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C75:29]Franke, Wolfgang. “‘Halbert and Hob’: Browning at Wuthering Heights.” BSN, 5 (12 1975), 3–8. ▪ The poem is set in the north of England because “the Victorian imagination contrived to transform even the industrial north into a kind of residual saga-world of heathen amorality” (P. 7).Google Scholar

C75:30]Garrett, Marvin P. “Language and Design in Pippa Passes.” VP, 13 (1975), 47–60. ▪ Images of rebirth in the poem.Google Scholar

C75:31]Gilbert, William H. “Browning's Pauline: The Case for Shelley's Influence.” DAI, 35 (1975), 5343A (Duke Univ.). ▪ The poem is consciously dramatic rather than lyric and is heavily influenced by Shelley's “Epipsychidion.”Google Scholar

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C75:46]Honan, Park. “Robert Browning and Matthew Arnold.” SIB, 3 (Fall, 1975), 123–24. ▪ A brief list of parallels in their works and lives.Google Scholar

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C75:54]Kaplan, Fred. “Death and Lovely Song: Browning's ‘Never the Time and the Place.’” BSN, 5 (07 1975), 5–21. ▪ The poem dramatizes the redefinition of the relationship between love and time forced upon RB by EBB's death.Google Scholar

C75:55]Kay, Donald. “Browning's Rejected Lover: ‘Why, All Men Strive and Who Succeeds?’” Revista de Literaturas Modernas, No. 11 (1972), pp. 147–56.*Google Scholar

C75:56]Keane, Robert N. “Rossetti: The Artist and ‘The Portrait.’” English Language Notes, 12 (1974), 96–102. ▪ Echoes of “My Last Duchess” in Rossetti's poem (p. 100).Google Scholar

C75:57]Keane, Robert N. “Rossetti's ‘Jenny’: Moral Ambiguity and the ‘Inner Standing Point,’” Papers on Language and Literature, 9 (1973), 271–80. ▪ Why RB and others misunderstood the poem.Google Scholar

C75:58]Kelly, Edward E. “Porphyria's Lover: Fantasizer, Not Speaker.” SIB, 3 (Fall, 1975), 126–28. ▪ The man in “Porphyria's Lover” is thinking or fantasizing rather than speaking.Google Scholar

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C75:60]Kincaid, Arthur. “Drama Review.” BSN, 5 (12 1975), 20–26. ▪ Review of The Friendship of Mrs. Eckley by Ronald Gow, which premièred at Cheltenham, England, on 29 Oct. It is based on EBB's letters to Sophia Eckley (in the Berg Collection) and attempts to explain EBB's preoccupation with spiritualism.Google Scholar

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C75:68]Loucks, James. “Galuppi and Relfe's Psychology of Music.” SIB, 3 (Spring, 1975), 110–13. ▪ Stanzas VI through IX of “A Tocatta of Galuppi's” were influenced by the writings of John Relfe.Google Scholar

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C75:77]Neel, Bege B. “The Rule of Reverse in ‘Mr. Sludge, the Medium.’” Tennessee Studies in Literature, 20 (1975), 60–68. ▪ “…since Mr. Sludge is portrayed as a disgustingly dishonest character at every phase of his defence, it cannot be assumed that the thoughts which are expressed as his own are necessarily indicative of the attitudes or questions of Browning” (pp. 67–68).Google Scholar

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C75:89]Reader, Willie. “King Lear as a Partial Source for Browning's ‘A Seranade at the Villa.’” BSN, 5 (03 1975), 25–26.Google Scholar

C75:90]Richardson, James E. Jr. “Necessity and Possibility in the Poetry of Thomas Hardy.” DAI, 36 (1975), 2854–55A (Univ. of Virginia). ▪ Extensive comparison with RB.Google Scholar

C75:91]Richmond, Hugh M. “Personal Identity and Literary Personae: A Study in Historical Psychology.” Publications of the Modern Language Association, 90 (1975), 209–19. ▪ RB creates psychological tension in “The Bishop Orders His Tomb” by “a clever superimposition of the theatrical deathbed episode from Izaak Walton's Life of Donne, on analogous but purely pagan and frivolous material dexterously excerpted from the role-playing of Trimalchio in the Satyricon of Petronius” (p. 219).Google Scholar

C75:92]Roberts, John J. “‘Dead from the Waist Down’: An Allusion to Socrates in Browning's ‘A Grammarian's Funeral’?” SIB, 3 (Fall, 1975), 129–31.Google Scholar

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C75:94]Robertson, David. “Browning on the Colle di Colma.” BSN, 5 (07 1975), 6–13. ▪ The Colle di Colma, rather than a mountain gorge near Bagni di Lucca, is the setting for “By the Fireside.” Illustrated.Google Scholar

C75:95]Rogal, Samuel J. “The Messianic Prophecy in Browning's ‘Saul.’” Greyfriar, 15 (1974), 30–37. ▪ The passage is based upon RB's Christianization of the Hebrew Messiah.Google Scholar

C75:96]Rossetti, William M.The P.R.B. Journal: William Michael Rossetti's Diary of the Pre-Raphaelite Brotherhood, 1849–1853, ed. Fredeman, William E.. Oxford: Clarendon Press, 1975. ▪ See index.Google Scholar

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C75:98]Ryals, Clyde de L.Browning's Later Poetry 1871–1889. Ithaca: Cornell Univ. Press, 1975. pp. 262. ▪ “My purpose in this book is to show, mainly by studying individual poems, that Browning's later work is not simply a sprawling, unstructured mass of versified argument written by a man whose artistic gifts had somehow been maimed or dissipated in the late 1860's. Indeed, I wish to demonstrate that the achievements of Browning's later years are remarkable and that their worth is due primarily to his plastic imagination, the shaping power that molds the most disparate ideas and experiences into a unified whole” (p. 14).Google Scholar

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C75:99]Schuchard, Martha K. M. “Freemasonry, Secret Societies, and the Continuity of the Occult Traditions in English Literature.” DAI, 36 (1975), 2792–93A (Univ. of Texas). ▪ “The differences between the ‘spiritualism’ of Mrs. Browning and Harriet Martineau and the Rosicrucian ‘magic’ of Bulwer-Lytton and Richard Burton are discussed in order to define the complex theosophical milieu which emerged by the 1880's.”Google Scholar

C75:100]Schwarz, Daniel R. “Rituals and Ceremonies of ‘A Strange Old Man’: A Reading of ‘Martin Relph.’” BSN, 3 (03 1975), 17–25. ▪ The poem “is an intense psychological monodrama in which the speaker re-examines his failure to respond properly to a situation requiring courage and selflessness” (p. 17).Google Scholar

C75:101]Serlen, Ellen. “The Rage of Caliban: Realism and Romance in the Nineteenth-Century Novel.” DAI, 36 (1975), 911A (State Univ. of New York at Stony Brook). ▪ Treats RB only obliquely.Google Scholar

C75:102]Shaffer, Elinor S.‘Kubla Khan’ and The Fall of Jerusalem: The Mythological School in Biblical Criticism and Secular Literature, 1770–1880. Cambridge: Cambridge Univ. Press, 1975. ▪ Chap. 5, “Browning's St. John: The Casuistry of the Higher Criticism,” reprints C72:63.Google Scholar

C75:103]Shapiro, Arnold. “‘Childe Roland,’ Lear, and the Ability to See.” Papers on Language and Literature, 11 (1975), 88–94. ▪ Lear “provides an ironic framework for [‘Childe Roland’]; it furnishes an important perspective by which readers can better understand the nature of the central character in the poem” (p. 88).Google Scholar

C75:104]Sheldon, Mabel Ann. “Mini-Biog (To All Present-Day Barretts and Brownings).” BSN, 5 (03 1975), 33. ▪ Light verse.Google Scholar

C75:105]Siegchrist, Mark. “Narrative Obtuseness in Browning's ‘Clive.’” SIB, 3 (Spring, 1975), 53–60. ▪ “… the poem ultimately supports Clive's own insistent conviction that suicide is really a shabby escape, a coward's avoidance of a situation which he has not the moral courage to endure” (p.53).Google Scholar

C75:106]Solimine, Joseph Jr. [Note.] SIB, 3 (Spring, 1975), 131. ▪ RB's sinus headaches.Google Scholar

C75:107]Sullivan, Mary Rose. “Browning's Plays: Prologue to Men and Women.” BIS, 17 (1975), 17–39. ▪ An examination of the plays as they foreshadow the themes of Men and Women.Google Scholar

C75:108]Sullivan, Mary Rose. “Irony in ‘A Woman's Last Word.’” BSN, 5 (07 1975), 14–17.Google Scholar

C75:109]Swingle, L. J. “Browning's ‘Meeting at Night’ and ‘Parting at Morning’: Complexities within the Romantic Quest.” BSN, 5 (12 1975), 8–14. ▪ The “parting” is mental rather than physical.Google Scholar

C75:110]Takiyama, Tokuzo. Burauningu Kenkyū Josetsu. Tokyo: Nanundo, 1974. pp. 194.* ▪ Critical study of RB's poetry, with emphasis on The Ring and the Book. (In Japanese.)Google Scholar

C75:111]Thomas, Charles F. “The Browning Busts at the South London Art Gallery.” SIB, 3 (Spring, 1975), 96–101. ▪ Bust of RB by Henry Charles Fehr; bust of EBB by Henry Alfred Pegram. Photographs on pp. 50–51.Google Scholar

C75:112]Tuman, Myron. “Browning's Historical Intention in The Ring and the Book” SIB, 3 (Spring, 1975), 76–95. ▪ “In abandoning the compilation of facts for the search for some higher truth Browning is not forsaking history for poetry. On the contrary, both the intense interest in facts and the determination to discover the universal meaning of those facts are part of the nineteenth-century historical tradition of historicism” (p. 77).Google Scholar

C75:113]Tuman, Myron “Was It a Procession of the Servite Order Down in the City?” BSN, 5 (03 1975), 27. ▪ “Marie Ney of London suggests that the procession Browning imagines in ‘Up at a Villa—Down in the City’ was one of the Servite Order.”Google Scholar

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C75:115]Witt, Robert W. “Caliban upon Plato.” VP, 13 (1975), 136. ▪ Platonic ideas in “Caliban upon Setebos.”Google Scholar

C75:116]Woddis, Roger. “How They Brought the Bad News.” New Statesman, 89 (7 02 1975), 173. ▪ Political verse parody of “How They Brought the Good News.”Google Scholar

C75:117]Yetman, Michael G. “Exorcising Shelley Out of Browning: Sordello and the Problem of Poetic Identity.” VP, 13 (1975), 79–98. ▪ “This study demonstrates how Browning transmuted the historical Sordello into a dramatic persona hopelessly polarized by a tension between what, in his 1851 Essay on Shelley, the poet identified as the subjective and objective poetic impulses.”Google Scholar

C75:118]Zimmerman, Susan. “Sonnets from the Portuguese: A Negative and a Positive Context.” Mary Wollstonecraft Newsletter, 2, No. 1 (1973), 7–20.*Google Scholar