Skip to main content Accessibility help
×
Hostname: page-component-848d4c4894-x5gtn Total loading time: 0 Render date: 2024-06-13T06:17:45.942Z Has data issue: false hasContentIssue false

References

Published online by Cambridge University Press:  15 September 2022

Kristin Mahoney
Affiliation:
Michigan State University
Get access

Summary

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Chapter
Information
Queer Kinship after Wilde
Transnational Decadence and the Family
, pp. 259 - 275
Publisher: Cambridge University Press
Print publication year: 2022

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Bernard and Mary Berenson Papers, Biblioteca Berenson, I Tatti – The Harvard University Center for Italian Renaissance Studies, Florence, Italy.Google Scholar
Bromsgrove Public Library, Bromsgrove, UK.Google Scholar
Bruce Nugent Papers, James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, Yale University, New Haven, CT.Google Scholar
Collection on Eric Gill, William Andrews Clark Memorial Library, University of California, Los Angeles.Google Scholar
Compton Mackenzie Papers, Harry Ransom Center, The University of Texas at Austin.Google Scholar
Edward Carpenter Collection, Sheffield City Archives, Sheffield, UK.Google Scholar
Eric Gill Collection, Harry Ransom Center, The University of Texas at Austin.Google Scholar
Harold Acton Papers, General Collection, Beinecke Rare Book and Manuscript Library, Yale University, New Haven, CT.Google Scholar
Harrod Papers, British Library, London, UK.Google Scholar
Housman Papers, Alfred Gillett Trust, Street, UK.Google Scholar
Lady Eccles Oscar Wilde Collection, British Library, London, UK.Google Scholar
Laurence Housman Papers, Bryn Mawr College Library, Bryn Mawr, PA.Google Scholar
Manuscript Collections, National Library of Scotland, Edinburgh, UK.Google Scholar
Museum of London, London, UK.Google Scholar
Nancy Cunard Collection, Harry Ransom Center, The University of Texas at Austin.Google Scholar
Norman Douglas Collection, Beinecke Rare Book and Manuscript Library, Yale University, New Haven, CT.Google Scholar
Oscar Wilde and His Literary Circle Collection, William Andrews Clark Memorial Library, University of California, Los Angeles.Google Scholar
Western Manuscripts, British Library, London, UK.Google Scholar
The Women’s Library, London School of Economics, London, UK.Google Scholar
Acton, Harold. “Hansom Cab No. 213 bis.” The Eton Candle 1 (March 1922): 92100.Google Scholar
Acton, Harold. Humdrum. London: Chatto & Windus, 1928.Google Scholar
Acton, Harold. Introduction to Modern Chinese Poetry, edited by Acton, Harold and Shih-Hsiang, Ch’en, 1331. London: Duckworth, 1936.Google Scholar
Acton, Harold. Memoirs of an Aesthete. London: Methuen, 1948.Google Scholar
Acton, Harold. More Memoirs of an Aesthete. London: Methuen, 1970.Google Scholar
Acton, Harold. Peonies and Ponies. London: Chatto & Windus, 1941.Google Scholar
Acton, Harold. Preface to The Peach Blossom Fan, by K’ung Shang-jen, translated by Chen Shih-Hsiang, Harold Acton, and Cyril Birch, xviixxii. New York: New York Review Books, 2015.Google Scholar
Acton, Harold. “Review of The Beardsley Period by Osbert Burdett.” The Cherwell 13, no. 4 (February 14, 1925): 142–3.Google Scholar
Acton, Harold. “Review of The Golden Keys by Vernon Lee.” The Cherwell 14, no. 5 (May 30, 1925): 133.Google Scholar
Acton, Harold. “From Tiresias.” In Henry-Music by Henry Crowder, edited by Cunard, Nancy, n.p. Paris: Hours Press, 1930.Google Scholar
Acton, Harold. “Vernon Lee.” In Inghilterra e Italia nel ’900, 38. Florence: La Nuova Italia, 1973.Google Scholar
Acton, Harold. “Vernon Lee: Rediscovery.” Translated by Shirley Hazzard. Belles Lettres 2, no. 1 (1986): 12.Google Scholar
Anspacher, Carolyn. “Star Goes ‘Home.’” San Francisco Chronicle (January 24, 1936): 17.Google Scholar
Arlington, L. C. and Acton, Harold, eds. Famous Chinese Plays. Peiping [Beijing]: Henri Vetch, 1937.Google Scholar
Boulderson, Shadwell. “An Indian Road-Tale.” In The Venture: An Annual of Art and Literature, edited by Housman, Laurence and Somerset Maugham, W., 133–5. London: The Pear Tree Press, 1903.Google Scholar
Burton, Richard Francis. The Book of the Thousand Nights and a Night. 12 vols. London: H. S. Nichols & Co., 1894–7.Google Scholar
Chesterton, G. K.Why Abolish the Family?Red Book Magazine 50, no. 6 (1928): 5051, 102, 104.Google Scholar
Connolly, Cyril. “The Vulgarity of Lesbianism.” New Statesman (August 25, 1928): 614.Google Scholar
Cunard, Nancy. “Black Man and White Ladyship.” In Nancy Cunard: Brave Poet, Indomitable Rebel, edited by Ford, Hugh, 103–9. New York: Chilton Book Company, 1968.Google Scholar
Cunard, Nancy. Black Man and White Ladyship: An Anniversary. London: Utopia Press, 1931.Google Scholar
Cunard, Nancy. “Equatorial Way.” In Henry-Music by Henry Crowder, edited by Cunard, Nancy, n.p. Paris: Hours Press, 1930.Google Scholar
Cunard, Nancy. ed. Negro: An Anthology. London: Wishart, 1934.Google Scholar
Douglas, Norman. Alone. New York: Robert M. McBride, 1922.Google Scholar
Douglas, Norman. Respectful Ribaldry: A Selection of Letters from Norman Douglas to Faith Compton Mackenzie. Edited by Wensinger, Arthur S. and Allan, Michael. Graz/Feldkirch: W. Neugebauer Verlag, 2008.Google Scholar
Douglas, Norman. South Wind. London: Martin Secker, 1917.Google Scholar
Dulau, A. B. & Co. A Collection of Original Manuscripts Letters and Books of Oscar Wilde. London: Dulau, 1928.Google Scholar
Ellis, Havelock. The Erotic Rights of Women, and the Objects of Marriage. Battersea: Battley Bros., 1918.Google Scholar
Epstein, Jacob. Epstein: An Autobiography. New York: E. P. Dutton, 1955.Google Scholar
Fersen, Jacques. Lord Lyllian: Black Masses. North Pomfret, VT: Elysium, 2005.Google Scholar
Field, Michael. Mystic Trees. London: Eveleigh Nash, 1913.Google Scholar
Field, Michael. Poems of Adoration. London: Sands & Co., 1912.Google Scholar
Field, Michael. Preface to The Orchard Floor: Selected Passages from Sermons by the Very Rev. Vincent McNabb, Compiled by Miss E.C. Fortey, vviii. London: R. & T. Washbourne, 1912.Google Scholar
Field, Michael. The Wattlefold. Oxford: Basil Blackwell, 1930.Google Scholar
Firestone, Shulamith. The Dialectic of Sex. New York: William Morrow and Company, 1970.Google Scholar
Gibran, Kahlil. The Prophet. New York: Alfred A. Knopf, 1923.Google Scholar
Gill, Eric. Autobiography. New York: Devin-Adair, 1941.Google Scholar
Gill, Eric. Birth Control. Ditchling: St. Dominic’s Press, 1919.Google Scholar
Gill, Eric. Clothes: An Essay upon the Nature and Significance of the Natural and Artificial Integuments Worn by Men and Women. London: Jonathan Cape, 1931.Google Scholar
Gill, Eric. Introduction to Viśvakarmā: Examples of Indian Architecture, Sculpture, Painting, Handicraft, Chosen by Ananda Coomaraswamy, First Series: One Hundred Examples of Indian Sculpture, 17. London: Messrs. Luzac, 1914.Google Scholar
Gill, Eric. Letters of Eric Gill. Edited by Shewring, Walter. New York: Devin-Adair, 1948.Google Scholar
Green, Julian. The Dark Journey. New York: Harper & Brothers, 1929.Google Scholar
Green, Julian. The Dreamer. New York: Harper & Brothers, 1934.Google Scholar
Green, Julian. Midnight. New York: Harper & Brothers, 1936.Google Scholar
Green, Julian. The Strange River. New York: Harper & Brothers, 1932.Google Scholar
Green, Julian. Le Visionnaire. Paris: Plon, 1934.Google Scholar
Hill, Ethel. “Mr. Laurence Housman: An Impression.” The Vote (December 2, 1909), 64.Google Scholar
Holland, Vyvyan. A Few Odd Reflections on Idleness. London: Curwen, 1927.Google Scholar
Holland, Vyvyan. Foreword to Salomé, by Oscar Wilde, 58. London: Folio Society, 1957.Google Scholar
Holland, Vyvyan. Introduction to De Profundis, by Oscar Wilde, 712. London: Methuen, 1949.Google Scholar
Holland, Vyvyan. “Once Upon a Time: A Critical Note on Oscar Wilde’s Fairy Stories.” Adelphi 30, no. 3 (1954): 241–51.Google Scholar
Holland, Vyvyan. Oscar Wilde: A Pictorial Biography. London: Thames & Hudson, 1960.Google Scholar
Holland, Vyvyan. Son of Oscar Wilde. New York: Carroll & Graf, 1999.Google Scholar
Holland, Vyvyan. Time Remembered after Père Lachaise. London: Gollancz, 1966.Google Scholar
Housman, A. E. The Letters of A. E. Housman, vol. 1. Edited by Burnett, Archie. Oxford: Oxford University Press, 2007.Google Scholar
Housman, Clemence. The Unknown Sea. London: Duckworth, 1898.Google Scholar
Housman, Clemence. The Were-Wolf. London: John Lane at the Bodley Head, 1896.Google Scholar
Housman, Laurence. “A. E. Housman’s ‘De Amicitia.’” Encounter 29 (1967): 3341.Google Scholar
Housman, Laurence. A. E. H.: Some Poems, Some Letters, and a Personal Memoir. London: Jonathan Cape, 1937.Google Scholar
Housman, Laurence. All-Fellows: Seven Legends of Lower Redemption with Insets in Verse. London: Kegan, Paul, Trench, Trübner, & Co., 1896.Google Scholar
Housman, Laurence. The Cloak of Friendship. London: J. Murray, 1905.Google Scholar
Housman, Laurence. “The Corruption of Power.” Peace News (September 5, 1941), 2.Google Scholar
Housman, Laurence. An Englishwoman’s Love Letters. New York: Doubleday, Page & Co., 1900.Google Scholar
Housman, Laurence. Echo de Paris: A Study from Life. London: Jonathan Cape, 1923.Google Scholar
Housman, Laurence. “Gandhi and the Future of Pacifism.” In Mahatma Gandhi: Essays and Reflections on His Life and Work, edited by Radhakrishnan, Sarvepalli, 123–34. London: George Allen & Unwin, 1949.Google Scholar
Housman, Laurence. “The Makings of the War Mind – Its Cause and the Cure.” Peace News (June 19, 1937), 6.Google Scholar
Housman, Laurence. “Mankind Is Growing Up,” Peace News (May 5, 1939), 9.Google Scholar
Housman, Laurence. Preface to The Truth about India: Can We Get It, edited by Elwin, Verrier, 78. London: G. Allen & Unwin, 1932.Google Scholar
Housman, Laurence. The Relation of Fellow-Feeling to Sex. London: Battley Bros., [n.d.].Google Scholar
Housman, Laurence. “Retaliation.” Peace News (October 25, 1940), 1.Google Scholar
Housman, Laurence. Sex-War and Women’s Suffrage. London: Women’s Freedom League, 1912.Google Scholar
Housman, Laurence. “The True Realism.” Peace News (August 22, 1941), 2.Google Scholar
Housman, Laurence. The Unexpected Years. London: Jonathan Cape, 1937.Google Scholar
Housman, Laurence. “Why Man Has Failed.” Peace News (September 10, 1938), 7.Google Scholar
[Howard, Brian.] Dedication. The Eton Candle 1 (March 1922): n.p.Google Scholar
Lawrence, D. H.The Man Who Loved Islands.” Dial 83 (1927): 123.Google Scholar
Lawrence, D. H.Two Blue Birds.” Dial 82 (1927): 287301.Google Scholar
Mackenzie, Compton. Extraordinary Women: Theme and Variations. New York: Macy-Masius, 1928.Google Scholar
Mackenzie, Compton. My Life and Times. 10 vols. London: Chatto & Windus, 1963–71.Google Scholar
Mackenzie, Compton. Sinister Street. London: Martin Secker, 1913.Google Scholar
Mackenzie, Compton. Unconsidered Trifles. London: Martin Secker, 1932.Google Scholar
Mackenzie, Compton. Vestal Fire. London: Cassell, 1927.Google Scholar
Mackenzie, Faith Compton. Always Afternoon. London: Collins, 1943.Google Scholar
Mackenzie, Faith Compton. As Much as I Dare. London: Collins, 1938.Google Scholar
Mackenzie, Faith Compton. Mandolinata. London: Cope & Fenwick, 1931.Google Scholar
Mackenzie, Faith Compton. More Than I Should. London: Collins, 1940.Google Scholar
Mackenzie, Faith Compton. The Sibyl of the North: The Tale of Christina, Queen of Sweden. New York: Houghton Mifflin Company, 1931.Google Scholar
McNabb, Vincent. Introduction to The Wattlefold, by Michael Field, v–vi. Oxford: Basil Blackwell, 1930.Google Scholar
[Millard, Christopher]. Oscar Wilde: Three Times Tried. London: Ferrestone Press, 1912.Google Scholar
Muir, Edwin. “Fiction.” The Nation & Athenaeum 42, no. 3 (1927): 120–22.Google Scholar
Nugent, Richard Bruce. Gay Rebel of the Harlem Renaissance. Edited by Wirth, Thomas H.. Durham, NC: Duke University Press, 2002.Google Scholar
Nugent, Richard Bruce. Gentleman Jigger. Philadelphia: Da Capo, 2008.Google Scholar
Nugent, Richard Bruce. “Smoke, Lilies and Jade.” Fire!! Devoted to Younger Negro Artists 1, no. 1 (1926): 33–9.Google Scholar
Orwell, George. “Review of Landfall by Nevil Shute; Nailcruncher by Albert Cohen, translated from the French by Vyvyan Holland; and A Dark Side Also by Peter Conway.” New Statesman and Nation 20, no. 511 (December 7, 1940): 574.Google Scholar
Pater, Walter. Studies in the History of the Renaissance. London: Macmillan, 1873.Google Scholar
Rothenstein, William. Men and Memories. New York: Coward-McCann, 1932.Google Scholar
Sturgeon, Mary. Michael Field. London: George G. Harrap, 1922.Google Scholar
Taylor, Rachel Annand. “Fiction: Deeps and Shallows.” Spectator 139 (1927): 678–81.Google Scholar
Thurman, Wallace. Infants of the Spring. Boston: Northeastern University Press, 1992.Google Scholar
Waugh, Evelyn. The Letters of Evelyn Waugh. Edited by Amory, Mark. London: Weidenfeld & Nicolson, 1980.Google Scholar
Webb, L. C. “Indian Portraits II.” Press (December 5, 1931), 13.Google Scholar
Wilde, Oscar. After Berneval: Letters of Oscar Wilde to Robert Ross. Westminster: Beaumont Press, 1922.Google Scholar
Wilde, Oscar. The Complete Letters of Oscar Wilde. Edited by Holland, Merlin and Hart-Davis, Rupert. New York: Henry Holt, 2000.Google Scholar
Wilde, Oscar. “The Critic as Artist.” In The Complete Works of Oscar Wilde, edited by Guy, Josephine, vol. 4, 124206. New York: Oxford University Press, 2007.Google Scholar
Wilde, Oscar. “The Decay of Lying.” In The Complete Works of Oscar Wilde, edited by Guy, Josephine, vol. 4, 73103. New York: Oxford University Press, 2007.Google Scholar
Wilde, Oscar. “The English Renaissance in Art.” In Essays and Lectures, edited by Ross, Robert, 109–56. London: Methuen, 1908.Google Scholar
Wilde, Oscar. Intentions. Leipzig: Heinemann & Balestier, 1891.Google Scholar
Wilde, Oscar. “Olivia at the Lyceum.” Dramatic Review 1, no. 18 (1885): 278.Google Scholar
Wilde, Oscar. The Picture of Dorian Gray. London: Ward, Lock, Co., 1891.Google Scholar
Wilde, Oscar. “The Portrait of Mr. W. H.” Blackwood’s Edinburgh Magazine 146, no. 885 (1889): 4, 6.Google Scholar
Wilde, Oscar. The Portrait of Mr. W. H. New York: Mitchell Kennerley, 1921.Google Scholar
Wilde, Oscar. Salome. London: Elkin Mathews & John Lane, 1894.Google Scholar
Wilde, Oscar. “The Soul of Man under Socialism.” The Fortnightly Review XLIX (1891): 292–319.Google Scholar
Willis, Irene Cooper. Preface to Vernon Lee’s Letters, edited by Cooper Willis, Irene, ixiv. London: Privately Printed, 1937.Google Scholar
Willy. The Third Sex. Edited by Schehr, Lawrence R.. Urbana: University of Illinois Press, 2007.Google Scholar
Wong, Anna May. “Anna May Wong Recalls Shanghai’s Enthusiastic Reception.” New York Herald Tribune (May 31, 1936), 6.Google Scholar
Wong, Anna May. “Anna May Wong Tells of Voyage on 1st Trip to China.” New York Herald Tribune (May 17, 1936), 1.Google Scholar
Abu-Manneh, Bashir. Fiction of the New Statesman, 1913–1939. Newark: University of Delaware Press, 2011.Google Scholar
Adams, Elizabeth. “Walter Edwin Ledger, Christopher Sclater Millard, and the Bibliography of Oscar Wilde.” Studies in Walter Pater and Aestheticism 5 (2020): 105–17.Google Scholar
Aldington, Richard. Pinorman: Personal Recollections of Norman Douglas, Pino Orioli and Charles Prentice. London: William Heinemann, 1954.Google Scholar
Aldrich, Robert. The Seduction of the Mediterranean: Writing, Art and Homosexual Fantasy. New York: Routledge, 2002.CrossRefGoogle Scholar
Alfano, Veronica. “A. E. Housman’s Ballad Economies.” In Economies of Desire At the Victorian Fin de Siècle: Libidinal Lives, edited by Ford, Jane, Edwards Keates, Kim, and Pulham, Patricia, 3561. New York: Routledge, 2016.Google Scholar
Amin, Kadji. Disturbing Attachments: Genet, Modern Pederasty, and Queer History. Durham, NC: Duke University Press, 2017.Google Scholar
Anderson, Amanda. The Powers of Distance: Cosmopolitanism and the Cultivation of Detachment. Princeton, NJ: Princeton University Press, 2001.CrossRefGoogle Scholar
Arrowsmith, Rupert. Modernism and the Museum: Asian, African, and Pacific Art and the London Avant-Garde. New York: Oxford University Press, 2011.Google Scholar
Attalah, Naim. Singular Encounters. London: Quartet Books, 1990.Google Scholar
Barnes, Elizabeth. Introduction to Incest and the Literary Imagination, edited by Barnes, Elizabeth, 113. Gainesville: University Press of Florida, 2002.Google Scholar
Bassett, Caroline. “Impossible, Admirable, Androgyne: Firestone, Technology, and Utopia.” In Further Adventures of The Dialectic of Sex: Critical Essays on Shulamith Firestone, edited by Merck, Mandy and Sandford, Stella, 85110. New York: Palgrave Macmillan, 2010.CrossRefGoogle Scholar
Bauer, J. Edgar. “On the Transgressiveness of Ambiguity: Richard Bruce Nugent and the Flow of Sexuality and Race.” Journal of Homosexuality 62, no. 8 (2015): 1021–57.CrossRefGoogle Scholar
Beer, Gillian. “Island Bounds.” In Islands in History and Representation, edited by Edmond, Rod, 3242. London: Routledge, 2003.Google Scholar
Behrman, S. N. Portrait of Max. New York: Random House, 1960.Google Scholar
Berman, Jessica. Modernist Fiction, Cosmopolitanism and the Politics of Community. New York: Cambridge University Press, 2001.CrossRefGoogle Scholar
Bielsa, Esperanca. “Cosmopolitanism as Translation.” Cultural Sociology 8, no. 4 (2014): 392406.CrossRefGoogle Scholar
Birch, Cyril. “Harold Acton as a Translator from the Chinese.” In Oxford, China, and Italy: Writings in Honor of Sir Harold Acton on His Eightieth Birthday, edited by Chaney, Edward and Ritchie, Neil, 3744. New York: Thames & Hudson, 1984.Google Scholar
Bleys, Rudi. “Homosexual Exile: The Textuality of the Imaginary Paradise, 1800–1980.” Journal of Homosexuality 25, no. 1–2 (1993): 165–82.CrossRefGoogle ScholarPubMed
Boehmer, Elleke. Indian Arrivals, 1870–1915: Networks of British Empire. New York: Oxford University Press, 2015.Google Scholar
Bolagnori, Mario. “Taormina and the Strange Case of Baron von Gloeden.” In Homosexuality in Italian Literature, Society, and Culture, 1789–1919, edited by Benadusi, Lorenzo, Bernardini, Paolo L., Bianco, Elisa, and Guazzo, Paola, 155–83. Newcastle-upon-Tyne: Cambridge Scholars, 2017.Google Scholar
Boone, Joseph Allen. Libidinal Currents: Sexuality and the Shaping of Modernism. Chicago: University of Chicago Press, 1998.Google Scholar
Boone, Joseph Allen. “Vacation Cruises; or, the Homoerotics of Orientalism.” PMLA 110, no. 1 (1995): 89107.Google Scholar
Booth, Howard J.Experience and Homosexuality in the Writing of Compton Mackenzie.” English Studies 88, no. 3 (2007): 320–31.CrossRefGoogle Scholar
Borland, Maureen. Wilde’s Devoted Friend: A Life of Robert Ross 1869–1918. Oxford: Lennard, 1990.Google Scholar
Brady, Anne-Marie. “Adventurers, Aesthetes and Tourists: Foreign Homosexuals in Republican China.” In Foreigners and Foreign Institutions in Republican China, edited by Brady, Anne-Marie and Brown, Douglas, 146–68. New York: Routledge, 2013.Google Scholar
Bristow, Joseph, and Mitchell, Rebecca N.. “Forging Literary History: ‘The Portrait of Mr. W. H.’” In Oscar Wilde’s Chatterton: Literary History, Romanticism, and the Art of Forgery, edited by Bristow, Joseph and Mitchell, Rebecca N., 245–92. New Haven, CT: Yale University Press, 2015.Google Scholar
Brock, I. W.Julien Green: A Biographical and Literary Sketch.” The French Review 23, no. 5 (1950): 347–59.Google Scholar
Browne, Stella. Sexual Variety & Variability among Women and Their Bearing upon Social Reconstruction. London: C. W. Beaumont, [1917].Google Scholar
Burne, Glenn S. Julian Green. New York: Twayne, 1972.Google Scholar
Butler, Judith. Antigone’s Claim. New York: Columbia University Press, 2002.Google Scholar
Califia, Patrick. Doing It for Daddy. Boston: Alyson Publications, 1994.Google Scholar
Campbell, James. Oscar Wilde, Wilfred Owen, and Male Desire: Begotten, Not Made. New York: Palgrave Macmillan, 2015.CrossRefGoogle Scholar
Carpenter, Humphrey. The Brideshead Generation: Evelyn Waugh and His Friends. London: Weidenfeld & Nicolson, 1989.Google Scholar
Castle, Terry. The Apparitional Lesbian: Female Homosexuality and Modern Culture. New York: Columbia University Press, 1995.Google Scholar
“Catalogue Entry: Ecstasy (1910–11), Eric Gill.” tate.org.uk, 2014, accessed June 9, 2014, www.tate.org.uk/art/artworks/gill-ecstasy-t03477/text-catalogue-entry.Google Scholar
Chadwick, Whitney. Amazons in the Drawing Room: The Art of Romaine Brooks. Berkeley: University of California Press, 2000.Google Scholar
Chan, Anthony B. Perpetually Cool: The Many Lives of Anna May Wong (1905–1961). Oxford: Scarecrow Press, 2003.Google Scholar
Chang, Elizabeth Hope. Britain’s Chinese Eye: Literature, Empire, and Aesthetics in Nineteenth-Century Britain. Stanford, CA: Stanford University Press, 2010.Google Scholar
Chen, Zhongping. “Kang Tongbi’s Pioneering Feminism and the First Transnational Organization of Chinese Feminist Politics, 1903–1905.” Twentieth Century China 44, no. 1 (2019): 332.CrossRefGoogle Scholar
Cheung, Dominic. “The Parting of Ways: Anthologies of Early Modern Chinese Poetry in English Translation.” In Translating Chinese Literature, edited by Eoyang, Eugene and Yao-fu, Lin, 207–20. Bloomington: Indiana University Press, 1995.Google Scholar
Chisholm, Anne. Nancy Cunard: A Biography. New York: Knopf, 1979.Google Scholar
Christie, Rechelle. “The Politics of Representation and Illustration in Clemence Housman’s The Were-Wolf.” Housman Society Journal 33 (2007): 5467.Google Scholar
Cleves, Rachel Hope. Unspeakable: A Life beyond Sexual Morality. Chicago: University of Chicago Press, 2020.CrossRefGoogle Scholar
Cohler, Deborah. Citizen, Invert, Queer: Lesbianism and War in Early Twentieth-Century Britain. Minneapolis: University of Minnesota Press, 2010.CrossRefGoogle Scholar
Collins, Judith. Eric Gill: The Sculpture. New York: Overlook Press, 1998.Google Scholar
Cork, Richard. Wild Thing: Epstein, Gaudier-Brzeska, Gill. London: Royal Academy of Arts, 2009.Google Scholar
Crowell, Ellen. “‘We Are Odd!’: Ye Archive of Ye Sette of Odd Volumes.” The Center & Clark Newsletter: UCLA Center for 17th- and 18th-Century Studies 54 (2011): 910.Google Scholar
Danson, Lawrence. “Oscar Wilde, W. H., and the Unspoken Name of Love.” In Oscar Wilde: A Collection of Critical Essays, edited by Freedman, Jonathan, 8198. Upper Saddle River, NJ: Prentice Hall, 1998.Google Scholar
Davidoff, Leonore. Thicker Than Water: Siblings and Their Relations, 1780–1920. New York: Oxford University Press, 2011.CrossRefGoogle Scholar
Davis, Joseph E.Incest.” In Encyclopedia of Social Problems, edited by Parillo, Vincent, 484–6. Thousand Oaks, CA: Sage Publications, 2008.Google Scholar
Delanty, Gerard. The Cosmopolitan Imagination: The Renewal of Critical Social Theory. New York: Cambridge University Press, 2009.CrossRefGoogle Scholar
Di Rienzo, Maria. “Renata Borgatti.” In Who’s Who in Gay and Lesbian History: From Antiquity to World War II, edited by Aldrich, Robert and Wotherspoon, Garry, 7071. New York: Routledge, 2002.Google Scholar
Dooley, D. J. Compton Mackenzie. New York: Twayne Publishers, 1974.Google Scholar
Doordan, Dennis P. “Trousers as an Industrial Product: The Case of Eric Gill.” Paper presented at the Design History Society Annual Conference 2011, Barcelona, Spain (September 7–10, 2011), 1–9. www.historiadeldisseny.org/congres/pdf/27%20Doordan,%20Dennis%20TROUSERS%20AS%20AN%20INDUSTRIAL%20PRODUCT%20THE%20CASE%20OF%20ERIC%20GILL.pdf.Google Scholar
Doussot, Audrey. “Laurence Housman (1865–1959): Fairy Tale Teller, Illustrator and Aesthete.” Cahiers Victoriens & Édouardiens 73 (Printemps 2011): 131–45.Google Scholar
Downing, Lisa. “Antisocial Feminism? Shulamith Firestone, Monique Wittig, and Proto-Queer Theory.” Paragraph 41, no. 3 (2018): 364–79.CrossRefGoogle Scholar
Edelman, Lee. No Future: Queer Theory and the Death Drive. Durham, NC: Duke University Press, 2004.Google Scholar
Ehnenn, Jill R. “‘Drag(ging) at memory’s fetter’: Michael Field’s Personal Elegies, Victorian Mourning, and the Problem of Whym Chow.” The Michaelian 1 (2009): n.p. www.thelatchkey.org/Field/MF1/ehnennarticle.htm (accessed June 9, 2014).Google Scholar
Ellmann, Richard. Oscar Wilde. New York: Vintage Books, 1988.Google Scholar
Eng, David L. The Feeling of Kinship: Queer Liberalism and the Racialization of Intimacy. Durham, NC: Duke University Press, 2010.Google Scholar
Engen, Rodney K. Laurence Housman. Stroud, UK: Catalpa, 1983.Google Scholar
Erlandson, Theodore. “A Critical Study of Some Early Novels (1911–1920) of Sir Compton Mackenzie.” PhD dissertation. University of Southern California, 1965.Google Scholar
Essi, Cedric. “Mama’s Baby, Papa’s, Too – Toward Critical Mixed Race Studies.” Zeitschrift für Anglistik und Amerikanistik 65, no. 2 (2017): 161–72.Google Scholar
Evangelista, Stefano. “Oscar Wilde: European by Sympathy.” In The Reception of Oscar Wilde in Europe, edited by Evangelista, Stefano, 119. New York: Continuum, 2010.Google Scholar
Feldman, Jessica R. Victorian Modernism: Pragmatism and the Varieties of Aesthetic Experience. New York: Cambridge University Press, 2002.Google Scholar
Fielder, Brigitte. Relative Races: Genealogies of Interracial Kinship in Nineteenth-Century America. Durham, NC: Duke University Press, 2020.Google Scholar
Findlay, Jean. Chasing Lost Time: The Life of C. K. Scott Moncrieff: Soldier, Spy, and Translator. London: Chatto & Windus, 2014.Google Scholar
Fletcher, Ian. Romantic Mythologies. London: Routledge & K. Paul, 1967.Google Scholar
Forman, Ross. China and the Victorian Imagination: Empires Entwined. New York: Cambridge University Press, 2013.CrossRefGoogle Scholar
Freeman, Elizabeth. “Queer Belongings: Kinship Theory and Queer Theory.” In A Companion to Lesbian, Gay, Bisexual, and Transgender Studies, edited by Haggerty, George and McGarry, Molly, 295314. Hoboken, NJ: Blackwell Press, 2007.Google Scholar
Freeman, Elizabeth. Time Binds: Queer Temporalities, Queer Histories. Durham, NC: Duke University Press, 2010.Google Scholar
Fryer, Jonathan. Robbie Ross: Oscar Wilde’s Devoted Friend. New York: Carroll & Graf, 2002.Google Scholar
Furneaux, Holly. Queer Dickens: Erotics, Families, Masculinities. New York: Oxford University Press, 2009.CrossRefGoogle Scholar
Fussell, Paul. Abroad: British Literary Traveling between the Wars. New York: Oxford University Press, 1980.Google Scholar
Glick, Elisa. “Harlem’s Queer Dandy: African-American Modernism and the Artifice of Blackness.” Modern Fiction Studies 49, no. 3 (2001): 414–42.Google Scholar
Goeser, Caroline. “The Case of Ebony and Topaz: Racial and Sexual Hybridity in Harlem Renaissance Illustrations.” American Periodicals: A Journal of History & Criticism 15, no. 1 (2005): 86111.CrossRefGoogle Scholar
Goldhill, Simon. A Very Queer Family Indeed: Sex, Religion, and the Bensons in Victorian Britain. Chicago: University of Chicago Press, 2016.Google Scholar
Graves, Richard Perceval. A. E. Housman: The Scholar-Poet. London: Routledge & Kegan Paul, 1979.Google Scholar
Green, Martin. Children of the Sun: A Narrative of “Decadence” in England after 1918. New York: Basic Books, 1976.Google Scholar
Guthrie, James. “The Wood Engravings of Clemence Housman.” The Print Collector’s Quarterly 11 (1924): 190204.Google Scholar
Hall, Lesley A.‘Disinterested Enthusiasm for Sexual Misconduct’: The British Society for the Study of Sex Psychology, 1913–47.” Journal of Contemporary History 30, no. 4 (1995): 665–86.CrossRefGoogle Scholar
Hanson, Ellis. Decadence and Catholicism. Cambridge, MA: Harvard University Press, 1997.Google Scholar
Hanson, Ellis. “Must We Arrest Oscar Wilde Again?” Paper presented at the Curiosity and Desire in Fin-de-Siècle Art and Literature, William Andrews Clark Memorial Library, UCLA, May 11–12, 2018.Google Scholar
Hatch, James V.An Interview with Bruce Nugent.” In Artists and Influences, edited by Billops, Camille and Hatch, James V., 81104. New York: Hatch-Billops Collection, 1982.Google Scholar
Herold, Katharina, 2016. “Cosmopolitan Conglomeration and Orientalist Appropriation in Oscar Wilde’s ‘The Sphinx.’” Paper presented at the Cosmopolis and Beyond: Literary Cosmopolitanism after the Republic of Letters Conference, Trinity College, University of Oxford, March 18–19, 2016.Google Scholar
Herzfeld, Michael. Anthropology through the Looking-Glass: Critical Ethnography in the Margins of Europe. New York: Cambridge University Press, 1989.Google Scholar
Hext, Kate and Murray, Alex, eds. Decadence in the Age of Modernism. Baltimore: Johns Hopkins University Press, 2019.CrossRefGoogle Scholar
Hext, Kate, and Murray, Alex. Introduction to Decadence in the Age of Modernism, edited by Hext, Kate and Murray, Alex, 126. Baltimore: Johns Hopkins University Press, 2019.CrossRefGoogle Scholar
Hirsch, Marianne. Introduction to The Familial Gaze, edited by Hirsch, Marianne, xixxv. Hanover: University Press of New England, 1999.Google Scholar
Hodges, Graham Russell Gao. Anna May Wong: From Laundryman’s Daughter to Hollywood Legend. New York: Palgrave Macmillan, 2004.Google Scholar
Horak, Laura. Girls Will Be Boys: Cross-Dressed Women, Lesbians, and American Cinema. New Brunswick, NJ: Rutgers University Press, 2016.Google Scholar
Housman, Stephen. “The Housman Banners.” Housman Society Journal 18 (1992): 3947.Google Scholar
Hoyland, Anthony. Eric Gill: Nuptials of God. Kent, UK: Crescent Moon, 1994.Google Scholar
Hyde, Harford Montgomery. Lord Alfred Douglas: A Biography. London: Methuen, 1984.Google Scholar
Hyde, Harford Montgomery. Oscar Wilde: A Biography. London: Methuen, 1975.Google Scholar
Im, Yeeyon. “Oscar Wilde’s Salomé: Disorienting Orientalism.” Comparative Drama 4, no. 4 (2011): 361–80.Google Scholar
Jackson, Holbrook. The Eighteen-Nineties: A Review of Art and Ideas at the Close of the Nineteenth Century. London: Grant Richards, 1913.Google Scholar
Jackson, Julian. Living in Arcadia: Homosexuality, Politics, and Morality in France From the Liberation to AIDS. Chicago: University of Chicago Press, 2009.CrossRefGoogle Scholar
James, Jamie. Pagan Light: Dreams of Freedom and Beauty in Capri. New York: Farrar, Straus, & Giroux, 2019.Google Scholar
Jamison, Anne Elizabeth. Poetics en Passant: Redefining the Relationship Between Victorian and Modern Poetry. New York: Palgrave Macmillan, 2009.CrossRefGoogle Scholar
Janes, Dominic. Visions of Queer Martyrdom from John Henry Newman to Derek Jarman. Chicago: University of Chicago Press, 2015.Google Scholar
Kang, Wenqing. Obsession: Male Same-Sex Relations in China, 1900–1950. Hong Kong: Hong Kong University Press, 2009.CrossRefGoogle Scholar
Kaye, Richard. “Oscar Wilde and the Politics of Posthumous Sainthood: Hofmannsthal, Mirbeau, Proust.” In Oscar Wilde and Modern Culture: The Making of a Legend, edited by Bristow, Joseph, 110–32. Athens: Ohio University Press, 2008.Google Scholar
Kennedy, Margaret S.Wilde’s Cosmopolitanism.” In Wilde’s Wiles: Studies of the Influences on Oscar Wilde and His Enduring Influences in the Twenty-First Century, edited by Magid, Annette M., 90113. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013.Google Scholar
Kinkead-Weekes, Mark. The Cambridge Biography of D.H. Lawrence. Vol. 2. New York: Cambridge University Press, 2011.Google Scholar
Kohler, Dayton. “Julian Green: Modern Gothic.” The Sewanee Review 40, no. 2 (1932): 139–48.Google Scholar
Kooistra, Lorraine Janzen. “The Artist as Critic: Bi-Textuality in Fin-de-Siècle Illustrated Books.” PhD dissertation. McMaster University, 1992.Google Scholar
Kooistra, Lorraine Janzen. The Artist as Critic: Bitextuality in Fin-de-Siècle Illustrated Books. Hants: Scholar Press, 1995.Google Scholar
Kooistra, Lorraine Janzen. “Clemence Housman’s The Were-Wolf: Querying Transgression, Seeking Trans/Formation.” Victorian Review 44, no. 1 (2018): 5567.CrossRefGoogle Scholar
Kooistra, Lorraine Janzen. “Cross-Dressing Confessions: Men Confessing as Women.” In Confessional Politics: Women’s Sexual Self-Representations in Life Writing and Popular Media, edited by Gammel, Irene, 167–84. Carbondale and Edwardsville: Southern Illinois University Press, 1999.Google Scholar
Kooistra, Lorraine Janzen. “Wilde’s Legacy: Fairy Tales, Laurence Housman, and the Expression of ‘Beautiful Untrue Things.’” In Oscar Wilde and the Cultures of Childhood, edited by Bristow, Joseph, 89118. New York: Palgrave, 2017.CrossRefGoogle Scholar
Koritz, Amy. “Dancing the Orient for England: Maud Allan’s ‘The Vision of Salome.’” Theatre Journal 46, no. 1 (1994): 6378.CrossRefGoogle Scholar
Krasner, David. “Black Salome: Exoticism, Dance, and Racial Myth.” In African American Performance and Theater History: A Critical Reader, edited by Elam, Harry J. and Krasner, David, 192211. New York: Oxford University Press, 2001.Google Scholar
Lancaster, Marie-Jacqueline, ed. Brian Howard: Portrait of a Failure. London: Anthony Blond, 1968.Google Scholar
Landy, Marcia, and Villarejo, Amy. “Queen Christina.” In British Film Institute Film Classics, edited by White, Rob and Buscombe, Edward, vol. 1, 221–48. New York: Fitzroy Dearborn, 2003.Google Scholar
Laurence, Patricia Ondek. Lily Briscoe’s Chinese Eyes: Bloomsbury, Modernism, and China. Columbia: University of South Carolina Press, 2003.Google Scholar
Lavery, Grace. Quaint, Exquisite: Victorian Aesthetics and the Idea of Japan. Princeton, NJ: Princeton University Press, 2019.Google Scholar
Lévi-Strauss, Claude. The Elementary Structures of Kinship. Boston: Beacon Press, 1969.Google Scholar
Lewis, Sophie. Full Surrogacy Now: Feminism against Family. Brooklyn: Verso, 2019.Google Scholar
Liddington, Jill. Vanishing for the Vote: Suffrage, Citizenship and the Battle for the Census. Manchester: Manchester University Press, 2014.Google Scholar
Liddington, Jill, and Crawford, Elizabeth. “‘Women Do Not Count, Neither Shall They Be Counted’: Suffrage, Citizenship and the Battle for the 1911 Census.” History Workshop Journal 71, no. 1 (2011): 98127.CrossRefGoogle Scholar
Lim, Shirley. Anna May Wong: Performing the Modern. Philadelphia: Temple University Press, 2019.Google Scholar
Link, Viktor. “D. H. Lawrence’s ‘The Man Who Loved Islands’ in the Light of Compton Mackenzie’s Memoirs.” D. H. Lawrence Review 15, no. 1–2 (1982): 7786.Google Scholar
Linklater, Andro. Compton Mackenzie: A Life. London: Chatto & Windus, 1987.Google Scholar
Livesey, Ruth. Socialism, Sex, and the Culture of Aestheticism in Britain, 1880–1914. New York: Oxford University Press, 2007.Google Scholar
Lord, James. Some Remarkable Men: Further Memoirs. New York: Farrar, Straus & Giroux, 1996.Google Scholar
MacCarthy, Fiona. Eric Gill: A Lover’s Quest for Art and God. New York: E. P. Dutton, 1989.Google Scholar
Mackie, Gregory. Beautiful Untrue Things: Forging Oscar Wilde’s Extraordinary Afterlife. Toronto: University of Toronto Press, 2019.CrossRefGoogle Scholar
Mackie, Gregory. “Forging Oscar Wilde: Mrs. Chan-Toon and for Love of the King.” English Literature in Transition, 1880–1920 54, no. 3 (2011): 267–88.Google Scholar
Mahoney, Kristin. Literature and the Politics of Post-Victorian Decadence. New York: Cambridge University Press, 2015.Google Scholar
Maltz, Diana. “Ardent Service: Female Eroticism and New Life Ethics in Gertrude Dix’s The Image Breakers (1900).” Journal of Victorian Culture 17, no. 2 (2012): 147–63.CrossRefGoogle Scholar
Maltz, Diana. “The Good Aesthetic Child and Deferred Aesthetic Education.” In Oscar Wilde and the Cultures of Childhood, edited by Bristow, Joseph, 6988. New York: Palgrave, 2017.Google Scholar
Marcus, Laura. Dreams of Modernity. New York: Cambridge University Press, 2014.CrossRefGoogle Scholar
Marcus, Laura. Hearts of Darkness: White Women Write Race. New Brunswick: Rutgers University Press, 2004.Google Scholar
May, Leila Silvana. Disorderly Sisters: Sibling Relations and Sororal Resistance in Nineteenth-Century British Literature. Lewisburg, PA: Bucknell University Press, 2001.Google Scholar
McCabe, Susan. “Bryher’s Archive: Modernism and the Melancholy of Money.” In English Now: Selected Papers from the 20th IAUPE Conference, edited by Thormählen, Marianne, 118–25. Lund: Lund University Press, 2008.Google Scholar
McCormack, Jerusha. John Gray: Poet, Dandy, and Priest. Waltham, MA: Brandeis University Press, 1991.Google Scholar
McCormack, Jerusha. The Man Who Was Dorian Gray. New York: St. Martin’s Press, 2000.Google Scholar
Mendelssohn, Michèle. “A Decadent Dream Deferred: Bruce Nugent and the Harlem Renaissance’s Queer Modernity.” In Decadence in the Age of Modernism, edited by Hext, Kate and Murray, Alex, 251–75. Baltimore: Johns Hopkins University Press, 2019.Google Scholar
Mendelssohn, Michèle. Making Oscar Wilde. New York: Oxford University Press, 2018.Google Scholar
Mendelssohn, Michèle. “Reading Aestheticism, Decadence, and Cosmopolitanism.” In Late Victorian into Modern, edited by Marcus, Laura, Mendelssohn, Michèle, and Shepherd-Barr, Kirsten E., 481–96. New York: Oxford University Press, 2016.Google Scholar
Merrill, Lisa. ‘“Old Maids, Sister-Artists and Aesthetes’: Charlotte Cushman and Her Circle of ‘Jolly Bachelors’ Construct an Expatriate Women’s Community in Rome.” Women’s Writing 10, no. 2 (2003): 367–83.CrossRefGoogle Scholar
Meyer, Karl E., and Brysac, Shareen Blair. The China Collectors: America’s Century-Long Hunt for Asian Art Treasures. New York: Palgrave Macmillan, 2015.Google Scholar
Miller, Nina. Making Love Modern: The Intimate Public Worlds of New York’s Literary Woman. New York: Oxford University Press, 1999.Google Scholar
Money, James. Capri: Island of Pleasure. London: Hamish Hamilton, 1986.Google Scholar
Moran, Leslie J.Transcripts and Truth: Writing the Trials of Oscar Wilde.” In Oscar Wilde and Modern Culture: The Making of a Legend, edited by Bristow, Joseph, 234–58. Athens: Ohio University Press, 2008.Google Scholar
Morton, Tara. “Changing Spaces: Art, Politics, and Identity in the Home Studios of the Suffrage Atelier.” Women’s History Review 21, no. 4 (2012): 623–37.CrossRefGoogle Scholar
Moynagh, Maureen. “Cunard’s Lines: Political Tourism and Its Texts.” New Formations 34 (1998): 7090.Google Scholar
Mungello, D. E. Western Queers in China: Flight to the Land of Oz. New York: Rowman & Littlefield, 2012.Google Scholar
Murray, Alex. “Decadence Revisited: Evelyn Waugh and the Afterlife of the 1890s.” Modernism/modernity 22, no. 3 (2015): 593607.CrossRefGoogle Scholar
Murray, Alex. Introduction to Decadence: A Literary History, edited by Murray, Alex, 117. New York: Cambridge University Press, 2020.CrossRefGoogle Scholar
News.com.au. “BBC Told to Remove Work by Pedophile Sculptor Eric Gill” (April 23, 2013), www.news.com.au/world/bbc-told-to-remove-work-by-pedophile-sculptor-eric-gill/story-fndir2ev-1226626709154 (accessed June 9, 2014).Google Scholar
Ngô, Fiona I. B. Imperial Blues: Geographies of Race and Sex in Jazz Age New York. Durham, NC: Duke University Press, 2014.Google Scholar
Novak, Daniel A.Picturing Wilde: Christopher Millard’s ‘Iconography of Oscar Wilde.’” Nineteenth‐Century Contexts 32, no. 4 (2010): 305–35.Google Scholar
Nussbaum, Martha. “Patriotism and Cosmopolitanism.” In For Love of Country?, edited by Cohen, Joshua, 317. Boston: Beacon Press, 2002.Google Scholar
N’yongo, Tavia. The Amalgamation Waltz: Race, Performance, and the Ruses of Memory. Minneapolis: University of Minnesota Press, 2009.Google Scholar
Oakley, Elizabeth. Inseparable Siblings. Studley: Brewin Books, 2009.Google Scholar
Ogrinc, Will H. L. “Frère Jacques: A Shrine to Love and Sorrow: Jacques D’adelswärd Fersen (1880–1923)” (2006), http://semgai.free.fr/doc_et_pdf/Fersen-engels.pdf (accessed March 27, 2016).Google Scholar
Ogrinc, Will H. L.A Shrine to Love and Sorrow: Jacques D’adelswärd Fersen (1880–1923).” Paidika: The Journal of Paedophilia 3, no. 2 (1994): 3058.Google Scholar
O’Malley, Patrick. “Epistemology of the Cloister: Victorian England’s Queer Catholicism.” GLQ: A Journal of Gay and Lesbian Studies 15, no. 4 (2009): 535–64.Google Scholar
Oram, Alison, and Turnbull, Annmarie. The Lesbian History Sourcebook: Love and Sex between Women in Britain from 1780–1970. New York: Routledge, 2001.Google Scholar
Orlandi, Dialta Alliata-Lensi. My Mother, My Father and His Wife Hortense: Provenance – Villa La Pietra. North Charleston, SC: CreateSpace Independent Publishing Platform, 2013.Google Scholar
Pal-Lapinski, Piya. The Exotic Woman in Nineteenth-Century British Fiction and Culture: A Reconsideration. Durham: University of New Hampshire Press, 2005.Google Scholar
Pearson, Neil. Obelisk: A History of Jack Kahane and the Obelisk Press. Liverpool: Liverpool University Press, 2007.CrossRefGoogle Scholar
Pennington, Michael. An Angel for a Martyr: Jacob Epstein’s Tomb for Oscar Wilde. Reading: Whiteknights Press, 1987.Google Scholar
Pérez, Hiram. A Taste for Brown Bodies: Gay Modernity and Cosmopolitan Desire. New York: New York University Press, 2015.Google Scholar
Perry, Imani. Vexy Thing: On Gender and Liberation. Durham, NC: Duke University Press, 2018.CrossRefGoogle Scholar
Potolsky, Matthew. The Decadent Republic of Letters: Taste, Politics, and Cosmopolitan Community from Baudelaire to Beardsley. Philadelphia: University of Pennsylvania Press, 2013.Google Scholar
Poueymirou, Margaux. “The Race to Perform: Salome and the Wilde Harlem Renaissance.” In Refiguring Oscar Wilde’s Salome, edited by Bennett, Michael Y., 201–19. New York: Rodopi, 2011.Google Scholar
Quennell, Peter. “The Undergraduate.” In Oxford, China, and Italy: Writings in Honor of Sir Harold Acton on His Eightieth Birthday, edited by Chaney, Edward and Ritchie, Neil, 57–9. New York: Thames & Hudson, 1984.Google Scholar
Reed, Christopher. Bachelor Japanists: Japanese Aesthetics and Western Masculinities. New York: Columbia University Press, 2017.CrossRefGoogle Scholar
Reed, Christopher. Bloomsbury Rooms: Modernism, Subculture, and Domesticity. New Haven, CT: Yale University Press, 2004.Google Scholar
Reed, Jeremy. Introduction to Lord Lyllian: Black Masses, by Jacques Fersen, ivii. North Pomfret, VT: Elysium, 2005.Google Scholar
Richards, Grant. Housman: 1897–1936. Oxford: Oxford University Press, 1942.Google Scholar
Ricks, Christopher. “A.E. Housman and ‘the Colour of His Hair.’” Essays in Criticism 47, no. 3 (1997): 240–56.Google Scholar
Roden, Frederick. Same-Sex Desire in Victorian Religious Culture. New York: Palgrave Macmillan, 2002.CrossRefGoogle Scholar
Rohrer, Finlo. “Can the Art of a Paedophile Be Celebrated?” BBC News (September 5, 2007), http://news.bbc.co.uk/2/hi/uk_news/magazine/6979731.stm (accessed June 9, 2014).Google Scholar
Rowe, A. L.The Good-Natured Man.” In Oxford, China, and Italy: Writings in Honor of Sir Harold Acton on His Eightieth Birthday, edited by Chaney, Edward and Ritchie, Neil, 63–5, New York: Thames & Hudson, 1984.Google Scholar
Rubin, Gayle. “The Traffic in Women: Notes on the Political Economy of Sex.” In Toward an Anthropology of Women, edited by Reiter, Rayna R., 157210. New York: Monthly Review Press, 1975.Google Scholar
Rudy, Kathy. “LGBTQ…Z?Hypatia 27, no. 3 (2012): 601–15.CrossRefGoogle Scholar
Sanders, Valerie. The Brother-Sister Culture in Nineteenth-Century Literature: From Austen to Woolf. New York: Palgrave Macmillan, 2002.CrossRefGoogle Scholar
Sanders, Valerie. “‘Lifelong Soulmates?’: The Sibling Bond in Nineteenth-Century Fiction.” Victorian Review 39, no. 2 (2013): 54–7.CrossRefGoogle Scholar
Schaffer, Talia. Romance’s Rival: Familiar Marriage in Victorian Fiction. New York: Oxford University Press, 2016.CrossRefGoogle Scholar
Schmidt, Tyler. “‘In the Glad Flesh of My Fear’: Corporeal Inscriptions in Richard Bruce Nugent’s ‘Geisha Man.’” African American Review 40, no. 1 (2006): 161–73.Google Scholar
Schwarz, Christa. Gay Voices of the Harlem Renaissance. Bloomington: Indiana University Press, 2003.Google Scholar
Sedgwick, Eve Kosofsky. Tendencies. Durham, NC: Duke University Press, 1993.Google Scholar
Shell, Marc. Islandology: Geography, Rhetoric. Stanford, CA: Stanford University Press, 2014.Google Scholar
Sherry, Vincent. Modernism and the Reinvention of Decadence. New York: Cambridge University Press, 2015.Google Scholar
Shewring, Walter. “Ananda Coomaraswamy and Eric Gill.” In Ananda Coomaraswamy: Remembering and Remembering Again and Again, edited by Raja Singam, S. Durai, 189–90. Kuala Lumpur: S. D. Raja Singam,1974.Google Scholar
Showalter, Elaine. Sexual Anarchy: Gender and Culture at the Fin de Siècle. New York: Viking, 1990.Google Scholar
Sinfield, Alan. On Sexuality and Power. New York: Columbia University Press, 2004.CrossRefGoogle Scholar
Snyder, Katherine V. Bachelors, Manhood, and the Novel, 1850–1925. New York: Cambridge University Press, 1999.CrossRefGoogle Scholar
Speaight, Robert. The Life of Eric Gill. London: Methuen, 1966.Google Scholar
Spillers, Hortense. “Mama’s Baby, Papa’s Maybe.” Diacritics 17, no. 2 (1987): 6481.Google Scholar
Spillers, Hortense. “Mama’s Baby, Papa’s, Too.” Trans-Scripts 1 (2011): 14.Google Scholar
Spillers, Hortense. “‘The Permanent Obliquity of an In(pha)llibly Straight’: In the Time of the Daughters and the Fathers.” In Black, White, and in Color: Essays on American Literature and Culture, 230–50. Chicago: University of Chicago Press, 2003.Google Scholar
Stilling, Robert. Beginning at the End: Decadence, Modernism, and Postcolonial Poetry (Cambridge, MA: Harvard University Press, 2018).CrossRefGoogle Scholar
Tamagne, Florence. A History of Homosexuality in Europe: Berlin, London, Paris; 1919–1939, vol. 1. New York: Algora Publishing, 2006.Google Scholar
Tate, Carolyn. “Lesbian Incest as Queer Kinship: Michael Field and the Erotic Middle-Class Victorian Family.” Victorian Review 39, no. 2 (2013): 181–99.CrossRefGoogle Scholar
Teukolsky, Rachel. The Literate Eye: Victorian Art Writing and Modernist Aesthetics. New York: Oxford University Press, 2009.Google Scholar
Thain, Marion. “Michael Field”: Poetry, Aestheticism, and the Fin de Siècle. New York: Cambridge University Press, 2007.CrossRefGoogle Scholar
Thain, Marion, and Vadillo, Ana, eds. Michael Field, The Poet. Buffalo, NY: Broadview, 2009.Google Scholar
Thomas, Kate. “‘What Time We Kiss’: Michael Field’s Queer Temporalities.” GLQ: A Journal of Lesbian and Gay Studies 13, no. 2–3 (2007): 327–51.Google Scholar
Tóibín, Colm. Introduction to De Profundis and Other Prison Writings, by Oscar Wilde, xi–xxxii. London: Penguin, 2013.Google Scholar
Treby, Ivor. Uncertain Rain: Sundry Spells of Michael Field. Bury St. Edmunds: De Blackland, 2002.Google Scholar
Turner, Sarah Victoria. “The ‘Essential Quality of Things’: E. B. Havell, Ananda Coomaraswamy, Indian Art and Sculpture in Britain, c. 1910–14.” Visual Culture in Britain 11, no. 2 (2010): 239–64.Google Scholar
Valentine, Ferdinand. Father Vincent McNabb, O.P.: The Portrait of a Great Dominican. London: Burns & Oates, 1955.Google Scholar
Vanita, Ruth. Sappho and the Virgin Mary: Same Sex Love and the English Literary Imagination. New York: Columbia University Press, 1996.Google Scholar
Venuti, Lawrence. The Translator’s Invisibility: A History of Translation. New York: Routledge, 2008.Google Scholar
Verona, Roxana. “A Cosmopolitan Orientalism: Paul Morand Goes East.” Sites 5, no. 1 (2001): 157–69.Google Scholar
Vitale, Christopher. “The Untimely Richard Bruce Nugent.” PhD dissertation. New York University, 2007.Google Scholar
Waitt, Gordon, and Markwell, Kevin. Gay Tourism: Culture and Context. Binghamton, NY: Haworth Press, 2006.Google Scholar
Weeks, Jeffrey. “Movements of Affirmation: Sexual Meanings and Homosexual Identities.” In Passion and Power: Sexuality in History, edited by Peiss, Kathy and Simmons, Christina, 7086. Philadelphia: Temple University Press, 1989.Google Scholar
Weiner, Joshua J., and Young, Damon, “Introduction: Queer Bonds.” GLQ: A Journal of Lesbian and Gay Studies 17, no. 2–3 (2011): 223–41.CrossRefGoogle Scholar
Weir, David. Decadence and the Making of Modernism. Amherst: University of Massachusetts Press, 1996.Google Scholar
White, Chris. “Poets and Lovers Ever More: The Poetry and Journals of Michael Field.” In Sexual Sameness: Textual Difference in Gay and Lesbian Writing, edited by Bristow, Joseph, 2643. New York: Routledge, 1992.Google Scholar
Wildgen, Kathryn Eberle. Julien Green: The Great Themes. Birmingham, AL: Summa Publications, 1993.Google Scholar
Wilson, Edmund. The Shores of Light: A Literary Chronicle of the Twenties and Thirties. New York: Farrar, Straus & Young, 1952.Google Scholar
Winkiel, Laura. “Nancy Cunard’s Negro and the Transnational Politics of Race.” Modernism/modernity 13, no. 3 (September 2006): 507–30.Google Scholar
Wirth, Thomas. Introduction to Gay Rebel of the Harlem Renaissance, edited by Wirth, Thomas H., 364. Durham, NC: Duke University Press, 2002.Google Scholar
Woodcock, George. “Norman Douglas: The Willing Exile.” Ariel 13, no. 4 (1982): 87101.Google Scholar
Xi, Kun. “Picturing an Aesthetic and Homoerotic Space: Harold Acton’s Travel Writing of China in the 1930s.” Interactions 28, no. 1–2 (2019): 8793.Google Scholar
Yorke, Michael. Eric Gill: Man of Flesh and Spirit. New York: Universe Books, 1981.Google Scholar
Zito, Eugenio. “‘Amori et Dolori Sacrum’: Canons, Differences, and Figures of Gender Identity in the Cultural Panorama of Travellers in Capri between the Nineteenth and Twentieth Centuries.” In Homosexuality in Italian Literature, Society, and Culture, 1789–1919, edited by Benadusi, Lorenzo, Bernardini, Paolo L., Bianco, Elisa, and Guazzo, Paola, 129–54. Newcastle upon Tyne: Cambridge Scholars, 2017.Google Scholar

Secondary Sources

Bernard and Mary Berenson Papers, Biblioteca Berenson, I Tatti – The Harvard University Center for Italian Renaissance Studies, Florence, Italy.Google Scholar
Bromsgrove Public Library, Bromsgrove, UK.Google Scholar
Bruce Nugent Papers, James Weldon Johnson Collection in the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, Yale University, New Haven, CT.Google Scholar
Collection on Eric Gill, William Andrews Clark Memorial Library, University of California, Los Angeles.Google Scholar
Compton Mackenzie Papers, Harry Ransom Center, The University of Texas at Austin.Google Scholar
Edward Carpenter Collection, Sheffield City Archives, Sheffield, UK.Google Scholar
Eric Gill Collection, Harry Ransom Center, The University of Texas at Austin.Google Scholar
Harold Acton Papers, General Collection, Beinecke Rare Book and Manuscript Library, Yale University, New Haven, CT.Google Scholar
Harrod Papers, British Library, London, UK.Google Scholar
Housman Papers, Alfred Gillett Trust, Street, UK.Google Scholar
Lady Eccles Oscar Wilde Collection, British Library, London, UK.Google Scholar
Laurence Housman Papers, Bryn Mawr College Library, Bryn Mawr, PA.Google Scholar
Manuscript Collections, National Library of Scotland, Edinburgh, UK.Google Scholar
Museum of London, London, UK.Google Scholar
Nancy Cunard Collection, Harry Ransom Center, The University of Texas at Austin.Google Scholar
Norman Douglas Collection, Beinecke Rare Book and Manuscript Library, Yale University, New Haven, CT.Google Scholar
Oscar Wilde and His Literary Circle Collection, William Andrews Clark Memorial Library, University of California, Los Angeles.Google Scholar
Western Manuscripts, British Library, London, UK.Google Scholar
The Women’s Library, London School of Economics, London, UK.Google Scholar
Acton, Harold. “Hansom Cab No. 213 bis.” The Eton Candle 1 (March 1922): 92100.Google Scholar
Acton, Harold. Humdrum. London: Chatto & Windus, 1928.Google Scholar
Acton, Harold. Introduction to Modern Chinese Poetry, edited by Acton, Harold and Shih-Hsiang, Ch’en, 1331. London: Duckworth, 1936.Google Scholar
Acton, Harold. Memoirs of an Aesthete. London: Methuen, 1948.Google Scholar
Acton, Harold. More Memoirs of an Aesthete. London: Methuen, 1970.Google Scholar
Acton, Harold. Peonies and Ponies. London: Chatto & Windus, 1941.Google Scholar
Acton, Harold. Preface to The Peach Blossom Fan, by K’ung Shang-jen, translated by Chen Shih-Hsiang, Harold Acton, and Cyril Birch, xviixxii. New York: New York Review Books, 2015.Google Scholar
Acton, Harold. “Review of The Beardsley Period by Osbert Burdett.” The Cherwell 13, no. 4 (February 14, 1925): 142–3.Google Scholar
Acton, Harold. “Review of The Golden Keys by Vernon Lee.” The Cherwell 14, no. 5 (May 30, 1925): 133.Google Scholar
Acton, Harold. “From Tiresias.” In Henry-Music by Henry Crowder, edited by Cunard, Nancy, n.p. Paris: Hours Press, 1930.Google Scholar
Acton, Harold. “Vernon Lee.” In Inghilterra e Italia nel ’900, 38. Florence: La Nuova Italia, 1973.Google Scholar
Acton, Harold. “Vernon Lee: Rediscovery.” Translated by Shirley Hazzard. Belles Lettres 2, no. 1 (1986): 12.Google Scholar
Anspacher, Carolyn. “Star Goes ‘Home.’” San Francisco Chronicle (January 24, 1936): 17.Google Scholar
Arlington, L. C. and Acton, Harold, eds. Famous Chinese Plays. Peiping [Beijing]: Henri Vetch, 1937.Google Scholar
Boulderson, Shadwell. “An Indian Road-Tale.” In The Venture: An Annual of Art and Literature, edited by Housman, Laurence and Somerset Maugham, W., 133–5. London: The Pear Tree Press, 1903.Google Scholar
Burton, Richard Francis. The Book of the Thousand Nights and a Night. 12 vols. London: H. S. Nichols & Co., 1894–7.Google Scholar
Chesterton, G. K.Why Abolish the Family?Red Book Magazine 50, no. 6 (1928): 5051, 102, 104.Google Scholar
Connolly, Cyril. “The Vulgarity of Lesbianism.” New Statesman (August 25, 1928): 614.Google Scholar
Cunard, Nancy. “Black Man and White Ladyship.” In Nancy Cunard: Brave Poet, Indomitable Rebel, edited by Ford, Hugh, 103–9. New York: Chilton Book Company, 1968.Google Scholar
Cunard, Nancy. Black Man and White Ladyship: An Anniversary. London: Utopia Press, 1931.Google Scholar
Cunard, Nancy. “Equatorial Way.” In Henry-Music by Henry Crowder, edited by Cunard, Nancy, n.p. Paris: Hours Press, 1930.Google Scholar
Cunard, Nancy. ed. Negro: An Anthology. London: Wishart, 1934.Google Scholar
Douglas, Norman. Alone. New York: Robert M. McBride, 1922.Google Scholar
Douglas, Norman. Respectful Ribaldry: A Selection of Letters from Norman Douglas to Faith Compton Mackenzie. Edited by Wensinger, Arthur S. and Allan, Michael. Graz/Feldkirch: W. Neugebauer Verlag, 2008.Google Scholar
Douglas, Norman. South Wind. London: Martin Secker, 1917.Google Scholar
Dulau, A. B. & Co. A Collection of Original Manuscripts Letters and Books of Oscar Wilde. London: Dulau, 1928.Google Scholar
Ellis, Havelock. The Erotic Rights of Women, and the Objects of Marriage. Battersea: Battley Bros., 1918.Google Scholar
Epstein, Jacob. Epstein: An Autobiography. New York: E. P. Dutton, 1955.Google Scholar
Fersen, Jacques. Lord Lyllian: Black Masses. North Pomfret, VT: Elysium, 2005.Google Scholar
Field, Michael. Mystic Trees. London: Eveleigh Nash, 1913.Google Scholar
Field, Michael. Poems of Adoration. London: Sands & Co., 1912.Google Scholar
Field, Michael. Preface to The Orchard Floor: Selected Passages from Sermons by the Very Rev. Vincent McNabb, Compiled by Miss E.C. Fortey, vviii. London: R. & T. Washbourne, 1912.Google Scholar
Field, Michael. The Wattlefold. Oxford: Basil Blackwell, 1930.Google Scholar
Firestone, Shulamith. The Dialectic of Sex. New York: William Morrow and Company, 1970.Google Scholar
Gibran, Kahlil. The Prophet. New York: Alfred A. Knopf, 1923.Google Scholar
Gill, Eric. Autobiography. New York: Devin-Adair, 1941.Google Scholar
Gill, Eric. Birth Control. Ditchling: St. Dominic’s Press, 1919.Google Scholar
Gill, Eric. Clothes: An Essay upon the Nature and Significance of the Natural and Artificial Integuments Worn by Men and Women. London: Jonathan Cape, 1931.Google Scholar
Gill, Eric. Introduction to Viśvakarmā: Examples of Indian Architecture, Sculpture, Painting, Handicraft, Chosen by Ananda Coomaraswamy, First Series: One Hundred Examples of Indian Sculpture, 17. London: Messrs. Luzac, 1914.Google Scholar
Gill, Eric. Letters of Eric Gill. Edited by Shewring, Walter. New York: Devin-Adair, 1948.Google Scholar
Green, Julian. The Dark Journey. New York: Harper & Brothers, 1929.Google Scholar
Green, Julian. The Dreamer. New York: Harper & Brothers, 1934.Google Scholar
Green, Julian. Midnight. New York: Harper & Brothers, 1936.Google Scholar
Green, Julian. The Strange River. New York: Harper & Brothers, 1932.Google Scholar
Green, Julian. Le Visionnaire. Paris: Plon, 1934.Google Scholar
Hill, Ethel. “Mr. Laurence Housman: An Impression.” The Vote (December 2, 1909), 64.Google Scholar
Holland, Vyvyan. A Few Odd Reflections on Idleness. London: Curwen, 1927.Google Scholar
Holland, Vyvyan. Foreword to Salomé, by Oscar Wilde, 58. London: Folio Society, 1957.Google Scholar
Holland, Vyvyan. Introduction to De Profundis, by Oscar Wilde, 712. London: Methuen, 1949.Google Scholar
Holland, Vyvyan. “Once Upon a Time: A Critical Note on Oscar Wilde’s Fairy Stories.” Adelphi 30, no. 3 (1954): 241–51.Google Scholar
Holland, Vyvyan. Oscar Wilde: A Pictorial Biography. London: Thames & Hudson, 1960.Google Scholar
Holland, Vyvyan. Son of Oscar Wilde. New York: Carroll & Graf, 1999.Google Scholar
Holland, Vyvyan. Time Remembered after Père Lachaise. London: Gollancz, 1966.Google Scholar
Housman, A. E. The Letters of A. E. Housman, vol. 1. Edited by Burnett, Archie. Oxford: Oxford University Press, 2007.Google Scholar
Housman, Clemence. The Unknown Sea. London: Duckworth, 1898.Google Scholar
Housman, Clemence. The Were-Wolf. London: John Lane at the Bodley Head, 1896.Google Scholar
Housman, Laurence. “A. E. Housman’s ‘De Amicitia.’” Encounter 29 (1967): 3341.Google Scholar
Housman, Laurence. A. E. H.: Some Poems, Some Letters, and a Personal Memoir. London: Jonathan Cape, 1937.Google Scholar
Housman, Laurence. All-Fellows: Seven Legends of Lower Redemption with Insets in Verse. London: Kegan, Paul, Trench, Trübner, & Co., 1896.Google Scholar
Housman, Laurence. The Cloak of Friendship. London: J. Murray, 1905.Google Scholar
Housman, Laurence. “The Corruption of Power.” Peace News (September 5, 1941), 2.Google Scholar
Housman, Laurence. An Englishwoman’s Love Letters. New York: Doubleday, Page & Co., 1900.Google Scholar
Housman, Laurence. Echo de Paris: A Study from Life. London: Jonathan Cape, 1923.Google Scholar
Housman, Laurence. “Gandhi and the Future of Pacifism.” In Mahatma Gandhi: Essays and Reflections on His Life and Work, edited by Radhakrishnan, Sarvepalli, 123–34. London: George Allen & Unwin, 1949.Google Scholar
Housman, Laurence. “The Makings of the War Mind – Its Cause and the Cure.” Peace News (June 19, 1937), 6.Google Scholar
Housman, Laurence. “Mankind Is Growing Up,” Peace News (May 5, 1939), 9.Google Scholar
Housman, Laurence. Preface to The Truth about India: Can We Get It, edited by Elwin, Verrier, 78. London: G. Allen & Unwin, 1932.Google Scholar
Housman, Laurence. The Relation of Fellow-Feeling to Sex. London: Battley Bros., [n.d.].Google Scholar
Housman, Laurence. “Retaliation.” Peace News (October 25, 1940), 1.Google Scholar
Housman, Laurence. Sex-War and Women’s Suffrage. London: Women’s Freedom League, 1912.Google Scholar
Housman, Laurence. “The True Realism.” Peace News (August 22, 1941), 2.Google Scholar
Housman, Laurence. The Unexpected Years. London: Jonathan Cape, 1937.Google Scholar
Housman, Laurence. “Why Man Has Failed.” Peace News (September 10, 1938), 7.Google Scholar
[Howard, Brian.] Dedication. The Eton Candle 1 (March 1922): n.p.Google Scholar
Lawrence, D. H.The Man Who Loved Islands.” Dial 83 (1927): 123.Google Scholar
Lawrence, D. H.Two Blue Birds.” Dial 82 (1927): 287301.Google Scholar
Mackenzie, Compton. Extraordinary Women: Theme and Variations. New York: Macy-Masius, 1928.Google Scholar
Mackenzie, Compton. My Life and Times. 10 vols. London: Chatto & Windus, 1963–71.Google Scholar
Mackenzie, Compton. Sinister Street. London: Martin Secker, 1913.Google Scholar
Mackenzie, Compton. Unconsidered Trifles. London: Martin Secker, 1932.Google Scholar
Mackenzie, Compton. Vestal Fire. London: Cassell, 1927.Google Scholar
Mackenzie, Faith Compton. Always Afternoon. London: Collins, 1943.Google Scholar
Mackenzie, Faith Compton. As Much as I Dare. London: Collins, 1938.Google Scholar
Mackenzie, Faith Compton. Mandolinata. London: Cope & Fenwick, 1931.Google Scholar
Mackenzie, Faith Compton. More Than I Should. London: Collins, 1940.Google Scholar
Mackenzie, Faith Compton. The Sibyl of the North: The Tale of Christina, Queen of Sweden. New York: Houghton Mifflin Company, 1931.Google Scholar
McNabb, Vincent. Introduction to The Wattlefold, by Michael Field, v–vi. Oxford: Basil Blackwell, 1930.Google Scholar
[Millard, Christopher]. Oscar Wilde: Three Times Tried. London: Ferrestone Press, 1912.Google Scholar
Muir, Edwin. “Fiction.” The Nation & Athenaeum 42, no. 3 (1927): 120–22.Google Scholar
Nugent, Richard Bruce. Gay Rebel of the Harlem Renaissance. Edited by Wirth, Thomas H.. Durham, NC: Duke University Press, 2002.Google Scholar
Nugent, Richard Bruce. Gentleman Jigger. Philadelphia: Da Capo, 2008.Google Scholar
Nugent, Richard Bruce. “Smoke, Lilies and Jade.” Fire!! Devoted to Younger Negro Artists 1, no. 1 (1926): 33–9.Google Scholar
Orwell, George. “Review of Landfall by Nevil Shute; Nailcruncher by Albert Cohen, translated from the French by Vyvyan Holland; and A Dark Side Also by Peter Conway.” New Statesman and Nation 20, no. 511 (December 7, 1940): 574.Google Scholar
Pater, Walter. Studies in the History of the Renaissance. London: Macmillan, 1873.Google Scholar
Rothenstein, William. Men and Memories. New York: Coward-McCann, 1932.Google Scholar
Sturgeon, Mary. Michael Field. London: George G. Harrap, 1922.Google Scholar
Taylor, Rachel Annand. “Fiction: Deeps and Shallows.” Spectator 139 (1927): 678–81.Google Scholar
Thurman, Wallace. Infants of the Spring. Boston: Northeastern University Press, 1992.Google Scholar
Waugh, Evelyn. The Letters of Evelyn Waugh. Edited by Amory, Mark. London: Weidenfeld & Nicolson, 1980.Google Scholar
Webb, L. C. “Indian Portraits II.” Press (December 5, 1931), 13.Google Scholar
Wilde, Oscar. After Berneval: Letters of Oscar Wilde to Robert Ross. Westminster: Beaumont Press, 1922.Google Scholar
Wilde, Oscar. The Complete Letters of Oscar Wilde. Edited by Holland, Merlin and Hart-Davis, Rupert. New York: Henry Holt, 2000.Google Scholar
Wilde, Oscar. “The Critic as Artist.” In The Complete Works of Oscar Wilde, edited by Guy, Josephine, vol. 4, 124206. New York: Oxford University Press, 2007.Google Scholar
Wilde, Oscar. “The Decay of Lying.” In The Complete Works of Oscar Wilde, edited by Guy, Josephine, vol. 4, 73103. New York: Oxford University Press, 2007.Google Scholar
Wilde, Oscar. “The English Renaissance in Art.” In Essays and Lectures, edited by Ross, Robert, 109–56. London: Methuen, 1908.Google Scholar
Wilde, Oscar. Intentions. Leipzig: Heinemann & Balestier, 1891.Google Scholar
Wilde, Oscar. “Olivia at the Lyceum.” Dramatic Review 1, no. 18 (1885): 278.Google Scholar
Wilde, Oscar. The Picture of Dorian Gray. London: Ward, Lock, Co., 1891.Google Scholar
Wilde, Oscar. “The Portrait of Mr. W. H.” Blackwood’s Edinburgh Magazine 146, no. 885 (1889): 4, 6.Google Scholar
Wilde, Oscar. The Portrait of Mr. W. H. New York: Mitchell Kennerley, 1921.Google Scholar
Wilde, Oscar. Salome. London: Elkin Mathews & John Lane, 1894.Google Scholar
Wilde, Oscar. “The Soul of Man under Socialism.” The Fortnightly Review XLIX (1891): 292–319.Google Scholar
Willis, Irene Cooper. Preface to Vernon Lee’s Letters, edited by Cooper Willis, Irene, ixiv. London: Privately Printed, 1937.Google Scholar
Willy. The Third Sex. Edited by Schehr, Lawrence R.. Urbana: University of Illinois Press, 2007.Google Scholar
Wong, Anna May. “Anna May Wong Recalls Shanghai’s Enthusiastic Reception.” New York Herald Tribune (May 31, 1936), 6.Google Scholar
Wong, Anna May. “Anna May Wong Tells of Voyage on 1st Trip to China.” New York Herald Tribune (May 17, 1936), 1.Google Scholar
Abu-Manneh, Bashir. Fiction of the New Statesman, 1913–1939. Newark: University of Delaware Press, 2011.Google Scholar
Adams, Elizabeth. “Walter Edwin Ledger, Christopher Sclater Millard, and the Bibliography of Oscar Wilde.” Studies in Walter Pater and Aestheticism 5 (2020): 105–17.Google Scholar
Aldington, Richard. Pinorman: Personal Recollections of Norman Douglas, Pino Orioli and Charles Prentice. London: William Heinemann, 1954.Google Scholar
Aldrich, Robert. The Seduction of the Mediterranean: Writing, Art and Homosexual Fantasy. New York: Routledge, 2002.CrossRefGoogle Scholar
Alfano, Veronica. “A. E. Housman’s Ballad Economies.” In Economies of Desire At the Victorian Fin de Siècle: Libidinal Lives, edited by Ford, Jane, Edwards Keates, Kim, and Pulham, Patricia, 3561. New York: Routledge, 2016.Google Scholar
Amin, Kadji. Disturbing Attachments: Genet, Modern Pederasty, and Queer History. Durham, NC: Duke University Press, 2017.Google Scholar
Anderson, Amanda. The Powers of Distance: Cosmopolitanism and the Cultivation of Detachment. Princeton, NJ: Princeton University Press, 2001.CrossRefGoogle Scholar
Arrowsmith, Rupert. Modernism and the Museum: Asian, African, and Pacific Art and the London Avant-Garde. New York: Oxford University Press, 2011.Google Scholar
Attalah, Naim. Singular Encounters. London: Quartet Books, 1990.Google Scholar
Barnes, Elizabeth. Introduction to Incest and the Literary Imagination, edited by Barnes, Elizabeth, 113. Gainesville: University Press of Florida, 2002.Google Scholar
Bassett, Caroline. “Impossible, Admirable, Androgyne: Firestone, Technology, and Utopia.” In Further Adventures of The Dialectic of Sex: Critical Essays on Shulamith Firestone, edited by Merck, Mandy and Sandford, Stella, 85110. New York: Palgrave Macmillan, 2010.CrossRefGoogle Scholar
Bauer, J. Edgar. “On the Transgressiveness of Ambiguity: Richard Bruce Nugent and the Flow of Sexuality and Race.” Journal of Homosexuality 62, no. 8 (2015): 1021–57.CrossRefGoogle Scholar
Beer, Gillian. “Island Bounds.” In Islands in History and Representation, edited by Edmond, Rod, 3242. London: Routledge, 2003.Google Scholar
Behrman, S. N. Portrait of Max. New York: Random House, 1960.Google Scholar
Berman, Jessica. Modernist Fiction, Cosmopolitanism and the Politics of Community. New York: Cambridge University Press, 2001.CrossRefGoogle Scholar
Bielsa, Esperanca. “Cosmopolitanism as Translation.” Cultural Sociology 8, no. 4 (2014): 392406.CrossRefGoogle Scholar
Birch, Cyril. “Harold Acton as a Translator from the Chinese.” In Oxford, China, and Italy: Writings in Honor of Sir Harold Acton on His Eightieth Birthday, edited by Chaney, Edward and Ritchie, Neil, 3744. New York: Thames & Hudson, 1984.Google Scholar
Bleys, Rudi. “Homosexual Exile: The Textuality of the Imaginary Paradise, 1800–1980.” Journal of Homosexuality 25, no. 1–2 (1993): 165–82.CrossRefGoogle ScholarPubMed
Boehmer, Elleke. Indian Arrivals, 1870–1915: Networks of British Empire. New York: Oxford University Press, 2015.Google Scholar
Bolagnori, Mario. “Taormina and the Strange Case of Baron von Gloeden.” In Homosexuality in Italian Literature, Society, and Culture, 1789–1919, edited by Benadusi, Lorenzo, Bernardini, Paolo L., Bianco, Elisa, and Guazzo, Paola, 155–83. Newcastle-upon-Tyne: Cambridge Scholars, 2017.Google Scholar
Boone, Joseph Allen. Libidinal Currents: Sexuality and the Shaping of Modernism. Chicago: University of Chicago Press, 1998.Google Scholar
Boone, Joseph Allen. “Vacation Cruises; or, the Homoerotics of Orientalism.” PMLA 110, no. 1 (1995): 89107.Google Scholar
Booth, Howard J.Experience and Homosexuality in the Writing of Compton Mackenzie.” English Studies 88, no. 3 (2007): 320–31.CrossRefGoogle Scholar
Borland, Maureen. Wilde’s Devoted Friend: A Life of Robert Ross 1869–1918. Oxford: Lennard, 1990.Google Scholar
Brady, Anne-Marie. “Adventurers, Aesthetes and Tourists: Foreign Homosexuals in Republican China.” In Foreigners and Foreign Institutions in Republican China, edited by Brady, Anne-Marie and Brown, Douglas, 146–68. New York: Routledge, 2013.Google Scholar
Bristow, Joseph, and Mitchell, Rebecca N.. “Forging Literary History: ‘The Portrait of Mr. W. H.’” In Oscar Wilde’s Chatterton: Literary History, Romanticism, and the Art of Forgery, edited by Bristow, Joseph and Mitchell, Rebecca N., 245–92. New Haven, CT: Yale University Press, 2015.Google Scholar
Brock, I. W.Julien Green: A Biographical and Literary Sketch.” The French Review 23, no. 5 (1950): 347–59.Google Scholar
Browne, Stella. Sexual Variety & Variability among Women and Their Bearing upon Social Reconstruction. London: C. W. Beaumont, [1917].Google Scholar
Burne, Glenn S. Julian Green. New York: Twayne, 1972.Google Scholar
Butler, Judith. Antigone’s Claim. New York: Columbia University Press, 2002.Google Scholar
Califia, Patrick. Doing It for Daddy. Boston: Alyson Publications, 1994.Google Scholar
Campbell, James. Oscar Wilde, Wilfred Owen, and Male Desire: Begotten, Not Made. New York: Palgrave Macmillan, 2015.CrossRefGoogle Scholar
Carpenter, Humphrey. The Brideshead Generation: Evelyn Waugh and His Friends. London: Weidenfeld & Nicolson, 1989.Google Scholar
Castle, Terry. The Apparitional Lesbian: Female Homosexuality and Modern Culture. New York: Columbia University Press, 1995.Google Scholar
“Catalogue Entry: Ecstasy (1910–11), Eric Gill.” tate.org.uk, 2014, accessed June 9, 2014, www.tate.org.uk/art/artworks/gill-ecstasy-t03477/text-catalogue-entry.Google Scholar
Chadwick, Whitney. Amazons in the Drawing Room: The Art of Romaine Brooks. Berkeley: University of California Press, 2000.Google Scholar
Chan, Anthony B. Perpetually Cool: The Many Lives of Anna May Wong (1905–1961). Oxford: Scarecrow Press, 2003.Google Scholar
Chang, Elizabeth Hope. Britain’s Chinese Eye: Literature, Empire, and Aesthetics in Nineteenth-Century Britain. Stanford, CA: Stanford University Press, 2010.Google Scholar
Chen, Zhongping. “Kang Tongbi’s Pioneering Feminism and the First Transnational Organization of Chinese Feminist Politics, 1903–1905.” Twentieth Century China 44, no. 1 (2019): 332.CrossRefGoogle Scholar
Cheung, Dominic. “The Parting of Ways: Anthologies of Early Modern Chinese Poetry in English Translation.” In Translating Chinese Literature, edited by Eoyang, Eugene and Yao-fu, Lin, 207–20. Bloomington: Indiana University Press, 1995.Google Scholar
Chisholm, Anne. Nancy Cunard: A Biography. New York: Knopf, 1979.Google Scholar
Christie, Rechelle. “The Politics of Representation and Illustration in Clemence Housman’s The Were-Wolf.” Housman Society Journal 33 (2007): 5467.Google Scholar
Cleves, Rachel Hope. Unspeakable: A Life beyond Sexual Morality. Chicago: University of Chicago Press, 2020.CrossRefGoogle Scholar
Cohler, Deborah. Citizen, Invert, Queer: Lesbianism and War in Early Twentieth-Century Britain. Minneapolis: University of Minnesota Press, 2010.CrossRefGoogle Scholar
Collins, Judith. Eric Gill: The Sculpture. New York: Overlook Press, 1998.Google Scholar
Cork, Richard. Wild Thing: Epstein, Gaudier-Brzeska, Gill. London: Royal Academy of Arts, 2009.Google Scholar
Crowell, Ellen. “‘We Are Odd!’: Ye Archive of Ye Sette of Odd Volumes.” The Center & Clark Newsletter: UCLA Center for 17th- and 18th-Century Studies 54 (2011): 910.Google Scholar
Danson, Lawrence. “Oscar Wilde, W. H., and the Unspoken Name of Love.” In Oscar Wilde: A Collection of Critical Essays, edited by Freedman, Jonathan, 8198. Upper Saddle River, NJ: Prentice Hall, 1998.Google Scholar
Davidoff, Leonore. Thicker Than Water: Siblings and Their Relations, 1780–1920. New York: Oxford University Press, 2011.CrossRefGoogle Scholar
Davis, Joseph E.Incest.” In Encyclopedia of Social Problems, edited by Parillo, Vincent, 484–6. Thousand Oaks, CA: Sage Publications, 2008.Google Scholar
Delanty, Gerard. The Cosmopolitan Imagination: The Renewal of Critical Social Theory. New York: Cambridge University Press, 2009.CrossRefGoogle Scholar
Di Rienzo, Maria. “Renata Borgatti.” In Who’s Who in Gay and Lesbian History: From Antiquity to World War II, edited by Aldrich, Robert and Wotherspoon, Garry, 7071. New York: Routledge, 2002.Google Scholar
Dooley, D. J. Compton Mackenzie. New York: Twayne Publishers, 1974.Google Scholar
Doordan, Dennis P. “Trousers as an Industrial Product: The Case of Eric Gill.” Paper presented at the Design History Society Annual Conference 2011, Barcelona, Spain (September 7–10, 2011), 1–9. www.historiadeldisseny.org/congres/pdf/27%20Doordan,%20Dennis%20TROUSERS%20AS%20AN%20INDUSTRIAL%20PRODUCT%20THE%20CASE%20OF%20ERIC%20GILL.pdf.Google Scholar
Doussot, Audrey. “Laurence Housman (1865–1959): Fairy Tale Teller, Illustrator and Aesthete.” Cahiers Victoriens & Édouardiens 73 (Printemps 2011): 131–45.Google Scholar
Downing, Lisa. “Antisocial Feminism? Shulamith Firestone, Monique Wittig, and Proto-Queer Theory.” Paragraph 41, no. 3 (2018): 364–79.CrossRefGoogle Scholar
Edelman, Lee. No Future: Queer Theory and the Death Drive. Durham, NC: Duke University Press, 2004.Google Scholar
Ehnenn, Jill R. “‘Drag(ging) at memory’s fetter’: Michael Field’s Personal Elegies, Victorian Mourning, and the Problem of Whym Chow.” The Michaelian 1 (2009): n.p. www.thelatchkey.org/Field/MF1/ehnennarticle.htm (accessed June 9, 2014).Google Scholar
Ellmann, Richard. Oscar Wilde. New York: Vintage Books, 1988.Google Scholar
Eng, David L. The Feeling of Kinship: Queer Liberalism and the Racialization of Intimacy. Durham, NC: Duke University Press, 2010.Google Scholar
Engen, Rodney K. Laurence Housman. Stroud, UK: Catalpa, 1983.Google Scholar
Erlandson, Theodore. “A Critical Study of Some Early Novels (1911–1920) of Sir Compton Mackenzie.” PhD dissertation. University of Southern California, 1965.Google Scholar
Essi, Cedric. “Mama’s Baby, Papa’s, Too – Toward Critical Mixed Race Studies.” Zeitschrift für Anglistik und Amerikanistik 65, no. 2 (2017): 161–72.Google Scholar
Evangelista, Stefano. “Oscar Wilde: European by Sympathy.” In The Reception of Oscar Wilde in Europe, edited by Evangelista, Stefano, 119. New York: Continuum, 2010.Google Scholar
Feldman, Jessica R. Victorian Modernism: Pragmatism and the Varieties of Aesthetic Experience. New York: Cambridge University Press, 2002.Google Scholar
Fielder, Brigitte. Relative Races: Genealogies of Interracial Kinship in Nineteenth-Century America. Durham, NC: Duke University Press, 2020.Google Scholar
Findlay, Jean. Chasing Lost Time: The Life of C. K. Scott Moncrieff: Soldier, Spy, and Translator. London: Chatto & Windus, 2014.Google Scholar
Fletcher, Ian. Romantic Mythologies. London: Routledge & K. Paul, 1967.Google Scholar
Forman, Ross. China and the Victorian Imagination: Empires Entwined. New York: Cambridge University Press, 2013.CrossRefGoogle Scholar
Freeman, Elizabeth. “Queer Belongings: Kinship Theory and Queer Theory.” In A Companion to Lesbian, Gay, Bisexual, and Transgender Studies, edited by Haggerty, George and McGarry, Molly, 295314. Hoboken, NJ: Blackwell Press, 2007.Google Scholar
Freeman, Elizabeth. Time Binds: Queer Temporalities, Queer Histories. Durham, NC: Duke University Press, 2010.Google Scholar
Fryer, Jonathan. Robbie Ross: Oscar Wilde’s Devoted Friend. New York: Carroll & Graf, 2002.Google Scholar
Furneaux, Holly. Queer Dickens: Erotics, Families, Masculinities. New York: Oxford University Press, 2009.CrossRefGoogle Scholar
Fussell, Paul. Abroad: British Literary Traveling between the Wars. New York: Oxford University Press, 1980.Google Scholar
Glick, Elisa. “Harlem’s Queer Dandy: African-American Modernism and the Artifice of Blackness.” Modern Fiction Studies 49, no. 3 (2001): 414–42.Google Scholar
Goeser, Caroline. “The Case of Ebony and Topaz: Racial and Sexual Hybridity in Harlem Renaissance Illustrations.” American Periodicals: A Journal of History & Criticism 15, no. 1 (2005): 86111.CrossRefGoogle Scholar
Goldhill, Simon. A Very Queer Family Indeed: Sex, Religion, and the Bensons in Victorian Britain. Chicago: University of Chicago Press, 2016.Google Scholar
Graves, Richard Perceval. A. E. Housman: The Scholar-Poet. London: Routledge & Kegan Paul, 1979.Google Scholar
Green, Martin. Children of the Sun: A Narrative of “Decadence” in England after 1918. New York: Basic Books, 1976.Google Scholar
Guthrie, James. “The Wood Engravings of Clemence Housman.” The Print Collector’s Quarterly 11 (1924): 190204.Google Scholar
Hall, Lesley A.‘Disinterested Enthusiasm for Sexual Misconduct’: The British Society for the Study of Sex Psychology, 1913–47.” Journal of Contemporary History 30, no. 4 (1995): 665–86.CrossRefGoogle Scholar
Hanson, Ellis. Decadence and Catholicism. Cambridge, MA: Harvard University Press, 1997.Google Scholar
Hanson, Ellis. “Must We Arrest Oscar Wilde Again?” Paper presented at the Curiosity and Desire in Fin-de-Siècle Art and Literature, William Andrews Clark Memorial Library, UCLA, May 11–12, 2018.Google Scholar
Hatch, James V.An Interview with Bruce Nugent.” In Artists and Influences, edited by Billops, Camille and Hatch, James V., 81104. New York: Hatch-Billops Collection, 1982.Google Scholar
Herold, Katharina, 2016. “Cosmopolitan Conglomeration and Orientalist Appropriation in Oscar Wilde’s ‘The Sphinx.’” Paper presented at the Cosmopolis and Beyond: Literary Cosmopolitanism after the Republic of Letters Conference, Trinity College, University of Oxford, March 18–19, 2016.Google Scholar
Herzfeld, Michael. Anthropology through the Looking-Glass: Critical Ethnography in the Margins of Europe. New York: Cambridge University Press, 1989.Google Scholar
Hext, Kate and Murray, Alex, eds. Decadence in the Age of Modernism. Baltimore: Johns Hopkins University Press, 2019.CrossRefGoogle Scholar
Hext, Kate, and Murray, Alex. Introduction to Decadence in the Age of Modernism, edited by Hext, Kate and Murray, Alex, 126. Baltimore: Johns Hopkins University Press, 2019.CrossRefGoogle Scholar
Hirsch, Marianne. Introduction to The Familial Gaze, edited by Hirsch, Marianne, xixxv. Hanover: University Press of New England, 1999.Google Scholar
Hodges, Graham Russell Gao. Anna May Wong: From Laundryman’s Daughter to Hollywood Legend. New York: Palgrave Macmillan, 2004.Google Scholar
Horak, Laura. Girls Will Be Boys: Cross-Dressed Women, Lesbians, and American Cinema. New Brunswick, NJ: Rutgers University Press, 2016.Google Scholar
Housman, Stephen. “The Housman Banners.” Housman Society Journal 18 (1992): 3947.Google Scholar
Hoyland, Anthony. Eric Gill: Nuptials of God. Kent, UK: Crescent Moon, 1994.Google Scholar
Hyde, Harford Montgomery. Lord Alfred Douglas: A Biography. London: Methuen, 1984.Google Scholar
Hyde, Harford Montgomery. Oscar Wilde: A Biography. London: Methuen, 1975.Google Scholar
Im, Yeeyon. “Oscar Wilde’s Salomé: Disorienting Orientalism.” Comparative Drama 4, no. 4 (2011): 361–80.Google Scholar
Jackson, Holbrook. The Eighteen-Nineties: A Review of Art and Ideas at the Close of the Nineteenth Century. London: Grant Richards, 1913.Google Scholar
Jackson, Julian. Living in Arcadia: Homosexuality, Politics, and Morality in France From the Liberation to AIDS. Chicago: University of Chicago Press, 2009.CrossRefGoogle Scholar
James, Jamie. Pagan Light: Dreams of Freedom and Beauty in Capri. New York: Farrar, Straus, & Giroux, 2019.Google Scholar
Jamison, Anne Elizabeth. Poetics en Passant: Redefining the Relationship Between Victorian and Modern Poetry. New York: Palgrave Macmillan, 2009.CrossRefGoogle Scholar
Janes, Dominic. Visions of Queer Martyrdom from John Henry Newman to Derek Jarman. Chicago: University of Chicago Press, 2015.Google Scholar
Kang, Wenqing. Obsession: Male Same-Sex Relations in China, 1900–1950. Hong Kong: Hong Kong University Press, 2009.CrossRefGoogle Scholar
Kaye, Richard. “Oscar Wilde and the Politics of Posthumous Sainthood: Hofmannsthal, Mirbeau, Proust.” In Oscar Wilde and Modern Culture: The Making of a Legend, edited by Bristow, Joseph, 110–32. Athens: Ohio University Press, 2008.Google Scholar
Kennedy, Margaret S.Wilde’s Cosmopolitanism.” In Wilde’s Wiles: Studies of the Influences on Oscar Wilde and His Enduring Influences in the Twenty-First Century, edited by Magid, Annette M., 90113. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013.Google Scholar
Kinkead-Weekes, Mark. The Cambridge Biography of D.H. Lawrence. Vol. 2. New York: Cambridge University Press, 2011.Google Scholar
Kohler, Dayton. “Julian Green: Modern Gothic.” The Sewanee Review 40, no. 2 (1932): 139–48.Google Scholar
Kooistra, Lorraine Janzen. “The Artist as Critic: Bi-Textuality in Fin-de-Siècle Illustrated Books.” PhD dissertation. McMaster University, 1992.Google Scholar
Kooistra, Lorraine Janzen. The Artist as Critic: Bitextuality in Fin-de-Siècle Illustrated Books. Hants: Scholar Press, 1995.Google Scholar
Kooistra, Lorraine Janzen. “Clemence Housman’s The Were-Wolf: Querying Transgression, Seeking Trans/Formation.” Victorian Review 44, no. 1 (2018): 5567.CrossRefGoogle Scholar
Kooistra, Lorraine Janzen. “Cross-Dressing Confessions: Men Confessing as Women.” In Confessional Politics: Women’s Sexual Self-Representations in Life Writing and Popular Media, edited by Gammel, Irene, 167–84. Carbondale and Edwardsville: Southern Illinois University Press, 1999.Google Scholar
Kooistra, Lorraine Janzen. “Wilde’s Legacy: Fairy Tales, Laurence Housman, and the Expression of ‘Beautiful Untrue Things.’” In Oscar Wilde and the Cultures of Childhood, edited by Bristow, Joseph, 89118. New York: Palgrave, 2017.CrossRefGoogle Scholar
Koritz, Amy. “Dancing the Orient for England: Maud Allan’s ‘The Vision of Salome.’” Theatre Journal 46, no. 1 (1994): 6378.CrossRefGoogle Scholar
Krasner, David. “Black Salome: Exoticism, Dance, and Racial Myth.” In African American Performance and Theater History: A Critical Reader, edited by Elam, Harry J. and Krasner, David, 192211. New York: Oxford University Press, 2001.Google Scholar
Lancaster, Marie-Jacqueline, ed. Brian Howard: Portrait of a Failure. London: Anthony Blond, 1968.Google Scholar
Landy, Marcia, and Villarejo, Amy. “Queen Christina.” In British Film Institute Film Classics, edited by White, Rob and Buscombe, Edward, vol. 1, 221–48. New York: Fitzroy Dearborn, 2003.Google Scholar
Laurence, Patricia Ondek. Lily Briscoe’s Chinese Eyes: Bloomsbury, Modernism, and China. Columbia: University of South Carolina Press, 2003.Google Scholar
Lavery, Grace. Quaint, Exquisite: Victorian Aesthetics and the Idea of Japan. Princeton, NJ: Princeton University Press, 2019.Google Scholar
Lévi-Strauss, Claude. The Elementary Structures of Kinship. Boston: Beacon Press, 1969.Google Scholar
Lewis, Sophie. Full Surrogacy Now: Feminism against Family. Brooklyn: Verso, 2019.Google Scholar
Liddington, Jill. Vanishing for the Vote: Suffrage, Citizenship and the Battle for the Census. Manchester: Manchester University Press, 2014.Google Scholar
Liddington, Jill, and Crawford, Elizabeth. “‘Women Do Not Count, Neither Shall They Be Counted’: Suffrage, Citizenship and the Battle for the 1911 Census.” History Workshop Journal 71, no. 1 (2011): 98127.CrossRefGoogle Scholar
Lim, Shirley. Anna May Wong: Performing the Modern. Philadelphia: Temple University Press, 2019.Google Scholar
Link, Viktor. “D. H. Lawrence’s ‘The Man Who Loved Islands’ in the Light of Compton Mackenzie’s Memoirs.” D. H. Lawrence Review 15, no. 1–2 (1982): 7786.Google Scholar
Linklater, Andro. Compton Mackenzie: A Life. London: Chatto & Windus, 1987.Google Scholar
Livesey, Ruth. Socialism, Sex, and the Culture of Aestheticism in Britain, 1880–1914. New York: Oxford University Press, 2007.Google Scholar
Lord, James. Some Remarkable Men: Further Memoirs. New York: Farrar, Straus & Giroux, 1996.Google Scholar
MacCarthy, Fiona. Eric Gill: A Lover’s Quest for Art and God. New York: E. P. Dutton, 1989.Google Scholar
Mackie, Gregory. Beautiful Untrue Things: Forging Oscar Wilde’s Extraordinary Afterlife. Toronto: University of Toronto Press, 2019.CrossRefGoogle Scholar
Mackie, Gregory. “Forging Oscar Wilde: Mrs. Chan-Toon and for Love of the King.” English Literature in Transition, 1880–1920 54, no. 3 (2011): 267–88.Google Scholar
Mahoney, Kristin. Literature and the Politics of Post-Victorian Decadence. New York: Cambridge University Press, 2015.Google Scholar
Maltz, Diana. “Ardent Service: Female Eroticism and New Life Ethics in Gertrude Dix’s The Image Breakers (1900).” Journal of Victorian Culture 17, no. 2 (2012): 147–63.CrossRefGoogle Scholar
Maltz, Diana. “The Good Aesthetic Child and Deferred Aesthetic Education.” In Oscar Wilde and the Cultures of Childhood, edited by Bristow, Joseph, 6988. New York: Palgrave, 2017.Google Scholar
Marcus, Laura. Dreams of Modernity. New York: Cambridge University Press, 2014.CrossRefGoogle Scholar
Marcus, Laura. Hearts of Darkness: White Women Write Race. New Brunswick: Rutgers University Press, 2004.Google Scholar
May, Leila Silvana. Disorderly Sisters: Sibling Relations and Sororal Resistance in Nineteenth-Century British Literature. Lewisburg, PA: Bucknell University Press, 2001.Google Scholar
McCabe, Susan. “Bryher’s Archive: Modernism and the Melancholy of Money.” In English Now: Selected Papers from the 20th IAUPE Conference, edited by Thormählen, Marianne, 118–25. Lund: Lund University Press, 2008.Google Scholar
McCormack, Jerusha. John Gray: Poet, Dandy, and Priest. Waltham, MA: Brandeis University Press, 1991.Google Scholar
McCormack, Jerusha. The Man Who Was Dorian Gray. New York: St. Martin’s Press, 2000.Google Scholar
Mendelssohn, Michèle. “A Decadent Dream Deferred: Bruce Nugent and the Harlem Renaissance’s Queer Modernity.” In Decadence in the Age of Modernism, edited by Hext, Kate and Murray, Alex, 251–75. Baltimore: Johns Hopkins University Press, 2019.Google Scholar
Mendelssohn, Michèle. Making Oscar Wilde. New York: Oxford University Press, 2018.Google Scholar
Mendelssohn, Michèle. “Reading Aestheticism, Decadence, and Cosmopolitanism.” In Late Victorian into Modern, edited by Marcus, Laura, Mendelssohn, Michèle, and Shepherd-Barr, Kirsten E., 481–96. New York: Oxford University Press, 2016.Google Scholar
Merrill, Lisa. ‘“Old Maids, Sister-Artists and Aesthetes’: Charlotte Cushman and Her Circle of ‘Jolly Bachelors’ Construct an Expatriate Women’s Community in Rome.” Women’s Writing 10, no. 2 (2003): 367–83.CrossRefGoogle Scholar
Meyer, Karl E., and Brysac, Shareen Blair. The China Collectors: America’s Century-Long Hunt for Asian Art Treasures. New York: Palgrave Macmillan, 2015.Google Scholar
Miller, Nina. Making Love Modern: The Intimate Public Worlds of New York’s Literary Woman. New York: Oxford University Press, 1999.Google Scholar
Money, James. Capri: Island of Pleasure. London: Hamish Hamilton, 1986.Google Scholar
Moran, Leslie J.Transcripts and Truth: Writing the Trials of Oscar Wilde.” In Oscar Wilde and Modern Culture: The Making of a Legend, edited by Bristow, Joseph, 234–58. Athens: Ohio University Press, 2008.Google Scholar
Morton, Tara. “Changing Spaces: Art, Politics, and Identity in the Home Studios of the Suffrage Atelier.” Women’s History Review 21, no. 4 (2012): 623–37.CrossRefGoogle Scholar
Moynagh, Maureen. “Cunard’s Lines: Political Tourism and Its Texts.” New Formations 34 (1998): 7090.Google Scholar
Mungello, D. E. Western Queers in China: Flight to the Land of Oz. New York: Rowman & Littlefield, 2012.Google Scholar
Murray, Alex. “Decadence Revisited: Evelyn Waugh and the Afterlife of the 1890s.” Modernism/modernity 22, no. 3 (2015): 593607.CrossRefGoogle Scholar
Murray, Alex. Introduction to Decadence: A Literary History, edited by Murray, Alex, 117. New York: Cambridge University Press, 2020.CrossRefGoogle Scholar
News.com.au. “BBC Told to Remove Work by Pedophile Sculptor Eric Gill” (April 23, 2013), www.news.com.au/world/bbc-told-to-remove-work-by-pedophile-sculptor-eric-gill/story-fndir2ev-1226626709154 (accessed June 9, 2014).Google Scholar
Ngô, Fiona I. B. Imperial Blues: Geographies of Race and Sex in Jazz Age New York. Durham, NC: Duke University Press, 2014.Google Scholar
Novak, Daniel A.Picturing Wilde: Christopher Millard’s ‘Iconography of Oscar Wilde.’” Nineteenth‐Century Contexts 32, no. 4 (2010): 305–35.Google Scholar
Nussbaum, Martha. “Patriotism and Cosmopolitanism.” In For Love of Country?, edited by Cohen, Joshua, 317. Boston: Beacon Press, 2002.Google Scholar
N’yongo, Tavia. The Amalgamation Waltz: Race, Performance, and the Ruses of Memory. Minneapolis: University of Minnesota Press, 2009.Google Scholar
Oakley, Elizabeth. Inseparable Siblings. Studley: Brewin Books, 2009.Google Scholar
Ogrinc, Will H. L. “Frère Jacques: A Shrine to Love and Sorrow: Jacques D’adelswärd Fersen (1880–1923)” (2006), http://semgai.free.fr/doc_et_pdf/Fersen-engels.pdf (accessed March 27, 2016).Google Scholar
Ogrinc, Will H. L.A Shrine to Love and Sorrow: Jacques D’adelswärd Fersen (1880–1923).” Paidika: The Journal of Paedophilia 3, no. 2 (1994): 3058.Google Scholar
O’Malley, Patrick. “Epistemology of the Cloister: Victorian England’s Queer Catholicism.” GLQ: A Journal of Gay and Lesbian Studies 15, no. 4 (2009): 535–64.Google Scholar
Oram, Alison, and Turnbull, Annmarie. The Lesbian History Sourcebook: Love and Sex between Women in Britain from 1780–1970. New York: Routledge, 2001.Google Scholar
Orlandi, Dialta Alliata-Lensi. My Mother, My Father and His Wife Hortense: Provenance – Villa La Pietra. North Charleston, SC: CreateSpace Independent Publishing Platform, 2013.Google Scholar
Pal-Lapinski, Piya. The Exotic Woman in Nineteenth-Century British Fiction and Culture: A Reconsideration. Durham: University of New Hampshire Press, 2005.Google Scholar
Pearson, Neil. Obelisk: A History of Jack Kahane and the Obelisk Press. Liverpool: Liverpool University Press, 2007.CrossRefGoogle Scholar
Pennington, Michael. An Angel for a Martyr: Jacob Epstein’s Tomb for Oscar Wilde. Reading: Whiteknights Press, 1987.Google Scholar
Pérez, Hiram. A Taste for Brown Bodies: Gay Modernity and Cosmopolitan Desire. New York: New York University Press, 2015.Google Scholar
Perry, Imani. Vexy Thing: On Gender and Liberation. Durham, NC: Duke University Press, 2018.CrossRefGoogle Scholar
Potolsky, Matthew. The Decadent Republic of Letters: Taste, Politics, and Cosmopolitan Community from Baudelaire to Beardsley. Philadelphia: University of Pennsylvania Press, 2013.Google Scholar
Poueymirou, Margaux. “The Race to Perform: Salome and the Wilde Harlem Renaissance.” In Refiguring Oscar Wilde’s Salome, edited by Bennett, Michael Y., 201–19. New York: Rodopi, 2011.Google Scholar
Quennell, Peter. “The Undergraduate.” In Oxford, China, and Italy: Writings in Honor of Sir Harold Acton on His Eightieth Birthday, edited by Chaney, Edward and Ritchie, Neil, 57–9. New York: Thames & Hudson, 1984.Google Scholar
Reed, Christopher. Bachelor Japanists: Japanese Aesthetics and Western Masculinities. New York: Columbia University Press, 2017.CrossRefGoogle Scholar
Reed, Christopher. Bloomsbury Rooms: Modernism, Subculture, and Domesticity. New Haven, CT: Yale University Press, 2004.Google Scholar
Reed, Jeremy. Introduction to Lord Lyllian: Black Masses, by Jacques Fersen, ivii. North Pomfret, VT: Elysium, 2005.Google Scholar
Richards, Grant. Housman: 1897–1936. Oxford: Oxford University Press, 1942.Google Scholar
Ricks, Christopher. “A.E. Housman and ‘the Colour of His Hair.’” Essays in Criticism 47, no. 3 (1997): 240–56.Google Scholar
Roden, Frederick. Same-Sex Desire in Victorian Religious Culture. New York: Palgrave Macmillan, 2002.CrossRefGoogle Scholar
Rohrer, Finlo. “Can the Art of a Paedophile Be Celebrated?” BBC News (September 5, 2007), http://news.bbc.co.uk/2/hi/uk_news/magazine/6979731.stm (accessed June 9, 2014).Google Scholar
Rowe, A. L.The Good-Natured Man.” In Oxford, China, and Italy: Writings in Honor of Sir Harold Acton on His Eightieth Birthday, edited by Chaney, Edward and Ritchie, Neil, 63–5, New York: Thames & Hudson, 1984.Google Scholar
Rubin, Gayle. “The Traffic in Women: Notes on the Political Economy of Sex.” In Toward an Anthropology of Women, edited by Reiter, Rayna R., 157210. New York: Monthly Review Press, 1975.Google Scholar
Rudy, Kathy. “LGBTQ…Z?Hypatia 27, no. 3 (2012): 601–15.CrossRefGoogle Scholar
Sanders, Valerie. The Brother-Sister Culture in Nineteenth-Century Literature: From Austen to Woolf. New York: Palgrave Macmillan, 2002.CrossRefGoogle Scholar
Sanders, Valerie. “‘Lifelong Soulmates?’: The Sibling Bond in Nineteenth-Century Fiction.” Victorian Review 39, no. 2 (2013): 54–7.CrossRefGoogle Scholar
Schaffer, Talia. Romance’s Rival: Familiar Marriage in Victorian Fiction. New York: Oxford University Press, 2016.CrossRefGoogle Scholar
Schmidt, Tyler. “‘In the Glad Flesh of My Fear’: Corporeal Inscriptions in Richard Bruce Nugent’s ‘Geisha Man.’” African American Review 40, no. 1 (2006): 161–73.Google Scholar
Schwarz, Christa. Gay Voices of the Harlem Renaissance. Bloomington: Indiana University Press, 2003.Google Scholar
Sedgwick, Eve Kosofsky. Tendencies. Durham, NC: Duke University Press, 1993.Google Scholar
Shell, Marc. Islandology: Geography, Rhetoric. Stanford, CA: Stanford University Press, 2014.Google Scholar
Sherry, Vincent. Modernism and the Reinvention of Decadence. New York: Cambridge University Press, 2015.Google Scholar
Shewring, Walter. “Ananda Coomaraswamy and Eric Gill.” In Ananda Coomaraswamy: Remembering and Remembering Again and Again, edited by Raja Singam, S. Durai, 189–90. Kuala Lumpur: S. D. Raja Singam,1974.Google Scholar
Showalter, Elaine. Sexual Anarchy: Gender and Culture at the Fin de Siècle. New York: Viking, 1990.Google Scholar
Sinfield, Alan. On Sexuality and Power. New York: Columbia University Press, 2004.CrossRefGoogle Scholar
Snyder, Katherine V. Bachelors, Manhood, and the Novel, 1850–1925. New York: Cambridge University Press, 1999.CrossRefGoogle Scholar
Speaight, Robert. The Life of Eric Gill. London: Methuen, 1966.Google Scholar
Spillers, Hortense. “Mama’s Baby, Papa’s Maybe.” Diacritics 17, no. 2 (1987): 6481.Google Scholar
Spillers, Hortense. “Mama’s Baby, Papa’s, Too.” Trans-Scripts 1 (2011): 14.Google Scholar
Spillers, Hortense. “‘The Permanent Obliquity of an In(pha)llibly Straight’: In the Time of the Daughters and the Fathers.” In Black, White, and in Color: Essays on American Literature and Culture, 230–50. Chicago: University of Chicago Press, 2003.Google Scholar
Stilling, Robert. Beginning at the End: Decadence, Modernism, and Postcolonial Poetry (Cambridge, MA: Harvard University Press, 2018).CrossRefGoogle Scholar
Tamagne, Florence. A History of Homosexuality in Europe: Berlin, London, Paris; 1919–1939, vol. 1. New York: Algora Publishing, 2006.Google Scholar
Tate, Carolyn. “Lesbian Incest as Queer Kinship: Michael Field and the Erotic Middle-Class Victorian Family.” Victorian Review 39, no. 2 (2013): 181–99.CrossRefGoogle Scholar
Teukolsky, Rachel. The Literate Eye: Victorian Art Writing and Modernist Aesthetics. New York: Oxford University Press, 2009.Google Scholar
Thain, Marion. “Michael Field”: Poetry, Aestheticism, and the Fin de Siècle. New York: Cambridge University Press, 2007.CrossRefGoogle Scholar
Thain, Marion, and Vadillo, Ana, eds. Michael Field, The Poet. Buffalo, NY: Broadview, 2009.Google Scholar
Thomas, Kate. “‘What Time We Kiss’: Michael Field’s Queer Temporalities.” GLQ: A Journal of Lesbian and Gay Studies 13, no. 2–3 (2007): 327–51.Google Scholar
Tóibín, Colm. Introduction to De Profundis and Other Prison Writings, by Oscar Wilde, xi–xxxii. London: Penguin, 2013.Google Scholar
Treby, Ivor. Uncertain Rain: Sundry Spells of Michael Field. Bury St. Edmunds: De Blackland, 2002.Google Scholar
Turner, Sarah Victoria. “The ‘Essential Quality of Things’: E. B. Havell, Ananda Coomaraswamy, Indian Art and Sculpture in Britain, c. 1910–14.” Visual Culture in Britain 11, no. 2 (2010): 239–64.Google Scholar
Valentine, Ferdinand. Father Vincent McNabb, O.P.: The Portrait of a Great Dominican. London: Burns & Oates, 1955.Google Scholar
Vanita, Ruth. Sappho and the Virgin Mary: Same Sex Love and the English Literary Imagination. New York: Columbia University Press, 1996.Google Scholar
Venuti, Lawrence. The Translator’s Invisibility: A History of Translation. New York: Routledge, 2008.Google Scholar
Verona, Roxana. “A Cosmopolitan Orientalism: Paul Morand Goes East.” Sites 5, no. 1 (2001): 157–69.Google Scholar
Vitale, Christopher. “The Untimely Richard Bruce Nugent.” PhD dissertation. New York University, 2007.Google Scholar
Waitt, Gordon, and Markwell, Kevin. Gay Tourism: Culture and Context. Binghamton, NY: Haworth Press, 2006.Google Scholar
Weeks, Jeffrey. “Movements of Affirmation: Sexual Meanings and Homosexual Identities.” In Passion and Power: Sexuality in History, edited by Peiss, Kathy and Simmons, Christina, 7086. Philadelphia: Temple University Press, 1989.Google Scholar
Weiner, Joshua J., and Young, Damon, “Introduction: Queer Bonds.” GLQ: A Journal of Lesbian and Gay Studies 17, no. 2–3 (2011): 223–41.CrossRefGoogle Scholar
Weir, David. Decadence and the Making of Modernism. Amherst: University of Massachusetts Press, 1996.Google Scholar
White, Chris. “Poets and Lovers Ever More: The Poetry and Journals of Michael Field.” In Sexual Sameness: Textual Difference in Gay and Lesbian Writing, edited by Bristow, Joseph, 2643. New York: Routledge, 1992.Google Scholar
Wildgen, Kathryn Eberle. Julien Green: The Great Themes. Birmingham, AL: Summa Publications, 1993.Google Scholar
Wilson, Edmund. The Shores of Light: A Literary Chronicle of the Twenties and Thirties. New York: Farrar, Straus & Young, 1952.Google Scholar
Winkiel, Laura. “Nancy Cunard’s Negro and the Transnational Politics of Race.” Modernism/modernity 13, no. 3 (September 2006): 507–30.Google Scholar
Wirth, Thomas. Introduction to Gay Rebel of the Harlem Renaissance, edited by Wirth, Thomas H., 364. Durham, NC: Duke University Press, 2002.Google Scholar
Woodcock, George. “Norman Douglas: The Willing Exile.” Ariel 13, no. 4 (1982): 87101.Google Scholar
Xi, Kun. “Picturing an Aesthetic and Homoerotic Space: Harold Acton’s Travel Writing of China in the 1930s.” Interactions 28, no. 1–2 (2019): 8793.Google Scholar
Yorke, Michael. Eric Gill: Man of Flesh and Spirit. New York: Universe Books, 1981.Google Scholar
Zito, Eugenio. “‘Amori et Dolori Sacrum’: Canons, Differences, and Figures of Gender Identity in the Cultural Panorama of Travellers in Capri between the Nineteenth and Twentieth Centuries.” In Homosexuality in Italian Literature, Society, and Culture, 1789–1919, edited by Benadusi, Lorenzo, Bernardini, Paolo L., Bianco, Elisa, and Guazzo, Paola, 129–54. Newcastle upon Tyne: Cambridge Scholars, 2017.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • References
  • Kristin Mahoney, Michigan State University
  • Book: Queer Kinship after Wilde
  • Online publication: 15 September 2022
  • Chapter DOI: https://doi.org/10.1017/9781009019682.012
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • References
  • Kristin Mahoney, Michigan State University
  • Book: Queer Kinship after Wilde
  • Online publication: 15 September 2022
  • Chapter DOI: https://doi.org/10.1017/9781009019682.012
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • References
  • Kristin Mahoney, Michigan State University
  • Book: Queer Kinship after Wilde
  • Online publication: 15 September 2022
  • Chapter DOI: https://doi.org/10.1017/9781009019682.012
Available formats
×