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GIFTING PAIN: THE PLEASURES OF LIBERAL GUILT IN LONDON, A PILGRIMAGE AND STREET LIFE IN LONDON

Published online by Cambridge University Press:  09 April 2013

Tanushree Ghosh
Tanushree Ghosh*
Affiliation:
University of Nebraska at Omaha
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Extract

In 1872, Blanchard Jerrold and Gustave Doré began publishing their lavish travelogue, London, a Pilgrimage. Much renowned for his illustrations of Divine Comedy, Don Quixote, Paradise Lost, Idylls of the King, and other significant literary texts, Doré's considerable reputation as an artist fetched him a staggering sum of ten thousand pounds as payment for his work in London, a Pilgrimage. Jerrold, responsible for conceptualizing the project, was an established liberal playwright and journalist, often contributing pieces to the Daily News, Illustrated London News, and Athenaeum. Looking for interesting material, Jerrold and Doré traveled all over London; Doré often made notes on the spot and finished the illustrations later. Seeking to situate their work within the field of social exploration, Jerrold and Doré referenced Henry Mayhew's reformist journalistic series, London Labour and the London Poor. Jerrold claimed that their social investigation would reproduce for contemporary readers Mayhew's categories of “those who work, those who cannot, [and] those who won't work” (“Frontmatter”). Volumes of London, a Pilgrimage, however, were reviewed as gift-books in various periodicals; the Examiner, for example, reviewed it in the “Christmas-Books” section, indicating that these volumes, which contained pictures of lower-class shanties and miserable, under-fed people, were being gifted and enjoyed (“Christmas-Books”).

Type
Research Article
Information
Victorian Literature and Culture , Volume 41 , Issue 1 , March 2013 , pp. 91 - 123
Copyright
Copyright © Cambridge University Press 2013

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