‘Radio’ records have always been with us. And breakfast show records, as the first two golden oldies above testify, have formed a major subset of these. Cynics will know why. Radio's peak audience has always been breakfast time, so airplay then can ‘break’ your record, leading to the obvious course of action, flatter the breakfast dj's self-importance by singing about him. But in Britain in 1989 things have changed. Nowadays it seems the best way to get breakfast airplay for a new record is to slag off radio djs ruthlessly. There have always been ‘anti-radio’ records. But few can have enjoyed the recent chart and airplay success of both The Reynolds Girls and The Beatmasters. Both records are riddled with contradictions. Both were written by men in their thirties, yet address a disgruntled teenage audience: The Reynolds Girls appearing to speak for twelve-year-old Yazz fans; The Beatmasters apparently voicing the protest of excluded hip-hop fans. Yet, despite articulating distinct objections to airplay policy, both records were almost certainly bought, in large numbers, by radio listeners. They turn up on the same radio shows. Why not? A hit is a hit.