Hostname: page-component-84b7d79bbc-g78kv Total loading time: 0 Render date: 2024-07-26T17:52:38.222Z Has data issue: false hasContentIssue false

Temperance battle songs: the musical war against alcohol

Published online by Cambridge University Press:  14 April 2016

Annemarie McAllister*
Affiliation:
Department of History, University of Central Lancashire, Preston, Lancashire, PR1 2HE E-mail: Amcallister1@uclan.ac.uk

Abstract

In common with similar popular pressure groups, the temperance movement needed to inspire, to inform and to integrate its members, and music was a vital tool to fulfil these functions. This article explores temperance music, particularly songs, performed in a range of contexts from concerts of 15,000 voices to the individual use of material produced in songbooks and periodicals. The tonic sol-fa movement grew symbiotically with the drive for temperance and, with developments in printing and distribution, this musical technology enabled the effective spreading of the temperance message through activity and entertainment. A case study of songs for children reveals that, predictably, songs were informed by religion to some extent and acted as vehicles for propaganda, instilling principles and offering guidance. However, many were more martial and encouraged children to act as agents. Temperance songs were not merely instructive; many were designed to rouse the singer – and hearer – into action.

Type
Articles
Copyright
Copyright © Cambridge University Press 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Anon. 1882–9. Temperance Music Leaflets [Staff and tonic sol-fa notations], Nos 1–224, 2431244 (London, J. Curwen & Sons)Google Scholar
Anon. 1998. ‘Brass band aim to raise the roof’, Cumberland & Westmorland Herald, 25 AprilGoogle Scholar
Berridge, V. 2013. Demons: Our Changing Attitudes to Alcohol, Tobacco, & Drugs (Oxford, Oxford University Press)Google Scholar
Bowan, K., and Pickering, P.A. 2009. ‘“Songs for the millions”; Chartist music and popular aural tradition’, Labour History Review, 24/1, pp. 4463Google Scholar
Bratton, J.S. 1975. The Victorian Popular Ballad (London, Macmillan)Google Scholar
Clapp-Itnyre, A. 2015. ‘Reforming society: missionary and bands of hope hymns for children’, in ‘Perplext in Faith’: Essays on Victorian Beliefs and Doubts, ed. Clapp-Itnyre, A. and Melnyk, J. (Newcastle, Cambridge Scholars Publishing), pp. 75114Google Scholar
Ewing, G.W. 1977. The Well-Tempered Lyre: Songs & Verse of the Temperance Movement (Dallas, TX, SMU Press)Google Scholar
Frick, J.W. 2003. Theatre, Culture and Temperance Reform in Nineteenth-Century America (Cambridge, Cambridge University Press)Google Scholar
Frith, S. 2003. ‘Music and everyday life’, in The Cultural Study of Music: A Critical Introduction, ed. Clayton, M., Herbert, T. and Middleton, R. (London, Routledge), pp. 92101Google Scholar
Goheen, P.G. 1993. ‘The ritual of the streets in mid-nineteenth-century Toronto’, Environment and Planning D: Society and Space, 11/2, pp. 127145Google Scholar
Harrison, B. 1982. ‘Press and pressure group in modern Britain’, in The Victorian Periodical Press: Samplings and Soundings, ed. Shattock, J. and Wolff, M. (Leicester, Leicester University Press), pp. 261–95Google Scholar
Harrison, B. 1994. Drink and the Victorians: The Temperance Question in England, 1815–1872, 2nd edn (Keele, Keele University Press)Google Scholar
Herbert, T. 2003. ‘Social history and music history’, in The Cultural Study of Music: A Critical Introduction, ed. Clayton, M., Herbert, T. and Middleton, R. (London, Routledge), pp. 146–57Google Scholar
Hicks, J., and Allen, G. 1999. A Century of Change: Trends in UK Statistics Since 1900, House of Commons Library Research Paper No. 99/111. briefing-papers/RP99-111/a-century-of-change-trends-in-uk-statistics-since-1900Google Scholar
Hoegaerts, J. 2014. ‘Little citizens and petite patries: learning patriotism through choral singing in Antwerp in the late nineteenth century’, in Choral Singing: Histories and Practices, ed. Geisler, U. and Johansson, K. (Newcastle, Cambridge Scholars Publishing), pp. 1431Google Scholar
Livesey, J. 1852. Untitled article, Teetotal Progressionist, p. 49Google Scholar
McAllister, A. 2011. ‘The lives and the souls of the children: the Band of Hope in the north west’, Manchester Region History Review, 22, pp. 118Google Scholar
McAllister, A. 2014. Demon Drink? Temperance and the Working Class, e-book, Amazon Digital ServicesGoogle Scholar
McAllister, A. 2015. ‘Onward’: how a regional temperance magazine for children survived and flourished in the Victorian marketplace’, Victorian Periodicals Review, 48/1, pp. 4266Google Scholar
McGuire, C. 2006. ‘Music and morality: John Curwen's tonic sol-fa, the temperance movement, and the oratorios of Edward Elgar’, in Chorus and Community 2, ed. Ahlquist, K. (Urbana-Champaign, IL, University of Illinois Press), pp. 111–38Google Scholar
McGuire, C. 2009. Music and Victorian Philanthropy; The Tonic Sol-fa Movement (Cambridge, Cambridge University Press)Google Scholar
Nicholls, J. 2009. The Politics of Alcohol: A History of the Drink Question in England (Manchester, Manchester University Press)Google Scholar
O'Leary, P. 2012. Claiming the Streets: Procession and Urban Culture in South Wales, c.1830–1880 (Cardiff, University of Wales Press)Google Scholar
Olsen, S. 2014. Juvenile Nation: Youth, Emotions and the Making of the Modern British Citizen, 1880–1914 (London, Bloomsbury Publishing)Google Scholar
Palmer, R. 1988. The Sound of History: Songs and Social Comment (Oxford, Oxford University Press)Google Scholar
Randjärv, L. 2014. ‘Estonian song celebrations as drivers for political and social change’, in Choral Singing: Histories and Practices, ed. Geisler, U. and Johansson, K. (Newcastle, Cambridge Scholars Publishing), pp. 6485Google Scholar
Rowntree, J., and Sherwell, A. 1900. The Temperance Problem and Social Reform, 8th edn (London, Hodder & Stoughton)Google Scholar
Russell, D. 1997. Popular Music in England, 1840–1914, 2nd edn (Manchester, Manchester University Press)Google Scholar
Sanders., P.D. 2006. Lyrics and Borrowed Tunes of the American Temperance Movement (Columbia, MO, University of Missouri Press)Google Scholar
Spaeth, S. 1948. A History of Popular Music in America (New York, Random House)Google Scholar
Taylor, A. 1979. Brass Bands (London, Granada Publishing)Google Scholar
Work, B.G. 1884. Songs of Henry Clay Work, compiled by Work, Bertram G. (New York, J.J. Little and Ives)Google Scholar
Yeomans, H. 2014. Alcohol and Moral Regulation: Public Attitudes, Spirited Measures and Victorian Hangovers (Bristol, Policy Press)Google Scholar