No CrossRef data available.
Article contents
The Imagined Middle Ages
Review products
BrothersThomas, Chromatic Beauty in the Late Medieval Chanson: An Interpretation of Manuscript Accidentals. Cambridge: Cambridge University Press, 1997. xiv + 226 pp. ISBN 0 521 55051 3.
Published online by Cambridge University Press: 13 January 2020
Abstract
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Reviews
- Information
- Copyright
- Copyright © Royal Musical Association, 1999
References
1 Berger, Karol, Musica ficta: Theories of Accidental Inflections in Vocal Polyphony from Marchetto da Padova to Gioseffo Zarlino (Cambridge, 1987), 170.Google Scholar
2 Ibid., 174.Google Scholar
3 Spanke, Hans, Eine altfranzösische Liedersammlung: Der anonyme Teil der Liederhandschriften KNPX, Romanische Bibliothek, 22 (Halle, 1925), esp. pp. 263-90.Google Scholar
4 Fuller, Sarah, ‘On Sonority in Fourteenth-Century Polyphony: Some Preliminary Reflections’, Journal of Music Theory, 30 (1986), 35–70.Google Scholar
5 Strohm, Reinhard, The Rise of European Music, 1380–1500 (Cambridge, 1993), 1–106.Google Scholar
6 Berger, , Musica ficta, ch. 3.Google Scholar
7 Bent, Margaret, ‘Musica Recta and Musica Ficta’, Musica disciplina, 27 (1972), 73–100; Andrew Hughes, Manuscript Accidentals: Ficta in Focus 1350-1450, Musicological Studies and Documents, 27 (Rome, 1972).Google Scholar
8 Besseler, Heinrich, Bourdon und Fauxbourdon: Studien zur Ursprung der niederländischen Musik, 2nd edn, rev. Peter Gülke (Leipzig, 1974), 41-4.Google Scholar