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The History of Music Production. By Richard James Burgess . Oxford, New York: Oxford University Press, 2014. 245 pp. ISBN 978-0-19-935717-8

Published online by Cambridge University Press:  14 September 2016

Michael Ahlers
Michael Ahlers*
Affiliation:
Leuphana University at Lueneburg, Germany
*
michael.ahlers@leuphana.de
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Type
Reviews
Information
Popular Music , Volume 35 , Issue 3 , October 2016 , pp. 472 - 473
Copyright
Copyright © Cambridge University Press 2016 

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References

Cunningham, M. 1998. Good Vibrations. A History of Record Production, 2nd edn (London, Sanctuary)Google Scholar
Eisenberg, E. 2005. The Recording Angel. Music, Records and Culture from Aristotle to Zappa, 2nd edn (New Haven, CT, Yale University Press)Google Scholar
Katz, M. 2004. Capturing Sound. How Technology Has Changed Music (Berkeley, CA, University of California Press)Google Scholar
Moorefield, V. 2005. The Producer As Composer. Shaping the Sounds of Popular Music (Cambridge, MA, MIT Press)Google Scholar
Warner, T. 2003. Pop Music – Technology and Creativity. Trevor Horn and the Digital Revolution (Burlington, VA, Ashgate)Google Scholar