Theatre Research International: Volume 10 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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Volume 10 - Autumn 1985

Contents

Page 2 of 4

Reviews

Romeo and Juliet. Edited by G. Blakemore Evans. Cambridge: Cambridge University Press, 1984. Pp. xiv + 249 + illus. £15; £2.95. - The Taming of the Shrew. Edited by Ann Thompson. Cambridge: Cambridge University Press, 1984. xiii + 190 + illus. £15; £3.50. - Othello. Edited by Norman Sanders. Cambridge: Cambridge University Press, 1984. Pp. xiii + 209 + illus. £15; £2.95.
Karl P. Wentersdorf
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23 January 2009, pp. 164-166
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King Lear: Critical Essays. Edited by Kenneth Muir. Shakespearean Criticism, Vol. i. Advisory Editor Joseph Price. Garland Publishing, New York and London, 1984. Pp. xvi + 296. $35. - The Division of the Kingdoms: Shakespeare's Two Versions of ‘King Lear’. Edited by Gary Taylor and Michael Warren. Oxford Shakespeare Studies. Clarendon Press, Oxford, 1983. Pp. xii + 489. £35.
Brean S. Hammond
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23 January 2009, pp. 231-234
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Re-Editing Shakespeare for the Modern Reader. By Stanley Wells. Oxford Shakespeare Studies. Oxford: Clarendon Press. 1984. Pp. vi + 131. £15. - Julius Caesar. By William Shakespeare. Edited by Arthur Humphreys. The Oxford Shakespeare. Oxford: Clarendon Press, 1984. £12.95; £2.50. - Titus Andronicus. By William Shakespeare. Edited by Eugene M. Waith. The Oxford Shakespeare. Oxford: Clarendon Press. 1984. £12.95; £2.95.
David Birch
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23 January 2009, pp. 166-172
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Classicistic Acting: Two Centuries of a Performance Tradition at the Amsterdam Schouwburg. By Alfred Siemon Golding. Washington: University Press of America, 1984. Pp. xv + 627 + illus. $37.50.
Klaus Neiiendam
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23 January 2009, pp. 74-76
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La Vision d'un futur: Ledoux et ses Théâtres. By Jacques Rittaud-Hutinet. Lyon: Presses Universitaires de Lyon, 1982. Pp. 198. 1O5FF.
Martine De Rougemont
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23 January 2009, pp. 76-78
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Dreams of Love and Power: On Shakespeare's Plays. By Joseph H. Summers. Oxford: The Clarendon Press, 1984. Pp. viii + 161.
Peter Hyland
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23 January 2009, pp. 234-235
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Elizabethan Stage Conventions and Modern Interpreters. By Alan C. Dessen. Cambridge: Cambridge University Press, 1984. Pp. 190. £17.50.
Martin Garrett
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23 January 2009, pp. 172-173
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Shakespeare's Comic Rites. By Edward Berry. Cambridge: Cambridge University Press, 1984. Pp. x + 221.
David Birch
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23 January 2009, pp. 235-237
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Playing Shakespeare. By John Barton. London: Methuen, 1984. Pp. 211. £4.95.
Hugh Hunt
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23 January 2009, pp. 173-174
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Serf Actor: The Life and Art of Mikhail Shchepkin. By Laurence Senelick, Greenwood Press, Connecticut, 1984. 305 pp.
Nick Worrall
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23 January 2009, pp. 78-80
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Mrs Pat: The Life of Mrs Patrick Campbell. By Margot Peters. New York: Alfred A. Knopf, 1984. Pp. 534. s22.95.
Russell Jackson
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23 January 2009, pp. 80-82
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Milton's Puritan Masque. By Maryann C. McGuire. Athens, Georgia: University of Georgia Press, 1983. Pp. 201. - Milton's Comus: Family Piece. William B. HunterJr. Troy, N.Y.: Whitston Publishing Co., 1983. Pp. 101.
Mindele Treip
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23 January 2009, pp. 174-178
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Action is Eloquence, Shakespeare's Language of Gesture. By David Bevington. London: Harvard University Press, 1984. Pp. ix + 227. £13.20.
István Pálffy
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23 January 2009, pp. 237-238
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Tragicomedy. By David L. Hirst. London and New York: Methuen, 1984. Pp. xiii + 141.
W. D. Howarth
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23 January 2009, pp. 178-179
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The Shakespeare Tercentenary of 1864. By Richard Foulkes, with a Foreword by J. C. Trewin. London: The Society for Theatre Research, 1984. Pp. viii + 64 + illus. £7.50.
Peter Hyland
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23 January 2009, pp. 238-239
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German Expressionist Drama: Ernst Toller and Georg Kaiser. By Renate Benson. London: Macmillan Press, 1984. (Macmillan Modern Dramatists). Pp. xii + 179 + illus. £13; £4.95s.
Derek Fogg
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23 January 2009, pp. 82-83
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Revolution in the Theatre: French Romantic Theories of Drama. By Barry V. Daniels. Westport, Connecticut and London: Greenwood Press, 1983. (Contributions in Drama and Theatre Studies, 7). Pp.xii + 251. £27.95.
Norman King
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23 January 2009, pp. 179-181
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Edward Gordon Craig. By Christopher Innes. Cambridge, London, New York, etc.: Cambridge University Press, 1983. Directors in Perspective series. Pp. xiv + 242 + illus. £20: £6.95.
Arnold Rood
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23 January 2009, pp. 83-85
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Shakespeare's Universe of Discourse: Language-Games in the Comedies. By Keir Elam. Cambridge: Cambridge University Press, 1984. £25.
David Birch
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23 January 2009, pp. 239-241
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Shakespeare in Sable: A History of Black Shakespearean Actors. By Errol Hill. Massachusetts: University of Massachusetts Press, 1984. Pp. xxviii + 216 + illus. $20.
Margaret B. Wilkerson
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23 January 2009, pp. 241-242
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Page 2 of 4

Theatre Research International

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Volume 10 - Autumn 1985

Reviews

Classicistic Acting: Two Centuries of a Performance Tradition at the Amsterdam Schouwburg. By Alfred Siemon Golding. Washington: University Press of America, 1984. Pp. xv + 627 + illus. $37.50.

La Vision d'un futur: Ledoux et ses Théâtres. By Jacques Rittaud-Hutinet. Lyon: Presses Universitaires de Lyon, 1982. Pp. 198. 1O5FF.

Dreams of Love and Power: On Shakespeare's Plays. By Joseph H. Summers. Oxford: The Clarendon Press, 1984. Pp. viii + 161.

Elizabethan Stage Conventions and Modern Interpreters. By Alan C. Dessen. Cambridge: Cambridge University Press, 1984. Pp. 190. £17.50.

Shakespeare's Comic Rites. By Edward Berry. Cambridge: Cambridge University Press, 1984. Pp. x + 221.

Playing Shakespeare. By John Barton. London: Methuen, 1984. Pp. 211. £4.95.

Serf Actor: The Life and Art of Mikhail Shchepkin. By Laurence Senelick, Greenwood Press, Connecticut, 1984. 305 pp.

Mrs Pat: The Life of Mrs Patrick Campbell. By Margot Peters. New York: Alfred A. Knopf, 1984. Pp. 534. s22.95.

Milton's Puritan Masque. By Maryann C. McGuire. Athens, Georgia: University of Georgia Press, 1983. Pp. 201. - Milton's Comus: Family Piece. William B. HunterJr. Troy, N.Y.: Whitston Publishing Co., 1983. Pp. 101.

Action is Eloquence, Shakespeare's Language of Gesture. By David Bevington. London: Harvard University Press, 1984. Pp. ix + 227. £13.20.

Tragicomedy. By David L. Hirst. London and New York: Methuen, 1984. Pp. xiii + 141.

The Shakespeare Tercentenary of 1864. By Richard Foulkes, with a Foreword by J. C. Trewin. London: The Society for Theatre Research, 1984. Pp. viii + 64 + illus. £7.50.

German Expressionist Drama: Ernst Toller and Georg Kaiser. By Renate Benson. London: Macmillan Press, 1984. (Macmillan Modern Dramatists). Pp. xii + 179 + illus. £13; £4.95s.

Revolution in the Theatre: French Romantic Theories of Drama. By Barry V. Daniels. Westport, Connecticut and London: Greenwood Press, 1983. (Contributions in Drama and Theatre Studies, 7). Pp.xii + 251. £27.95.

Edward Gordon Craig. By Christopher Innes. Cambridge, London, New York, etc.: Cambridge University Press, 1983. Directors in Perspective series. Pp. xiv + 242 + illus. £20: £6.95.

Shakespeare's Universe of Discourse: Language-Games in the Comedies. By Keir Elam. Cambridge: Cambridge University Press, 1984. £25.

Shakespeare in Sable: A History of Black Shakespearean Actors. By Errol Hill. Massachusetts: University of Massachusetts Press, 1984. Pp. xxviii + 216 + illus. $20.

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Volume 10 - Autumn 1985

Reviews