This chapter examines how Faulkner uses the trope of parchment skin in his 1932 novel Light in August to describe his racially ambiguous protagonist Joe Christmas who becomes marked as Black through a range of media forms including magazines, Bibles, blackboards, and a Kodak print. While Faulkner can be patronizing in his depictions of writing by African American characters, the use of African drumming in his story “Red Leaves” (1930) to communicate over long distances in an earlier form of writing-at-a-distance that we find in telegraphy exemplifies powerful kinds of communication by Black characters. The chapter shows how Faulkner reworks the issue of race and writing materials in Intruder in the Dust (1948), refiguring the white pencil of the Confederate monument in front of the courthouse in his fictional town of Jefferson into the white pencil of a flashlight beam that portends racial change. The chapter concludes with a discussion of writing by American Indian characters that range from lampoons to meditations on genre where Native literacy undercuts romantic stereotypes.