Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 9
Sarah Kane: an Appreciation
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- Published online by Cambridge University Press:
- 15 January 2009, pp. 280-281
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- Cited by 9
Dramas of the Performative Society: Theatre at the End of its Tether
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- Published online by Cambridge University Press:
- 15 January 2009, pp. 203-211
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- Cited by 9
The Video Documentation of Theatrical Performance
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- Published online by Cambridge University Press:
- 15 January 2009, pp. 183-194
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- Cited by 8
Kinds of Place at Bore Place: Site-Specific Performance and the Rules of Spatial Behaviour
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- Published online by Cambridge University Press:
- 24 September 2003, pp. 243-260
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- Cited by 8
‘If You Want to Be Green Hold Your Breath’: Climate Change in British Theatre
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- Published online by Cambridge University Press:
- 31 August 2012, pp. 260-271
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- Cited by 8
Under the Sign of the Onion: Intracultural Negotiations in Theatre
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- Published online by Cambridge University Press:
- 15 January 2009, pp. 116-129
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- Cited by 8
When Theatre was for All: the Cork Report, after Ten Years
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- Published online by Cambridge University Press:
- 15 January 2009, pp. 367-383
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- Cited by 8
A Complementary Economy? National Markets and International Product in Early Australian Theatre Managements
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- Published online by Cambridge University Press:
- 26 January 2005, pp. 77-95
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- Cited by 8
Quantum Theatre – Potential Theatre: a New Paradigm?
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- Published online by Cambridge University Press:
- 15 January 2009, pp. 171-179
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- Cited by 8
Solo Black Performance before the Civil War: Mrs. Stowe, Mrs. Webb, and ‘The Christian Slave’
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- Published online by Cambridge University Press:
- 15 January 2009, pp. 339-348
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- Cited by 8
Tragedy Plus Time: Transforming Life Experience into Stand-Up Comedy
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- Published online by Cambridge University Press:
- 12 April 2017, pp. 143-155
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- Cited by 8
The Play of Eros: Paradoxes of Gender in English Pantomime
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- Published online by Cambridge University Press:
- 15 January 2009, pp. 195-204
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- Cited by 8
Still In-Yer-Face? Towards a Critique and a Summation
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- Published online by Cambridge University Press:
- 24 September 2003, pp. 17-24
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- Cited by 8
The Pepys of London E11: Graeme Miller and the Politics of Linked
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- Published online by Cambridge University Press:
- 21 April 2005, pp. 148-160
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- Cited by 8
‘Oh What a Lovely War’: the Texts and Their Context
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- 15 January 2009, pp. 244-260
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- Cited by 8
Punk Rock as Popular Theatre
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- Published online by Cambridge University Press:
- 16 January 2007, pp. 35-48
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- Cited by 7
Others, Spectatorship, and the Ethics of Verbatim Performance
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- Published online by Cambridge University Press:
- 29 April 2013, pp. 146-158
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- Cited by 7
British Bravery, or Tars Triumphant: Images of the British Navy in Nautical Melodrama
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- Published online by Cambridge University Press:
- 15 January 2009, pp. 122-143
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- Cited by 7
‘Did You Watch the Man or Did You Watch the Goose?’ Children's Responses to Puppets in Live Theatre
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- Published online by Cambridge University Press:
- 17 November 2008, pp. 337-354
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- Cited by 7
‘Cathy Come Home’ and ‘Accuracy’ in British Television Drama
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- Published online by Cambridge University Press:
- 15 January 2009, pp. 75-90
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