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Ian Bent, Analysis, with a Glossary by William Drabkin. London, Macmillan, 1987. 192 pp. ISBN 0 333 41731 3.

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Ian Bent, Analysis, with a Glossary by William Drabkin. London, Macmillan, 1987. 192 pp. ISBN 0 333 41731 3.

Published online by Cambridge University Press:  01 January 2020

Esther Cavett-Dunsby*
Affiliation:
University of Oxford

Abstract

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Type
Reviews
Copyright
Copyright © 1990 Royal Musical Association

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References

1 (London, 1980), i, 340–88.Google Scholar

2 The Musical Quarterly, 68 (1982), 163–5.Google Scholar

3 Leichtentritt, Hugo, Musical Form (rev. edn, Cambridge, Mass., 1951), Chapter 17.Google Scholar

4 The New Grove Dictionary, xviii, 758.Google Scholar

5 Music Analysis, 2 (1983), 105–7.Google Scholar

6 The New Grove Dictionary, viii, 181.Google Scholar

7 Koch, Heinrich Christoph, Introductory Essay on Composition: The Mechanical Rules of Melody, Sections 3 and 4, trans. Nancy Kovaleff Baker (New Haven, 1983), xxii. Baker, in a paper delivered at the Oxford University Music Analysis Conference 1988, concluded that, despite the clear parallels between the ideas of Reicha and Koch, Reicha was probably unfamiliar with Koch's Essay.Google Scholar

8 Moyer, Birgitte, ‘Concepts of Musical Form in the Nineteenth Century with Special Reference to A. B. Marx and Sonata Form’ (Ph.D. dissertation, Stanford University, 1969), 90–3.Google Scholar

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10 Czerny, Carl, School of Practical Composition, trans. John Bishop (London, ?1849), i, 93.Google Scholar

11 For further reference to reductive techniques of analysis in the nineteenth century, see Bent, Ian, ‘Analytical Thinking in the First Half of the Nineteenth Century’, Modern Musical Scholarship, ed. Edward Olleson (Stocksfield, 1980), 151–60; and Robert Morgan, ‘Schenker and the Theoretical Tradition’, College Music Symposium, 18 (1978), 7296.Google Scholar

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24 Moyer, ‘Concepts of Musical Form’, 69.Google Scholar

25 Ibid., 127–8.Google Scholar

26 See, for example, Schenker, Harmonielehre, 131–2.Google Scholar

27 Ibid., xxi.Google Scholar

28 Forte, Allen, The Structure of Atonal Music (New Haven, 1973).Google Scholar

29 Ibid., 210.Google Scholar

30 Ibid., 93.Google Scholar