Hostname: page-component-77c89778f8-vsgnj Total loading time: 0 Render date: 2024-07-22T13:15:20.146Z Has data issue: false hasContentIssue false
  • English
  • Français

Turkish Metal: Music, Meaning, and Morality in a Muslim Society. By Pierre Hecker. Farnham: Ashgate, 2012. 230 pp. ISBN 978-1-4094-3848-9 (hb); 978-1-4094-3849-6 (ebk)

Published online by Cambridge University Press:  09 January 2014

Michelle Phillipov
Michelle Phillipov*
Affiliation:
University of Tasmania, Australia
*
Michelle.Phillipov@utas.edu.au
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Popular Music , Volume 33 , Issue 1 , January 2014 , pp. 166 - 168
Copyright
Copyright © Cambridge University Press 2014 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Goode, E., and Ben-Yehuda, N. 1994. Moral Panics: The Social Construction of Deviance (Oxford, Blackwell)Google Scholar
Kahn-Harris, K. 2007. Extreme Metal: Music and Culture on the Edge (Oxford, Berg)Google Scholar
LeVine, M. 2008. Heavy Metal Islam: Rock, Resistance, and the Struggle for the Soul of Islam (New York, Three Rivers Press)Google Scholar
LeVine, M. 2009. ‘Doing the devil's work: heavy metal and the threat to public order in the Muslim world,’ Social Compass, 56/4, pp. 564–76Google Scholar
Thornton, S. 1995. Club Cultures: Music, Media and Subcultural Capital (Oxford, Polity Press)Google Scholar
Walser, R. 1993. Running With the Devil: Power, Gender and Madness in Heavy Metal Music (Hanover, NH, University Press of New England)Google Scholar
Weinstein, D. 2000. Heavy Metal: The Music and its Culture (Boulder, CO, Da Capo)Google Scholar