Eighteenth-Century Music: Volume 3 -

Eighteenth-Century Music

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Eighteenth-Century Music
ISSN: 1478-5706

EISSN: 1478-5714

URL: /core/journals/eighteenth-century-music
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Eighteenth-Century Music

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Volume 3 - September 2006

Reviews: Books

MARIANNE DANCKWARDT AND WOLF-DIETER SEIFFERT, EDS BERICHT ÜBER DAS MOZART-SYMPOSION ZUM GEDENKEN AN WOLFGANG PLATH (1930–1995) AUGSBURG, 13. BIS 16. JUNI 2000 PUBLISHED AS MOZART-JAHRBUCH 2001) Kassel: Bärenreiter, 2003 pp. xiv + 501, ISBN 3 7618 1580 8

LUDWIG FINSCHER JOSEPH HAYDN UND SEINE ZEIT Laaber: Laaber, 2002 pp. 558, ISBN 3 89007 530 4

MARK DARLOW NICOLAS-ETIENNE FRAMERY AND LYRIC THEATRE IN EIGHTEENTH-CENTURY FRANCE Studies on Voltaire and the Eighteenth Century 11 Oxford: Voltaire Foundation, 2003 pp. xi + 400, ISBN 0 7294 0836 1

ANSELM GERHARD LONDON UND DER KLASSIZISMUS IN DER MUSIK: DIE IDEE DER ‘ABSOLUTEN MUSIK’ UND CLEMENTIS KLAVIERWERKE Stuttgart and Weimar: Metzler, 2002 pp. 379, ISBN 3 475 00976 9

CATHERINE KINTZLER THÉÂTRE ET OPÉRA À L’ÂGE CLASSIQUE: UNE FAMILIÈRE ÉTRANGETÉ Paris: Fayard, 2004 pp. 335, ISBN 2 213 62125 X

DANIEL HEARTZ MUSIC IN EUROPEAN CAPITALS: THE GALANT STYLE 1720–1780 New York and London: Norton, 2003 pp. xxiv + 1078, ISBN 0 393 05080 7

RAINER KLEINERTZ GRUNDZÜGE DES SPANISCHEN MUSIKTHEATERS IM 18. JAHRHUNDERT. ÓPERA, COMEDIA UND ZARZUELA Kassel: Edition Reichenberger, 2003 2 vols, pp. viii + 339 and 328, ISBN 3 935004 74 5

PHILIP OLLESON SAMUEL WESLEY: THE MAN AND HIS MUSIC Woodbridge and Rochester, NY: The Boydell Press, 2003 pp. xxiii + 360, ISBN 1 843 83031 0

SIEGBERT RAMPE, ED. BACH: DAS WOHLTEMPERIERTE KLAVIER I: TRADITION, ENTSTEHUNG, FUNKTION, ANALYSE. ULRICH SIEGELE ZUM 70. GEBURTSTAG Munich and Salzburg: Katzbichler, 2002 pp. 520, ISBN 3 87397 145 3

Reviews: Editions

WILLIAM BABELL, TWELVE SOLOS FOR A VIOLIN OR OBOE WITH BASSO CONTINUO ED. CHARLES GOWER PRICE Recent Researches in the Music of the Baroque Era 140 Middleton, WI: A-R Editions, 2005 pp. xvii + 82, ISBN 0 89579 576 0

CARL STAMITZ, VIOLA CONCERTO NO. 1 IN D MAJOR (URTEXT) ED. NORBERT GERTSCH, ANNEMARIE WEIBEZAHN / PIANO REDUCTION BY JOHANNES UMBREIT / CADENZAS AND LEAD-INS BY ROBERT D. LEVIN / FINGERING AND BOWING BY JÜRGEN WEBER Munich: Henle, 2003 pp. vi + 26, ISMN M 2018 0758 4

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MATTHEW RILEY MUSICAL LISTENING IN THE GERMAN ENLIGHTENMENT: ATTENTION, WONDER AND ASTONISHMENT Aldershot: Ashgate, 2004 pp. ix + 188, ISBN 0 7546 3267 9

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GIUSEPPE TORELLI, CONCERTI MUSICALI, OP. 6 ED. JOHN G. SUESS Recent Researches in the Music of the Baroque Era 115 Middleton, WI: A-R Editions, 2002

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DAVID TUNLEY FRANÇOIS COUPERIN AND ‘THE PERFECTION OF MUSIC’ Aldershot: Ashgate, 2004 pp. 172, ISBN 0 7546 0928 6

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MUZIO CLEMENTI, SYMPHONY NO. 1 IN C MAJOR, WO32 ED. MANUEL DE COL AND MASSIMILIANO SALA Bologna: Ut Orpheus Edizioni, 2003 (Muzio Clementi: Opera Omnia, Volume 56) pp. xv+138, ISMN M 2153 0860 2

GIOVANNI BATTISTA VIOTTI, SIX STRING QUARTETS, OPUS 1 ED. CLIFF EISEN The Early String Quartet, volume 1 Ann Arbor: Steglein, 2003

JEAN GILLES, DILIGAM TE, DOMINE ED. JOHN HAJDU HEYER Recent Researches in the Music of the Baroque Era 135 Middleton, WI: A-R Editions, 2004 pp. xix + 96pp, ISBN 0 89579 554 X

Reviews: Recordings

JAN JOSEF IGNÁC BRENTNER (1689-?1742) MUSIC OF BAROQUE BOHEMIA Helena Zemanová, Gabriela Eibenová, Hasan El Dunia, Jaroslav Březina, Martin Prokeš, Matthias Gerchen, Marian Krejčík / Ensemble Inégal / Adam Viktora NIBIRU, 0144 2211, 2004

JOHANN FRIEDRICH FASCH (1688–1758) OUVERTURES IN G MINOR, D MINOR AND G MAJOR Il Fondamento. Artistic Direction: Paul Dombrecht Fuga Libera 502, 2004; one disc, 71 minutes

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Volume 3 - September 2006

Reviews: Books

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