Skip to main content Accessibility help
×
Hostname: page-component-7479d7b7d-wxhwt Total loading time: 0 Render date: 2024-07-11T04:46:49.590Z Has data issue: false hasContentIssue false

Part IV - Aesthetics and Innovation

Published online by Cambridge University Press:  24 January 2023

Amanda Holmes
Affiliation:
McGill University, Montréal
Par Kumaraswami
Affiliation:
University of Reading
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Ades, Dawn. “Criaturas hibridas.” In Maria. Ed. Martins, Maria, Cosac, Charles, Vicente, de Mello, et al. Sao Paulo: Cosac & Naify, 2010.Google Scholar
Aguilar, Gonzalo. “Abaporu de Tarsila de Amaral: saberes del pie.” Por una ciencia del vestigio errático (Ensayos sobre la antropofagia de Oswald de Andrade), pp. 3546. Buenos Aires: Grumo, 2010.Google Scholar
Aira, César. Alejandra Pizarnik. Rosario: Beatriz Viterbo, 2012.Google Scholar
Andrade, Oswald de. “Cannibalist Manifesto.” Trans. Leslie Barry. Latin American Literary Review 19.38 (July–December 1991): 3847.Google Scholar
Bürger, Peter. Theory of the Avant-Garde. Trans. Michael Shaw. Minneapolis: University of Minnesota, 1986.Google Scholar
Carpentier, Alejo. “Prologue to The Kingdom of This World,” Review: Latin American Literature and Arts 26.47 (1993): 2831.Google Scholar
di Giorgio, Marosa. I Remember Nightfall. Trans. Jeannine Marie Pitas. New York: Ugly Duckling, 2017.Google Scholar
di Giorgio, Marosa Los papeles salvajes. Buenos Aires: Adriana Hidalgo, 2008.Google Scholar
di Giorgio, Marosa Rosa Mística. Relatos eróticos. Buenos Aires: Interzona, 2003.Google Scholar
Geis, Terri. “‘My Goddesses and My Monsters: Maria Martins and Surrealism in the 1940s.” In Surrealism in Latin America: Vivísimo Muerto. Ed. Ades, Dawn, Eder, Rita, and Speranza, Graciela, pp. 153159. Los Angeles, CA: Getty Research Institute, 2012.Google Scholar
Gregory, Stephen. “Through the Looking-Glass of Sadism to a Utopia of Narcissism: Alejandra Pizarnik’s La condesa sangrienta,” Bulletin of Hispanic Studies 74:3 (1997): 293309.Google Scholar
Lasarte, Francisco. “Más allá del surrealismo: la poesía de Alejandra Pizarnik,” Revista Iberoamericana 49.125 (1983): 867877.Google Scholar
Mahon, Alyce. “Leonor Fini: Theatre of Desire.” In Leonor Fini: Theatre of Desire, 1930–1980. Ed. Cameron, Melanie and Genovese, Kendy, pp. 68. New York: Museum of Sex, 2018.Google Scholar
Maria: The Surrealist Sculpture of Maria Martins. New York: André Emmerich Gallery, 1998.Google Scholar
Molloy, Sylvia. “From Sappho to Baffo: Diverting the Sexual in Alejandra Pizarnik.” In Sex and Sexuality in Latin America. Ed Balderston, Daniel and Guy, Donna J., pp. 250258. New York: New York University Press, 1997.Google Scholar
Nicholson, Melanie. Surrealism in Latin America: Searching for Breton’s Ghost. New York: Palgrave Macmillan, 2013.Google Scholar
Pizarnik, Alejandra. Extracting the Stone of Madness: Poems, 1962–1972. Trans. Yvette Siegert. New York: New Directions, 2016.Google Scholar
Pizarnik, Alejandra. Diarios. Ed. Becciu, Ana. Barcelona: Lumen, 2009.Google Scholar
Pizarnik, Alejandra. “La condesa sangrienta.” Obras Completas. Poesía & Prosa, pp. 371392. Buenos Aires: Corregidor, 1994.Google Scholar
Pizarnik, Alejandra. “The Bloody Countess.” Other Fires: Short Fiction by Latin American Women. Ed. Manguel, Alberto, pp. 7087. Trans. Manguel, Alberto. New York: Crown, 1986.Google Scholar
Speranza, Graciela. “Wanderers: Surrealism and Contemporary Latin American Art and Fiction.” In Surrealism in Latin America: Vivísimo Muerto. Ed. Ades, Dawn, Eder, Rita, and Speranza, Graciela, pp. 193208. Los Angeles, CA: Getty Research Institute, 2012.Google Scholar
Uslenghi, Alejandra. “A Migrant Modernism: Grete Stern’s Photomontages,” Journal of Latin American Cultural Studies 24.2 (2015): 173205.Google Scholar
Wells, Sarah Ann. Media Laboratories: Late Modernist Authorship in South America. Evanston, IL: Northwestern University Press, 2017.Google Scholar

Works Cited

Barnet, Miguel. “La novela testimonio: Alquimia de la memoria,” La Palabra y el Hombre 82 (1992): 7578.Google Scholar
Barnet, MiguelLa novela testimonio: Socio-literatura.” La fuente viva, 1242. Havana: Editorial Letras Cubanas, 1983.Google Scholar
Barnet, Miguel Biografía de un cimarrón. Havana: Academia de Ciencias de Cuba/Instituto de Etnología y Folklore, 1966.Google Scholar
Benedetti, Mario. El escritor latinoamericano y la revolución posible. Buenos Aires: Editorial Alfa Argentina, 1974.Google Scholar
Benedetti, Mario. “Situación actual de la cultura cubana.” In Literatura y arte nuevo en Cuba. Barnet, Miguel et al., pp. 732. Barcelona: Editorial Estela, 1971.Google Scholar
Beverley, J.The Margin at the Center: On Testimonio (Testimonial Narrative).” In The Real Thing: Testimonial Discourse and Latin America. Ed. Gugelberger, G., pp. 2341. Durham, NC : Duke University Press, 1996.Google Scholar
Casal, Lourdes. “Literature.” In Revolutionary Change in Cuba. Ed. Mesa-Lago, C., pp. 447469. Pittsburgh, PA: University of Pittsburgh Press, 1971.Google Scholar
Casaus, Víctor. Defensa del testimonio. Havana: Editorial Letras Cubanas, 1990.Google Scholar
Craft, Linda J. Novels of Testimony and Resistance from Central America. Gainesville: University Press of Florida, 1997.Google Scholar
Fernández Retamar, Roberto. “Hacia una intelectualidad revolucionaria en Cuba.” In Ensayo de otro mundo, pp. 159188. Havana: Instituto del Libro (Colección Cocuyo), 1967.Google Scholar
González de Cascorro, Raúl. “El género Testimonio en Cuba,” Unión 4 (December 1978): 7389.Google Scholar
Gugelberger, G. M., ed. The Real Thing: Testimonial Discourse and Latin America. Durham, NC: Duke University Press, 1996.Google Scholar
Los intelectuales extranjeros: Declaración del Primer Congreso Nacional de Educación y Cultura, 30 de abril de 1971.” In Mon Informe secreto sobre la Revolución cubana. Ed. Montaner, C. A., pp. 147153. Madrid: Ediciones Sedmay, 1971.Google Scholar
Portuondo, José Antonio. Estética y Revolución. Havana: Ediciones Unión (Ensayo), 1963.Google Scholar
Retamar, Fernández. “Vanguardia artística, subdesarrollo y revolución.” In Estética y marxismo. Ed. Vásquez, Adolfo Sánchez, Tomo, II, pp. 333342. Mexico City: Ediciones Era, 1970.Google Scholar
Sklodowska, Elzbieta. “Spanish American Testimonial Novel: Some Afterthoughts.” In The Real Thing: Testimonial Discourse and Latin America. Ed. Gugelberger, G., pp. 84100. Durham, NC : Duke University Press, 1996.Google Scholar
Sklodowska, Elzbieta “La visión de la gente sin historia en las novelas testimoniales de Miguel Barnet” (PhD thesis), Washington University, 1983, p. 5.Google Scholar

Works Cited

Aguilar Mora, Jorge. “El silencio de Nellie Campobello.” In Cartucho: relatos de la lucha en el Norte de México. Campobello, Nellie, pp. 943. Mexico City:Era, 2000.Google Scholar
Anonymous, . La vida de Lazarillo de Tormes y de sus fortunas y adversidades. Ed. Ricapito, Joseph V.. Madrid: Cátedra, 1985.Google Scholar
Beverley, John. “‘Lazarillo’ and Primitive Accumulation: Spain, Capitalism and the Modern Novel,” The Bulletin of the Midwest Modern Language Association 15:1 (1982): 2942.Google Scholar
Borges, Jorge Luis. “From Allegories to Novels.” In Other Inquisitions, 1937–1952. Trans. Ruth L. C. Simms, pp. 154157. Austin: University of Texas Press, 1993.Google Scholar
Campobello, Nellie. “Prólogo a Mis libros (1960).” In Obra reunida, pp. 337376. Mexico City: Fondo de Cultura Económica, 2007.Google Scholar
Derrida, Jacques. The Truth in Painting. Trans. Geoff Bennington and Ian McLeod. Chicago, IL: The University of Chicago Press, 1987.Google Scholar
Legrás, Horacio. Literature and Subjection: The Economy of Writing and Marginality in Latin America. Pittsburgh, PA: University of Pittsburgh Press, 2008.Google Scholar
Marx, Karl. Capital: A Critique of Political Economy. Vol. 1. Trans. Ben Fowkes. London: Penguin, 1976.Google Scholar
Morris, Rosalind C.Ursprüngliche Akkumulation: The Secret of an Originary Mistranslation,” boundary 2 43.3 (2016): 2977.Google Scholar
O’Donnell, Guillermo. Notas para el estudio de procesos de democratización política a partir del estado burocrático-autoritario (Documento de trabajo). Buenos Aires: Centro de Estudios de Estado y Sociedad, 1979.Google Scholar
Ruffinelli, Jorge. Literatura e ideología: el primer Mariano Azuela (1896–1918). Mexico City: Ediciones Coyoacán, 1994.Google Scholar

Works Cited

Bürger, Peter. Theory of the Avant-Garde: Vol. 4. Theory and History of Literature. Minneapolis: University of Minnesota Press, 1984.Google Scholar
Echavarren, Roberto. “Prólogo.” In Medusario: Muestra de poesía latinoamericana, pp. 1117. Mexico City: Fondo de Cultura Económica, 1996.Google Scholar
Kristal, Efraín. “Introduction.” In The Complete Poetry: A Bilingual Edition. Vallejo, César and Eshleman, Clayton, pp. 120. Berkeley: University of California Press, 2007.Google Scholar
Merquior, José Guilherme. “The Brazilian and the Spanish American Literary Traditions: A Contrastive View.” In The Cambridge History of Latin American Literature, Volume 3: Brazilian Literature; Bibliographies. Eds. Echevarría, Roberto Gonzalez and Pupo-Walker, Enrique, pp. 363382. Cambridge: Cambridge University Press, 1996.Google Scholar
Nicholson, Melanie. Surrealism in Latin American Literature. New York: Palgrave Macmillan, 2013.Google Scholar
Perlongher, Néstor. “Prólogo.” In Medusario: Muestra de poesía latinoamericana. Eds. Echavarren, Roberto, Kozer, José, and Sefamí, Jacobo, pp. 1930. Mexico City: Fondo de Cultura Económica, 1996.Google Scholar
Pontiero, Giovanni. “Brazilian Poetry from Modernism to the 1990s.” In The Cambridge History of Latin American Literature, Volume 3: Brazilian Literature; Bibliographies. Eds. Echevarría, Roberto Gonzalez and Pupo-Walker, Enrique, pp. 247268. Cambridge: Cambridge University Press, 1996.Google Scholar
Quiroga, José. “Spanish American Poetry from 1922 to 1975.” In The Cambridge History of Latin American Literature, Volume 2: The Twentieth Century. Eds. Echevarría, Roberto Gonzalez and Pupo-Walker, Enrique, pp. 303364. Cambridge: Cambridge University Press, 1996.Google Scholar
Unruh, Vicky. Latin American Vanguards: The Art of Contentious Encounters. Berkeley: University of California Press, 1994.Google Scholar
Vallejo, César. The Complete Poetry: A Bilingual Edition. Trans. Clayton Eshleman. Berkeley: University of California Press, 2007.Google Scholar
Verani, Hugo. “The Vanguardia and Its Implications.” In The Cambridge History of Latin American Literature, Volume 2: The Twentieth Century. Eds. Echevarría, Roberto Gonzalez and Pupo-Walker, Enrique, pp. 114137. Cambridge: Cambridge University Press, 1996.CrossRefGoogle Scholar

Works Cited

Barea, Federico. “Manual de instrucciones para la presente bibliografía.” Todo Cortázar: bio- Bibliografía. Ed. Aquilante, Lucio and Barea, Federico, pp. 1921. Buenos Aires: Fernández Blanco y Aquilante, 2014.Google Scholar
Bauer, Tristán. Cortázar. Dir. Tristán Bauer. La Zona, 1994.Google Scholar
Benedetti, Mario. “Cortázar by Night.” Revista de crítica literaria latinoamericana 18.35 (1992): 3339.Google Scholar
Bishop, Karen Elizabeth. The Space of Disappearance: A Narrative Commons in the Ruins of Argentine State Terror. Albany, NY: SUNY Press, 2020.Google Scholar
Bocchino, Adriana A.Salvo el crepúsculo de Julio Cortázar o volver atrás y recapitular.Confluencia 7.1 (1991): 6368.Google Scholar
Campra, Rosalba. Cortázar para cómplices. Prologue Jean Andreu. Madrid: Del Centro, 2009.Google Scholar
Cortázar, Julio. Save Twilight. Trans. Stephen Kessler. San Francisco: City Lights, 2016.Google Scholar
Cortázar, Julio. Último round. 1969. Barcelona: RM, 2013.Google Scholar
Cortázar, Julio. Papelitos. Ed. Lupa, Raiña. Barcelona: Pérgamo, 2008.Google Scholar
Cortázar, Julio. Poesía y poética: Obras completas. Vol. IV. Ed. Yurkievich, Saúl et al. Barcelona: Galaxia Gutenberg/Círculo de Lectores, 2005.Google Scholar
Cortázar, Julio. Around the Day in Eighty Worlds. Trans. Thomas Christensen. San Francisco, CA: North Point Press, 1986.Google Scholar
Cortázar, Julio. A Certain Lucas. Trans. Gregory Rabassa. New York: Knopf, 1984.Google Scholar
Cortázar, Julio. Salvo el crepúsculo. Buenos Aires: Nueva Imagen, 1984.Google Scholar
Cortázar, Julio. Un tal Lucas. Madrid: Alfaguara, 1979.Google Scholar
Cortázar, Julio. Territorios. Mexico City: Siglo XXI, 1978.Google Scholar
Cortázar, Julio. Libro de Manuel. Buenos Aires: Sudamericana, 1973.Google Scholar
Cortázar, Julio. Pameos y meopas. Barcelona: Ocnos, 1971.Google Scholar
Cortázar, Julio. La vuelta al día en ochenta mundos. Mexico City: Siglo XXI, 1967.Google Scholar
Cortázar, Julio. Rayuela. Buenos Aires: Sudamericana, 1963.Google Scholar
Cortázar, Julio and Heker, Liliana. “Polémica con Julio Cortázar.” Cuadernos hispanoamericanos 517519 (1993): 590603.Google Scholar
Dávila, María de Lourdes. Desembarcos en el papel: la imagen en la literatura de Julio Cortázar. Rosario: Beatriz Viterbo, 2001.Google Scholar
Fonsalido, María Elena. “Tres lecturas contemporáneas de una forma canónica. Borges, Cortázar, Saer y el soneto.” Olivar 8.9 (2007): 127145.Google Scholar
García Cerdán, Andrés. “La poesía de Julio Cortázar: Discurso del no método, método del no discurso.” Cartáphilus 5 (2009): 4457.Google Scholar
Goloboff, Mario. Julio Cortázar: la biografía. Havana: Arte y Literatura, 1998.Google Scholar
Julio Cortázar Literary Manuscripts, 1943–82. Benson Latin American Collection, University of Texas Libraries.Google Scholar
Julio Cortázar Papers (C0888). Manuscripts Division, Special Collections, Princeton University Library.Google Scholar
Marchamalo, Jesús. Cortázar y los libros. Madrid: Fórcola, 2011.Google Scholar
Mesa Gancedo, Daniel. “Poésie Rather Hard to Understand: Cortázar et la mantique dans la semantique.” In Cortázar, de tous les côtés. Ed. Manzi, Joaquín, pp. 217231. Poitiers: Langues Littératures Poitiers/Maison des Sciences de l’Homme et de la Société, 2002.Google Scholar
Monteleone, Jorge, ed. 200 años de poesía argentina. Madrid: Alfaguara, 2010.Google Scholar
Prego, Omar. Julio Cortázar: la fascinación de las palabras. Montevideo: Trilce, 1990.Google Scholar
Schwartz, Marcy. “Writing against the City: Julio Cortázar’s Photographic Take of India.” In Photography and Writing in Latin America: Double Exposures. Coedited by Schwartz, Marcy and Mary Tierney-Tello, Beth, pp. 117139. Albuquerque: University of New Mexico Press, 2006.Google Scholar
Schwartz, Marcy. “Cortázar under Exposure: Photography and Fiction in the City.” In Latin American Literature and Mass Media. Eds. Castillo, Debra and Paz-Soldán, José Edmundo, pp. 117138. New York: Garland Press, 2000.Google Scholar
Sorensen, Diana. A Turbulent Decade Remembered: Scenes from the Latin American Sixties. Stanford, CA: Stanford University Press, 2007.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×