Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
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‘Picture It If Yous Will’: Theatre and Theatregoing in Rural Scotland
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- Published online by Cambridge University Press:
- 26 January 2005, pp. 61-76
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- Cited by 1
Theatre in Education in Britain: Current Practice and Future Potential
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- Published online by Cambridge University Press:
- 03 October 2003, pp. 177-188
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Wounds of the Past: the Chuanju Performance of Qingtan (Sighing)
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- Published online by Cambridge University Press:
- 18 July 2019, pp. 221-237
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Serafima Birman: the Path of the Actress from the Moscow Art Theatre to People's Artist of the USSR
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- 08 October 2018, pp. 339-356
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Answering to the Dead: Edward Bond's ‘Jackets’, 1989–90
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- 15 January 2009, pp. 171-183
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Theatre Censorship in South Korea: a Nation in Permanent Crisis
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- 13 July 2018, pp. 249-259
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‘A Place Marked by Life’: Brook at the Bouffes du Nord
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- 15 January 2009, pp. 39-74
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Female Trance in Han Tae-Sook's Production of Lady Macbeth
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- 03 March 2009, pp. 63-71
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Acting Spaces and Carpenters' Tools: from the Fortune to the Theatre Royal, Bristol
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- 19 May 2009, pp. 148-158
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Theatres of Choice and the Case of ‘He's Having Her Baby’
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- 15 January 2009, pp. 357-366
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Ajax in America, or Catharsis in the Time of Terrorism
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- 03 December 2020, pp. 306-319
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The Case of the Rhyming Couplets: the Sonances of ‘Richard II’
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- 15 January 2009, pp. 356-367
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Empathetic Exchange of Censored Scenes: Southeast Asian Theatre’s Bold Experiment
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- 18 October 2022, pp. 346-361
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Staging and Storytelling, Theatre and Film: ‘Richard III’ at Stratford, 1910
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- 15 January 2009, pp. 107-121
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Labours of Seduction in Immersive and Interactive Performance
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- 13 March 2020, pp. 73-83
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Performance, Meaning, and the Materials of Modern Indian Theatre
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- 15 January 2009, pp. 355-370
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Trajectories of the ‘Dead Heart’: Performing the Poetics of (Australian) Space
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- 30 January 2008, pp. 3-13
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Artificial, Animal, Machinal: Body, Desire, and Intimacy in Modernist and Postmodernist Theatre
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- 04 November 2013, pp. 311-320
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The Lewes Bonfire Festival
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- 15 January 2009, pp. 177-191
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Looking at Lear: the Voice Work and Direction of Cicely Berry
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- 15 April 2019, pp. 135-149
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