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William Forsythe and the Practice of Choreography: It Starts from Any Point. edited by Stephen Spier. 2011. London/New York: Routledge. xii + 186 pp., alphabetical list of works, chronological list of works, index. $30.95 paper.

Published online by Cambridge University Press:  29 August 2012

Rebecca M. Groves
Affiliation:
Stanford University

Abstract

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Type
Book Reviews
Copyright
Copyright © Congress on Research in Dance 2012

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References

Works Cited

Burrows, Jonathan. 2010. A Choreographer's Handbook. New York: Routledge.Google Scholar
Driver, Senta, ed. 2000. “William Forsythe.” Choreography and Dance: An International Journal. Vol. 5, Part 3. Newark, NJ: Harwood Academic Publishers.Google Scholar
Forsythe, William. 1999. William Forsythe: Improvisation Technologies: A Tool for the Analytical Dance Eye. [CD-ROM + booklet]. Karlsruhe: ZKM.Google Scholar
Forsythe, William. 2012. Motion Bank: A Context for Moving Ideas. http://motionbank.org/en/ (accessed March 5, 2012). The Forsythe Company GmbH.Google Scholar
Forsythe, William, Palazzi, Maria and Zuniga-Shaw, Norah. 2009. Synchronous Objects for “One Flat Thing, reproduced” by William Forsythe. http://synchronousobjects.osu.edu. (accessed March 5, 2012). The Forsythe Company; Advanced Computing Center for the Arts and Design and Department of Dance at The Ohio State University.Google Scholar
Groves, Rebecca M.deLahunta, Scott and Zuniga-Shaw, Norah. 2007. “Talking About Scores: William Forsythe's Vision for a New Form of ‘Dance Literature.’” In Knowledge in Motion: Perspectives of Artistic and Scientific Research in Dance, edited by Gehm, Sabine, Husemann, Pirkko, and Katharina von, Wilcke. Bielefeld: Transcript Verlag, 91100.Google Scholar
Siegmund, Gerald, ed. 2004. William Forsythe: Denken in Bewegung. Berlin: Henschel.Google Scholar
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