This essay provides an overview of Sebald’s work in relation to the literary topos of ‘travel writing’. Considering his work from Nach der Natur to the Korsika Project, it illuminates some of the sources on which he drew (including Thomas More and Thomas Mann), the contexts within which he worked, and the contribution of his work itself to contemporary modes of travel writing. The essay marks out the key waypoints in the history of the form, including its implication in the history of imperial expansion as well as its connection with the ‘grand tour’, while also sketching out some more recent interpretations as they have been conceived by writers like Bruce Chatwin. Within Sebald’s work, it suggests that the idea of the contemporary travel writer as an ‘outmoded’ figure is key to an ‘atmospherics of lateness’, and even that the coinage ‘Sebaldian’ inheres in a distinctive interweaving of the creative and the critical staged within the context of travel. Lastly, the essay outlines some specific issues relating to Sebald’s presence in Britain, taking into consideration the particularities of East Anglia as well as his reception by contemporary British ‘psychogeographers’.