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Deathless Marriage and Spiritual Fecundity in Venantius Fortunatus's De Virginitate

Published online by Cambridge University Press:  29 July 2016

Brian Brennan*
Affiliation:
Macquarie University, Sydney

Extract

The Latin poet Venantius Fortunatus (ca. 530–600) is known today for his Holy Cross hymns, for the classicizing epithalamium that he wrote for the wedding of the Frankish king Sigibert, and for his panegyrics of the royal and powerful in Merovingian society. Yet despite the attention that has been lavished on Fortunatus's other major works, his ambitious four hundred line poem De Virginitate (8.3) has been noticeably neglected, perhaps because of its subject matter. A highly original work nevertheless, this poem was written in the late 560s for his patroness, the royal nun Radegund. Most probably, it was recited by the poet at the installation of Radegund's “spiritual daughter” Agnes as abbess of the Convent of the Holy Cross, which Radegund had founded at Poitiers. It is a work equal in importance to Fortunatus's episcopal panegyrics and other ceremonial poems for church occasions.

Type
Articles
Copyright
Copyright © 1996 by Fordham University 

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References

1 The following works will be referred to in abbreviated form: CG = Concilia Galliae 2, ed. Carlo deClercq, CCL 148A (Turnhout, 1963); GC = Gregory of Tours Gloria Confessorum, ed. Bruno Krusch MGH, SRM 1.2 (Hannover, 1885); LH = Gregory of Tours Libri Historiarum, ed. Bruno Krusch and Wilhelm Levison, MGH, SRM 1, 2nd. ed. (Hannover, 1951); VP = Gregory of Tours Liber Vitae Patrum, ed. Bruno Krusch, MGH, SRM 1.2 (Hannover, 1885); VR = Venantius Fortunatus and Baudonivia Vita Radegundis, ed. Bruno Krusch, MGH, SRM 2 (Hannover, 1888). All citations of the carmina of Venantius Fortunatus are from Friedrich Leo, ed. Opera Poetica, MGH, AA 4.1 (Berlin, 1881). Poems in the body of the text are cited by book, poem, and line number as they appear in Leo's edition. Append. refers to the appendix in Leo's edition.Google Scholar

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4 Berthichilde, to whom Fortunatus wrote verse, changed her garments to those of a religious but still lived at home. See Carm. 6. 4, esp. lines 8–9, 13–14, 17–18. Gregory of Tours (GC 16), comments that a domestic arrangement proved too distracting for the virgin Papula, who to escape her doting parents, dressed as a man and hid in a male monastery. Gregory's report on the religiosa Georgia (GC 33) reveals that she lived a hermit existence, probably well before Gregory's own time. Pelagia, like her son the abbot Aredius, lived the monastic life at her villa near Limoges; see Gregory GC 102 and LH 10.29.Google Scholar

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11 LH 9.39.Google Scholar

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18 The consecration of deaconesses was banned because of the perceived weakness of women: Conc. Epaonense A.517 can. 21 (CG 2:29). Conc. Aurelianense A.533 can. 18 (CG, 2:101): “Placuit, ut nulli postmodum foeminae diaconalis benedictio pro conditionis huius fragilitate credatur.”Google Scholar

19 See LH 8.20, and the discusssion by Godefroid Kurth, “Le Concile de Mâcon et L’Âme des Femmes,” in his Études Franques, vol. 1 (Paris, 1919), 161–67.Google Scholar

20 LH 4.26; 5.39; 6.16; 9.39. Note Wemple, Women in Frankish Society (n. 2 above), 156: “Even in this heroic age of monasticism convents served as prisons.”Google Scholar

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22 Conc. Aurelianense A.549. can. 19 (CG 2:155); Conc. Turonense A.567. can 21 (CG 2:184–85).Google Scholar

23 LH 9.39.Google Scholar

24 See the divisions proposed by Meyer, Gelegenheitsdichter (n. 1 above), 111–12.Google Scholar

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28 Carm. 8.3.47–52; 81–84. The image of the wise and discriminating bee is found in Christian literature. In Athanasius Vita Antonii 3–4 (PG 26: 844–45), Antony the hermit is the “wise bee” who visited devout men, extracting from each a particular virtue. See also Basil the Great Address to Young Men 7–8 and Clement of Alexandria Stromateis 1.1. Writing to the holy widow Furia, Jerome presents Deborah as the bee: “apis nomen accepit scripturarum floribus pasta, Spiritus Sancti odore perfusa et dulces ambrosiae sucos prophetali ore conponens” (Ep. 54.17). The classical antecedents are set out by Arthur Cook, “The Bee in Greek Mythology,” Journal of Hellenic Studies 15 (1895): 1–14, and André Sauvage, “Les insectes dans la poèsie romaine,” Latomus 29 (1970): 274–87.Google Scholar

29 Brown, Peter, The Body and Society: Men, Women and Sexual Renunciation in the Early Church (New York, 1984), 274; John Bugge, Virginitas. Evolution of a Medieval Ideal (The Hague, 1975), 59–79; Franca Consolino, “Veni huc a Libano: La sponsa del Cantico dei Cantico come modello per le vergini negli scritti esortatori di Ambrogio,” Athenaeum, n.s. 62 (1984): 399–415; Elizabeth Clark, “The Uses of the Song of Songs: Origen and the Later Latin Fathers,” in idem, Ascetic Piety and Women's Faith: Essays on Late Ancient Christianity (Lewiston, 1986), 386–427; Patricia Cox Miller, “The Blazing Body: Ascetic Desire in Jerome's Letter to Eustochium,” Journal of Early Christian Studies 1 (1993): 21–45. For the later medieval tradition, Ann Matter, E., The Voice of My Beloved: The Song of Songs in Western Medieval Christianity (Philadelphia, 1990); Ann Astell, The Song of Songs in the Middle Ages (Ithaca, 1990).Google Scholar

30 LH 9.42.Google Scholar

31 A most lucid treatment of the developing tradition of Jesus as the bridegroom of the soul is to be found in Jaroslav Pelikan, Jesus Through The Centuries (New Haven, 1985), 122–32. Note the eroticism of Fortunatus Carm. 8.3.125–28; cf. Jerome Ep. 22.25–26.Google Scholar

32 Herde, Rosemarie, “Das Hohelied in der lateinischen Literatur des Mittelalters bis zum 12 Jahrhundert,” Studi Medievali 8 (1967): 957–1073, esp. 872–980.Google Scholar

33 Origen Hom. in Canticum Canticorum 1.1. (ed. Olivier Rousseau, SC 37 bis [Paris, 1966], 70): “Haec quippe in hoc libro, fabula pariter et epithalamio, sunt personae; ex quo et gentiles sibi epithalamium vindicarunt et istius carmen assumptum est, epithalamium siquidem et canticum canticorum.”Google Scholar

34 Carm. 6.1.15–22.Google Scholar

35 Claudian Epithalamium de nuptiis Honorii et Mariae, Praef. 69–227; Sidonius Epithalamium de nuptiis Ruricii et Hiberiae 111–25. On the genre in late antiquity, see Camillo Morelli, “L’Epitalamio nella tarda poesia latina,” Studi italiani di Filologia Classica 18 (1910): 319–432; Michael Roberts, “The Use of Myth in Latin Epithalamia from Sidonius to Venantius Fortunatus,” Transactions of the American Philological Association 119 (1989): 321–48.Google Scholar

36 Michael Roberts (The Jeweled Style. Poetry and Poetics in Late Antiquity [Ithaca, N. Y., 1989], 85) draws a parallel between this catalogue of saints and the procession of saints in the nave of Sant’Apollinare Nuovo in Ravenna.Google Scholar

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38 Claudian Epithalamium de nuptis Honorii et Mariae 165–74; 282–83.Google Scholar

39 Paulinus of Nola Carm. 25.Google Scholar

40 Claudian Epithalamium de nuptiis Honorii et Mariae 54–55: luxuriae Venerique vacat. pars acrior anni / exulat; aeterni patet indulgentia veris.Google Scholar

41 Ibid., 92–96.Google Scholar

42 Ibid., 202–203.Google Scholar

43 Statius Silvae I. ii. 19–23.Google Scholar

44 Fortunatus (Vita Martini 1.18–19) mentions Prudentius among the Christian poets, but little influence can be detected. See Bigorra, Sebastián, “Prudencio y Venancio Fortunato: influencia de un metro,” Helmantica 26 (1975): 333–37.Google Scholar

45 Prudentius Liber Cathemerinon 3.101–105: “tunc per amoena virecta iubet / frondicomis habitare locis, / ver ubi perpetuum redolet / prataque multicolora latex / quadrifluo celer amne rigat.”Google Scholar

46 Prudentius Liber Cathemerinon 5.113–24. For a discussion of Prudentius's paradisaical imagery, see Jacques Fontaine, “Trois variations de Prudence sur le thème du Paradis,” in Forschungen zur römischen Literatur: Festschrift zum 60. Geburtsag von K. Bücher, ed. Walter Wimmel (Wiesbaden, 1970), 96–115 (reprinted in Études sur la poésie latine tardive d’Ausone à Prudence [Paris, 1980], 488–507).Google Scholar

47 Prudentius Peristephanon Liber 196–200. For a discussion of floral symbolism and the martyr cult, see John Petruccione, “The Portrait of St. Eulalia of Mérida in Prudentius’ Peristephanon 3,” Analecta Bollandiana 108 (1990): 81–104; Michael Roberts, Poetry and the Cult of the Martyrs: The Liber Peristephanon of Prudentius (Ann Arbor, 1993), 96–100.Google Scholar

48 Jerome Ep. 54.14: “Redime virgines, quas in cubiculum salvatoris inducas, suscipe viduas, quas inter virginum lilia et martyrum rosas quasi quasdam violas misceas; pro corona spinea, in qua mundi Christus delicta portavit, talia serta compone.”Google Scholar

49 Carm. 3.9.1–46. Ruth Ellis Messenger, “Salve festa dies,” Transactions of the American Philological Association 78 (1947): 208–22.Google Scholar

50 LH 6.29: “Quibus ambolantibus, pervenerunt ad fontem magnum, cuius aquae tamquam aurum splendebant, herbae vero in modum diversarum gemmarum vernante luce radiabant.”Google Scholar

51 GC 40; cf. 94.Google Scholar

52 VP 19, prologue.Google Scholar

53 Kantorowicz, Ernst, “Oriens Augusti: Lever du Roi,” Dumbarton Oaks Papers 17 (1963): 135–45 (for Christ); 146–48 (for the Virgin Mary).Google Scholar

54 In the panegyrical tradition, the fecundity of the earth and of nature was commonly associated with the emperor's good rule and in particular with his iustitia and cura; see Sabine MacCormack, Art and Ceremony in Late Antiquity (Berkeley, 1981), 218–19. At the emperor's arrival, the harvest is guaranteed and nature in sympathetic joy pays a bountiful homage to celebrate the felicitas temporum (Pan Lat. 3.15.3; 4.3.1).Google Scholar

55 Jerome Ep. 22.21.Google Scholar

56 ibid., Ep. 22.19.Google Scholar

57 Aristotle Historia Animalium 553a. 16–25.Google Scholar

58 Vergil Georg. 4.197–202.Google Scholar

59 Fortunatus Carm. 6.1.142–43: “sic iterum natis celebretis vota parentes / et de natorum teneatis prole nepotes.” Claudian, Epithalamium de nuptiis Honorii et Mariae, 340–41: “sic uterus crescat Mariae; sic natus in ostro, / parvus Honoriades genibus considat avitis.” Sidonius Epithalamium de nuptiis Ruricii et Hiberiae, 132–33: “sint nati sintque nepotes; / cernat et in proavo sibimet quod pronepos optet.”Google Scholar

60 Jerome Adversus Helvidium 20 (PL 23:213–14). Jerome still manages to depict marriage in a negative light despite his assertion that marriage is an honorable state. He claims that he will not mention “quomodo uterus intumescat, infans vagiat, cruciet paelex, domus cura sollicitet, et omnia quae putantur bona, mora extrema praecidat” (Ep. 22.3). See also the comments of Ambrose Exhortatio Virginitatis 1.7 (PL 16:348–50); De Virginibus 1.6–8 (PL 16:195–203).Google Scholar

61 Avitus of Vienne De consolatoria laude castitatis 163–200 (PL 59:372–73).Google Scholar

62 Ton. Van Eijk, H. J., “Marriage and Virginity, Death and Immortality,” in Epktasis: Mélanges offert au Cardinal Daniélou, J., ed. Jacques Fontaine and Charles Kannengiesser (Paris, 1972), 235: “the end of marriage is also the end of time and the absolute rejection of marriage is, in fact, a rejection of time.”Google Scholar

63 See, for example, Jerome Ep. 22.19; Ambrose Exhortatio Virginitatis 7.42 (PL 16:348–49); De Virginibus 1.13 (PL 16:197).Google Scholar

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66 Klingshirn, “Caesarius's Monastery” (n. 27 above), 474–80.Google Scholar

67 Caesarius Regula virginum, prologue 1: “Quae ut deo adiuuante custodire possitis, iugiter in monasterii cellula residentes, visitationem filii dei assiduis orationibus implorate, ut postea cum fiducia possitis dicere: invenimus quem quaesiuit anima nostra [cf. Song of Songs 5:6. “quaesivi, et non inveni illum”]. Et ideo vos sacras virgines et deo deditas animas rogo, quae incensis lampadibus cum secura conscientia domini praestolatis adventum, … ut cum in regno cum sanctis ac sapientibus virginibus feliciter introibitis, me cum stultis non remanere foris vestro suffragio obtineatis” (ed. Adalbert de Vogüé and Joël Courreau, 170–72).Google Scholar

68 Baudonivia (VR 20): “Quid me desiderio accensa cum tantis lacrimis rogas, gemens requins, fusis precibus poscis, pro me tanto cruciatu affligis, qui semper tibi assisto? Tu gemma preciosa, noveris, te in diademate capitis mei primam esse gemmam.”Google Scholar

69 Note Jerome Ep. 64.22.1: “diversis coloribus et gemmis floribusque virtutum,” many examples given at “gemma,” in ThLL 6:1757.21–56.Google Scholar

70 Caesarius Regula virginum, prologue 1: “Orantem pro me sanctimoniam vestram et inter pretiosissimas ecclesiae gemmas micantem favor divinus et praesentibus repleat bonis et dignam reddat aeternis” (ed. de Vogüé and Courreau, 172).Google Scholar

71 Royal women in the convent are mentioned by Gregory of Tours (GC 104; LH 9.39; 10.15). Caesarius (Vereor [Letter to Nuns], 8 ed. de Vogüé and Courreau, 326–28) had emphasized the regal reward that awaits the virgin in the kingdom of heaven.Google Scholar

72 Max Bonnet (Le Latin de Gregoire de Tours [Paris, 1890], 707 n.2) doubted that these were really Gregory's own words. Giselle de Nie (Views from a Many-Windowed Tower. Studies of Imagination in the Works of Gregory of Tours [Amsterdam, 1987], 126–27) suggests the description may come from one of the nuns, or from Fortunatus himself, whose poems they resemble.Google Scholar

73 GC 104.Google Scholar

74 GC 104: “Qui quocumque loco accedebamus, contemplantes gloriosam faciem tuam, ibi inveniebamus aurum, ibi argentum; ibi suspiciebamus florentes vineas segitesque comantes; ibi prata diversorum florum varietate vernantia. A te carpiebamus violas, tu nobis eras rosa rutilans et lilium candens. Tua nobis verba quasi sol resplendebant et quasi luna tenebris conscientiae nostrae lucidam veritatis lampadem accendebant.”Google Scholar

75 Fortunatus (VR 3): “Subdita semper deo, sectans monita sacerdotum, plus participata Christo, quam sociata coniugio.”Google Scholar

76 LH 9.39–43; 10.15–17. The revolt of the nuns is analyzed in detail by Georg Scheibelreiter, “Königstochter im Kloster. Radegund (ob. 587) und der Nonnenaufstand von Poitiers (589),” Mitteilungen des Instituts für Österreichische Geschichtsforschung 87 (1979): 1–37.Google Scholar

77 Brennan, “St. Radegund” (n. 2 above), 348–49.Google Scholar

78 Coudanne, Louise, “Baudonivie, moniale de Sainte-Croix et biographe de Sainte Radegonde,” in Études Mérovingiennes (n. 2 above), 45–49.Google Scholar

79 Klingshirn, “Caesarius’ Monastery” (n. 27 above), 479.Google Scholar

80 See Meyer, Gelegenheitsdichter, 27, 108–13, and George (Venantius Fortunatus [n. 1 above], 209–11), who notes the preponderance of “the more public and formal poems about Radegund and the Convent of the Holy Cross” in book 8, but strangely sees more of a memorial purpose in the later publication in book 11 of the more intimate personal poetry that Fortunatus had written for his patronesses.Google Scholar

81 Meyer (Gelegenheitsdicter, 27) suggested that Fortunatus deliberately excluded his more personal poems for Radegund and Agnes from the collection of book 8, putting them aside for a more favorable time. Meyer believed that these other poems were found by Fortunatus's friends only after his death and “published” at that time in book 11 and in what we know as the appendix to his works.Google Scholar

82 LH 9.41.Google Scholar

83 LH 9.40.Google Scholar