This essay explores the experiences of a young community of diasporic Iranians living and working in Tehran during the years 2007–2009 when the author lived there. Through analysis of the lived experiences of this group, the article highlights a unique experience that is often absent from current discussions of “diaspora.” In the preliminary research, a redeployment of often taken-for-granted concepts such as “home” and “abroad” are proposed and a conceptualization of migration and diaspora that problematizes stasis and movement is reconsidered.

In the spring semester of 2010, the students of the module “Non Western Performances” at Loughborough University were directed by Sudipto Chatterjee to stage the UK premiere of Bahram Beyzaie's canonical play, Death of Yazdgerd (1979). The play, which was initially supposed to be a student-led workshop as part of the module's practice, took a life of its own and turned into a full-blown production. The production consisted of all the registered students of the module who formed the cast and the crew, the main tutor and director Sudipto Chatterjee, the co-tutor and dramaturge Proshot Kalam) and the two technical tutors (Dave Hill and Mark Simpson). The present essay is an attempt to analyze the cross-cultural aspects and the practical approaches undertaken by the crew for the production of the play.

This article investigates the nature of lexical information in the lexical entries of Persian transitive verbs. In the first experiment transitive verbs were categorized into five groups. What differentiates them is the number of argumental structural and subcategorization frame options of each verb. The question is: which one is more fundamental in sentence processing? In the second test the question is whether the number of argument(s) and complement(s) in each option determines processing time. Twenty normal native speakers of Farsi participated in these tests, divided into two groups. Cross-modal lexical decision method was used here. Using the DMDX software program the tests were performed and using t-tests the data were analyzed. The results of the first test show that both the argumental structure and subcategorization frame possibilities of the verb can affect sentence processing time. Also the important role of the number of the complement(s) needed for a specific verb has been indicated by the second test results. Overall results show that the verb type of a sentence and sentence syntactic complexity determine the processing time. This has some implications for teaching Farsi to foreign language learners for whom knowing more verbs leads to making more grammatical sentences.

The early drafts of the constitution of 1979 have represented a crucial moment in the creation of the post-revolutionary Iranian state. This article makes use of primary sources of the time and recently revealed material in order to provide a systematic analysis of the events which led to the production of the key versions of the draft constitution and the reaction to them by the multitude of political movements which were then active. The aim of this study is to clarify events and processes which have been left unexplored by the existing academic literature.

This article explores five of Bahram Beyzaie's urban films over the last four decades to study their critique of the process of modernization and social changes that have taken place in Iran. These include The Journey (Safar, 1972), The Crow (Kalagh, 1977), Maybe Some Other Time (Shayad Vaqti Digar, 1987), Killing Mad Dogs (Sag Koshi, 2001) and When We Are All Asleep (Vaqti Hame Khabim, 2009). It examines the impact of modernization on the architecture and landscape of the city and consequently on the local community. It then studies the increasing complexity of ascertaining the real and unreal within the city. Finally, it looks at the changing values, the fears and threats within the city and the impact these have on its inhabitants, particularly women and their movement within the city.

The paper consists of six parts. The first part discusses the major reasons for the presence of a conventional sociopolitical Baloch culture in Iran. The second part presents a profile of the Iranian Baloch elites, dividing them into four major groups: the Sunni clerics or molavis, tribal chiefs, the educated, and the wealthy. The third discusses the challenging relationship which exists among the Baloch elites. The fourth describes the elites' attitudes towards the Baloch society's norms. The fifth determines the elites' orientation towards state and politics. And finally the paper ends with conclusions.