This chapter demonstrates that Pontormo looked for expressive models in contemporary performance to capture the urgency and accessibility demanded by the commission. Motifs of arrival, interruption, and departure that characterize the frescoes foreground the beholder’s ambulatory experience of the images, which are analyzed in relation to Michel de Certeau’s theoretical definitions of space versus place, as well as the viewing conditions at the sacro monte of San Vivaldo and of Florentine sacre rappresentazioni.