Hostname: page-component-848d4c4894-2xdlg Total loading time: 0 Render date: 2024-06-20T21:36:01.107Z Has data issue: false hasContentIssue false
  • English
  • Français

“From Identity to Alliance”: Challenging Métis “Inauthenticity” through Alliance Studies

Published online by Cambridge University Press:  18 January 2019

Monique Giroux
Get access Rights & Permissions [Opens in a new window]

Extract

In the 1980s, ethnomusicologists began developing a body of literature exploring the intersection between music and identity. By the early 2000s, identity had become one of the most commonly addressed themes in the discipline and ethnomusicologists were making important contributions to identity studies. As Timothy Rice writes in his article titled “Reflections on Music and Identity in Ethnomusicology,” ethnomusicologists have demonstrated that music “gives symbolic shape” to pre-existing and emerging identities; and that music allows communities who share an identity to “see themselves in action” and “to imagine others” with whom they share the music tradition (Rice 2007:34-35). Ethnomusicologists have furthermore argued that music may contribute an affective quality to identity and give identities a “positive valence” (ibid.:35).

Type
Articles
Information
Yearbook for Traditional Music , Volume 50 , 2018 , pp. 91 - 118
Copyright
Copyright © 2018 by the International Council for Traditional Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References Cited

Andersen, Chris. 2014. “Métis”: Race, Recognition, and the Struggle for Indigenous Peoplehood. Vancouver: UBC Press.Google Scholar
Beal, Bob, and MacLeod, Rod. 2006. “Northwest Rebellion.” Canadian Encyclopedia. http://www.thecanadianencyclopedia.ca/en/article/northwest-rebellion/ (accessed 4 June 2018).Google Scholar
Bissett-Perea, Jessica. 2012. “Pamyua's Akutaq: Traditions of Modern Inuit Modalities in Alaska.” MUSICultures 39/1:7–41.Google Scholar
Brayboy, Bryan McKinley. 2000. “The Indian and the Researcher: Tales from the Field.” Qualitative Studies in Education 13/4:415–426.CrossRefGoogle Scholar
Diamond, Beverley. 2007. “The Music of Modern Indigeneity: From Identity to Alliance Studies.” European Meetings in Ethnomusicology 12:169–190. http://www.mauricemengel.de/esem/sites/www.mauricemengel.de.esem/files/JBML2006-Diamond.pdf (accessed 5 May 2013).Google Scholar
Dunbar-Hall, Peter, and Gibson, Chris. 2004. Deadly Sounds, Deadly Places: Contemporary Aboriginal Music in Australia. Sydney: University of New South Wales Press.Google Scholar
Filice, Michelle. 2016. “Treaty 6.” Canadian Encyclopedia. http://www.thecanadianencyclopedia.ca/en/article/treaty-6/ (accessed 4 June 2018).Google Scholar
Foxcurran, Robert, Bouchard, Michel, and Malette, Sébastien. 2016. Songs Upon the River: The Buried History of the French-Speaking Canadiens and Métis from the Great Lakes and the Mississippi Across to the Pacific. Montreal: Baraka Books.Google Scholar
Gardiner, Jessee. 2004. “The Foxes Migrate North.” New Breed Magazine 33/3:14–15.Google Scholar
Gaudry, Adam, and Leroux, Darryl. 2017. “White Settler Revisionism and Making Métis Everywhere: The Evocation of Métissage in Quebec and Nova Scotia.” Critical Ethnic Studies 3/1: 116–142.CrossRefGoogle Scholar
Giroux, Monique. 2015a. “Singing for Frog Plain: Representing Canadian/Metis Relations through Falcon's Songs.” Ethnologies 37/1:43–64.Google Scholar
Giroux, Monique. 2015b. “Metis Music and the Settler Imagination.” Canadian Folk Music 49/1: 1–8.Google Scholar
Giroux, Monique. 2016. “Giving Them Back Their Spirit”: Multiculturalism and Resurgence at a Metis Cultural Festival. MUSICultures 43/1:64–88.Google Scholar
Giroux, Monique. 2018. “Silencing the Other Within: Metis Music at Manitoba's Old-Time Fiddle Competitions.” Ethnomusicology 62/2:265–290.CrossRefGoogle Scholar
Giroux, Monique. In press. “Metis (Style) Fiddling: From Historical Roots to Contemporary Practice.” In Contemporary Musical Expressions and Cultural Resonances in Canada, ed. Hoefnagels, Anna, Johnson, Sherry, and Klassen, Judith. Kingston, Canada: Queen's University Press.Google Scholar
Kartomi, Margaret. 2017. “From Agricultural Tool to Identity Symbol: Musical and Socio-Political Change in the Pestle-and-Mortar Music of the Natuna Archipelago, Indonesia.” Ethnomusicology 61/1:87–114.CrossRefGoogle Scholar
Krakauer, Benjamin. 2015. “The Ennobling of a ‘Folk Tradition’ and the Disempowerment of the Performers: Celebrations and Appropriations of Baul-Fakir Identity in West Bengal.” Ethnomusicology 59/3:355–379.CrossRefGoogle Scholar
Lawrence, Bonita. 2004. “Real” Indians and Others: Mixed-Blood Urban Native Peoples and Indigenous Nationhood. Vancouver: UBC Press.Google Scholar
Lederman, Anne. 1987. Old Native and Metis Fiddling in Manitoba, Volume I and II. Falcon Productions FPC-187. 4 LPs with liner notes.Google Scholar
Lederman, Anne. 2009. “Métis Fiddling: Found or Lost?” In Histoires et identités: homage à Gabriel Dumont/Métis Histories and Identities: A Tribute to Gabriel Dumont, ed. Gagnon, Denis, Combet, Denis, and Gaboury-Diallo, Lise, 365–375. Winnipeg: Presse universitaires de Saint-Boniface.Google Scholar
Leroux, Darryl. 2018. “‘We've been here for 2,000 years’: White Settlers, Native American DNA and the Phenomenon of Indigenization.” Social Studies of Science 48/1:80–100.CrossRefGoogle Scholar
Linford, Scott. 2016. “Stories of Differentiation and Association: Narrative Identity and the Jola Ekonting.” Yearbook for Traditional Music 48:94–114.CrossRefGoogle Scholar
Panopoulou, Kalliopi. 2009. “The Dance Identity of the Vlachs of Lailias Village and Its Transformations Over Three Generations.” Yearbook for Traditional Music 41:166–186.Google Scholar
Quick, Sarah. 2008. “The Social Poetics of the Red River Jig in Alberta and Beyond: Meaningful Heritage and Emerging Performance.” Ethnologies 30/1:77–101.CrossRefGoogle Scholar
Quick, Sarah. 2009. “Performing Heritage: Métis Music, Dance, and Identity in a Multicultural State.” PhD dissertation, Indiana University.Google Scholar
Reid, Jennifer. 2008. Louis Riel and the Creation of Modern Canada: Mythic Discourse and the Postcolonial State. Winnipeg: University of Manitoba Press.Google Scholar
Rice, Timothy. 2007. “Reflections on Music and Identity in Ethnomusicology.” Muzikologijia 7:17–38. http://www.doiserbia.nb.rs/img/doi/1450-9814/2007/1450-98140707017R.pdf (accessed 22 April 2016).Google Scholar
Saul, John Ralston. 2008. A Fair Country: Telling Truths About Canada. Toronto: Viking Canada.Google Scholar
Taillet, Jean. 2011. “The Boundaries of the Métis Nation.” PowerPoint presentation. http://www.metisportals.ca/cons/wp-content/uploads/2011/12/Boundaries-of-the-Metis-Nation-2011.pdf (accessed 18 December 2018).Google Scholar
Van Toorn, Penny. 1990. “Discourse/Patron Discourse: How Minority Texts Command the Attention of Majority Audiences.” SPAN 30:102–115.Google Scholar
Vowel, Chelsea. 2011. “You're Métis? So Which of Your Parents is an Indian?” Blog post. http://apihtawikosisan.com/2011/12/youre-metis-so-which-of-your-parents-is-an-indian/ (accessed 18 December 2018).Google Scholar
Vowel, Chelsea. 2016. “You're Métis? Which of Your Parents is an Indian.” In Indigenous Writes: A Guide to First Nations, Métis, and Inuit Issues in Canada. Winnipeg: Highwater Press.Google Scholar
Wrazen, Louise. 2007. “Relocating the Tatras: Place and Music in Górale Identity and Imagination.” Ethnomusicology 51/2:185–204.Google Scholar
Supplementary material: Image

Giroux Supplementary Material

Giroux Supplementary Material Figure 3
Download Giroux Supplementary Material(Image)
Image 482.4 KB
Supplementary material: Image

Giroux Supplementary Material

Giroux Supplementary Material Figure 4
Download Giroux Supplementary Material(Image)
Image 366.6 KB
Supplementary material: Image

Giroux Supplementary Material

Giroux Supplementary Material Figure 5
Download Giroux Supplementary Material(Image)
Image 292.8 KB