Renaissance Quarterly: Volume 64 -

Renaissance Quarterly

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Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

URL: /core/journals/renaissance-quarterly
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Renaissance Quarterly

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Volume 64 - Spring 2011

Reviews

Stephanie Merrim. The Spectacular City, Mexico and Colonial Hispanic Literary Culture. Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture. Austin: University of Texas Press, 2010. vii + 368 pp. index. append. illus. bibl. chron. $65. ISBN: 978–0–292–72307–8.

Reviews

Book Review

Lina Bolzoni. Il cuore di cristallo: Ragionamenti d’amore, poesia e ritratto nel Rinascimento. Saggi 914. Turin: Giulio Einaudi editore, 2010. 375 pp. + 54 color and 26 b/w pls. €34. ISBN: 978–88–06–18828–3.

Reviews

Philippe Morel. Mélissa: magie, astres et démons dans l'art italien de la Renaissance. Paris: Hazan, 2008. 388 pp. illus. €39. ISBN: 978–2–7541–0184–4.

François Quiviger. The Sensory World of Italian Renaissance Art. London: Reaktion Books Ltd, 2010. 206 pp. index. illus. bibl. $27. ISBN: 978–1–86189–657–5.

Clotilde Thouret. Seul en scène: Le monologue dans le théaˆtre européen de la première modernité (1580–1640). Travaux du Grand Siècle 37. Geneva: Librairie Droz S. A., 2010. 423 pp. index. bibl. $56. ISBN: 978–2–600–01431–1.

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Book Review

Catherine R. Puglisi and William L. Barcham, eds. Passion in Venice: Crivelli to Tintoretto and Veronese: The Man of Sorrows in Venetian Art. New York: Museum of Biblical Art, 2011. 176 pp. index. illus. bibl. $45. ISBN: 978–1–904832–82–9.

Reviews

Luisa Capodieci. Medicæa Medæa: Art, astres et pouvoir à la Cour de Catherine de Médicis. Travaux d'Humanisme et Renaissance 484. Genève: Librairie Droz S.A., 2011. 728 pp. index. illus. bibl. $108.04. ISBN: 978–2–600–01404–5.

Nirit Ben-Aryeh Debby. Il pulpito toscano tra ‘300 e ‘500. Rome: Istituto Poligrafico e Zecca dello Stato. 202 pp. index. illus. bibl. €60. ISBN: 978–88–240–1152–5.

Jodi Cranston. The Muddied Mirror: Materiality and Figuration in Titian's Later Paintings. University Park, PA: The Pennsylvania State University Press, 2010. xi + 147 pp. + 16 color pls. index. illus. bibl. $70. ISBN: 978–0–271–03529–1.

Kelley Helmstutler-Di Dio. Leone Leoni and the Status of the Artist at the End of the Renaissance. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2011. xviii + 250 pp. index. append. illus. bibl. $109.95. ISBN: 978–0–7546–6234–1.

Reviews

Book Review

Cathleen Hoeniger. The Afterlife of Raphael’s Paintings. Cambridge: Cambridge University Press, 2011. xiii + 432 pp. + 8 color pls. index. illus. bibl. $95. ISBN: 978–0–521–19694–9.

Reviews

Ulrike Schneider and Anita Traninger, eds. Fiktionen des Faktischen in der Renaissance. Text und Kontext 32. Stuttgart: Franz Steiner Verlag, 2010. 232 pp. bibl. €40. ISBN: 978–3–515–09675–1.

Anthony D. Colantuono. Titian, Colonna and the Renaissance Science of Procreation Equicola's Seasons of Desire. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2010. xvii + 316 pp. index. illus. bibl. $99.95. ISBN: 978–0–7546–6962–3.

Peter Gillgren. Siting Federico Barocci and the Renaissance Aesthetic. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2011. xix + 298 pp. + 24 color pls. index. illus. bibl. $124.95. ISBN: 978–0–7546–6868–8.

Reviews

Book Review

Sonia Maffei. Le radici antiche dei simboli. Studi sull’Iconologia di Cesare Ripa e i suoi rapporti con l’antico. Naples: La Stanza delle Scritture, 2009. 653 pp. index. illus. €130. ISBN: 978–88–89254–03–5.

Reviews

Laura Giannetti. Lelia's Kiss: Imagining Gender, Sex, and Marriage in Italian Renaissance Comedy. Toronto: University of Toronto Press, 2009. xi + 334 pp. index. bibl. $65. ISBN: 978–0–8020–9951–8.

Ludovico Ariosto. “My Muse will have a story to paint”: Selected Prose of Ludovico Ariosto. The Lorenzo da Ponte Italian Library. Trans. Dennis Looney. Toronto: University of Toronto Press, 2010. xiii + 328 pp. index. illus. tbls. bibl. $65. ISBN: 978–1–4426–4087–0.

Reviews

Book Review

Marvin Trachtenberg. Building-in-Time: From Giotto to Alberti and Modern Oblivion. New Haven: Yale University Press, 2010. xxvi + 490 pp. index. illus. map. bibl. $65. ISBN: 978–0–300–16592–0.

Reviews

Frederick A. Ilchman. Titian, Tintoretto, Veronese: Rivals in Renaissance Venice. Exhib. Cat. Boston: Museum of Fine Arts, Boston, 2009. 315 pp. index. append. illus. map. chron. bibl. $65. ISBN: 978–0–97846–739–6.

Christine Göttler. Last Things: Art and the Religious Imagination in the Age of Reform. Proteus: Studies in Early Modern Identity Formation 2. Turnhout: Brepols Publishers, 2010. xxxiv + 436 pp. + 25 color pls. index. illus. map. bibl. €130. ISBN: 978–2–503–52397–2.

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Volume 64 - Spring 2011

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