014).Google Scholar
VanderMeer, Jeff, Wonderbook: The Illustrated Guide to Creating Imaginative Fiction (New York: Abrams, 2013).Google Scholar
Vo, Nghi, The Empress of Salt and Fortune (New York: Tom Doherty, 2020).Google Scholar
Voltaire, , Philosophical Dictionary, ed. and translated by Besterman, Theodore (London: Penguin, 1979).Google Scholar
Walpole, Horace, The Castle of Otranto, ed. by Groom, Nick (Oxford: Oxford University Press, 2014).Google Scholar
Walton, Jo, Among Others (New York: Tor, 2011).Google Scholar
Walton, Jo, The Just City (New York: Tor, 2015).Google Scholar
Warner, Marina, Once Upon a Time: A Short History of Fairy Tale (Oxford: Oxford University Press, 2014).Google Scholar
White, Haydon, Metahistory: The Historical Imagination in Nineteenth-Century Europe (Baltimore, MD: Johns Hopkins University Press, 1975).Google Scholar
White, T. H., The Ill-Made Knight, in The Once and Future King (London: Collins, 1958), pp. 325544.Google Scholar
Whitehead, Colson, The Underground Railroad (London: Fleet, 2016).Google Scholar
Williamson, Jamie, The Evolution of Modern Fantasy: From Antiquarianism to the Ballantine Adult Fantasy Series (New York: Palgrave Macmillan, 2015).CrossRefGoogle Scholar
Wilson, Edmund, ‘Oo, Those Awful Orcs!’, The Nation, 14 April 1956, 326–32.Google Scholar
Wilson, G. Willow, The Bird King (London: Grove, 2020).Google Scholar
Windling, Terri, Introduction to Yolen, Jane, Briar Rose (New York: Tor, 1993), pp. 16.Google Scholar
Windling, Terri, ‘The Luminous Worlds of Patricia McKillip’, Myth & Moor, 17 May 2022, www.terriwindling.com/blog/2022/05/pat-mckillip.html.Google Scholar
Wittgenstein, Ludwig, Tractatus Logico-Philosophicus, translated by Ogden, C. K. with Ramsey, F. P. (London: Kegan Paul, Trench, Trubner & Co., 1922).Google Scholar
Wizards of the Coast, ‘Diversity and Dungeons & Dragons’, dnd.wizards.com, 17 June 2020, https://dnd.wizards.com/news/diversity-and-dnd.Google Scholar
Wolf, Mark J. P., Building Imaginary Worlds: The Theory and History of Subcreation (New York and London: Routledge, 2012).Google Scholar
Wolfe, Gary K., Critical Terms for Science Fiction and Fantasy (New York, Westport, CN, and London: Greenwood Press, 1986).Google Scholar
Wolfe, Gene, The Castle of the Otter, in Castle of Days (New York: Orb, 1992), pp. 205309.Google Scholar
Wolfe, Gene, The Sword of the Lictor, in The Book of the New Sun, Volume 2: Sword and Citadel (London: Millennium, 2000), pp. 1310.Google Scholar
Womack, Ytasha L., Afrofuturism: The World of Black Sci-fi and Fantasy Culture (Chicago, IL: Lawrence Hill Books, 2013).Google Scholar
Wordsworth, William, ‘The Tables Turned’, in Lyrical Ballads, with Pastoral and Other Poems, 3rd edition, 2 vols. (London: Longman, 1802), 1:46.Google Scholar
Wordsworth, William [and Coleridge, Samuel Taylor], Preface to Lyrical Ballads, with Pastoral and Other Poems, 3rd edition, 2 vols. (London: Longman, 1802), 1:ilxiv.Google Scholar
Young, Helen, Race and Popular Fantasy Literature: Habits of Whiteness (New York and Abingdon: Routledge, 2016).Google Scholar
Young, Helen and Finn, Kavita Mudan, Global Medievalism (Cambridge: Cambridge University Press, 2022).CrossRefGoogle Scholar
Zaleski, Philip and Zaleski, Carol, The Fellowship: The Literary Lives of the Inklings (New York: Farrer, Strauss and Giroux, 2016).Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Select Bibliography
  • Matthew Sangster, University of Glasgow
  • Book: An Introduction to Fantasy
  • Online publication: 07 October 2023
  • Chapter DOI: https://doi.org/10.1017/9781009429924.010
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Select Bibliography
  • Matthew Sangster, University of Glasgow
  • Book: An Introduction to Fantasy
  • Online publication: 07 October 2023
  • Chapter DOI: https://doi.org/10.1017/9781009429924.010
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Select Bibliography
  • Matthew Sangster, University of Glasgow
  • Book: An Introduction to Fantasy
  • Online publication: 07 October 2023
  • Chapter DOI: https://doi.org/10.1017/9781009429924.010
Available formats
×