Hostname: page-component-7479d7b7d-wxhwt Total loading time: 0 Render date: 2024-07-10T18:19:53.746Z Has data issue: false hasContentIssue false
  • English
  • Français

Once Again: Scholarship and the Musical

Published online by Cambridge University Press:  01 January 2020

Stephen Banfield
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Review Articles
Information
Journal of the Royal Musical Association , Volume 138 , Issue 2 , 2013 , pp. 431 - 441
Copyright
Copyright © 2013 The Royal Musical Association

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Kenneth Macgowan, ‘Drama's New Domain – The High School’, Harpers (November 1929), 774–9 (p. 779), quoted in The Oxford Handbook of the American Musical, ed. Raymond Knapp, Mitchell Morris and Stacy Wolf (New York, 2011), 394.

2 D. A. Miller, Place for Us: Essay on the Broadway Musical (Cambridge, MA, 1998); John Clum, Something for the Boys: Musical Theater and Gay Culture (New York, 2001); Stacy Wolf, A Problem Like Maria: Gender and Sexuality in the American Musical (Ann Arbor, MI, 2002); Andrea Most, Making Americans: Jews in the Broadway Musical (Cambridge, MA, 2004); Bruce Kirle, Unfinished Show Business: Broadway Musicals as Works-in-Progress (Carbondale, IL, 2005); Raymond Knapp, The American Musical and the Formation of National Identity (Princeton, NJ, 2005); idem, The American Musical and the Performance of Personal Identity (Princeton, NJ, 2006); John Bush Jones, Our Musicals, Ourselves: A Social History of the American Musical Theatre (Hanover, NH, and London, 2003); Ian Bradley, You've Got to Have a Dream: The Message of the Musical (London, 2004).

3 Tim Carter, Oklahoma!: The Making of an American Musical (New Haven, CT, and London, 2007); bruce d. mcclung, Lady in the Dark: Biography of a Musical (New York and Oxford, 2007); Nigel Simeone, Leonard Bernstein: West Side Story (Farnham, 2009); Jim Lovensheimer, South Pacific: Paradise Rewritten (New York and Oxford, 2010); Dominic McHugh, Loverly: The Life and Times of My Fair Lady (New York, 2012); Todd Decker, Show Boat: Performing Race in an American Musical (New York, 2013).