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Greek literature

Published online by Cambridge University Press:  06 March 2024

Lilah Grace Canevaro*
Affiliation:
University of Edinburgh, UK

Extract

How do we read Greek literature? In the original language or in translation? With a theoretical lens or without? Bringing in our modern perspectives or trying to track ancient approaches? Identifying with characters or exercising supposed academic detachment? How we read Greek texts affects what we read in those texts. And who we are affects how we read. A number of recent publications prompt us to interrogate our reading practices by drawing on theories ancient and modern and reflecting on who we are and how entangled we are with other entities (from the objects we use to the poetry we embody to the narratives in which we are immersed).

Type
Subject Reviews
Copyright
Copyright © The Author(s), 2024. Published by Cambridge University Press on behalf of The Classical Association

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References

1 Immersion, Identification, and the Iliad. By Jonathan L. Ready. Oxford, Oxford University Press, 2023. Pp. ix + 306. Hardback £83, ISBN: 978-0-192-87097-1.

2 Ancient Greek Texts and Modern Narrative Theory. Towards a Critical Dialogue. By Jonas Grethlein. Cambridge, Cambridge University Press, 2023. Pp. viii + 199. Hardback £85, ISBN: 978-1-009-33959-9.

3 Minds on Stage. Greek Tragedy and Cognition. Edited by Felix Budelmann and Ineke Sluiter. Oxford, Oxford University Press, 2023. Pp. x + 271. Hardback, £83. ISBN: 978-0-192-88893-8.

4 Lather, A., Materiality and Aesthetics in Archaic and Classical Greek Poetry (Edinburgh, 2021)Google Scholar.

5 Body and Machine in Classical Antiquity. Edited by Maria Gerolemou and George Kazantzidis. Cambridge, Cambridge University Press, 2023. Pp. xiii + 331. Hardback £85, ISBN: 978-1-316-51466-5. There are many points of contact with G. M. Chesi and F. Spiegel (eds.), Classical Literature and Posthumanism (London, 2019) and J. Draycott (ed.), Prostheses in Antiquity (Abingdon, 2019).

6 It complements the forthcoming volume Bär, S. and Domouzi, A. (eds.), Artificial Intelligence in Greek and Roman Epic (London, 2024)Google Scholar and follows up on some threads from Mayor, A., Gods and Robots. Myths, Machines, and Ancient Dreams of Technology (Princeton, 2018)CrossRefGoogle Scholar.

7 Homer's Iliad and the Problem of Force. By Charles H. Stocking. Classics in Theory. Oxford, Oxford University Press, 2023. Pp. viii + 275. Hardback £83, ISBN: 978-0-192-86287-7.

8 A. Purves, ‘Ajax and Other Objects: Homer's Vibrant Materialism’, Ramus (2015), 75–94.

9 The close readings of scenes of political negotiation resemble the approach of D. Elmer, The Poetics of Consent. Collective Decision Making and the Iliad (Baltimore, 2013), with complementary results. Chapter 3 on the funeral games of Patroclus might be read alongside Kelly, A., ‘Akhilleus in Control? Managing Oneself and Others in the Funeral Games’, in Bassino, P., Canevaro, L. G. and Graziosi, B. (eds.), Conflict and Consensus in Early Greek Hexameter Poetry (Cambridge, 2017), 93116Google Scholar, and indeed it connects up with Ready's chapter 4, which shows how the external audience are encouraged to pick favourites in this episode.

10 Greek Poetry in the Age of Ephemerality. By Sarah Nooter. Cambridge, Cambridge University Press, 2023. Pp. xii + 242. Hardback £85, ISBN: 978-1-009-32035-1.

11 Garcia, L. F., Homeric Durability. Telling Time in the Iliad (Washington, 2013) is perhaps the fullest exploration of this topicGoogle Scholar.