Theatre Research International: Volume 11 -

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

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< Back to all issues

Volume 11 - Autumn 1986

Contents

Page 2 of 4

Reviews

Interpretation of Shakespeare: British Academy Shakespeare Lectures. Selected by Kenneth Muir. Oxford: Clarendon Press, 1985. Pp. 215. £15. - Shakespeare Survey 37. Edited by Stanley Wells. Cambridge University Press, 1984. Pp. 216. £21.
Hugh Hunt
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23 January 2009, pp. 64-67
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The Quest for Shakespeare's Globe. By John Orrell. Cambridge: Cambridge University Press, 1983. Pp. xv + 187. £20.00. - Ben Jonson, Dramatist. By Anne Barton. Cambridge: Cambridge University Press, 1984. Pp. xiv + 370. £30; £9.95. - Theatre and Crisis: 1632–1642. By Martin Butler. Cambridge: Cambridge University Press, 1984. Pp. xii + 340. £25.00.
Richard Allen Cave
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23 January 2009, pp. 159-164
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German Actors of the Eighteenth and Nineteenth Centuries: Idealism, Romanticism, and Realism. By Simon Williams. Westport, Connecticut: Greenwood Press, 1985. Pp. xii + 197. $35.00.
Carl R. Mueller
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23 January 2009, pp. 251-253
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Shakespeare's Art of Orchestration. By Jean E. Howard. Urbana and Chicago: University of Illinois, 1984. Pp. x + 212. $16.95.
Dunbar H. Ogden
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23 January 2009, pp. 67-69
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John Liston. Comedian. By Jim Davis. London: The Society for Theatre Research, 1985. Pp. 146.
Michael Raab
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23 January 2009, pp. 253-255
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Des Widerspenstigen Zähmung: Moderne Shakespeare-Inszenie-Rungen in Deutschland und England. By Michael Raab. Rheinfelden: Schäuble Verlag, 1985. Pp. vi + 142. DM 30,00.
Kurt Tetzeli v. Rosador
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23 January 2009, pp. 165-166
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The Happy End Of Comedy: Jonson, Moliere, and Shakespeare. By Zvi Jagendorf. Newark: University of Delaware Press; London and Toronto: Associated University Presses, 1984. Pp. 177. £18.50.
Martin Garrett
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23 January 2009, pp. 69-70
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Otto Brahm – Gerhart Hauptmann. Briefwechsel 1889–1912. Edited by Peter Sprengel. Deutsche Text-Bibliothek, Vol. 6. Editor Gotthart Wunberg. Tübingen: Gunter Narr Verlag, 1985. Pp. 314. 58 DM.
Horst Claus
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23 January 2009, pp. 255-256
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The Theatres of Inigo Jones and John Webb. By John Orrell. Cambridge: Cambridge University Press, 1985. Pp. xiii + 218 + illus.
Graham Barlow
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23 January 2009, pp. 70-71
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The Idea of the Actor. By William B. Worthen. New Jersey: Princeton University Press, 1984.
Errol Hill
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23 January 2009, pp. 166-167
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Dickens and Popular Entertainment. By Paul Schlicke. London: Allen and Unwin, 1985. Pp. XIV + 288 + illus. £21.
Michael R. Booth
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23 January 2009, pp. 256-258
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Producible Interpretation: Eight English Plays 1675–1707. By Judith Milhous and Robert D. Hume. Carbondale: Southern Illinois University Press, 1985. Pp. xv + 336. $30.00.
Daniel Barrett
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23 January 2009, pp. 71-72
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Scenic Form in Shakespeare. By Emrys Jones. Oxford: Clarendon Press, 1985. Pp. 269. £8·95. - Alternative Shakespeares. Edited by John Drakakis. London: Methuen New Accents, 1985. Pp. xii + 260. £10·95; £4·95.
David Ian Rabey
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23 January 2009, pp. 167-170
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A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660–1800. By Philip H. HighfillJr., Kalman A. Burnim, and Edward A. Langhans. Carbondale, Illinois: Southern Illinois University Press, 1985. Vol. 9, pp. 409. Vol. 10, pp. 425. $40 each.
Judith Milhous
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23 January 2009, pp. 170-172
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Theatre in French Canada: Laying The Foundations 1606–1867. By Leonard E. Doucette. Toronto: University of Toronto Press, 1984. Pp. X + 290.£25.
P. V. Davies
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23 January 2009, pp. 72-74
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Alfred Jarry and Guillaume Apollinaire. By Claude Schumacher. London: Macmillan, 1984. Pp. xiv + 201 + illus. £15.00; £4.95.
Felicia Hardison Londré
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23 January 2009, pp. 258-259
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Henrik Ibsen. By David Thomas. London: Macmillan Press, 1983. Pp. xiii + 177 + illus. £15; £3·95.
Kela Kvam
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23 January 2009, pp. 74-75
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Federico García Lorca. By Felicia Hardison Londré. Frederick Ungar Publishing Co., Inc: New York, 1984. $13.50.
James Schevill
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23 January 2009, pp. 172-174
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The Australian Stage: A Documentary History. Edited by Harold Love. Sydney: New South Wales University Press, 1984. Pp. xix + 383 + illus. $29.95.
Michael R. Booth
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23 January 2009, pp. 259-260
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Joseph Chaikin: Exploring at the Boundaries of Theater. By Eileen Blumenthal. Cambridge: Cambridge University Press, 1984. Pp. xvi + 261 + illus. £7.95.
S. E. Wilmer
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23 January 2009, pp. 174-175
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Page 2 of 4

Theatre Research International

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Volume 11 - Autumn 1986

Reviews

Interpretation of Shakespeare: British Academy Shakespeare Lectures. Selected by Kenneth Muir. Oxford: Clarendon Press, 1985. Pp. 215. £15. - Shakespeare Survey 37. Edited by Stanley Wells. Cambridge University Press, 1984. Pp. 216. £21.

German Actors of the Eighteenth and Nineteenth Centuries: Idealism, Romanticism, and Realism. By Simon Williams. Westport, Connecticut: Greenwood Press, 1985. Pp. xii + 197. $35.00.

Shakespeare's Art of Orchestration. By Jean E. Howard. Urbana and Chicago: University of Illinois, 1984. Pp. x + 212. $16.95.

John Liston. Comedian. By Jim Davis. London: The Society for Theatre Research, 1985. Pp. 146.

Des Widerspenstigen Zähmung: Moderne Shakespeare-Inszenie-Rungen in Deutschland und England. By Michael Raab. Rheinfelden: Schäuble Verlag, 1985. Pp. vi + 142. DM 30,00.

The Happy End Of Comedy: Jonson, Moliere, and Shakespeare. By Zvi Jagendorf. Newark: University of Delaware Press; London and Toronto: Associated University Presses, 1984. Pp. 177. £18.50.

Otto Brahm – Gerhart Hauptmann. Briefwechsel 1889–1912. Edited by Peter Sprengel. Deutsche Text-Bibliothek, Vol. 6. Editor Gotthart Wunberg. Tübingen: Gunter Narr Verlag, 1985. Pp. 314. 58 DM.

The Theatres of Inigo Jones and John Webb. By John Orrell. Cambridge: Cambridge University Press, 1985. Pp. xiii + 218 + illus.

The Idea of the Actor. By William B. Worthen. New Jersey: Princeton University Press, 1984.

Dickens and Popular Entertainment. By Paul Schlicke. London: Allen and Unwin, 1985. Pp. XIV + 288 + illus. £21.

Producible Interpretation: Eight English Plays 1675–1707. By Judith Milhous and Robert D. Hume. Carbondale: Southern Illinois University Press, 1985. Pp. xv + 336. $30.00.

Scenic Form in Shakespeare. By Emrys Jones. Oxford: Clarendon Press, 1985. Pp. 269. £8·95. - Alternative Shakespeares. Edited by John Drakakis. London: Methuen New Accents, 1985. Pp. xii + 260. £10·95; £4·95.

Theatre in French Canada: Laying The Foundations 1606–1867. By Leonard E. Doucette. Toronto: University of Toronto Press, 1984. Pp. X + 290.£25.

Alfred Jarry and Guillaume Apollinaire. By Claude Schumacher. London: Macmillan, 1984. Pp. xiv + 201 + illus. £15.00; £4.95.

Henrik Ibsen. By David Thomas. London: Macmillan Press, 1983. Pp. xiii + 177 + illus. £15; £3·95.

Federico García Lorca. By Felicia Hardison Londré. Frederick Ungar Publishing Co., Inc: New York, 1984. $13.50.

The Australian Stage: A Documentary History. Edited by Harold Love. Sydney: New South Wales University Press, 1984. Pp. xix + 383 + illus. $29.95.

Joseph Chaikin: Exploring at the Boundaries of Theater. By Eileen Blumenthal. Cambridge: Cambridge University Press, 1984. Pp. xvi + 261 + illus. £7.95.

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Volume 11 - Autumn 1986

Reviews