Hostname: page-component-848d4c4894-sjtt6 Total loading time: 0 Render date: 2024-06-23T06:38:28.506Z Has data issue: false hasContentIssue false

THE HOLISTIC TRUTH OF MEMORY AND TESTIMONY IN THE RING AND THE BOOK

Published online by Cambridge University Press:  15 February 2013

J. Stephen Addcox*
Affiliation:
University of Florida

Extract

The questions that The Ring and Book (1868–69) raises regarding truth, perception, and testimony have long concerned critics. However, few critics have given particular focus to the role that memory plays in the poem. While The Ring and the Book was not the first piece of literature to offer different narrations of the same event, Robert Browning's introduction of at least ten iterations or perspectives (depending on how you count) of the same narrative within one work remains unique. The legal system is very much in view throughout the text of the poem, and so the nature of testimony as a component of the legal process is integral to our consideration of The Ring and the Book. Specifically, shifting attitudes about legal testimony in the nineteenth century make memory particularly important for any study of testimony in the poem. In his multivolume work The Rationale of Judicial Evidence (1827), Jeremy Bentham gives special consideration to the composition of testimony, which he argues consists of four elements: perception, judgment, memory, and expression (155). Bentham's work recognized that testimony was not a simple matter of truth and falsehood, but that the faculties of the witness were intimately intertwined with testimony. However, contemporary critics have tended to focus on perception and expression (language), while memory has remained mostly unexamined.

Type
Research Article
Copyright
Copyright © Cambridge University Press 2013 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

WORKS CITED

Altick, Richard, and Loucks, James. Browning's Roman Murder Story: A Reading of The Ring and the Book. Chicago: U of Chicago P, 1968.Google Scholar
Bailey, Suzanne. “Somatic Wisdom: Refiguring Bodies in The Ring and the Book.” Victorian Studies 41.4 (1998): 567–91.Google Scholar
Bentham, Jeremy. Rationale of Judicial Evidence. Vol. 1.155. London: Hunt and Clarke, 1827. Google Books. Web. 9 February 2012.Google Scholar
Brady, Ann P. Pompilia: a Feminist Reading of Robert Browning's The Ring and the Book. Athens: Ohio UP, 1988.Google Scholar
Browning, Robert. The Ring and the Book. Ed. Collins, Thomas and Altick, Richard. Toronto: Broadview, 2001.Google Scholar
Buckler, William E. Poetry and Truth in Robert Browning's The Ring and the Book. New York: New York UP, 1985.Google Scholar
Cundiff, Paul. Browning's Ring Metaphor and Truth. Metuchen: Scarecrow, 1972.Google Scholar
Dunbar, Ann-Marie. “‘Now for the Truth!’: Confession and Testimony in The Ring and the Book.” Victorians Institute Journal 37.1 (2009): 135–63.CrossRefGoogle Scholar
Findlay, L. M.Taking the Measure of Différance: Deconstruction and The Ring and the Book.” Victorian Poetry 29.4 (1991): 401–14.Google Scholar
Fish, Stanley. Doing What Comes Naturally. Durham: Duke UP, 1995.Google Scholar
Foucault, Michel. Discipline and Punish: The Birth of the Prison. New York: Vintage, 1995.Google Scholar
Gest, John Marshall, trans. The Old Yellow Book. Boston: Chipman Law, 1925.Google Scholar
Hobbes, Thomas. The English Works of Thomas Hobbes of Malmesbury. Vol. 1. Ed. Molesworth, Sir William. London: John Bohn, 1839. Google Books. Web. 14 September 1915.Google Scholar
Hodell, Charles W., trans. The Old Yellow Book. Baltimore: Carnegie Institution of Washington, 1908.Google Scholar
Jeffcoate, Stephen. “Stranger than Truth: Retrieving the Fictions of The Ring and the Book.” Studies in Browning and His Circle 27 (2006): 6374.Google Scholar
Kundera, Milan. Ignorance. New York: Harper Collins, 2000.Google Scholar
Langbaum, Robert. “Is Guido Saved? The Meaning of Browning's Conclusion to The Ring and the Book.” Victorian Poetry 10.4 (1972): 289305.Google Scholar
Langbaum, Robert. The Poetry of Experience: the Dramatic Monologue in Modern Literary Tradition. New York: Norton, 1963.Google Scholar
Miller, J. Hillis. The Disappearance of God: Five Nineteenth-Century Writers. Cambridge: Belknap of Harvard UP, 1963.Google Scholar
O'Connor, Lisa. “The Construction of a Self: Guido and Metaphor in Book XI of The Ring and the Book.” AUMLA 71 (1989): 139–58.CrossRefGoogle Scholar
Ricoeur, Paul. Memory, History, Forgetting. Chicago: U of Chicago P, 2004.CrossRefGoogle Scholar
Rigg, Patricia Diane. Robert Browning's Romantic Irony in The Ring and the Book. Cranbury: Associated UP, 1999.Google Scholar
Rundle, Vivienne J. “‘Will you let them murder me?’: Guido and the Reader in The Ring and the Book.” Victorian Poetry 27.3–4 (1989): 99114.Google Scholar
Slinn, E. Warwick. “Language and Truth in The Ring and the Book.” Victorian Poetry 27.3–4 (1989): 115–33.Google Scholar
Struve, Laura. “‘This is No Way to Tell a Story’: Robert Browning's Attack on the Law in The Ring and the Book.” Law and Literature 20.3 (2008): 423–43.CrossRefGoogle Scholar
Volf, Miroslav. The End of Memory: Remembering Rightly in a Violent World. Grand Rapids: Eerdmans, 2006.Google Scholar
Žižek, Slavoj. Violence. New York: Picador, 2008.Google Scholar