Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 2
Shakespeare in Gyula
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- Published online by Cambridge University Press:
- 21 October 2014, pp. 397-402
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Politicizing Harley Granville Barker: Suffragists and Shakespeare
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- Published online by Cambridge University Press:
- 19 April 2006, pp. 122-140
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- Cited by 2
Resituating Fugard: South African Drama as Witness
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- Published online by Cambridge University Press:
- 15 January 2009, pp. 343-361
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‘The Wooden Heads of the People’: Arnold Daly and Bernard Shaw
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- 06 February 2006, pp. 54-69
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- Cited by 2
Women' Theatre in Ireland
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- 15 January 2009, pp. 353-360
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The Plays of David Mamet: Games of Manipulation and Power
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- 15 January 2009, pp. 77-89
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The Performative Self: Improvisation for Self and Other
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- 10 January 2003, pp. 18-22
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From Bankside to the West End: a Comparative View of London Audiences
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- 15 January 2009, pp. 70-86
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Alive, Kicking – and Kicking Back: Russia’s Golden Mask Festival 2015
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- 09 July 2015, pp. 232-240
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Simon McBurney, Theatrical Soundscapes, and Postdigital Communities
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- 16 February 2021, pp. 58-70
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Postdramatism, Ethics, and the Role of Light in Martin Crimp's Fewer Emergencies (2005)
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- 15 May 2012, pp. 133-142
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Performing in the Wishing Tense: SMARTlab's Evolution on Stage, Online, and in the Sand
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- 02 November 2007, pp. 352-375
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Closing Joan's Book: Some Personal Footnotes
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- 03 October 2003, pp. 99-107
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Social Space in Ancient Theatres
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- 15 January 2009, pp. 316-328
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Resistance and Resilience: an Overview of the Maly Theatre of St Petersburg
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- 15 January 2009, pp. 299-317
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The Paradox of Acting in the Traditional Chinese Theatre
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- Published online by Cambridge University Press:
- 15 January 2009, pp. 17-25
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Clubbing Audiences: Relational Theatre Practice at ‘Death Disco’
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- 31 January 2012, pp. 67-79
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Of Crossroads and Undercurrents: Ingemar Lindh's Practice of Collective Improvisation and Jerzy Grotowski
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- 08 November 2011, pp. 299-312
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The Dilated Body: on the Energies of Acting
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- 15 January 2009, pp. 369-382
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Subverting Rosalind: Cocky Ros in the Forest of Arden
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- Published online by Cambridge University Press:
- 15 January 2009, pp. 126-136
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