Hostname: page-component-848d4c4894-sjtt6 Total loading time: 0 Render date: 2024-06-30T12:53:34.355Z Has data issue: false hasContentIssue false

‘Horse Race, Rich in Woes’: Orestes’ Chariot Race and the Erinyes in Sophocles’ Electra

Published online by Cambridge University Press:  19 July 2021

Alexandre Johnston*
Affiliation:
University College, Oxford*

Abstract

This article offers a new, ironic reading of the false narrative of Orestes’ chariot accident in Sophocles’ Electra (680–763). It argues that the speech exploits an established connection between the ancestral evils of the Atreids and the thematic nexus of horses, chariot racing and disaster to evoke Orestes’ flight from the Erinyes following the matricide. Focusing on the language and structure of the narrative as well as drawing on other versions of the story (notably the surviving plays by Aeschylus and Euripides), the article demonstrates, in contrast to previous readings, that the speech is much more than an over-elaborate means to an end. Instead, in an ominous and profoundly ironic twist, the Paedagogus’ fictional narrative of the chariot race offers a possible vision of the trials awaiting the real Orestes. The matricide and murder, far from ending the ancestral woes of the Atreids, may well bring about Orestes’ pursuit by the Erinyes.

Type
Research Article
Copyright
© The Author(s), 2021. Published by Cambridge University Press on behalf of the Society for the Promotion of Hellenic Studies

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

*

Alexandre.Johnston@univ.ox.ac.uk. For help and discussion at various stages, I should like to thank William Allan, Douglas Cairns, Lin Foxhall, Gavin Kelly, Felicity Loughlin, Glenn Most, Richard Rawles, the JHS referees and audiences in Pisa and Würzburg. I am grateful to the Carnegie Trust for funding the doctoral research (2013–2016) in the course of which I first developed this argument. Finally, I gratefully acknowledge the support of the Leverhulme Trust during the completion of this article.

References

Barrett, J. (2002) Staged Narrative: Poetics and the Messenger in Greek Tragedy (Berkeley)CrossRefGoogle Scholar
Batchelder, A.G. (1995) The Seal of Orestes: Self-Reference and Authority in Sophocles’ Electra (Lanham)Google Scholar
Beaulieu, M.-C. (2013) ‘The myths of the three Glauci’, Hermes 141, 121–41 Google Scholar
Blundell, M.W. (1989) Helping Friends and Harming Enemies: A Study in Sophocles and Greek Ethics (Cambridge)CrossRefGoogle Scholar
Bond, G.W. (1981) Euripides: Heracles (Oxford)CrossRefGoogle Scholar
Booth, W.C. (1974) A Rhetoric of Irony (Chicago)Google Scholar
Bowra, C.M. (1944) Sophoclean Tragedy (Oxford)Google Scholar
Brook, A.E. (2018) Tragic Rites: Narrative and Ritual in Sophoclean Drama (Madison)Google Scholar
Brown, A.L. (2018) Aeschylus: Libation Bearers (Liverpool)CrossRefGoogle Scholar
Budelmann, F. (2000) The Language of Sophocles (Cambridge)Google Scholar
Burkert, W. (tr. J. Raffan) (1991) Greek Religion (Malden and Oxford)Google Scholar
Burton, R.W.B. (1980) The Chorus in Sophocles’ Tragedies (Oxford)Google Scholar
Cairns, D.L. (2017) ‘Horror, pity, and the visual in ancient Greek aesthetics’, in Cairns, D.L. and Nelis, D. (eds), Emotions in the Classical World (Stuttgart) 5377 Google Scholar
Campbell, L. (1872) Sophocles 1 (Oxford)Google Scholar
Carey, C. (2012) ‘The victory ode in the theatre’, in Agócs, P., Carey, C. and Rawles, R. (eds), Receiving the Komos (BICS Supplement 112) (London) 1736 Google Scholar
Carroll, M.J. (2020) ‘Prophetic deception: the narrative of the chariot race in Sophocles’ Electra', Skenè 6, 219–41 Google Scholar
Colebrook, C. (2004) Irony (London)CrossRefGoogle Scholar
Cropp, M.J. (2000) Euripides: Iphigenia in Tauris (Warminster)CrossRefGoogle Scholar
Cropp, M.J. (1988) Euripides: Electra (Warminster)Google Scholar
Csapo, E. (2009) ‘New Music’s gallery of images: the “dithyrambic” first stasimon of Euripides’ Electra’, in Cousland, J.R. and Hume, J.R. (eds), The Play of Text and Fragments: Essays in Honour of Martin Cropp (Mnemosyne Supplement 314) (Leiden) 95109 Google Scholar
Davidson, J.F. (1988) ‘Homer and Sophocles’ Electra’, BICS 35, 4572 Google Scholar
Davies, M. and Finglass, PJ. (2014) Stesichorus: The Poems (Cambridge)Google Scholar
Denniston, J.D. and Page, D.L. (1957) Aeschylus: Agamemnon (Oxford)Google Scholar
Di Benedetto, V. (1983) Sofocle (Florence)Google Scholar
Dietrich, C.B. (1962) ‘Demeter, Erinys, Artemis’, Hermes 90, 129–48 Google Scholar
Diggle, J. (1970) Euripides: Phaethon (Cambridge)Google Scholar
Diggle, J. (1994) Euripidis Fabulae 3 (Oxford)Google Scholar
Dumortier, J. (1935) Les images dans la poesie d’Eschyle (Paris)Google Scholar
Dunn, F.M. (2017) ‘Theprosopon fallacy or, Apollo in Sophocles’ Electra, in Fountoulakis, A., Markan-tonatos, A. and Vasilaros, G. (eds), Theatre World: Critical Perspectives on Greek Tragedy and Comedy: Studies in Honour of GeorgiaXanthis-Karamanos (Trends in Classics Supplement 45) (Berlin) 157–69 Google Scholar
Dunn, F.M., Lomiento, L. and Gentili, B. (2019) Sofocle: Elettra, MilanGoogle Scholar
Easterling, P.E. (1981) ‘The end of Trachiniae’, ICS 6.1, 5674Google Scholar
Easterling, P.E. (1985) ‘Anachronism in Greek tragedy’, JHS 105, 110CrossRefGoogle Scholar
Ellis, B.A. (2015) ‘Proverbs in Herodotus’ dialogue between Solon and Croesus (1.30–33): methodology and “making sense” in the study of Greek religion’, BICS 58, 83106 Google Scholar
Erbse, H. (1978) ‘Zur Elektra des Sophokles’, Hermes 106, 284300 Google Scholar
Finglass, PJ. (2007) Sophocles: Electra (Cambridge)Google Scholar
Finglass, PJ. (2011) Sophocles: Ajax (Cambridge)Google Scholar
Finglass, PJ. (2015) ‘Ancient reperformances of Sophocles’, Trends in Classics 7, 207–23 CrossRefGoogle Scholar
Friis Johansen, H. (1964) ‘Die Elektra des Sophokles: versuch einer neuen Deutung’, C&M 25, 832 Google Scholar
Gagné, R. and Hopman, M.G. (2013) ‘Introduction: the chorus in the middle’, in Gagné, R. and Hopman, M.G. (eds), Choral Mediations in Greek Tragedy (Cambridge) 134 CrossRefGoogle Scholar
Garvie, A.F. (1986) Aeschylus: Choephori (Oxford)Google Scholar
Garvie, A.F. (2005) The Plays of Sophocles (London)CrossRefGoogle Scholar
Garvie, A.F. (2014) ‘Closure or indeterminacy in Septem and other plays?’, JHS 124, 2340 CrossRefGoogle Scholar
Goldhill, S. (2012) Sophocles and the Language of Tragedy (Oxford)CrossRefGoogle Scholar
Goward, B. (1999) Telling Tragedy: Narrative Technique in Aeschylus, Sophocles and Euripides (London)Google Scholar
Grossardt, P. (1998) Die Trugreden in der Odyssee und ihre Rezeption in der antiken Literatur (Bern)Google Scholar
Halleran, M.R. (1997) ‘It’s not what you say: unspoken allusions in Greek tragedy?’, MD 39, 151–63 Google Scholar
Heath, J. (1999) ‘Disentangling the beast: humans and other animals in Aeschylus’ Oresteia’, JHS 119, 1747 CrossRefGoogle Scholar
Himmelhoch, L. (2005) ‘Athena’s entrance at Eumenides 405 and hippotrophic imagery in Aeschylus’s Oresteia, Arethusa 38.3, 263302 CrossRefGoogle Scholar
Jebb, R.C. (1894) Sophocles: The Plays and Fragments Part VI: The Electra (Cambridge)Google Scholar
Jebb, R.C (1898) Sophocles: The Plays and Fragments Part IV: The Philoctetes (2nd edition) (Cambridge)Google Scholar
Kamerbeek, J.C. (1974) The Plays of Sophocles: Commentaries Part V: The Electra (Leiden)Google Scholar
Kelly, A. (2017) ‘Akhilleus in control? Managing oneself and others in the Funeral Games’, in Bassino, P., Canevaro, L.G. and Graziosi, B. (eds), Conflict and Consensus in Early Greek Hexameter Poetry (Cambridge) 87108 CrossRefGoogle Scholar
Kitzinger, R.M. (1991) ‘Why mourning becomes Electra’, ClAnt 10.2, 298327 Google Scholar
Kovacs, D. (1999) Euripides: Trojan Women, Iphigenia among the Taurians, Ion (Cambridge MA)CrossRefGoogle Scholar
Kovacs, D. (2002) Euripides: Helen, Phoenician Women, Orestes (Cambridge MA)CrossRefGoogle Scholar
Kyriakou, P. (2006) A Commentary on Euripides ’ Iphigenia in Tauris (Berlin)CrossRefGoogle Scholar
Lefèvre, E. (2001) Die Unfähigkeit, sich zu erkennen: Sophokles’Tragödien (Mnemosyne Supplement 227) (Leiden)CrossRefGoogle Scholar
Liapis, V. (2006) ‘“Ghosts, wand’ring here and there”: Orestes the revenant in Athens’, in Cairns, D.L. and Liapis, V. (eds), Dionysalexandros: Essays on Aeschylus and His Fellow Tragedians in Honour of Alexander F Garvie (Swansea) 201–31 CrossRefGoogle Scholar
Lloyd, M. (2005) Sophocles: Electra (London)Google Scholar
Lloyd, M. (2012) ‘Sophocles the ironist’, in Markantonatos, A. (ed.), Brill ’s Companion to Sophocles (Leiden) 563–77 Google Scholar
Lloyd-Jones, H. (1994) Sophocles: Ajax, Electra, Oedipus Tyrannus (Cambridge MA)Google Scholar
Lowe, N.J. (1996) ‘Tragic and Homeric ironies’, in Silk, M.S. (ed.), Tragedy and the Tragic (Oxford) 520–33 Google Scholar
MacLeod, L. (2001) Dolos and Dike in Sophokles ’ Elektra (Mnemosyne Supplement 219) (Leiden)CrossRefGoogle Scholar
March, J.R. (2001) Sophocles: Electra (Warminster)Google Scholar
Marshall, C.W. (2006) ‘How to write a messenger speech (Sophocles, Electra 680–763)’, in Davidson, J., Muecke, F. and Wilson, P. (eds), Greek Drama 3: Essays in Honour of Kevin Lee (BICS Supplement 87) (London) 203–21 Google Scholar
Masaracchia, A. (1978) ‘Sul racconto della falsa morte di Oreste nell’Elettra di Sofocle’, RCCM 20, 1027–44 Google Scholar
Mastronarde, D.J. (1994) Euripides: Phoenissae (Cambridge)Google Scholar
McDevitt, A.S. (1983) ‘Shame, honour and the hero in Sophocles’ Electra ’, Antichthon 17, 112 CrossRefGoogle Scholar
Medda, E. (2014) La saggezza dell’illusione: studi sul teatro greco (Pisa)Google Scholar
Monk, J.H. (1857) Euripidis Fabulae Quatuor (Cambridge)Google Scholar
Morin, B. (2004) ‘Les monstres des armes d’Achille dans l’Électre d’Euripide (v. 452–477): une mise en abîme de l’action?’, RPh 78, 101–25CrossRefGoogle Scholar
Most, G.W. (2013) ‘The madness of tragedy’, in Harris, W.V. (ed.), Mental Disorders in the Classical World (Columbia Studies in the Classical Tradition 38) (Leiden) 395410 Google Scholar
Myrick, L.D. (1994) ‘The way up and down: trace horse and turning imagery in the Orestes plays’, CJ 89, 131–48 Google Scholar
Nooter, S. (2012) When Heroes Sing: Sophocles and the Shifting Soundscape of Tragedy (Cambridge)CrossRefGoogle Scholar
Parker, L.P.E. (2016) Euripides: Iphigenia in Tauris (Oxford)Google Scholar
Petrounias, E. (1976) Funktion und Thematik der Bilder bei Aischylos (Göttingen)CrossRefGoogle Scholar
Reckford, K. (1972) ‘Phaethon, Hippolytus, and Aphrodite’, TAPhA 103, 405–32 Google Scholar
Ringer, M. (1998) Electra and the Empty Urn: Metatheater and Role Playing in Sophocles (Chapel Hill)Google Scholar
Roberts, D.H. (1988) ‘Sophoclean endings: another story’, Arethusa 21, 177–96 Google Scholar
Roberts, D.H. (1997) ‘Afterword: ending and aftermath, ancient and modern’, in Roberts, D.H., Dunn, F.M. and Fowler, D. (eds), Classical Closures: Reading the End in Greek and Latin Literature (Princeton) 251–73 Google Scholar
Rose, H.J. (1958) A Commentary on the Surviving Plays of Aeschylus 2 (Amsterdam)Google Scholar
Rousseau, P. (2001) ‘Rewriting Homer: remarks on the narrative of the chariot race in Sophocles’ Electra, in Loraux, N., Nagy, G. and Slatkin, L. (eds), Antiquities: Postwar French Thought 3 (New York) 393–405Google Scholar
Rutherford, R.B. (2012) Greek Tragic Style (Cambridge)CrossRefGoogle Scholar
Sabiani, M.-A. (2018) Sophocle: Électre (Paris)Google Scholar
Sansone, D. (1988) ‘The survival of the Bronze-Age demon’, ICS 13, 117 Google Scholar
Schein, S.L. (1982) ‘Electra: a Sophoclean problem play’, A&A 28, 69–80CrossRefGoogle Scholar
Schmitz, T. (2016) Sophokles: Elektra (Berlin)CrossRefGoogle Scholar
Seaford, R. (1994) ‘Sophokles and the mysteries’, Hermes 122, 275–88 Google Scholar
Seaford, R. (2003) ‘Aeschylus and the unity of opposites’, JHS 123, 141–63 CrossRefGoogle Scholar
Seale, D. (1982) Vision and Stagecraft in Sophocles (London)Google Scholar
Segal, C.P. (1966) ‘The Electra of Sophocles’, TAPhA 97, 473545 Google Scholar
Segal, C.P. (1981) Tragedy and Civilization: An Interpretation of Sophocles (Cambridge MA)Google Scholar
Sewell-Rutter, N.J. (2007) Guilt by Descent: Moral Inheritance and Decision Making in Greek Tragedy (Oxford)CrossRefGoogle Scholar
Sommerstein, A.H. (2008) Aeschylus: Oresteia (Cambridge MA)Google Scholar
Sommerstein, A.H. (2009) Aeschylus: Fragments (Cambridge MA)Google Scholar
Steiner, D.T. (2010) ‘Immeasures of praise: the epinician celebration ofAgamemnon’s return’, Hermes 138, 2237 Google Scholar
Stinton, T.C.W. (1990) ‘The scope and limits of allusion in Greek tragedy’, in Collected Papers on Greek Tragedy (Oxford) 454–92 Google Scholar
Susanetti, D. (2011) Catastrofi politiche: Sofocle e la tragedia di vivere insieme (Rome)Google Scholar
Swift, L.A. (2010) The Hidden Chorus: Echoes of Genre in Tragic Lyric (Oxford)CrossRefGoogle Scholar
Swift, L.A. (2015) ‘Stesichorus on stage’, in Finglass, PJ. and Kelly, A. (eds), Stesichorus in Context (Cambridge) 125–44 CrossRefGoogle Scholar
Swift, L.A. (2018) ‘Competing generic narratives in Aeschylus’ Oresteia, in Andújar, R., Coward, T.R.P. and Hadjimichael, T.A. (eds), Paths of Song: The Lyric Dimension of Greek Tragedy (Berlin) 119–36 CrossRefGoogle Scholar
Thomson, G. (1941) Aeschylus and Athens: A Study in the Social Origins of Drama (London)Google Scholar
Van Nortwick, T. (2015) Late Sophocles (Ann Arbor)CrossRefGoogle Scholar
Verde Castro, C.V. (1982) ‘La “muerte” de Orestes en la Electra de Sofocles’, Argos 6, 4583 Google Scholar
West, M.L. (1987) Euripides: Orestes (Warminster)CrossRefGoogle Scholar
Whitman, C. (1951) Sophocles: A Study of Heroic Humanism (Cambridge MA)CrossRefGoogle Scholar
Willink, C.W. (1986) Euripides: Orestes (Oxford)CrossRefGoogle Scholar
Wilson, E. (2012) ‘Sophocles and philosophy’, in Markantonatos, A. (ed.), Brill’s Companion to Sophocles (Leiden) 537–62 Google Scholar
Winnington-Ingram, R.P. (1980) Sophocles: An Interpretation (Cambridge)CrossRefGoogle Scholar
Wright, M. (2019) The Lost Plays of Greek Tragedy 2 (London)CrossRefGoogle Scholar
Zerhoch, S. (2015) Erinys in Epos, Tragödie und Kult: Fluchbegriff und personale Fluchmacht (Philologus Supplements 4) (Berlin)CrossRefGoogle Scholar