Musical borrowings, or samples, have long been a means of creating lineage between hip-hop and older genres of African-American music such as funk, soul, and rhythm and blues. DJs who sample from this so-called ‘Old School’ attempt to link hip-hop to older, venerable traditions of black popular music. This article investigates the importance of 1970s pop and culture to hip-hop music. This era is depicted as a time in which African-American identity coalesced, and a new political consciousness was born. The primary source for images of the 1970s was and continues to be blaxploitation film, a genre of low-budget, black-oriented crime and suspense cinema. This article will detail how blaxploitation distilled certain societal concerns of the 1970s, and how in turn hip-hop feeds off blaxploitation both dramatically and musically, reusing its story lines and sampling its soundtracks.