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Lipsynching. By Merrie Snell. New York: Bloomsbury Academic, 2020. 185 pp. ISBN 978-1-5013-5234-8

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Lipsynching. By Merrie Snell. New York: Bloomsbury Academic, 2020. 185 pp. ISBN 978-1-5013-5234-8

Published online by Cambridge University Press:  19 March 2021

Jacob Mallinson Bird
Jacob Mallinson Bird*
Affiliation:
University of Oxford
*
jacob.bird@music.ox.ac.uk
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Type
Review
Information
Popular Music , Volume 39 , Issue 3-4 , December 2020 , pp. 712 - 714
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Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

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References

Bird, J M. 2020. ‘Haptic aurality: on touching the voice in drag lip-sync performance’, Sound Studies, 6/1, pp. 45–64CrossRefGoogle Scholar
Cavarero, A. 2005. For More than One Voice: Toward a Philosophy of Vocal Expression, trans. Kottman, Paul A (Stanford, CA, Stanford University Press)CrossRefGoogle Scholar
Chion, M. 1999. The Voice in Cinema, trans. Gorbman, Claudia (New York, Columbia University Press)Google Scholar
Dolar, M. 2006. A Voice and Nothing More (Cambridge, MA, MIT Press)CrossRefGoogle Scholar
Riszko, L. 2017. ‘Breaching bodily boundaries: posthuman (dis)embodiment and ecstatic speech in lip-synch performances by boychild’, International Journal of Performance Arts and Media, 17/2, pp. 153–69Google Scholar