Hostname: page-component-848d4c4894-nr4z6 Total loading time: 0 Render date: 2024-05-01T01:40:21.593Z Has data issue: false hasContentIssue false

A Quantitative Metrical Analysis of the Philippians Hymn

Published online by Cambridge University Press:  05 February 2009

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Short Studies
Copyright
Copyright © Cambridge University Press 1980

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Theologische Literaturzeitung 9 (Leipzig, 1899), 263.Google Scholar

2 Kyrios Jesus (1928).

3 ‘Zur Gedankenführung in den Paulischen Briefen’, Studia Paulina in honorem Johannis de Zwaan, Septuagenarii, Sevenster, J. N. and van Unnik, W. C., eds. (Haarlem: Erven F. Bonn, 1953), pp. 152–4.Google Scholar

4 Examples of scholars who have noted accentual patterns are: Dibelius, Martin, An die Thessalonicher I, II; an die Philipper (Handbuch zum Neuen Testament, vol. 11) (Tübingen: J. C. B. Mohr, 1937), p. 73Google Scholar; Gamber, Klaus, ‘Der Christus-Hymnus im Philipperbrief in Liturgie-geschichtlicher Sicht’, Biblica 51 (3, 1970), 369‐76Google Scholar; and Lohmeyer, Ernst, Kyrios Jesus, pp. 413Google Scholar; also his commentary, Der Brief an die Philipper (Meyer Komm.) (1930), ad loc., cited in Martin, R. P., Carmen Christi, pp. 2530Google Scholar. Martin, pp. 36–8, agrees in positing a Semitic origin but does not elaborate on patterns of accentual metre.

5 Smyth, Herbert W., Greek Grammar, revised Messing, Gordon M. (Cambridge, Mass.: Harvard University Press, 1956), §§ 142–5, 60–1, 47 D.Google Scholar

6 Raven, D. S., Greek Metre (London: Faber and Faber, 1962), p. 26.Google Scholar

7 It must be noted, however, even in the face of metrical evidence, that ùππχων adds to the euphony of the hymn, in that it introduces the ùπ-sound which recurs later in ùπήκοος (υ.8), περυψοω (υ. 9), and ὐπήρ (υ. 9).

8 See, for example, Sappho fragments 1, 2 and 16 in David Campbell, A., ed., Greek Lyric Poetry (Macmillan, 1967), pp. 4–3.Google Scholar

9 N. T. Graece ex ultima Tischendorfii recensione edidit Oscar de Gebhardt, Ed. stereot. minor, tertium emissa (Leipzig, 1895).Google Scholar

10 Dibelius, MartinAn die Thessalonicher… p. 73.Google Scholar