Hostname: page-component-848d4c4894-cjp7w Total loading time: 0 Render date: 2024-06-29T08:14:19.042Z Has data issue: false hasContentIssue false
  • English
  • Français

Vaudeville Melodies: Popular Musicians and Mass Entertainment in American Culture, 1870–1929. By Nicholas Gebhardt. Chicago: University of Chicago Press, 2017.

Published online by Cambridge University Press:  15 January 2020

Gillian M. Rodger
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Information
Journal of the Society for American Music , Volume 14 , Special Issue 1: Music Festivals , February 2020 , pp. 98 - 102
Copyright
Copyright © The Society for American Music 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Tucker, Sophie, Some of These Days: The Autobiography of Sophie Tucker (New York: Doubleday and Company, 1945)Google Scholar; Russell, Lillian, “Reminiscences,” in American Vaudeville as Seen by Its Contemporaries, edited by Stein, Charles, 21–33 (New York: Alfred Knopf, 1984)Google Scholar; Ann Charters, The Story of Bert Williams (New York: Da Capo Press, 1983).

2 Grau, Robert, The Business Man in the Amusement World (New York: Broadway Publishing Company, 1910)Google Scholar.