Hostname: page-component-848d4c4894-nr4z6 Total loading time: 0 Render date: 2024-06-01T15:38:40.022Z Has data issue: false hasContentIssue false

Listen But Don't Ask Question: Hawaiian Slack Key Guitar Across the TransPacific By Kevin Fellezs. Durham: Duke University Press, 2019.

Review products

Listen But Don't Ask Question: Hawaiian Slack Key Guitar Across the TransPacific By Kevin Fellezs. Durham: Duke University Press, 2019.

Published online by Cambridge University Press:  02 March 2022

Sunaina Keonaona Kale*
Affiliation:
Department of Native American and Indigenous Studies, Dartmouth College, Hanover, New Hampshire, USA

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Review
Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press on behalf of the Society for American Music

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Donaghy, Joseph Keola, “Hawaiian Slack Key Guitar Construction: Moving Forward by Looking Back,” Hūlili: Multidisciplinary Research on Hawaiian Well-Being 8 (2012): 7196Google Scholar; Teves, Stephanie Nohelani, Defiant Indigeneity: The Politics of Hawaiian Performance (Chapel Hill: University of North Carolina Press, 2018)CrossRefGoogle Scholar.

2 See, for example, Amy Ku'uleialoha Stillman, Sacred Hula: Interpreting the Historical Hula ‘Āla'apapa, Bulletin in Anthropology No. 8. (Honolulu: Bishop Museum Press, 1998); Stillman, Amy Ku'uleialoha, “Textualizing Hawaiian Music,” American Music 23, no. 1 (Spring 2005): 69–94CrossRefGoogle Scholar.

3 Imada, Adria, Aloha America: Hula Circuits throughout the U.S. Empire (Durham: Duke University Press, 2012)Google Scholar; Tranquada, Jim and King, John, The ‘Ukulele: A History (Honolulu: University of Hawai'i Press, 2012)CrossRefGoogle Scholar; Carr, James Revell, Hawaiian Music in Motion: Mariners, Missionaries, and Minstrels (Urbana, Chicago, and Springfield: University of Illinois Press, 2014)CrossRefGoogle Scholar; Troutman, John W., Kīkā Kila: How the Hawaiian Steel Guitar Changed the Sound of Modern Music (Chapel Hill: University of North Carolina Press, 2016)CrossRefGoogle Scholar.

4 See Imada, Aloha America; Tranquada and King, The ‘Ukulele; Carr, Hawaiian Music in Motion; and Troutman, Kīkā Kila.

5 See Stillman, Amy Ku'uleialoha, “Globalizing Hula,” Yearbook for Traditional Music 31(1999): 57–66CrossRefGoogle Scholar; Yoko Kurokawa, Yearning for a Distant Music: Consumption of Hawaiian Music and Dance in Japan (PhD dissertation, University of Hawai'i, Mānoa, 2004); Yaguchi, Yujin, “Longing for Paradise through ‘Authentic’ Hula Performance in Japan,” Japanese Studies 35, no. 3 (2015): 303315CrossRefGoogle Scholar.