Renaissance Quarterly: Volume 65 -

Renaissance Quarterly

Only show content I have access to (8)

Over 3 years (420)

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save this undefined to your undefined account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your undefined account. Find out more about saving content to .

To save this article to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Renaissance Quarterly
ISSN: 0034-4338

EISSN: 1935-0236

URL: /core/journals/renaissance-quarterly
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

Renaissance Quarterly

Refine listing

Actions for selected content:

Volume 65 - Summer 2012

Reviews

Claudia Lehmann. Un pien teatro di meraviglie: Gian Lorenzo Bernini vor dem Hintergrund konzeptistischer Emblematik. Neue Berner Schriften zur Kunst 11. Bern: Peter Lang, 2010.232 pp. $62.95. ISBN: 978–3–0343–0361–3.

Marko Lamberg, Marko Hakanen, and Janne Haikari, eds. Physical and Cultural Space in Pre-Industrial Europe: Methodological Approaches to Spatiality. Lund: Nordic Academic Press, 2011. 394 pp. + 32 color pls. $58.95. ISBN: 978–91–85509–61–4.

Helen Smith and Louise Wilson, eds. Renaissance Paratexts. Cambridge: Cambridge University Press, 2011. xiv + 274 pp. $90. ISBN: 978–0–521–11739–5.

Helen Hills. Rethinking the Baroque. Farnham: Ashgate Publishing Limited, 2011. xv +244 pp. $124.95. ISBN: 978–0–7546–6685–1.

Bert De Munck and Anne Winter, eds. Gated Communities? Regulating Migration in Early Modern Cities. Farnham: Ashgate Publishing Limited, 2012. xiii + 294 pp. $134.95. ISBN: 978–1–4094–3129–9.

Benjamin Paul. Nuns and Reform Art in Early Modern Venice: The Architecture of Santi Cosma e Damiano and its Decoration from Tintoretto to Tiepolo. Farnham: Ashgate Publishing Limited, 2012. xix + 314 pp. ISBN: 978–1–4094–1186–4.

Stéphanie Deprouw, Olivier Halévy, and Thierry Crépin-Leblond, eds. Geoffroy Tory: Imprimeur de François Ier, graphiste avant la lettre. Exh. Cat. Ecouen: Musée de la Renaissance. Paris: Editions Rmn-Grand Palais, 2011. 160 pp. €35. ISBN: 978–2–7118–5810–1.

Patricia A. Emison. The Italian Renaissance and Cultural Memory. Cambridge: Cambridge University Press, 2012. xiii + 238 pp. + 8 color pls. $90. ISBN: 978–1–107–00526–6.

Susan Dackerman, ed. Prints and the Pursuit of Knowledge in Early Modern Europe. Exh. Cat. Cambridge, MA: Harvard University Art Museums, 2011. 442 pp. $60. ISBN: 978–0–300–17107–5.

Diane Bodart. Pouvoirs du portrait sous les Habsbourg d’Espagne. Paris: CTHS–INHA, 2011. 558 pp. €46. ISBN: 978–2–7355–0756–6.

Elisabeth Oy-Marra and Volker R. Remmert, eds. Le Monde est une peinture: Jesuitische Identität und die Rolle der Bilder. Beiträge zu den Historischen Kulturwissenschaften 7. Berlin: Akademie Verlag GmbH, 2011.252 pp. €49.80. ISBN: 978–3–05–004636–5.

Maarten Delbeke and Minou Schraven, eds. Foundation, Dedication, and Consecration in Early Modern Europe. Intersections: Interdisciplinary Studies in Early Modern Culture 22. Leiden: Brill, 2012. xxv + 388 pp. $179. ISBN: 978–90–04–21757–7.

Joost Keizer and Todd M. Richardson, eds. The Transformation of Vernacular Expression in Early Modern Arts. Intersections: Interdisciplinary Studies in Early Modern Culture 19. Leiden: Brill, 2011. xix + 402 pp. $149. ISBN: 978–90–04–21204–6.

Hélène Diebold. Maurice Scève et la poésie de l’emblème. Bibliothèque de la Renaissance 5. Paris: Classiques Garnier, 2011. 492 pp. €59. ISBN: 978–2–8124–0273–9.

Alexander Marr. Between Raphael and Galileo: Mutio Oddi and the Mathematical Culture of Late Renaissance Italy. Chicago: The University of Chicago Press, 2011. xvii +360 pp. $45. ISBN: 978–0–226–50628–9.

Arne Karsten, ed. Das Grabmal des Günstlings: Studien zur Memorialkultur frühneuzeitlicher Favoriten. Humboldt-Schriften zur Kunst- und Bildgeschichte 15. Berlin: Gebr. Mann Verlag, 2011. 352 pp. €59. ISBN: 978–3–7861–2644–7.

Luba Freedman. Classical Myths in Italian Renaissance Painting. Cambridge: Cambridge University Press, 2011. xvi + 292 pp. $95. ISBN: 978–1–107–00119–0.

Renaissance Quarterly

Refine listing

Actions for selected content:

Save Search

Volume 65 - Summer 2012

Reviews