Ardeshir Mohassess has often been called Iran's leading caricaturist and graphic artist. Yet, as the powerful images on the following pages show, neither appellation fully describes the breadth, depth, and complexity of his art and vision.

The artist himself also defies simple description. Through his art one sees him as a man of sharp and angry perception who wields his sarcastic pen mercilessly--decapitating bodies, twisting them into unnatural shapes, turning the world upside down, all in an attempt to expose the bitter truth that lies, he seems to feel, under the banal surface of everyday reality. In person, Mohassess is a remarkably sensitive, humble, and mild mannered artist with a philosophic sense of humor which focuses, not on the foibles of particular individuals, but on what he finds to be pathetic or absurd in the human condition.

It is not yet possible to say with any certainty what the total number of Babis may have been. According to the Bab himself, in a work written in the latter part of 1848, 100,000 adherents had been converted during the first four years of his career (MacEoin, 1982:117-18), a figure also referred to by the Russian Ambassador Dolgorukov in February 1849, by the Iranian chief minister, Amir Kabir (Dolgorukov, 1966:19), and by the British minister Sheil in May 1850 (Momen, 1981:7n). That this figure was very much a guess, at least where the two diplomats were concerned, is underlined by Sheil's reference to an alternative (but presumed to be less likely) figure of 50,000. Whatever the case, no detailed support for any figure can be supplied because of the semisecret nature of the Babi organization.