Hostname: page-component-5c6d5d7d68-lvtdw Total loading time: 0 Render date: 2024-08-16T15:33:20.636Z Has data issue: false hasContentIssue false
  • English
  • Français

The Cambridge Companion to Music in Digital Culture. Edited by Nicholas Cook, Monique M. Ingalls and David Trippett. Cambridge: Cambridge University Press, 2019. 332 pp. ISBN 978-1-316-61407-5

Review products

The Cambridge Companion to Music in Digital Culture. Edited by Nicholas Cook, Monique M. Ingalls and David Trippett. Cambridge: Cambridge University Press, 2019. 332 pp. ISBN 978-1-316-61407-5

Published online by Cambridge University Press:  19 March 2021

Andreas Rauh
Andreas Rauh*
Affiliation:
Dublin City University, Republic of Ireland
*
andreas.rauh@dcu.ie
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review
Information
Popular Music , Volume 39 , Issue 3-4 , December 2020 , pp. 714 - 717
Check for updates
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Baym, N.K. 2018. Playing to the Crowd: Musicians, Audiences, and the Intimate Work of Connection (New York, New York University Press)CrossRefGoogle Scholar
Eriksson, M., Fleischer, R., Johansson, A., Snickars, P., and Vonderau, P. (eds) 2019. Spotify Teardown: Inside the Black Box of Streaming Music (Cambridge, MA, MIT Press)CrossRefGoogle Scholar
Hesmondhalgh, D., Jones, E., and Rauh, A. 2019. ‘SoundCloud and Bandcamp as alternative music platforms’, Social Media + Society, 5/4, pp. 1–13CrossRefGoogle Scholar
Jordan, T. 2019. The Digital Economy (Cambridge, Polity)Google Scholar
Nieborg, D.B., and Poell, T. 2018. ‘The platformization of cultural production: Theorizing the contingent cultural commodity’, New Media & Society, 20/11, pp. 4275–4292Google Scholar
Prior, N. 2018. Popular Music, Digital Technology and Society, 1st edn (Thousand Oaks, CA, SAGE Publications)CrossRefGoogle Scholar
Raine, S., and Strong, C. (eds). 2019. Towards Gender Equality in the Music Industry: Education, Practice and Strategies for Change (New York, Bloomsbury Academic)CrossRefGoogle Scholar
Zuboff, S. 2019. The Age of Surveillance Capitalism: the Fight for the Future at the New Frontier of Power (London, Profile Books)Google Scholar