Hostname: page-component-848d4c4894-8kt4b Total loading time: 0 Render date: 2024-06-17T00:49:18.691Z Has data issue: false hasContentIssue false
  • English
  • Français

Louise K. Stein, Songs of Mortals, Dialogues of the Gods: Music and Theatre in Seventeenth-Century Spain. Oxford, Clarendon Press, 1993. xx + 566 pp. ISBN 0 19 816273 1.

Review products

Louise K. Stein, Songs of Mortals, Dialogues of the Gods: Music and Theatre in Seventeenth-Century Spain. Oxford, Clarendon Press, 1993. xx + 566 pp. ISBN 0 19 816273 1.

Published online by Cambridge University Press:  01 January 2020

Jack Sage
Jack Sage*
Affiliation:
King's College, London
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Journal of the Royal Musical Association , Volume 119 , Issue 2 , 1994 , pp. 302 - 308
Copyright
Copyright © 1994 Royal Musical Association

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Pedro Calderón de la Barca, La estatua de Prometeo A Critical Edition by Margaret Rich Greer, with a Study of the Music by Louise K Stein (Kassel, 1986).Google Scholar

2 Emilio Cotarelo y Mori, Orígenes y establecimiento de la ópera en España hasta 1800 (Madrid, 1916); Historia de la zarzuela, o sea el drama línco en España (Madrid, 1934) Celos aun del aire matan, opera del siglo X VII Texto de Calderón y música [Act 1] de Juan Hidalgo, ed. José Subirà (Barcelona, 1933), several other notable studiesGoogle Scholar

3 Manuel Carlos de Brito, Opera in Portugal in the Eighteenth Century (Cambridge, 1989)Google Scholar

4 Bussey, William M, French and Italian Influence on the Zarzuela (Ann Arbor, Michigan, 1982).Google Scholar

5 Pedro Calderón de la Barca and Tomás de Torrejón y Velasco, La púrpura de la rosa Edición del texto de Calderón y de la música de Torrejón comentados y anotados por Ángeles Cordona, Don Cruickshank y Martin Cunningham (Kassel, 1990)Google Scholar

6 For dates of composition, see Stein, 205–6, and especially Calderón and Torrejón, La púrpura de la rosa, 57–63Google Scholar

7 By 1661, with Errato by Bissari and Kerll in Munich, the phrase drama regio musicale seems to have ousted favola regia musicale as in the 1644 Venice publication of Ormindo by Faustini and Cavalli.Google Scholar