Theatre Research International: Volume 19 - Issue 3

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Theatre Research International
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Volume 19 - Issue 3 - Autumn 1994

Contents

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Reviews

Theatre As Action: Soviet Russian Avant-Garde Aesthetics.. By Lars Kleberg. London: Macmillan, 1993. Pp. xii + 152. £11.99.
Steve Nicholson
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23 January 2009, pp. 276-277
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Before Stanislavsky: American Professional Acting Schools and Acting Theory 1875–1925. By James H. McTeague. Metuchen, NJ and London: Scarecrow Press, 1994. Pp. xviii + 298. $39.50.
Nigel Warrington
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23 January 2009, pp. 277-278
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Playing Out The Empire: Ben-Hur and Other Toga Plays and Films. A Critical Anthology. Edited with Introduction and Notes by David Mayer, and an essay on the incidental music of toga dramas by Katherine Preston. Oxford: Clarendon Press, 1994. Pp. xii + 321 + illus. £35.
Adrienne Scullion
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23 January 2009, pp. 278-279
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Reductionism In Drama and The Theatre: The Case of Samuel Beckett. By Gerhard Hauck. Potomac, Maryland: Scripta Humanistica, 1992. Pp. 230. $59.50.
Lois Oppenheim
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23 January 2009, pp. 279-280
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A Semiotics of The Dramatic Text. By Susan Melrose. Basingstoke and London: Macmillan, 1994. Pp. x + 388. £12.99.
Michael L. Quinn
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23 January 2009, pp. 280-281
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New Directions In Theatre. Edited by Julian Hilton. Basingstoke and London: Macmillan, 1993. Pp. viii + 184. £10.99.
Michael L. Quinn
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23 January 2009, pp. 281-283
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Contemporary British Theatre. Edited by Theodore Shank. Basingstoke and London: Macmillan, 1994. Pp. xii + 244. £40.
Robert Wilcher
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23 January 2009, p. 283
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Englisches Theater der Gegenwart: Geschichte[n] und Strukturen. Edited by Klaus Peter Müller. Tübingen: Gunter Narr Verlag, 1993. Pp. viii + 544. DM 168.
Anna-Marie Taylor
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23 January 2009, p. 284
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There Are No Secrets: Thoughts On Acting and Theatre. By Peter Brook. London: Methuen, 1993. Pp. 120. £12.99.
David Ian Rabey
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23 January 2009, pp. 284-285
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The Cambridge Guide to American Theatre. Edited by Don B. Wilmeth and Tice L. Miller. Cambridge: Cambridge University Press, 1993. Pp. x + 548. £35; $49.95.
Darryll Grantley
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23 January 2009, pp. 285-286
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When People Play People: Development Communication Through Theatre. By Zakes Mda. London and New Jersey: Zed Books, 1993. Pp xii + 250. £32.95/$55 Hb; £14.95/$25 Pb.
Jane Plastow
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23 January 2009, pp. 286-287
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Playing Boal: Theatre, Therapy, Activism. Edited by Mady Schutzman and Jan Cohen-Cruz. London and New York: Routledge, 1994. Pp. 246. £35 Hb; £10.99 Pb.
Chrissie Poulter
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23 January 2009, p. 287
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The Cambridge Guide to Asian Theatre. Edited by James R. Brandon. Cambridge: Cambridge University Press, 1993. Pp. viii + 253 + illus. £35; $49.95.
Brian Singleton
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23 January 2009, pp. 287-288
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Other

Présentation des articles
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23 January 2009, pp. 289-290
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Books Received

Books Received
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23 January 2009, pp. 291-293
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Announcement

‘The Shoah and Performance’
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23 January 2009, p. 294
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Front matter

TRI volume 19 issue 3 Cover and Front matter
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23 January 2009, pp. f1-f5
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Back matter

TRI volume 19 issue 3 Back matter
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23 January 2009, pp. b1-b7
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Page 2 of 2

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Theatre Research International

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Volume 19 - Issue 3 - Autumn 1994

Reviews

Theatre As Action: Soviet Russian Avant-Garde Aesthetics.. By Lars Kleberg. London: Macmillan, 1993. Pp. xii + 152. £11.99.

Before Stanislavsky: American Professional Acting Schools and Acting Theory 1875–1925. By James H. McTeague. Metuchen, NJ and London: Scarecrow Press, 1994. Pp. xviii + 298. $39.50.

Playing Out The Empire: Ben-Hur and Other Toga Plays and Films. A Critical Anthology. Edited with Introduction and Notes by David Mayer, and an essay on the incidental music of toga dramas by Katherine Preston. Oxford: Clarendon Press, 1994. Pp. xii + 321 + illus. £35.

Reductionism In Drama and The Theatre: The Case of Samuel Beckett. By Gerhard Hauck. Potomac, Maryland: Scripta Humanistica, 1992. Pp. 230. $59.50.

A Semiotics of The Dramatic Text. By Susan Melrose. Basingstoke and London: Macmillan, 1994. Pp. x + 388. £12.99.

New Directions In Theatre. Edited by Julian Hilton. Basingstoke and London: Macmillan, 1993. Pp. viii + 184. £10.99.

Contemporary British Theatre. Edited by Theodore Shank. Basingstoke and London: Macmillan, 1994. Pp. xii + 244. £40.

Englisches Theater der Gegenwart: Geschichte[n] und Strukturen. Edited by Klaus Peter Müller. Tübingen: Gunter Narr Verlag, 1993. Pp. viii + 544. DM 168.

There Are No Secrets: Thoughts On Acting and Theatre. By Peter Brook. London: Methuen, 1993. Pp. 120. £12.99.

The Cambridge Guide to American Theatre. Edited by Don B. Wilmeth and Tice L. Miller. Cambridge: Cambridge University Press, 1993. Pp. x + 548. £35; $49.95.

When People Play People: Development Communication Through Theatre. By Zakes Mda. London and New Jersey: Zed Books, 1993. Pp xii + 250. £32.95/$55 Hb; £14.95/$25 Pb.

Playing Boal: Theatre, Therapy, Activism. Edited by Mady Schutzman and Jan Cohen-Cruz. London and New York: Routledge, 1994. Pp. 246. £35 Hb; £10.99 Pb.

The Cambridge Guide to Asian Theatre. Edited by James R. Brandon. Cambridge: Cambridge University Press, 1993. Pp. viii + 253 + illus. £35; $49.95.

Other

Présentation des articles

Books Received

Books Received

Announcement

‘The Shoah and Performance’

Front matter

TRI volume 19 issue 3 Cover and Front matter

Back matter

TRI volume 19 issue 3 Back matter

Theatre Research International

Refine listing

Actions for selected content:

Save Search

Volume 19 - Issue 3 - Autumn 1994

Reviews

Other

Books Received

Announcement

Front matter

Back matter