Book Review
Women and Shakespeare in the Eighteenth Century. By Fiona Ritchie. Cambridge: Cambridge University Press, 2014. Pp. x + 256. £66/$99.95 Hb.
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- 02 June 2015, pp. 210-211
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Forum: Contemporary Queer Theatre and Performance Research
Post-lesbian? Gendering Queer Performance Research
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- Published online by Cambridge University Press:
- 06 February 2015, pp. 100-103
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Cyberactivism and the Emergence of #TeamPanti
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- 06 February 2015, pp. 104-107
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Book Review
Stop Teaching! Neue Theaterformen mit Kindern und Jugendlichen (Stop Teaching! New Theatre Forms with Children and Teenagers). Edited by Patrick Primavesi and Jan Deck. Bielefeld: Transcript, 2014. Pp. 338 + 50 illus. €29.99 Pb; €26.99 E-Book.
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- 09 September 2015, pp. 343-344
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A History of Collective Creation. Edited by Kathryn Mederos Syssoyeva and Scott Proudfit. New York: Palgrave MacMillan, 2013. Pp. 265. $90 Hb.
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- 02 June 2015, pp. 211-212
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Acts of Desire: Women and Sex on Stage 1800–1930. By Sos Eltis. Oxford: Oxford University Press, 2013. Pp. viii + 268. £55 Hb.
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- 06 February 2015, pp. 108-109
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Avant-Garde Theatre Sound: Staging Sonic Modernity. By Adrian Curtin. Basingstoke: Palgrave Macmillan, 2014. Pp. xiv + 260. £59.50 Hb.
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- 09 September 2015, pp. 344-345
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Weavers of Dreams Unite! Actors’ Unionism in Early Twentieth-Century America. By Sean P. Holmes. Urbana, Chicago and Springfield: University of Illinois Press, 2013. Pp. 222 + 8 illus. $60 Hb.
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- 02 June 2015, pp. 212-213
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Haptic Allegories: Kinship and Performance in the Black and Green Atlantic. By Kathleen M. Gough. New York: Routledge, 2014. Pp. xii + 208. £85/$140 Hb.
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- 09 September 2015, pp. 345-346
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Black Performance Theory. Edited by Thomas F. DeFrantz and Anita Gonzalez. Durham, NC and London: Duke University Press, 2014. Pp. 289 + 22 illus. $89.95 Hb; $24.95 Pb.
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- 02 June 2015, pp. 213-214
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Artificial Hells: Participatory Art and the Politics of Spectatorship. By Claire Bishop. London: Verso, 2012. Pp. 390. £19.99/$29.95 Pb.
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- 06 February 2015, pp. 109-110
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Performing Queer Latinidad: Dance, Sexuality, Politics. By Ramón H. Rivera-Servera. Ann Arbor: University of Michigan Press, 2012. Pp. 272. $75 Hb; $32.50 Pb.
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- 09 September 2015, pp. 346-347
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Acting: Psychophysical Phenomenon and Process. By Phillip B. Zarrilli, Jerri Daboo and Rebecca Loukes. Basingstoke and New York: Palgrave Macmillan, 2013. Pp. xvi +295. £55 Hb; £18.99/$33 Pb.
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- 02 June 2015, pp. 214-215
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Der Affektive Schauspieler: Die Energetik des Postdramatischen Theaters. By Wolf-Dieter Ernst. Berlin: Theater der Zeit, 2012. Pp. 253 + 33 illus. €22 Pb.
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- 06 February 2015, pp. 110-111
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Desire and Dramatic Form in Early Modern England. By Judith Haber. Cambridge: Cambridge University Press, 2009. Pp. xi + 212. £49/$90 Hb, £25/$45 Pb.
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- 06 February 2015, pp. 111-112
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The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North. By Douglas A. Jones. Ann Arbor: University of Michigan Press, 2014. Pp. x + 218 + 10 illus. $70 Hb; $32.50 Pb.
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- 09 September 2015, pp. 347-348
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Research Theatre, Climate Change, and the Ecocide Project. By Una Chaudhuri and Shonni Edelow. Basingstoke and New York: Palgrave Macmillan, 2014. Pp. xi + 128 + 11 illus. £47 Hb.
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- 02 June 2015, pp. 215-216
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Theatre of Good Intentions: Challenges and Hopes for Theatre and Social Change. By Dani Snyder-Young. New York: Palgrave Macmillan, 2013. Pp. xiii + 156. $90 Hb.
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- 09 September 2015, pp. 348-349
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On Beckett: Essays and Criticism. Edited by S. E. Gontarski. London and New York: Anthem Press, 2012. Pp. xxix + 320. £25/$40 Pb; £60/$99 Hb.
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- 06 February 2015, pp. 112-113
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Marking Time: Performance, Archaeology, and the City. By Mike Pearson. Exeter: University of Exeter Press, 2013. Pp. xi + 275. £65 Hb.
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- 02 June 2015, pp. 216-218
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