Most scholars of American drama and theatre acknowledge that women's contributions to the field, especially those prior to the twentieth century, have been underrepresented. Over the past twenty-five years, scholars have begun to address a number of those glaring omissions. Women in American Theatre (New York: Crown, 1981; rev, and exp,, New York: TCG, 1987), edited by Helen Krich Chinoy and Linda Walsh Jenkins, fired the first resounding salvo, addressing an enormous range of material. Faye Dudden's outstanding Women in the American Theatre: Actresses & Audiences, 1790–1870 (New Haven: Yale University Press, 1994) provided a more focused study and insight into countless previously unknown figures. Amelia Howe Kritzer's Plays by Early American Women, 1775–1850 (Ann Arbor: University of Michigan Press, 1995) brought to the surface many plays and dramatists never before anthologized.