Theatre Research International: Volume 28 -

Theatre Research International

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Theatre Research International
ISSN: 0307-8833

EISSN: 1474-0672

URL: /core/journals/theatre-research-international
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Volume 28 - March 2003

Book Reviews

The Heroine as Social Redeemer in the Plays of Jean Giraudoux. By Victoria B. Korzeniowska. Bern: Peter Lang, 2001. Pp. 144. £18 Pb

The Theatrical Event: Dynamics of Performance and Perception. By Willmar Sauter. Iowa City: University of Iowa Press, 2000. Pp. x + 272 + illus. $42.95 Hb.

Workers' Playtime: Theatre and the Labour Movement since 1970. By Alan Filewod and David Watt. Sydney: Currency Press, 2001. Pp. xiii + 280 + illus. AUS$39.95 Pb.

Book Review

A Problem Like Maria: Gender and Sexuality in the American Musical. By Stacy Wolf. Ann Arbor: University of Michigan Press, 2002. Pp. 312+illus. $49.50 Hb; $19.95 Pb

Book Reviews

See How It Runs: Nimrod and the New Wave. By Julian Meyrick. Sydney: Currency Press, 2002. Pp. viii + 312. AU$39.95 Pb

Books Received

Books Received

Book Reviews

Mapping Cultural Identity in Contemporary Australian Performance. By Helena Grehan. Brussels: P.I.E.-Peter Lang, 2001. Pp. 164 + illus. £20 Pb Body Shows: Australian Viewings of Live Performance. Edited by Peta Tait. Amsterdam and Atlanta, GA: Rodopi, 2000. Pp. xi + 243 + illus. £45 Hb; £17 Pb

Strip Show: Performances of Gender and Desire. By Katherine Liepe-Levinson. London & New York: Routledge, 2002. Pp. ix + 256 + illus. $15.99 Pb

The Drama of John Marston: Critical Re-Visions. Edited by T. F. Wharton. Cambridge: Cambridge University Press, 2001. Pp. xiii + 233. £40/$59.95 Hb.

Dances that Describe Themselves: The Improvised Choreography of Richard Bull. By Susan Leigh Foster. Middletown, CT: Wesleyan University Press, 2002. Pp. vii + 334 + illus. $65Hb; $19.95 Pb

Farce and Farcical Elements. Edited by Wim Hüsken and Konrad Schoell in conjunction with Leif Søndergaard. Amsterdam and New York: Rodopi, 2002. Pp. 223. €55 Hb; €25 Pb.

Making an Entrance: Theory and Practice for Disabled and Non-Disabled Dancers. By Adam Benjamin. London: Routledge, 2002. Pp. vii + 255 + illus. £14.99 Pb

British Theatre Between the Wars, 1918–1939. Edited by Clive Barker and Maggie B. Gale. Cambridge: Cambridge University Press, 2001. Pp. x + 260 + illus. £40/$59.95 Hb.

Books Received

Books Received

Book Reviews

The Performance Arts in Africa: A Reader. Edited by Frances Harding. London: Routledge, 2002. Pp.364. £18.89 Pb.

Herrschaft des Symbolischen: Bewegungsformen gesellschaftlicher Theatralität Europa, Asien, Afrika. Edited by Antje Budde and Joachim Fiebach. Berliner Theaterwissenschaft, Band 8. Berlin: Vistas, 2002. Pp. 366 + illus. €24 Pb.

Beckett: Waiting for Godot (Plays in Production). By David Bradby. Cambridge: Cambridge University Press, 2001. Pp. xii + 255 + illus. £40/$60 Hb; £14.95/$22 Pb.

Theatre Research International

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Volume 28 - March 2003

Book Reviews

Book Review

Book Reviews

Books Received

Book Reviews

Books Received

Book Reviews